Freshman screenwriter
He half-ran, half-walked back to his dorm room with the beginnings of the Best Idea Heâd Ever Had forming in his brain. It would be a movie unlike any other. None of this Garden State bull shit that got Zach Braff laughed out of town, and it wouldnât be like that mumbly bumbly Lena Dunham movie either. No, this was going to really strike home for those of his generation, a movie theyâd be talking about for ages, something to go in the canon. âSee, here,â future film professors would say, âHe was only nineteen when he penned his first opus. Just watching the opening scene reminds me of the first time I felt someone really understood what it was like to be a young person at the crux of humanity and adulthoodâŚâ Sure, something like that.Â
It took him a weekend to race through the first draft. No need for significant plotting or outlining, no, he knew what this story would be. His roommate may have come and gone from their room, but he didnât notice or care. With the strains of alt-pop-folk music thrumming through his head phones, he went from FADE IN to FADE OUT, pleased with what he wrought. Â Â
The following week, when his friends asked where heâd been that weekend, how heâd missed Jeremy black out and run through campus naked, he responded that heâd been⌠busy. He wanted to play coy, not be a dick about it, and only let them know once heâd made it into Sundance. He could see it nowâŚ.Â
Heâd be up on the stage, sitting in a directorâs folding chair as hundreds of unmistakably jealous eyes bored holes into him. Heâd share a secret smile with those eyes, âI did something youâll never do.â But heâd be modest as he answered the moderator â someone like Scorsese or a famous film critic or someone, he hadnât decided yet â the moderatorâs questions.Â
âI really just wanted to tell the story of a young kid fresh from a small town, eager to make his dreams come true."Â
âAnd do his dreams come true?"Â
Slight smirk. âI guess itâs up to you as the audience to decide.â Uproarus applause.Â
Every night, heâd go home and tweak his script; it was in really good shape for a first draft, so it didnât need much noodling. Each line of dialogue sounded like him, like what he wanted to say. And man, that second act speech by the love interest â of course he gave her lines, he wasnât a caveman â when she tries to convince the main character that only by finishing his novel will he fulfill his destiny. Damn. You canât make this stuff up. Except he did.Â
He waited a month to show it to anyone. Heâd teased his project to his friends, not so much that theyâd get annoyed with him, but enough that they were clamoring to read it. Heâd also emailed the head MFA Screenwriting professor and requested a meeting. It was all very legit. Â Â
On the day of his meeting, he sent his friends manila envelopes with his script printed and bradded. It cost a small fortune at the dorm printer, but it was worth it. this shit would be sitting in museums one day and his friends would tell their children stories of reading the first draft of what became the Defining Movie of a Generation.Â
Walking to Professor Burkeâs office, he quelled his nerves with thoughts of what Burke would say â âGreat Scott!â maybe if he was trying to be cute, or more likely, âDamn, I really havenât seen work like this from an undergraduate, let alone a freshman! Letâs see what we can do about early admission into the MFA program for youâŚâ Maybe Burke would insist he submit it to contests or festivals. Maybe heâd get an agent! Can you imagine?! Going to meetings with Spielberg and JJ Abrams and Tarantino fighting over his script. And it would all start here, today.Â
He marched up to Burkeâs door, one last manila envelope under his arm. Knocking expectantly, he couldnât help but hum a little nondescript tune, bouncing on his toes and tapping his fingers. âCome in.â Â Â
He sat down across from Burke, eyeing the professorâs office piled high with marked up scripts and books on movies and screenwriting. Posters hung haphazardly behind the bespectacled and crisp older woman, who had yet to look away from her computer screen. Burkeâs chair was at a higher angle and it was a struggle to look her in the eye.Â
âHi Professor Burke, Iâm the student who contacted you a few days ago about meeting?"Â
âAre you in my class?â Â Â
âWell no, but I â see I wrote this script, and I thought with your expertise and experience you could â"Â
âGod dammit. Youâre the fifteenth fucking freshman dick flicker Iâve had in my office this semester. Did you print up your script? Christ.â Burke held out her hand. âLetâs see it."Â
He tentatively passes the manila envelope over, trying to remember what his dad told him about looking tough in the face of the enemy. âItâs a coming-of-age dramedy about a â"Â
âShut up.â Burke scanned the first few pages. Flipped to the middle.Â
âIt actually should be read all the way through before skipping around â"Â
Burke just looked at him. Reading, âYour words are what you have to give the world, Foster. They are what make you you. And to think that you would just take them away from the rest of us like that, well, I donât want to know the man to do such a disservice to the entirety of humanity forever.â He smiled a little as she read the line. It was good.
Burke took off her glasses as she set the script down. âKid, Iâm gonna give you a valuable piece of advice and I want you to listen because in your lily white life no one has probably ever told you this: You are one of many. Take whatever âmanyâ means to you and multiply it by ten thousand. Every little prick with a keyboard thinks that heâs the guy, and Iâll tell you what, only one of those guys is the guy, and that guy might even be a chick. So toss this out, donât show it to anyone, and spend a few years realizing how vastly unimportant you are. Then write something, if you still have something to say. But donât just write shit because you like the sound of your own voice."Â
They sat there a minute in silence, at an impasse. Burke gestured to the door as she went back to whatever sheâd been doing.Â
Outside, he walked in silence, out the building, across the street, up the hill, in his dorm, up the elevator, down the hall, into his room, to his bed.Â
âWhat does she know, sheâs just a professor."Â
Fin.


















