“I have been in love with no one, and never shall,” she whispered, “unless it should be with you.”

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he wasn't even looking at me and he found me
we're not kids anymore.
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@chrissy22541
“I have been in love with no one, and never shall,” she whispered, “unless it should be with you.”

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"shipping and blorbofication are not inherently at odds with understanding a story's deep themes" and "some people can't grasp the themes of a story because they never learned how to engage with stories outside of the lens of shipping and blorbofication" are two statements that can coexist
blorbofication to me is when you love a character in such a laser focus way that you somewhat detach them from the narrative from which they are inserted and treat them in a way roughly similar to how you'd treat an oc for which you still have no story and just like to put them in situations just for fun. which there's nothing wrong with btw, it's just that it can easily lead to people forgetting the character engine in a narrative and not just a barbie doll
as an example of blorbofication taken to the extreme without the acknowledgement of the story context to ground it please refer to the thomas jefferson miku binder
"den Umständen entsprechend" is one of my favourite german phrases of all time. Ich sag dir nicht was die Umstände sind, wenn du die nicht kennst ist das dein Problem. ultimate boss of nuance. "it is what it is" but 10 times more german. Ich geh mich jetzt den Umständen ersprechend aus dem Fenster werfen
I just think we all deserve massive home libraries and a couple swords, as a treat
I swear etiquette for live show spoilers used to be putting anything specific or major under a read more even with extensive tagging. Especially since people not going to the show are NOT necessarily going to remember when it is or when it starts with regard to time zones in order to blacklist tags in time. How did this erode so drastically that you can just stumble across whole major spoilers on the dash by accident.

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CRIMINAL MINDS 2.21 — "Open Season"
Yes yes yes this scene thank you for the tag, heehehehe
It’s funny because this scene must be based on the memoir Special Agent by Candis DeLong. In it she describes being out looking at clothes at a department store on lunch break with another female agent and overhearing a conversation between a man and a woman in which he says he’s an FBI agent. They peer around some clothes racks thinking that they’re going to see one of their fellow agents trying to get a date, and when they don’t recognize the guy they go over and pretend to be interested in the big strong FBI agent themselves and ask to see his badge. The guy actually pulled out a fake badge, whereupon they said “Huh, that doesn’t look anything like ours…”, produced their own badges and arrested him for impersonating an FBI agent. (I remember this bit from a 25 year old book because I actually stole it myself for a fic)
Exquisite. Glorious. 10/10 thank you for sharing.
I Love germans "Da ist hopfen und malz verloren" like man we cant even make beer out of that guy
ich glaube das wetter hat vergessen dass es bei pride month ums schwul sein geht und nicht darum wie unglaublich schwül es sein kann.
there are places in the world today that are experiencing 40°C for the first time in recorded history. of course there's no way to know whether chucking billionaires into volcanos will appease the sun god but i feel we're doing the scientific method a disservice if we don't at least try
If she can get into your head, perhaps you can get into hers. || Delilah and I have shared a brain for an incredibly long time. (for @sharkodactyl)

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There needs to be shorthand for "I agree with the basic good that you are defending, but your obsession with winning arguments online has caused you to warp your whole worldview and deny the complexity of reality just to make sure every aspect of the world supports the basic argument that you are defending and you need to stop."
Petra and Ryah: we're a package deal :)
Wick: oh! how odd, I didn't order anything in the mail
like Murray couldn't have been more clear in her talk with Azune after the sewer fight that her protectiveness over Demodus has everything to do with that Demodus took a job through the school and ended up almost dying because of it. she wants the Penteveral to be a safe place for young arcanists like Demodus to learn magic, and within a day of the Sundered Houses' power grab, they exploited a financial aid student and framed him for theft, which directly led to him almost bleeding out in the sewers. making sure things like that don't happen is something Murray considers directly under her responsibility. this lines up with the fact that while she's less fond of him for being a rich boy, Murray also sprang into action to find Occtis when it became clear he was in danger from his father and literally performed a miracle to resurrect him. may I remind y'all, while it wasn't as explicitly about that, she also immediately stepped in when Azune suggested Occtis go in Demodus' place.
you can boohoo as much as you want about Azune but he's a grown ass man who isn't one of her active students. she's still pretty sympathetic to him, but he's a peer in her eyes because it's a whole ass different situation.
I know some of y'all zone out and go into selective hearing mode when a woman is talking, but if you pay attention to her personality and values, Murray has actually been remarkably consistent in the way she treats all three of these men. she puts in a sort of gruff tough love approach with all of them and is, unsurprisingly, the most protective of the financial aid student directly under what she considers her responsibility. any other interpretation is just woobie googles rotting your brain.
my absolute favorite few days of the school year happened this week… the sixth graders started shakespeare. bear with me I have a lot of thoughts about this!!!
everyone in middle and high school here spends the last nine weeks of the school year reading one shakespeare play in english class. we read the entire play out loud, in class, pausing often to talk about it and puzzle out the lines and words and what the characters are doing and thinking. kids volunteer for parts at the beginning of each class period. they do weird accents. they put real emotion into it. I read nothing except the stage directions. it is, amazingly, nearly everyone’s favorite unit. at the end of it, they do projects and write papers and put on a filmed adaptation.
the seventh through twelfth graders start out excited, because they (for the most part) did this the year before and they know that shakespeare is fun. they love it. they ask for weeks beforehand when we’re going to start shakespeare.
the sixth graders, however, are new to the middle school and new to shakespeare. they are scared!!! they think shakespeare’s language is not their own. they think it’s too complex and/or boring and/or will go over their heads and/or very serious.
in the first two-ish days, something magical happens: the sixth graders lose their fear and fall in love with shakespeare. watching it in real time is a gift.
this year we’re doing macbeth. I ask the sixth graders on thursday, day 1, when and where shakespeare lived, what kind of writing he’s known for, etc., to get a sense of what they know (very little). I give them like a five-minute rundown of macbeth and shakespeare but nothing in-depth: I want them entering the play at the level of language.
for the first couple days I put the play on the smartboard as the kids get used to how to read the lines, then we switch to physical copies for everyone. this means there’s no glosses at first, nothing to check for meaning or context — only the lines themselves.
1.1 of macbeth is super short; we read it straight through, with three giggling girls reading as the witches and stumbling over their words, and then go back to parse out the lines. I ask something like, “what do you think hurly-burly means?” the sixth graders give a variety of replies: craziness, trouble, chaos, hullabaloo, and I get to show them a gloss that says basically exactly that. they laugh at weird-sounding lines, they get used to how it should be read. their confidence ticks up because they see now that the language of shakespeare is not some crazy inaccessible building to be scaled. it’s a playground!!! they can go right in and have fun. the learning curve isn’t even that steep. and mind you, we’re still in 1.1! we’ve only barely started.
on day 2, they’re cautiously excited. maybe the beginning was just like that? we were eased into this and it’ll get harder?? then they fully relax and get into it over the course of the class period. they argue over who’s going to read for what part. a kid who has not been doing great in class, rarely volunteers in discussions and even more rarely reads anything aloud, throws his hand in the air when I ask who wants to read for today. he asks to be the “bleeding captain” and proceeds to give an amazing and totally sincere performance of an injured man delivering news to a king. it’s the most he’s spoken in a given class period.
it does require rigorous work and attention to be in sixth grade and read and understand shakespeare. we pause A LOT to talk about the lines and what they’re saying. we look at A LOT of glosses. what bowls me over is how quickly they acclimate, how excited the sixth graders get for that work. not because it’s important to learn or whatever but because it’s fun and interesting!!! they love it. and it took 100 minutes of class between thursday and friday.

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