Temporary notice July 21, 2026: NO MORE DICK GRAYSON REQUESTS. I HAVE TOO MANY ALREADY. ANYONE ON MY CHARACTER LIST EXCEPT DICK GRAYSON IS ACCEPTED.
hello, call me Cherry! 🍒
i’m 26, Chinese American, and i’ve been in fandom for almost 15 years. i write fem!reader-insert fics for DC and Marvel characters.
i’ve been reading reader-insert fic for a long time, but this blog is my first time writing it myself!
🍒 about my writing
i try to keep my reader-inserts inclusive by avoiding specific physical features like eye color, hair texture, and so on.
i’m also a plus-size, curvy woman, so that naturally influences how i imagine and write the reader, even when it isn’t explicitly mentioned—or at least, i try not to make it too obvious lol.
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🍒 characters i write for
DC: Jason Todd, Dick Grayson, Tim Drake, Wally West, Roy Harper, Bruce Wayne, Clark Kent, and Minhkhoa Khan.
Marvel: Bucky Barnes and Steve Rogers.
Poly and multi: JayRoy, BirdFlash, TimKon, SuperBat, BatKhoa, and Stucky.
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Content: angst, reader is being cheated on (not by Bucky), I’m not from NYC so if the directions don’t make sense I used Google maps and a dream, hurt/comfort, a bit of fluff
Synopsis: Bucky notices the same man ordering two bouquets from his floral shop each month and sets out to let you know the truth.
A/N: written for @buckybarnes82 / this idea has been in my notes for a while. I hope you like it!
Main Masterlist | Bucky Masterlist
———
Bucky opens up the online order page to yet another order from the same name - always two bouquets of two dozen red roses wrapped in craft paper and tied with twine. The only divergence every month is what the man requests to be written on the notecards with the flowers.
Today, he requested card number one to say: To my wife, you are the heart of our home and the light of my life. With love, Your Husband. Card number two’s request: To my best girl, you keep me young and alive. Thank you for being mine. I’ll see you this weekend, Your Man.
Bucky’s Blooms prides itself on its customer service, fresh floral arrangements, and client privacy, but damn, if this particular client isn’t getting under Bucky’s skin with his orders. Besides the fact that the man is clearly cheating on his wife and some other woman, he doesn’t tip Bucky’s delivery driver, Joaquin, when he orders the flowers.
“I’m not driving up to Tribeca and then all the way to Forest Park with no tip again, man,” Joaquin grumbles as he starts on the familiar bouquets. “That’s a trek on a light traffic day.”
“It’s fine,” Bucky says. “Why don’t you man the shop for a bit? I’ll make these deliveries. Besides, I need to stop in Bushwick for more craft paper and some other supplies.”
“No, I’m sorry, sir. I’ll go. I apologize for complaining,” the young man says.
“Really, Joaquin, it’s fine,” Bucky assures him. “I need some fresh air, anyway.” He finishes the bouquets, signs off on the handwritten notes with Your Husband and Your Man while trying not to let a shiver run down his spine at the two-timer, and heads out to the delivery van. “Be back in a couple hours,” he says as the shop door shuts behind him.
The drive up from Brooklyn to Tribeca isn’t far, but can take a while with traffic, so Bucky turns on the radio to tune out the noise in his head. It’s not his first time seeing something suspicious like this in the floral business. He's had to write his fair share of questionable notecards, but the fact that this particular client is so smug as to order the bouquets under his real name (yes, Bucky looked him up) on the same day every month, and even have the notecards spell out the situation for him is brazen and stupid and downright awful. He decides right then and there to tell the women about the situation, client privacy be damned.
The “wife” isn’t home when he delivers the bouquet, so he leaves it with the doorman and makes the trip back down to Queens. It’s a nice enough neighborhood, but clearly very different from where the man lives with his wife in Manhattan, and Bucky wonders how they met. They’re clearly from two very different social circles. He double checks the address on the GPS as he looks out the van window at what appears to be a bakery. The address matches, so he shrugs and grabs the bouquet.
As he walks through the bakery doors, he’s hit with the scent of cinnamon and sugar. It’s strong, and reminds him of something his mom used to bake years and years ago.
A head pop ups from behind the counter with a wave. “Welcome in! Let me know if you have questions- oh,” you trail off as you notice the flowers in the man’s arms. “Are those for me?”
