You were just a kidā¦
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
YOU ARE THE REASON
One Nice Bug Per Day
Cookie Run:Kingdom Official!
occasionally subtle

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Show & Tell
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EXPECTATIONS

shark vs the universe
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

Game Changer & Make Some Noise

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noise dept.
art blog(derogatory)
Noah Kahan
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Not today Justin
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@cocanaa
You were just a kidā¦

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Happy (late) fursuit friday! š¹
Sketch for a friend!
Icon for my bf! š±
My commissions are OPEN!
https://cocaa.carrd.co/
ID
Icon for my bf! š±
My commissions are OPEN!
https://cocaa.carrd.co/
ID

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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blink
damien and pip do a dip!
Actually I wanted to post 4 or more icons like that till I realized that I canāt do itĀ
First outside encounter! Twitter | Instagram
Comic books are Jewish-American culture
And never forget that one of the reasons so many Jewish-Americans contributed to comics is because of the antisemitism in much of the creative sector in 20th century America. Many of these highly skilled and creative people ended up in comics because they couldnāt find work in more prestigious and lucrative fields.
also the same reason so many of them worked in the motion picture industry when it first began; working in film wasnt a respected line of work, so it kinda became a jewish culture, and when film unexpectedly caught on, upper-middle class white christians were quick to erase the jewish influence that the film industry had. also similar to the reason why so many jews in the past millennium worked in finance- in the 1100s it was considered sinful in the christian church to handle large amounts of money, so banking in western Europe was kind of the only profession in which Jews were guaranteed a secure income. because banking was a Jewish thing because it was sinful, when it became a respected profession, the upper-middle class and elites were quick to smear the Jewish involvement in banking as an evil conspiracy to control the world
nice addition thank u^šš¼šš¼šš¼ā”ļø
gonna add real quick that two Jewish men actually created Batman. Bill Finger was uncredited for years, but he is responsible for Batmanās look, backstory, personality,, setting etc. Bob Kane is responsible for the name and thatās pretty much it.
āIn fact, nearly all the great superheroes were created by Jews: Jerry Siegel and Joe (Joseph) Shuster created Superman, Joe Simon and Jack Kirby (Jacob Kurtzberg) created Captain America, Bob Kane (Robert Kahn) and Bill Finger invented Batman, while Kirby, together with Stan Lee (Stanley Martin Lieber) produced a particularly impressive line of heroes such as Spider-Man, The Hulk, the Fantastic Four, Iron Man, the X-Men, Thor and the Avengers. ā āSupermensches.
And more superheroes than those had at least one Jewish creator. For exampleā¦
Aquaman? Created by Paul Norris (not Jewish) and Mort Weisinger (the son of Austrian Jewish parents) in November 1941.
The original Batgirl (spelled Bat-Girl), Betty Kane? Ā Created by Bill Finger and Sheldon Moldoff in 1961.
Dick Grayson, a.k.a. the original Robin? Created by Bob Kane, Bill Finger and Jerry Robinson in 1940. And yes, Robinson was also Jewish.
Green Arrow? Co-created by artist George Papp (not Jewish) and writer Mort Weisinger.
Alan Scott, the original Green Lantern? Bill Finger and artist Martin Nodell (the son of Jewish immigrants).
Wolverine? Created by artist John Romita Sr. (whoās Italian) and writer Len Wein (whoās Jewish).
Jubilee of the X-Men? Created by artist Marc Silvestri and writer Chris Claremont. Ā Claremont is Jewish on his motherās side.
Black Canary? Created by artist Carmine Infantino and writer Robert Kanigher (son of Romanian Jewish parents) Ā in 1947.
Sam Wilson, a.k.a the Falcon, and Captain America in some continuities? Stan Lee and Gene Colan (whose family name was originallyĀ āCohenā).
TāChalla, the Black Panther? Created by Stan Lee and Jack Kirby.
Itās surprising how many superheroes have Jewish roots.
Iām surprised nobody has mentioned this already but a jewish man also invented what we now call graphic novels. His name is Will Eisner and the most prestigious comic book awards were named after him. He drew the Spirit comics as well as many graphic novels like A Contract with God, New York: The Big City and many many more. He also wrote and illustrated two books about making comics and sequential art. He was a fucking genius of visual narrative, character design and ripping your heart out with his stories.

