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Btw, can you tell those hands were traced? Just coming clean before someone points it out.
This wip is thanks to these two images I found on pinterest. Whoever made them, thanks but I hope you run out of toilet paper next time you go to the bathroom
Idk why but seeing Sebek so high on your tier list made me inexplicably happy. He kind of annoyed me when I first started playing, but that was before I read his personal stories. Man I was a fool because heโs now one of my favorites (Iโm a first year squad stan and heโs one of my faves of the group). Like heโs so serious as a person but a lot of his moments are actually pretty funny. Anyway this has been Appreciate Sebek Hours and I shall raise a carton of coffee milk to him
[Referencing this post!]
Like coffee, Sebek is kind of a strong and acquired taste.
I totally get why a lot of people are initially turned off by him when heโs so brazen, loud, and obsessive. I know that I personally started TWST not expecting a lot out of Sebek; I couldnโt really take his pastel green Phoenix Wright design that seriously, and I didnโt like his personality since a lot of the early promotional materials marketed Sebek as being defined predominantly by his devotion and worship of Malleus. Iโm relieved to see Sebek having character outside of his reverence for his dorm leader and prince.
I feel that since Sebek takes himself so seriously despite basically being a dumb and childish kid himself, it plays off well with other characters that clearly donโt have the same intense viewpoints as he does. That contrast creates a lot of ridiculous and comedic moments like the time Sebek cried because a cookie Malleus gave him got crushed, or the time Sebek threw a tantrum because he didnโt end up on the same team as his lord. He tries so hard to be cool and mature, but it just comes off as either really smug/condescending (ie shouting about how no one can be as majestic as Silver) or weirdly pathetic (ie stumbling over his words when Malleus tells him to be off to his next class instead of standing around and shouting at Ace and Grim) ๐น Sebek really embodies the cringey way real teenagers act sometimes... too much in a rush to grow up and prove himself to those he looks up to, not realizing how his words and actions can come off to others as hurtful or as just plain silly.
I think Sebekโs biggest deterrent is probably his... discrimination against humans (or basically anyone that isnโt fae). I can see why that would make people uncomfortable when they consider his character. Racism is just plain wrong, end of story. However, I believe that Sebek is purposefully written as such so the main story can correct his behavior and show him the error of his ways (similar to how chapter 5 has Vil teaching Epel that his traditional views on masculinity and femininity are outdated).
Actually! What I find really interesting about Sebek is that his situation seems to be poised to address an issueย that isnโt often mentioned in popular media, and I think itโs important to discuss it. Soooo, without further ado--
***Content warning: discussion of racism (more specifically, internalized racism) and mentions of war below the cut.***
***Please note that I am in NO way condoning racism or war; I am speaking on these topics in an analytical manner. My only intentions in writing this post are to theorize and to educate. I am NOT defending Sebek or his actions, but rather critically commenting on how his circumstances may have played into his current characterization.***
We learn that Sebek is half human and half fae from Silver in chapter 5. While Sebek is busy chiding others and (once again) referring to them asย โhumansโ (derogatory), Silver points out that Sebek himself is half human.ย Then, through Sebekโs Birthday Boy vignettes, we indeed learn that his mother is a nocturnal fairy while his father is a human.
So if Sebek is half human, then it begs the following questions: why does he seem to hate humans so much? Why does he never make mention of his own heritage, and instead chooses to exclusively extol fae?
Two words: internalized racism.
โHold on!โ I hear you saying. โWhat is internalized racism, and how does it differ from the regular definition of racism?โ
Well, according to the Oxford dictionary, racism isย โprejudice, discrimination, or antagonism directed against a person or people on the basis of their membership in a particular racial or ethnic group, typically one that is a minority or marginalizedโ. Internalized racism is when those minorities or marginalized groups turn the oppression inward, which results in hating their own group. In Sebekโs case, this hatred is directed at humans--the side of himself that he seems to resent and be ashamed of.
Itโs completely believable that Sebek would end up the way that he is. From what little we know of the Briar Valley and of fae in Twisted Wonderland, we can make many inferences and come to this conclusion. The population of Sebekโs home country is said to be predominantly fae, and they often use magic rather than technology to complete everyday tasks. (For example, if they want to go somewhere, the preferredย โmode of transportationโ is flight instead of cars.) The Briar Valley appears to be a very traditional, old-fashioned nation that is set in its ways.
