2025 on Tumblr: Trends That Defined the Year
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@digitaldetritus

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i was talking about this on my server earlier but i really think "cozy" is one of the worst genre labels out there in the gaming space. like people dunk on the terms "metroidvania" and "first person shooter" a lot for being uncreative or limiting but at least those are like... falsifiable descriptors. you can look at a game and go "yeah this game's mechanics and core gameplay loop generally operate like metroid/castlevania" or "yeah this game primarily uses a first person camera paired with some sort of projectile weapon" so i don't think they're completely useless. but "cozy" is just nonsense. fully subjective. i see a lot of games popularly labeled as "cozy" that share almost zero mechanical features between them and don't even always match in tone or aesthetic. hearing a game described as "cozy" doesn't tell you anything about what to expect as a player beyond maybe giving you a sort of forewarning about the fanbase and their discomfort tolerance. "cozy" is not a quantifiable metric. like imagine if someone offered to buy you takeout and asked you what kind of food you'd like and you told them fully unironically, and with no further elaboration, "i want to get yummy food." that's what hearing "cozy games" sounds like to me
i especially chafe at the way "cozy games" just seems like a "woke" way to say "girl games" and conflate certain game mechanics or aesthetics with a non-cis/het/male identity (to equally useless effect from a buyer's pov). gender stereotyping by any other name is still gender stereotyping. i'm not cis het or male, but i've spent decades enjoying pvp shooters and feel bored to tears by cutesy cottagecore farming sims. and i find those pvp shooters very "cozy" to play, too! @_@;
The Magic Looking Glass by Nell Brinkley, 1920
THE THING (1982)
Max Ernst

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Kour Pour (British-Iranian, b. 1987, Exeter, England, based Los Angeles, CA, USA) - Tiger with Red Stripes Inside 2 Green Rectangles, 2022, Block Printing Ink, Acrylic and Oil on Canvas
In disappearance , guest room - Eline Brontsema, 2023.
Dutch, b. 1988 -
Woodcut , 40.3 x 32.6 cm.
Masa-San: ‘Green Love Letter’ (1989) Location: Fujino, Kanagawa, Japan
(2000)
Julia de Ruvo (Swedish, b. 1993, Stockholm, Sweden, based Ibid) - Baby and I, 2025, Paintings: Acrylic on Canvas

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A triggered lightning strike at the Camp Blanding facility, International Center for Lightning Research and Testing—ICLRT
Krzysztof Gil (Romani-Polish, 1987) - Hydra (2024)
Krzysztof Gil (Polish, 1987), Hydra, 2024. Oil on canvas, 180 x 140 cm.
Microsoft Cinemania '96
jiyung lee
Illustration from a 1941 advertisement

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"Alstertal vor Wellingsbüttel", Arthur Illies, 1900. Colour etching on Japan paper.
Very rare - black orchid or Cymbidium Kiwi Midnight.