Bucky steps up to the counter and eyes your nametag before nodding. You’re beautiful. “Looks like it,” he mutters as he hands the bouquet to you across the counter. The bakery is quiet and empty, and Bucky clears his throat. “I, uh- I own the shop,” he says, nodding to the flowers. “My assistant usually delivers them, but, uh- it’s me today.” Why is he rambling?
“Well, thank you. They are beautiful as always,” you say, closing your eyes as you breathe in the roses. Your eyes flutter open and Bucky thinks his heart stops. You’re something else, and he almost completely forgets what he came here to tell you.
“What is that smell? It’s so familiar, like…” he searches the recesses of his spotty memory for something nearly gone.
“It’s cinnamon coffee cake,” you say. “Fresh out of the oven.”
“Coffee cake,” Bucky says with a nod and a solemn smile, remembering how his mom used to bake that for special occasions. Sometimes there was no cinnamon, but it was better when there was.
“Would you like a slice?” You ask, setting the bouquet on the counter. “It’s still quite hot, though.”
“I- I’d love one. Thank you,” he says, pulling out his wallet to pay.
You wave at him to put it away. “On the house,” you say. “I know the drive out here is far from your shop.”
“Yeah, but that’s okay. It’s nice to get out of the store sometimes,” he says as you put a steaming slice of the cake in front of him on a Robin’s egg blue plate. “Wow, well, thank you.” Bucky makes a mental note to put something in the tip jar by the register before he leaves.
“I’m going to get a vase for these,” you say as you walk to the back of the bakery. Bucky blows on a piece of cake before taking a bite. It’s perfect - better than his mom’s was, actually. You come back with a milky white vase covered in a strawberry print and put the roses inside, fan them out, and set them on the counter. “Beautiful.”
“Do you want anything for the road?” You ask, nodding toward the glass case of baked goods.
“Actually, I need to tell you something,” he says, wringing his hands together nervously. “And I know I shouldn’t from a legal and business standpoint, but I can’t in good conscience keep deliverin’ those bouquets to you and not say something. You seem like a sweet person. You deserve to know.”
Your stomach plummets and your heart starts to race. Echoes of your mom and sister and friends saying things like “too good to be true” and “he’s probably married” play through your head like a film reel.
Bucky senses your anxiety and clears his throat, rethinking if he (a complete and total stranger) should tell you this awful news or not.
“Just tell me” you mutter, gripping the edge of the counter for moral and physical support. “Just say it.”
“He’s married,” Bucky says calmly, setting his fork down on his plate. His eyes search yours, which are quickly filling with tears.
You swallow down the lump in your throat. “And how do you know? You know for certain?”
“He sends two bouquets every month - one to you, and one to his wife,” he says. “Joaquin usually delivers them both, but the asshole never tips. That’s why I came today.”
You lean back against the counter, the pit in your stomach growing by the second. He was supposed to pick you up tonight to drive up to the coast for a weekend away at his cottage. You’ve never once been to his place in the city - not once. For months. That should have been a red flag, but he’s been so charming. You ignored all the signs. And now here you are, faced with the cold, hard truth in the form of yet another bouquet of perfect roses from Your Man. “I- uh, I’m not sure what to say,” you tell the man sitting in front of you. “Thank you for telling me.”
“I’m sorry I had to,” he says solemnly.
“I’d rather know now, you know, than… later.” After you’ve fallen deeper in love with the dickhead. You look back at the roses and shrug. “I can’t get rid of them. They’re too beautiful. Maybe I’ll just pretend they’re from someone else,” you say with a pained laugh.
Bucky smiles at your resilience and nods. “Just pretend they’re my payment for this delicious coffee cake. Just merchants trading goods.”
You genuinely laugh at that and nod. “So, you’re Bucky?”
“I’m Bucky,” he says, offering you his hand to shake. “I wish we were meeting under any other circumstance.”
You shake his hand - it’s warm and calloused. Bigger than yours. “Me too.”
“Are you going to be okay today?” He asks, putting both hands in his pockets. You now notice the glint of a prosthetic on his left and look back to his face.
“I’m going to be just fine,” you assure him.
“Okay, well,” he starts, looking back to the glass of the bakery case. “I’d love a couple biscottis for the road. Dealer’s choice.”