Furthermore, it seems that most fae, as diverse as they are, seem to be exclusionary to other races (though we learn in Fairy Gala and FG: What If that, even among fae, there can be conflicts and discrimination; for example, nocturnal and diurnal fae do not get along). We somewhat observe this in Malleus, as he casually talks about the feats he is able to perform, whether magical or physical. At the same time, the tone he takes when addressing his classmates, even fellow third years and peers, is somewhat haughty (referring to humans asย โchildโ/โchildrenโ of man as if to imply they are juvenile and inexperienced, outright saying that everyone isย โlike a babyโ compared to him, and brushing off their magic as though it is nothing to him). These can be perceived as microaggressions, orย โcommonplace daily verbal, behavioral or environmental slights, whether intentional or unintentional, that communicate hostile, derogatory, or negative attitudes towards others of a particular groupโ. The fairies we see in Fairy Gala and even Vargas CAMP! also reflect this, as they chase out humans from their event and/or territory. In Fairy Gala in particular, itโs implied that the fairies will reject or be hostile towards those not perceived as fairies at their gatherings, which is why the boys have to cover themselves with Fairy Dust toย โblend inโ and pass as fairies. It wouldnโt be too strange to assume that similar exclusion occurs in the Briar Valley, especially considering that fae are the majority and humans are the minority.
I want to take a brief moment to note that the behavior discussed in the previous paragraph is exclusive to fae. Beastmen and merpeople, two other races, engage with humans in a far less antagonistic ways.
We do sometimes see beastmen talk down to humans, typically on account of believing that humans are weak, but the beastmen weโve observed so far have never attacked others simply due to not being of the same race as them. It seems that beastmen discriminate based mostly on whether or not they believe another person can hold themselves in a fight--itโs a very โsurvival of the fittestโ viewpoint. Interestingly, Ruggie is said to be lacking in physical strength, but commands respect due to his reputation of being Leonaโs (someone who is significantly stronger, and considered the โleader of the pack) right hand man. I wonder if hyenas (who appear to be on the lower social rungs of the Sunset Savanna) are also seen as somehow โweakerโ than other beastmen, which may explain their place in the hierarchy (as the beastment weโve seen so far seem to value physical strength).
Meanwhile, merpeople have arguably been the most amicable with humans and by far the most open to the idea of integrating with human society (though it hasnโt always been this way). This goes back to their history, which tells the tale of a curious Mermaid Princess that made a deal with the Sea Witch to obtain legs and explore the world above. That same Mermaid Princess would go on to establish a program for young merfolk to come to the surface to study and learn about land culture. Thereโs even a special bureau that hands out free potions that give merpeople human forms (1 potion lasts anywhere from 7 to 10 days), so long as those merpeople wish to migrate and/or establish careers in the world above. However, I do want to point out that merfolk DO seem to discriminate within themselves based on traits such as how fast they can swim (as Azul cites being bullied because he had bulky limbs which made him a slow swimmer). Again, this is a very โsurvival of the fittestโ mindset, which I believe makes sense for both merfolk and beastmen, who are โwild animalโ based races subject to the whims of Mother Nature.
It is only fae that appear to discriminate against non-fae (specifically humans) so intensely, and on a basis that extends beyond theย โsurvival of the fittestโ belief. They live in their own closed-off circles and believe that their own kind areย โbetter thanโ those outside of those circles. Living longer, fae have more wisdom. Using magic all the time, fae have more skill. No human could hope to compare.
This part is pure speculation, but there have been mentions of a human-fae war in Twisted Wonderlandโs history, and I wonder if the Briar Valley played a significant role in that (seeing as Lilia is described to be a decorated war veteran). If so, this may also be more evidence toward the internalized racism Sebek has developed. Regardless of who won or lost this war, if the Briar Valley took part in it, then its fae residents would definitely hold prejudice toward humans, who were on the opposing side. There might have been intense fear that developed concerning humans who have lived in the valley for generations, simply due to being of the same race as the enemies the fae were fighting. Such paranoia could very well have led into racist legal measures being implemented against humans, or fae turning on their human neighbors and reporting them under suspicion of being spies or traitors. This can go right down to what is taught to children in school: view the enemy and those similar to the enemy as outsiders, even hate them, while building up your own country and your countrymen as shining beacons. As horrible and as scary as all of this is, these are all real things that have happened and are happening during wars in real life--and children, being as pliable as they are, can easily buy into wartime propaganda.
