a strang creature

The very first experience it has with the base crew is that they save it from people shooting at it, give it warm hugs, and kill the people trying to deatroy it. After that it attacks and impersonates an unknown (at the time) member of the crew. After that it gets surrounded by dogs who are angry but too scared to approach, then it changes, then it attacks the huskies, and only then does anyone in the base camp treat it with hostility.

The entire first act of the movie is devoted to establishing that they know each other with an Intimacy so deep they can anticipate one another's actions and attitudes. They have been in an isolated arctic base for months and months where they can barely leave the same building. They are in one another's personal space throughout the movie. It's a vital plot point that the Thing can immitate people down to memories and personality traits. It's a vital metaphorical point as well. It's so deeply and fundamentally superficial and factually incorrect to call them unfamiliar with each other that it implies total inattention to what is happening on screen.

The Thing is, at heart, not a movie about any singular decision or behavior creating a bad outcome. Baked into the 1982 movie is failure, death, entropy, inevitable loss. It's not a movie that's meant to have a right solution, or a right decision - but when someone comes at this very bleak story without a good grounding in horror, there's a kind of urge to treat it like a puzzle. If only they were closer. If only they communicated.

That's not meeting it where it's at, because it rests on a situation where none of those elements really exist. People acted the best they could in the circumstances with the tools and information they had - and it simply was not enough. Nearly everyone dies. Even with the ambiguous ending, whoever is human is going to die, because it's winter in Antarctica and he is hundreds of miles from anywhere with no shelter and no food and no transportation. That's the sort of horror it is, the idea that when faced with extinction humanity's best efforts won't succeed. Creating an interpretation where if we had "just" this or that is shying away from the bleakness. But at the same time, not facing up to the idea that some things really might not be solvable, that the worst can happen in spite of it all, is a necessary skill. Not one we need to indulge in constantly, but we should have that knowledge.

if you've followed me for a while, you've probably seen me mention Underside, my dark cape TTRPG inspired by deconstructive superhero stories like Worm, Astro City, Watchmen, and the first season of Gen V.

it's a project i've spent a lot of time on, trying to build a system that tells the kind of superhero stories i like; the shit that treats them as a subculture with a body count, that digs into the dissociative tension of the secret identity, that asks what it means to feel so completely ejected from regular society that you can only go out in a mask and costume.

for a while now, a playtest edition of Underside has been available on my patreon; now, as it's slowly become more and more complete over the course of a year, i'm putting the most recent one up on itch.io

i want to be clear: while this playtest edition is enough to play a full campaign and contains all the mechanics that are going to be in the finished book, it's still a playtest. there's no fancy layout and an entire section (guidance for the Administrator, the game's GM-equivalent role) hasn't been written yet. but for a while, every time i talk about Underside i get the question: "where can i get my hands on it?". so here's an answer to that question; right now, while it's still in beta--if you want to support the project and help me get it over the finish line, or you just can't wait until it's out For Real, you can get it here.