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BIBLIOGRAPHY

Appleby, J., Mitchell, P.D., Robinson, C., Brough, A., Rutty, G., and Morgan, B. (2014). The scoliosis of Richard III, last Plantagenet King of England: diagnosis and clinical significance. Lancet 383, 1944. 

Buckley, R., Morris, M., Appleby, J., King, T., O’Sullivan, D., and Foxhall, L. (2013). ‘The king in the car park’: new light on the death and burial of Richard III in the Grey Friars church, Leicester, in 1485. Antiquity 87, pp. 519-538. 

The final scene in the film, technically a post-credits scene, was actually the first one shot chronologically. Coogler wanted to show a more recent link to the story’s century-old events, and he really wanted his uncle’s favorite blues musician, Buddy Guy, to be involved. But he quickly learned that Guy, now in his late 80s, hadn’t been to a theater since the “fish movie,” a.k.a. “Jaws,” and he despaired of his chances. Still, he arranged to go see Guy play in Chicago. “I get to the show,” says Coogler, “and his whole family is in the backstage room — his grandkids. And they’re like, ‘Oh, cool, we’re going to bring you to see our grandpa.’ And me and Zinzi go in there and sit down, and he’s like, ‘Yo, man.’” “I’m not a movie guy,” the bluesman said, in Coogler’s retelling of this momentous meeting, “but my kids love your movies and they tell me that I gotta meet with you. So I’m here — whatever you need. You want me to sing? I’ll sing. You want me to act? I’m on for the work. But I got you.” “I pitched him what the movie was,” Coogler continues, “and he told me his life story about being a sharecropper as a kid and going up to Chicago and trying to learn how to play. I broke down crying, because everything I had just written in the script, this dude lived.” “Outside of the supernatural stuff,” Coogler clarifies.

That was the last sunrise I ever saw. Perhaps the kindest thing the dark gift has given me. // It was the last time I saw my brother. It was the last time I saw the sun. It was the only time I ever felt free.

MAGS, THE 11TH VICTOR

CapitolTV has released a second set of Victory Tour posters from their archives, and we at Capitol Couture are in agreement; they couldn’t be any more beautiful. It’s fair to say that few of us living in Panem today have ever laid eyes on these rare and precious artifacts, with them having been sealed in the Capitol vaults for over 60 years.

Mags Flanagan, immortalized here as a young woman, looks as fierce and tenacious as ever. Her triumphant win in the 11th Hunger Games made her a household name and Panem’s sweetheart for years to come. It’s incredible to think this stoic girl is the same woman that smiled so warmly and fought so valiantly alongside Katniss Everdeen in the 75th Hunger Games.

Fashioning olive fatigues, Mags’ vintage look feels surprisingly on-trend with the current wave of militia attire. This, paired with minimal makeup, makes Mags look devastatingly elegant and timeless. Could Mags have been an overlooked style icon? Capitol Couture thinks so.

As fabulous and eye-catching as this heroic imagery is, and while Mags returned to the Games during the most recent Quarter Quell, these iconic Victory Tour posters remained under lock and key until now… perhaps saving them for greater impact when the message was needed most by The Capitol Gamemakers? Only time will tell.

the "I don't want them to change me. turn me into something I'm not" to being turned into a mutt version of himself pipeline

CLUE (Taylor's Version): The Case of Este's Husband

11 partygoers. 8 rooms. 1 mystery. Trace the evidence, make it make some sense below↓ (flashing gif) insp. 1 2 3

lady gaga ostrichsona reveal

cancan't

blood streamers

bibliotheque a trois

national dress under cheap plastic ponchos

letting the rain ruin a perfectly good grand piano

minions for some reason???

world's wettest voguing