UPDATE: Some of the things I said in the previous paragraph were confirmed in book 7. Briar Valley did, in fact, participate in the war, and they even lost their crown princess (Malleus's mother) in the conflict. The human invaders also ravaged the Land of Briar for its natural resources against the faeโs wishes. Due to how the continent is divided up in modern day Twisted Wonderland, it does appear that they were the losers in the war and had to give up their land to the human nations (though this part is just speculation; more on this theory here). I can easily see why the fae in Briar Valley might harbor and perpetuate disdain toward any non-fae, and humans in particular.
When Sebek tells us about his parents, he mentions thatย โthere were many among [my motherโs] peers who opposed her marriage to a humanโ. In other words, there was a distinct social push against the union of people from two different races (which isnโt that hard to believe, especially seeing how โold-fashionedโ the Briar Valley is implied to be and how fae appear to discriminate against other races in general). As offspring resulting from that union, Sebek may have faced considerable hardships in his childhood. Heโs not like the other children (most of which, Iโd presume, are either fully fae or fully human), heโs an anomaly. I wouldnโt be shocked to learn that Sebek might have been ostracized because of who his parents were. (In book 7, he is discriminated against by his own grandfather who calls him a โhumanโ and derides him for lacking the Zigvolt familyโs signature scales.) On top of that, he grew up in a society that seems to heavily favor fae and those capable of using magic--traits that donโt apply to his father.
Another detail which may have contributed to Sebek being looked at differently by his peers is that he was a late bloomer with his magic. Itโs probable that others looked down on Sebek because he manifested his magical abilities late in life. Imagine years and years of being surrounded by peers that are just more skilled and talented than you, and they often treat you differently because of that. Whether itโs overt bullying (fighting, name calling, taunting) or subtle snubs (ie excluding him or giving strange looks), they would all hurt and deeply wound a growing child like Sebek who is still trying to make sense of the world and his place in it. Letโs also remember that he has an older brother and an older sister that he could easily compare himself to, and a (retired royal guard) grandfather with a great legacy to live up to. (Side note on Sebekโs grandpa: he is described to be very old-fashioned and discriminatory himself, so itโs possible his ideals rubbed off on Sebek, especially seeing as Sebek says he spent a lot of time in his youth at his grandfatherโs.)
Of course Sebek would develop great shame for the half that is looked down on by seemingly everyone outside of his immediate family. Of course he would embrace theย โsuperiorโ side of his heritage, the culture and air of righteousness that pervades his country. Of course he would shun hisย โinferiorโ side, going so far as to make no mention of it to others (note that it was Silver, who is fully comfortable being a full-blooded human raised by a fae, who outed Sebekโs half bloodedness, rather than Sebek himself). Of course he would worship Malleus, the epitome of the power and might that fae can wield. Heโs seeking validation in his very VERY confused identity, which is a struggle that many teenagers in real life have to deal with.
I propose that this is how Sebek has learned to cope with the struggles of growing up half human, half fae: by rejecting his humanity and aggressively embracing being fae. All his boisterousness and the acting out he gets up to is him denying a part of himself. Heโs projecting it to the world to see and hear--because if he says it enough times, and says it loudly enough, then surely he can convince himself that he isnโt somehow โless thanโ his fellow countrymen, right? (Or so thatโs probably what Sebek tells himself.) It might not be the best way to cope, but it was, perhaps, the only way Sebek knew how to cope. When most of your country looks at you like youโre the strange one, how is a child supposed to fight back? He canโt--so with little to no other options, his psyche turned that hatred inward as a defense mechanism to protect himself and his ego.
This internalized racism helps explain why Sebekโs relationship with his dad seem so... strange (well, at least from the kidโs end). Sebekโs grandfather (from his motherโs side) is a retired soldier and war hero serving under General Lilia. His mother is also said to be highly proficient with magic since a very young age, and boasts strong principles and unbending conviction. Sebek is very proud of these parts of his family while expressing confusion at and criticism of his father, who is, by comparison, unremarkable. He notes that his father buys him sweets and snacks unprovoked, and showers the kids with attention and praise. Itโs strange; Sebek constantly shouts about humans and how weak and insignificant they are at school, then in the same breath Sebek can communicate that he doesnโt โunderstandโ his father, but he never directly insults him.