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Jenny Slate, Little Weirds
Mood
The White Witch has discovered.... voles. She spends hours out in the tallgrass, hunting them. She has brought me dozens of voles over the past few days, folks.
(I have video of her catching one but itās kinda sad if youāre not used to that sort of thing. So I wonāt post it.)
š E N R I C H M E N T š
Ā Ā Ā Ā Ā Ā it was a pretty good game, fellas!
Skipping stonesĀ
GREGORY: My rivalry with Stanā¦
GREGORY: ā¦
GREGORY: I⦠ehem, I must say that my memory falls a little flat on exactly what troubles weāve run into in the last several months.
GREGORY: The reason being is that weāve rather actively avoided each other since around December of last year or so.
GREGORY: Though I can say he looks just as thrilled as he always has in the pastā during the height of our most vying feuds.
GREGORY: That vexed, vaguely annoyed face is one that sparks many a memory of our childhood rivalry.
GREGORY: I can recall as early as age 11, we would strife about all through 5th grade.
GREGORY: Oh Stanley, is that what youāve chosen for question number three?
GREGORY: I pity you so~
STAN:
GREGORY: Oh if only I were to, perhaps, accidentally drop my expertly educated take on your deskā¦
GREGORY: Youād have all the right answers.
STAN:
GREGORY: So tempting to snag it right from the leather of my glove, is it not?
GREGORY: How unfortunate, youāll never have the chance.
GREGORY: My superior sleight is much too nimble for your sluggish brain.
STAN:
GREGORY: I remember the distinct eye twitches he would get whenever I would pull out my most cunning of conflict.
GREGORY: He would not say a thing, Iām sure because he was simply too afraid to fight back at the time.
GREGORY: However, he didnāt always remain so silent and tameā¦
GREGORY: I would say around middle school⦠that is when weād really go at each others throats.
GREGORY: Such a gruesomely exquisite time.
GREGORY: Weād even write our personal hate letters to each other, oh how I admire those days.
GREGORY: I would always look forward to the times where heād write me back on the very same paper I would send to him.
GREGORY: A rivalry between two people is a much more intimate experience than one would be lead to believe.
GREGORY: You could, perhaps, even put it on par with a committed relationship of sorts.
GREGORY: And ours, I can say, was long term.
GREGORY: Around the age of 16, I began deploying newer, fresher tactics to our commitment.
GREGORY: After an inspiring couple of months of coaching actors for the play of Romeo and Julietā of which he was one of the leadsā I understood just what made him tick a little more.
GREGORY: OH, woe is MEā¦
GREGORY: STANLEY MARSH, ignoring me on his way home from school yet AGAINā¦
STAN: Gregory, for the love of god, stop calling me Stanley.
GREGORY: How now, you speak my name?
GREGORY: I may just faint!
GREGORY: Nary aĀ ādudeā orĀ ājack*ssā in sight!
STAN: Should I even bother asking how the hell you censored yourself.
GREGORY: What a delight this is, youāve yet to lead your trek homewardsā¦
GREGORY: Perhaps youāre wishing for⦠gasp⦠more of my utterly enthralling acting skills to be passed down to you?
STAN: If you ever get closer than two feet from me again Iām seriously gonna vom, dude.
GREGORY: No longer did I get grunts and eye rolls, no no.
GREGORY: Ever since those fateful months, Iāve gotten full blown⦠dare I say, reactions from him.
GREGORY: Our last committed interaction, even, gave more than the letters or eye twitches ever could.
GREGORY: I arrived one day to his houseā a residence in which I rarely visited.
GREGORY: In fact, I donāt believe I had ever even stepped foot into his upper floor before this particular instance.
GREGORY: I was there, strictly forā¦Ā competition if I recall.
GREGORY:Ā ā¦Hi Stanleyā¦
STAN: What the
STAN: How did you get in my house???
GREGORY: Your oh so dearest mother let me inside after pitying the cold, frozen state I was left outside in.
STAN: Uh, how did you get TO my house??????????
STAN: I live like. Miles and miles out of town.
GREGORY: I see you do not share the pity your mother gave me.
GREGORY: As I expected.
STAN: Uhhhā¦
STAN: Iām like.
STAN: Busy hanging out with my friends dudeā¦
GREGORY: That I can see, and smell.
GREGORY: I recognize the smell of production.
GREGORY: You know, Iām not stranger to such a thing.
GREGORY: Iāve partaken once before.
GREGORY: Perhaps I can show you and your friends how itās really done.
STAN: I think thatās probably the funniest thing youāve ever said.
GREGORY: Oh, but no laughter I hear.
GREGORY: Move aside, dearest Stanley.
GREGORY: Watch me wow your friends with my terrifically rebel-like, utterly cannabis-orientated skills.
GREGORY: Ultimately, the experience did not go over well.
GREGORY: Within those last four hours at his house⦠That was the last time I had spoken to him.
GREGORY: Until now, that isā¦
GREGORY: How my heart yearns for our rivalry to continue.
GREGORY: Mayhaps it is bittersweet fate that he be my cabin mateā¦
GREGORY: Perhaps we could fix what has been damagedā¦
GREGORY: Lest ourĀ āwhat once wasā never again turns present-tense.
GREGORY: How cruel the mistress of fate would have to be for us to never be the same.
GREGORY: Truly nobody has experienced greater sorrow than I.

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still waiting for him to move back
šæPaint faded and marks madešæ