You smile through your sadness and walk around the counter, placing two into a paper bag for him.
“I’m paying,” he says, waving his wallet around.
“You’re not. I owe you one,” you say, crossing your arms.
“You’re stubborn,” he sighs, shaking his head. He pulls a twenty from his wallet and slips it into the tip jar anyway before stepping back from the counter. He knows he should say goodbye. This interaction is over, but there’s a tug in his chest that won’t let him walk out. “Maybe I’ll see you around.”
“Aren’t you from Brooklyn?” You ask. The chances are slim to none that you’ll ever see him again.
“Yeah, but I have a feeling you’ll get flowers again,” he says as his back hits the door to exit the bakery. “Take care.”
———
One Month Later
The bell above the bakery door chimes as you’re elbow deep in a tub of frosting. “Welcome in,” you exclaim, not looking up from the counter.
“D’you have any coffee cake?”
Your head snaps up at the deep voice. He is standing there with a bouquet of pink lilies and a smile. “I told you you’d get flowers again.”
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peter parker who pushes your hands back against his bed, forcing your fingers to curl against his headboard. "press them flat for me, baby," his voice is a wet garble in your ear, heaving breaths, his tongue darting up to drink the perspiration dewing your hairline. his webs shoot out, white and sticky against the back of your hands. a soft thwip that flies by your ear and plasters your hands to the wood in front of your face. you tug, testing their strength, and your breath falters at the durability.
not so tough now, are you? not after you had begged him soo prettily, like a beautiful, melodious course in peter's ear, "please, pete, want you to use them on me. tie me up."
and how could peter say no? when you bat your eyes like that at him, and when your lips form into that gorgeous pout that has him wanting to suck them into his own mouth.
no. no, nooo, no, peter would never deny you.
but now peter's smug. he has you. you're his. your shoulders flex against his chest from the force of your tugging. and all he can do is press his smile against your jaw, nosing into your cheek from where your head is laying against the pillows.
"ah, ah, no tugging, my love, you wanted this remember?" he coos softly, his hands sliding down your back and settling on the curve of your waist. peter pushes his chest back up, his weight shifting on your thighs. he rubs his tip through your slicked folds, tracing a line from your hole to your clit. he grinds himself there, a teasing pressure that leaves both of you breathless before sliding himself in entirely.
the intrusion has you tensing and clenching down on him immediately. it's all too much, all too soon, but yet not enough. peter throws his head back, his fingers digging into the arch of your back. "fuuuck, yeah—"
he's breathless, pushing his weight onto you and sliding his cock that much deeper. your head spins from how full you are, how he's everywhere. his hips slowly grind against your backside, forcing you to feel him inside you.
your arms tug, shoulders jolting as you squirm from the stimulation.
peter's webs stay strong.
fuck, you hadn't thought of what it would be like to not able to touch him how you wanted.
"w-wait, pete, fuck, please—" your voice is a muffled whimper against his pillows. you bite down on the fabric, pushing your hips back to meet him fully.
"ohhh, there she is, yeah, baby, look at that," peter groans in amazement. his eyes are glued to where he's disappeared inside your fluttering hole, hooking his thumbs into your cheeks and spreading them apart. "so fucking perfect for me,"
his hips stilled, simply watching. "gonna move for me? show me how much you do you want it? show me how good you are for me, baby, move those hips."
your back tenses, muscles flexing as you roll your hips back. up and down. trying to find a satisfying rhythm, trying to get him deeper, get it harder, feel him hit that spot that would have you trembling in seconds.
it was hard without your hands to support you, but it only fuelled your desperation. it was everything. you were everything to peter. your slick, wet heat that enveloped him. god, fuck, he could live inside you forever.
the sight of you on your stomach, restricted by his webs, desperately pushing back against him, desperate for his cock — he's fucking ruined.
you whimper softly, the pillow muffling the sound almost completely. but peter hears it, of course he does, he always hears you. his teeth dig into his bottom lip, stifling his own moan.
