paddlin'
(from Twitter, 21 Oct 2022)
The Bowery Presents
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PUT YOUR BEARD IN MY MOUTH
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@clutzyangel
paddlin'
(from Twitter, 21 Oct 2022)

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I thinks folks expressing incredulity at the quality of the writing and composition in Calvin and Hobbes are often missing the context that Bill Watterson is arguably the most influential sequential artist of his generation. Like, this is a guy who once told the editors of nationally syndicated newspapers to go fuck themselves when they wanted to mess with his panel layouts, and not only did he keep his job, he got his way. He could have had literally any gig he wanted, and he chose to be the Sunday funnies guy because that's what made him happy. He's basically the Weird Al of sequential art.
Watterson considers comics to be as true an art form as painting and films and literature, capable of reaching just as high as any other medium. Calvin and Hobbes isn't accidentally high art. Watterson made it what it is on purpose. And when he was done, he stopped. No movie, no spinoff, no reboot. He considers the comic to be its completed form, in exactly the medium it is supposed to be. He believed in comics in a way few others ever have, and he fought tooth and nail for the right to take his own work, jokes and all, seriously.
would you care for some mushrooms?
Him getting smaller and smaller as he walks up to the truck is some real Peter Jackson The Lord of the Rings forced perspective movie magic
Amazing moments in Dads: my friend’s dad’s critique of Frankenstein was, “I just don’t think the author had read science fiction before.”
"I'd say she knows a little more about sci-fi than you do, pal, BECAUSE SHE INVENTED IT!"
I means, he's technically not incorrect...

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it's funny how some belief systems are so obviously just cults that got popular but since they have millions of followers you have to pretend they're something more than that and be like "yes i have respect for your beliefs"
This had better not be a vaguepost.........
not now joseph smith
Mouse Armor by Jeff De Boer
I love his stated intention behind these projects, ‘Confuse historians’.
Someone send this man to the Redwall universe stat
really humiliating trying to write horror like they went into the creepy house and there was a creepy ghost and the creepy guy with a creepy knife and everything was very creepy are you scared yet and thats like literally not how suspense and tension actually work but like all u can do is say well maybe something else was creepy?
if you have to rely on specific scripts or turns of phrase to socialise that's totally fine, but you must NOT reveal them to your friends while slightly drunk. it's like showing how the magic trick works, you can't do it in front of them afterwards
i like dogs a lot but i can never remember the differences between breeds (apart from the few types i've actually owned/interacted with). but i know people looove their dogs and love talking about their dogs, so whenever im talking to a dog owner i'll ask what breed it is, and no matter what breed they say i'll say "oh! i've heard they have a really nice nature :D" and they always go YESSS THEY'RE GREAT and start gushing about their dog and we have a nice conversation and i build social credit with this person. anyway i told my friends about this script a few weeks ago when slightly drunk and now every time we're in public together and a dog goes past they turn to me and ask "does that one have a nice nature?" im in a hell of my own making
and out of the darkness - you you you you you