I donโt believe that Sebek hates his dad, but that his odd behavior toward him is a result of cognitive dissonance. Sebek (theoretically) resents his human blood because of how it is looked down on in the Briar Valley, but he cannot find it within himself to resent his father for it. How can he, when his dad has been nothing but doting and supportive to his entire family? Yet Sebekโs pride wonโt allow him to outright acknowledge his love for his father, wonโt let him show weakness or bend a knee to aย โmereโ human.
Thereโs also another angle to Sebekโs cognitive dissonance. How can his fatherโmagicless and utterly unremarkableโbe so carefree and content when Sebek has been told his entire life that magicless creatures are second class citizens? How can his father be so genuinely supportive of his children, who are capable of magic without becoming jealous? How can his father be so comfortable with himself, despite not being fae, despite not being able to use magic? By all accounts, the way his father lives and is satisfied with what he already has flies in the face of everything Sebek has been taught by the Briar Valley, and this totally baffles him.
In Sebekโs Union Birthday vignettes, we see just how much he really cares for his dad. When asked who he would pick to be with him on a deserted island (and it canโt be anyone from his own dorm), Sebek replies with Trey. Why Trey, even though he doesnโt seem to have any skills for surviving in the wilderness? Because (as Sebek himself states), Trey reminds him of his father.ย โNo matter what I say to him, he would always talk to me without being fazed whatsoever.โ Jack, Sebekโs interviewer, points out that his dad must have a big heart, and that he must be someone Sebek can rely on. To this, Sebek reacts with embarrassment and insists that he does NOT rely on his father, then rushes to move on to the next question.
Itโs probably very strange to Sebek that his dad loves him so much, as it is likely a strong contrast to how those outside of his immediate family perceive and treat him. Society has taught Sebek that humans are inferior to fae, and yet here is a human that doesnโt care what he or Sebek is or isnโt. He just loves his family, and loves Sebek, regardless of what everyone else says or thinks of them. Sebek doesnโt know how to react to that, and itโs so off-putting. His dad gives him such pure and unconditional love, and I think that Sebek recognizes that, but he feels too ashamed to express his gratitude and reciprocate that unyielding love (which, I suspect, is due in part to all that internalized racism). It only contributes to his ongoing identity crisis--a crisis that, mind you, has him dividing people in "fae" and "humans" rather than "fae", "humans", "merpeople", and "beastmen. Why? Because Sebek is fixating on the two sides of himself, his "fae"-ness and his humanity... and lost in that conflict is himself and the connections he could have made with others. If you think about it that way, Sebek is not only hurting those around him, but heโs also (unintentionally) sabotaging himself and his relationships. Itโs proof that racism is terrible for everyone involved, even the people perpetuating it.
Sebek never feels like heโs enough. Heโs always rushing to get somewhere, rushing to prove himself in the eyes of others. Heโs the last in the Diasomnia group to go to NRC, he feels the need to compete with and outperform Silver, his magic came to him lateโฆ and to top it all off, heโs questioning who he is: fae or human, both or neither? Now heโs overcorrecting, overcompensating, in an effort to be seen as someone worth having around. This is why he loudly declares his fae heritage and shuts down humans. This is why he is so desperate for praise. This is explains SO much about him.
So why did I spend several paragraphs detailing Sebekโs internalized racism to you? Because, as Iโve said earlier in this post, this is something that happens in the real world and it is not discussed enough in a lot of the media we consume.
I feel like Sebekโs dilemma can be very relatable, particularly to those struggling with an identity crisis of their own, be it those of mixed race, those hailing from unconventional family structures, or anything else which may make themย โdifferentโ. Of course, this is NOT a blanket statement. Everyone does not go through the same struggles, and every personโs experiences are unique. I am only presenting my own speculation on how Sebekโs situation relates to the real world.
I know that Iโve personally gone through an identity struggle that looks a lot like how I theorized Sebekโs to be, so his character really hits close to home ๐ฆ Without getting into too many specifics, Iโm considered a minority in my country, and Iโve received a lot of ridicule because of it. I cannot count the number of times Iโve seriously been told that my native language soundsย โweirdโ, been made fun of for my appearance (particularly my eye shape), stereotyped as smart just because of my race, or called insensitive nicknames. It got to the point where I started to resent my heritage (refusing to eat our foods, refusing to speak our language, refusing to learn about our history), which I saw as alienating me from my peers--but it seemed that no matter what I did, neither culture that I was a part of fully accepted me. The people I was trying to fit in with never considered me part of their group, and my extended family thought I wasย โdifferentโ from them since I was not born and raised in our home country. I was disconnected from my peers and my relatives. It felt like I didnโt belong anywhere.ย I can really understand what Sebek is probably going through, because Iโve lived it myself.