"c-can't, wait, peter, i can't," you babble softly through another whine. it was too much, but not enough. you were so fucking full, and peter kept you on the edge.
peter takes over all at once, through hard and deep thrusts that punch the air out of your lungs. one of his hands settles on top of your head, gripping your hair and pulling your head back. he leans forward again, his body enveloping yours and covering your mouth with his. his lips devour yours with a ravenous desperation, silencing your moans with his tongue sliding into your mouth.
the smirk that spreads across peter's face presses into your teeth. all he can hear are the whines that escape through your ragged breaths and the wet slap of your fluttering pussy.
"more, more, more, peter, please—" you beg into his mouth, your lips sinking into his bottom lip. peter groans at the sensation, his eyes shutting and his tongue laps at the corner of your mouth to catch the drool leaking from your lip.
"so beautiful, so perfect, come for me, baby," he whispers, sliding his finger around your hip and meeting your clit. the action pushes your hips further back into him and your body jolts, overwhelmed from his hips ramming into yours. the force of your climax takes over your body suddenly. your vision whites, your nails dig into the headboard, and your body tenses as your shoulders yank painfully against the webs.
and god, peter has never been more in love. your soft, high pitched whines as you bite down onto his pillow; your fluttering walls around his cock as he slides in alllll the way; how fucking perfect you always are for him. always.
he could never let you go, could never be without you. not when you love him how you do, not when you beg him to tie you up with his webs. he would do anything you fucking asked him to. he really would.
Clark Kent/Reader, Steve Rogers/Reader, Dick Grayson/Reader, 3K
a/n: two requests I combined into one, hope y’all enjoy :)
cw: harassment, stalking, all men are protective of reader, reader is drunk in Dick’s story, gn!reader
masterlist ao3 requests
PREVIEW:
Your knight in shining armor comes in many different forms.
DC/Reader, Marvel/Reader
Clark Kent:
He is so very in-tune with the barometer of your heart, with the pace of blood that rushes through your brain, the tempo of the air that you circulate in homeostatic measure through your body.
Every part of you is a well-known symphony that he never tires of hearing, for it means that he is in sheltered, safe harbors: he has made port in sanctuary that means he may be himself. He may be Clark.
He may be at ease with the fact that the day is saved, and the reward he receives is the privilege of seeing you. Of seeing a friendly face with pretty smile that always seems a few watts brighter when your gaze alights upon him.
Because every time he sees your familiar pair that drag through the crowd of people—whether in the bullpen, the break room, the sanctity of this hole-in-the-wall bar all the other working-folk flock to:
He’s back with someone is eager to share the pleasance of his company, a bright flame in the Stygian darkness that he hurtles irrevocably to like mesmerized, hypnotized moth. And all he need do is see you.
Only this time, he can’t see you, through the crowd of the bar. Through the pedestrian chorus about inanities of the day, the sloppy clink of poorly-held glasses, the arterial rush of taps refilling more libations for the needy—you are away from the quick observation of his eyes.
And when he strains to hear for merest picosecond, he’s up to quick-witted footing that should be stark contrast to the three drinks he’s supposedly in his cups with Jimmy.
“Please, my friends are on the way any second now—”
Because the strain of melody he associates with you is awry; the tick of your heart moves in horrific metronome, the breath you resuscitate yourself with is unsatisfactory in articulating words that are frantic, worried.
“Okay, well, while you’re waiting for them, then why don’t I buy you a drink—”
He’s a careful shot through the crowd that he wades through like water, searching for the ascent of your voice as he looks to make anchor. As he searches for the sight of those eyes that always seem to illuminate with some heavenly glow whenever they meet his.
“No, that’s really not necessary—please, oh—I don’t want one—”
And he sees the terrible circumstances that you’re cornered in, as you scoot as primly as social etiquette can muster away from the arm that’s encroached around you. Your legs dangling off of the high-tiered barstool that has become unwitting maw to trap you in the corner, where the man who doesn’t understand the concept of no extorts time from you.
But what changes the fear in stark transition to nascent-growing anger is when he finally receives the beauty of your eyes: the fright is palpable, a nonverbal plea for help.
Your mouth opens to make some hurried excuse: but you needn’t make effort. Clark is already there with the steady grasp of his palm that makes gentle, but unmistakable purchase on your would-be suitor.
At Clark’s touch, your pursuer looks up—and up—to see the way that Clark stares him down with implacable demeanor, though the smile on his face is plastered to near-convincing effect.
“Hi, honey,” Clark directs your way, with the implicit play along disguised in the cheerful cadence of your voice, “Is this guy bothering you?”
