Andrew J. Park (American, 1996) - Screen Sanctuary II (2026)

Janaina Medeiros

★

ellievsbear

Alisa U Zemlji Chuda
Jules of Nature
Sweet Seals For You, Always
"I'm Dorothy Gale from Kansas"
almost home
styofa doing anything
🪼

pixel skylines

Product Placement

if i look back, i am lost
tumblr dot com
i don't do bad sauce passes

#extradirty
Stranger Things

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@cigarendt
Andrew J. Park (American, 1996) - Screen Sanctuary II (2026)

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Christopher T. Terry - Glitter Ball III, 2024 - Oil on canvas
Bernadette O’Sullivan
Nicholas Galanin
Anastasia Yarygina

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Roma Città Aperta, Roberto Rossellini, dir. (1945)
Buon 25 Aprile!
Goyō Hashiguchi, Scalloping Hair, 1920
Woodblock print
Hashiguchi Goyō produced only 15 woodblock prints during his lifetime
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Frida Kahlo, 1939
#46. Linda Scott - I’ve Told Every Little Star (1961)
“Poster Design” (1929) by Shujiro Shimomura ☀ Art Deco abstraction with theatrical edge ◆ The clown deconstructed?

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Ariel Schlesinger: Untitled (Lighters), 2007
“Ready to Chill” (2020) ∿ Bernard Simunovic

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Mosaic pavement of Aion from the House of Aion in Arles, France Roman 2nd century CE Aion represents the Hellenistic and Roman concept of eternal, boundless, and cyclical time, distinguishing him from Chronos, who governs linear and sequential time. He is fundamentally associated with the cosmos, the zodiac, and the continuous, unending renewal of the ages. In classical mythology and art, Aion is often depicted as a majestic, timeless figure turning a great wheel or encircled by the zodiac band, symbolizing the everlasting rotation of the universe, the recurring cycle of the seasons, and absolute celestial harmony.