Now that Iโm older and wiser, I look back at that period of my life and realize how toxic it really was. Iโm reconnecting with my roots and coming to embrace and love the culture I grew up in, and the culture of the family that I was born into--both sides. But hereโs the thing: people donโtย always identify internalized racism and recognize it as something that is harmful (both to themselves and to the people around them). Thatโs why Iโm hopeful for Sebek, what chapter 7 can do for him, and the important message it can send to the fandom.
ANOTHER UPDATE: 100 parts (and counting) deep into book 7 and yes, I can confirm now that Sebek's internalized racism is being confronted and he's being forced to reconcile with those difficult feelings. I may make a follow-up post on this topic.
Itโs so, so easy to dismiss Sebek as a hypocrite (which, donโt get me wrong, he definitely is), but there is likely so much more nuance to it than just โhe hates on humans even though he is half human himselfโ or just โheโs a racist and thatโs all there is to himโ.
Obviously, racism is wrong and should be condemned, but I donโt believe simply depicting a character as racist is necessarilyย promoting racism. As long as media is not outright glorifying it, racism can be used as a literary device to deliver an important message (which is, more often than not, an anti-racism one) to the audience.
Itโs made pretty clear that no one takes Sebek seriously when he shouts about humans or acts hateful toward them. Other characters consistently either make fun of Sebek for acting so outrageously, or they outright call him out for his discrimination.
To me, this all reads as very blatantly and purposefully setting Sebekโs racist beliefs up to be shattered and proven wrong later. Heโs representative of a social problem, and I hope that TWST will use Sebek to promote a positive message when his time in the spotlight comes around.
What message might that be?
To learn to love and accept yourself, and where you come from, in its entirety.
One thing (the only thing, actually) I like about leaving unfinished art around is that I can go back whenever and complete it. It's like having a coloring book of your own.
This is Yuu from "Atramentum" by Chronophage on ao3.
(I haven't touched twisted wonderland since 2019, this is the fanfic that dragged me back to the fandom. Now I'm stuck waiting for more updates like the rest of you peasants. This is hell.)
This is a fanart of White Rabbit Fest Yuu to be specific, ranging from the most accurate to the fanfic to the most obnoxious bullshit I can get away with.
I'd also like to mention that I drew all three of these and only after finishing did I remember to flip the canvas, so I had to spend the next hour frantically watching out for any outrageous mistakes and fix them one by one. I hate my life.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Well, it was supposed to be a mairuma Cale fanart of when he met Derkila for the first time but it somehow ended up like this.
If I knew it would turn out like this I would've chosen a more interesting pose, instead I got stuck with this frankly boring piece.
I couldn't even do the coloring I had in mind right. I'm so disappointed and so frustrated and I wanted to drop on the floor and sob and just delete it out of existence--
But I did have fun making it, even if I don't like the end result, and I crave external validation. So...
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Reading Children of The Holy Emperor and someone commented that this is a book where everyone is a main character in their own rights (and power) and they are so right ๐คฃ
Demigod dad. Regressor daughter. System player son. Reincarnated son. Transmigrated son. Shoujo villainess daughter. And more
And they're all well developed characters, existing within an incredible world-building resembling a mix of tcf and orv. Not to mention the actually great plot and intriguing developments.
I already know what he looks like, I just need a bit of time to draw it.
This Cale is my most developed one, lore wise. Though don't get your hopes up too high since that only means I've put down the basics lol
So here's the gist of it:
'After the final battle against white star, Cale is finally able to attain his slacker life.
Except sike. The god of despair is a petty bitch, and uses the remnants of his powers to curse Cale. Leading to sever bleeding, black veins, and loss of consciousness.
In the midst of the panic, the god of death offers a solution
"How about you relocate the curse elsewhere?"
Cale's family, though cautious, are desperate enough to agree.
And so, Cale's soul is sent to another world without his knowledge.
Next time Cale wakes up, it is amidst immense pain.
Not from the curse.
But from being eaten alive.'
Believe it or not, this is a very lighthearted story.