There’s a good half foot and thirty pounds and change between Clark and this man, who lets his grip fall slack on you by a degree more than before. You can’t relax yet, though—you keep stiff under the hands that have yet to change possession of you.
“You—”—The man has to clear his voice. Another fingers makes release of you as Clark gives warning squeeze. “—You their boyfriend?”
“Sure am,” Clark breezes, and remembers to show his teeth. Another fingers retreats, though perhaps this is because the smile is more a facsimile of friendliness. And it almost, almost disguises the intent to tear this man apart with his incisors if he holds onto you a second longer.
“Mind if I get them back?” Clark asks, keeping that same cheerful tone. You’re leaning out of the man’s clutch which is already hanging on by forefinger and thumb. The man weighs his options as he feels the other side of manhandling.
“Uh—”—The hand retreats. The drink remains stalled on the barcounter’s threshold, while you and Clark hold your breath.
“Now would be nice.” Is Clark’s final warning. And because you’re so busy caught in throes of worry, and no one will ever believe the man: Clark applies a degree of strength that is perhaps ethically wrong to apply to a normal man’s forearm.
But then, considering he was harassing you: maybe it was worth it all along. Especially when his hand finally releases hold upon you and he can physically feel the relief leach out of you as the man decides against the better part of valor.
You don’t speak until the man has become distant blip in the crowd, don’t even realize that you’re leaning on the full of his body, clutching onto the same arm that liberated you. You probably don’t even realize how your heart has descended into lulling, familiar tempo that reassures him that all is well again.
“Thank you, Clark,” You say, and the way you say his name would be something he would tear planets asunder for, extinguish the skies for: if you asked. But you never will, because the person that Clark Kent loves, who turns the arc of that doe-eyed gaze upon him, is far too good to ever ask such a thing.
“You know,” You huff out a breath, “There’s something that’s awfully easy about holding you like this.”
Your hand curls in self-soothing manner around the column of his arm, the smile on your face progressive but elated. “Wouldn’t it be funny if we were actually a couple, or something?”
Your heart holds the true measure that he knows, that he adores. All the while, you have undone his as he stares at the proverbial sun that powers him just as much as the one cemented in the mercurial tapestry of the sky does.
“Oh,” Clark grins cheerfully down at you, “I guess we do make a good fit.”
Steve Rogers:
He’s walking about his normal business—as well as one does who is unmoored from the time they came henceforth from. Everything is similar, but everything is new at the same time; he’s a fly trapped in the amber allowed locomotion in an era he shouldn’t be in.
He remembers a book he had to read for in high school back in a decade no one is alive for any longer, A Connecticut Yankee in King Arthur’s Court—how he finds himself in the inverse.
Unlike Hank Morgan who was able to revolutionize Camelot, he finds himself Steve Rogers—an old automobile unalloyed to collect rust, unfit for the new era that he is trapped in. With no North Star, no meridian or compass to help make things more understandable. More universal to what was.
The only thing that remains somewhat similar are the streets of home, and the lonesome walking that he was oft-familiar with in the days before all this. When he was just Steve, some nobody kid from Brooklyn that people walked past like he was just ordinary folks. When things made a lot more sense to him.
This is the devolution of thought that he is otherwise distracted by when they are interrupted by the collision of heavenly body against him. This, paired in tandem with the encroaching advance of hands that wrap around the firm stolidity of his bicep the way a lover would, scorching in the way they emulate familiarity he is stranger to.
And so he looks down, stymied at the touch that seems such perfect fit for him: and sees you, smiling up at him.
“Mind walking me home?” You ask—you don’t speak at normal volume: your voice is affected to confidence that only he shall receive—and the follow-up statement you share with him even lower.
“Please act natural,” You smile back up at him; and this allows him to see the tremble of your bottom lip barely kept stable by the worry of your teeth, “I think my ex is trying to follow me home.”
Steve turns on instinct, some natural mien that he has had ingrained in him even before he inherited the muscles bidding him to look backwards.
But your fingers dig into the muscle that has barely any give, your “No!” Insistent enough only to spare him momentary glance to the man he thinks he could snap in two if he wanted to. But someone, from the way your voice clots in fear, could give you a difficult—and frightening—walk home.