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i wont hatepost but sometimes it does feel like this to scroll fandom tags
As I get older, the entire moral arc of Return of the Jedi irks me more and more, even without getting to see Anakin's actual atrocities in the prequels or the fact that his act of defiance barely even mattered in the sequels.
I remember an Expanded Universe comic set immediately after RotJ where Leia tells Luke words to the effect of "Vader literally had me tortured and blew up my homeworld. What, am I supposed to feel kinship with him just because I discovered he's my dad yesterday?"
The important thing that happens in Return of the Jedi is that the Emperor dies and the planet-killing superweapon gets blown up. Vader spent the last two hours of his life doing something good after 25 years of genocide, mass murder and torture, and even then, it was partly out of vengeful hatred. Vader fucking hated Palpatine for a quarter century and never had the spine to do anything about it. It was only after his own son was being tortured to death in front of him that he chose to act - and he'd cut off the kid's hand like two years before that! That's not a fucking redemption arc.
Darth Vader the fucking child-killing planet-murderer gets to stand there with Yoda and Obi-Wan as a Force Ghost, give me a fucking break.
"My father's name was Bail Organa, actually."
I have a whole other post I did about the original Star Wars trilogy that is relevant to this, but I'll try condense it:
So one, yes, absolutely it is entirely correct to take issue with Darth Vader's apparent forgiveness by the Force, there is no need for Leia to accept him as her father or to feel anything for him besides hate and contempt, redemption takes more than turning back for a couple of hours and then getting out of culpability by dying, all fair.
That said: the original trilogy is Luke Skywalker's story and the story of Luke Skywalker, on a meta level, is about being a young adult in the 60s and 70s who did not experience WWII or the depths of fascism personally, but who grew up with gaping familial wounds - family members who you never knew but who older people refer to or talk around, people they compare you to, figures who other children had in their lives but you didn't. Someone who as a child was given fantasies of heroes fighting daring battles, who was told it was all about nationhood and fighting for your people and the course of civilization, someone who internalized those principles as guiding lights for their own morality and who they want to be... and THEN finding out when you become an adult, and are permitted to know about the horrors, that it is not just honor and glory in your heritage, that you, 70s white boy, may have evil and darkness and the corruption of all your values as a potential to fall into just as your father did, the temptation to hate and cruelty and domination and atrocity. And the absences in your family are maybe not just because of death, of noble sacrifice, but perhaps instead because those people who shared your blood became monsters, severed from their family because of their terrible actions, and still live as awful hateful versions of themselves, enslaved to evil, and that could be you.
And what do you do with that? Will you strike your father down with all of your hatred, when the thing that corrupted him by his hate for its own ends is sitting there grinning and laughing, waiting to do the same to you? Is violence the answer against that creature, infinitely better at taking advantage from violence than you are? Or will you just die - and even just walking away here means death, sooner or later - and let the evil persist?
Or will you, privileged young person with ideals and hopes, with a family member who has done terrible unforgivable things but who still holds affection for you, make use of that affection to tempt them to just turn their back on that evil for a moment, the thing it will never expect from the person it made its slave for longer than you've been alive? Neither you nor he can pay back the crimes of those years, but perhaps you can stop the evil, here and now, from going on.
So you do that. And what is your reward? Is it appropriate for Luke, whose whole story has been about becoming the ideal he grew up admiring and defeating the evil that ideal had the potential to become, both halves of it embodied in the being of his father, to come back to his friends and then have the universe say to him 'your father was unredeemable, and had nothing good enough in him to deserve peace in death'? Or to say there was a darkness lifted from him, and a light restored?
The whole purpose of Darth Vader in the story of the original trilogy is to represent who Luke could be, and through Luke, the audience. He wasn't really supposed to have a character arc of his own, his redemption isn't for his own sake, the story isn't about him - or wasn't meant to be originally, in any case. How you depict the fate of Darth Vader is something that sends a very strong message, and there's a reason why it was chosen as the final message of the original movies, in the context of the world in which those movies were made and who they were intended to be speaking to. If you change that, you change the message. Which you can do! And you can take issue with the original message! But like, there was a message, that was chosen purposefully, and you have to lose the original message to add a new one.
This rebuttal is really good, but I actually think it also works as the culmination of Anakin/Vader’s arc… when you understand the message ISN’T “one good deed absolves years of atrocities”: It’s that it’s never too late to do the right thing, and be a better person.
It doesn’t mean people will forgive you - hell no. The things Vader did were unforgivable, and he knew that. But because of that, he believed the only path left was to keep committing atrocities, to wallow in self-hatred and anger for decades and take it out on the galaxy. He says it himself: “It’s too late for me, son”.
But what Luke shows Vader is that we ALWAYS have a choice: To be a better person, and to choose compassion. Anakin doesn’t kill the Emperor out of hatred, or even because he thinks it’ll make up for anything he did: He knows nothing ever will. He chooses to save Luke, and break the cycle of violence because it’s the right, kind thing to do.
Vader/Anakin isn’t fully redeemed by the end of Return of the Jedi: He simply takes his first step back into the light. Obi-Wan and Yoda chose to give him that second chance, but that was their decision to make. The people you hurt are by NO means obligated to forgive you - but you should still strive to be better regardless.
And I think that’s the message of Anakin’s sacrifice: No matter what we’ve done, we always have a choice to break the cycle and be better, with no expectation of forgiveness.
Vader/Anakin spent twenty years trapped in a cult/high-control situation/relationship with a malignantly evil, manipulative man who has been heavily involved in his life since he was a teenager---complete with medical control, by the way---and locked up by his guilt over things he was guided to do thinking they were necessary or righteous at the time.
And at the end of his life he took the terrifying step of freeing himself from it in a desperate effort to prevent a loved one from suffering. Should he have done that before? Absolutely. Could he have? I doubt it.
Few people---thankfully---are given the necessity of enduring their own failures at such a magnitude. It is NOT always easy to be good, and sometimes someone puts real effort into making it seemingly impossible. Humans often fail in that regard. Often.
But he saved the galaxy from the NEXT twenty years of the rule of the Sith, the absence of the Jedi, the overwhelm of the Empire, the destruction of more planets by the Death Star.
The fact he didn't save the galaxy from the FIRST twenty years of it doesn't erase that.
Leia doesn't have to forgive him, or see him as her father. But the message of Star Wars is, as stated above, that you're never too late to do better. Even, or perhaps especially, if you think it can never be enough.
Hell, sometimes the previous failure is what puts you in place to be a current success at it. Just as Han Solo's departure from the battle of Yavin let him enter the battle completely unexpectedly and land the hit that saved Luke from Vader in the trench run, Vader's presence as the Emperor's second-in-command and Sith apprentice, his loyalty to the Empire unimpeachable, put him in a position to successfully kill the Emperor---and, being the other Sith himself, to end their reign.
Sometimes your failures lead you where your successes wouldn't, and sometimes that's an important place to be.
[Image transcript follows]
"It really has to do with learning. Children teach you compassion. They teach you to love unconditionally. Anakin can't be redeemed for all the pain and suffering he's caused. He doesn't right the wrongs, but he stops the horror. The end of the Saga is simply Anakin saying, 'I care about this person, regardless of what it means to me. I will throw away everything that I have, everything that I have grown to love - primarily the Emperor - and throw away my life, to save this person. And I'm doing this because he has faith in me, loves me despite all the horrible things I've done. I broke his mother's heart, but he still cares about me, and I can't let that die.'
Anakin is very different in the end. The thing of it: The prophecy was right. Anakin was the Chosen One, and he does bring balance to the Force. He takes the ounce of good still left in him and destroys the Emperor out of compassion for his son."
George Lucas, The Making Of Revenge Of The Sith; page 221
Majoring in creative writing was a colossal mistake that ruined my life financially artistically socially and spiritually BUT i got to read aloud from My Immortal to a crowd of twenty horrified bystanders for academic credit. So I broke even
The assignment was to bring a story written by someone else and share the first paragraph with the class. Nowhere in the assignment description or the syllabus did it specify that the story had to be good
Lowkey love the word grasp. There’s a desperation to it. You can never casually grasp something

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in a kill it with your sword kill it with your sword amen mood today
Will you follow him yes or no?
Original below the cut 👇👇👇