So, Steve does what he has forced himself to do in this present-day era: he plays along. His voice is calm, and regulated, and he even does you the favor of layering his hand over yours, giving you a smile that makes your shoulders plateau in fear alleviated.
Your smile only encourages the desire for him to beat the stuffing out of the guy that he hears in abbreviated, couched tread behind them: but for your sake, he continues.
“You want me to talk to him?” Steve asks you, giving you a look that speaks in a language you discern immediately.
“No,” You dismiss this with a melancholy that makes his heart ache for you—makes him want to protect you—“—He’ll give up eventually if he sees you. And—”
Your voice catches on the reminiscence of memories that you want to keep as such. “—This is fine. I feel safer already.”
He chuckles, and turns his head in partial fashion so that he can take ken of the way that your ex-old man falters in footing. This makes a petty rush of pleasure dart through him, so he turns back to you, and to the journey that you have carved out for the two of them.
“That’s nice of you to say.” He returns—and the scoff you give is both gentle and acerbic. He thinks that he likes you already.
“Niceness has nothing to do with it.” You reply to him in such reticent mien. But the smile hat you still bear as you share it with him heartens him all the same. “You’re easy to hold onto.”
This only prompts a chuckle that huffs in starched gusset from him, through his teeth. “And you’re easy to talk to.”
And this is where blatant spark alights, something mischievous and devilish—some quality of character that he knows was wasted on this would-be stalker that is slowing and slowing still—in the span of your eyes.
“I talk very well over Italian,” You offer in coy bearings, “If you’re happening to be asking.”
You move fast: but he likes this. You seem like you have an idea of what you want. But he wants to play hard-to-get—just this once.
“Got out of one bad relationship and looking to get into another?” Steve asks, letting some of that old-school Brooklyn boy worm its way back into him. The one that Buck was so very cavalier at wielding, but has taken him some time to get a feel for.
“No—”—You disagree in amiable directive—“—You don’t seem the type.”
You release his arm to proffer a finger in the air, and how dearly he already misses your touch. “Save for one bad run—”—Your eyes gleam at some humor that you still maintain in the crush of difficult times—“—I happen to be an excellent judge of character.”
You both round a corner. The steps that have made steady trek behind you have grown softer and softer yet. So Steve decides to continue the role he engages in.
“And what does your inner judge tell you?” He asks, regaling you with a curious smile that begets what he wishes to know.
You lean in, in conspiratorial fashion that he can’t help but mirror. Watch the purse of your lips as you provide answer he is dying to hear.
“It tells me that I needed a hero—”—You whisper back with some wicked airs he’d like to further coax out of you—“—And then fate gave me just what I needed.”
He’s sold, though he won’t tell you this until later.
“I’m Steve.” He informs you, and when you share your name, he doesn’t think that he’s ever heard such beautiful pronunciation of it before. But you’re not one to let him rest on temporary laurels for long: you keep the conversation continuing.
“Do you have a last name, Steve?” You grin, making your eyebrows dart up in curious, unspoken inquiry.
“I’ll share it if you give me yours.” He advances forward: allowing the ball to be in your court, if you want it.
“You want my number too?” You ask. And so distracted you are that you don’t realize that your ex has given up pursuit in the name of making self-salvaging retreat. Steve could care less: so long as he’s allowed to further luxuriate in your presence.
“Only if you’ll share.” He returns, feeling the saccharine-sweet rush of excitement ripple through him as you slow your pace: as you give him the gift of an encouraging smile.
“It’s a deal.” You answer, and then cast your gaze towards distant door: haven approached at last. “And here’s me.”
“Glad you could get back safe.” He affirms: and though he is reluctant to release the pressure of your arm from him, he swears—and hopes—that he is not imagining the reticence on your part to make physical farewell from him.
“Me too—and before I forget,” You smile with your whole face—and he thinks he would like to coax it forth again—“—Here’s my number.”
A pen, produced from the depths of your pocket; the scrape of a nib upon the tender, vulnerable flesh of his forearm. A wave goodbye with his name repeated in such beautiful enunciation on your mouth, a door shutting closed to an address he will visit later.
Perhaps, Steve thinks, the future isn’t so bad as he made it out to be.
Dick Grayson:
“Mr. Nightwing,” Comes your softly inebriated voice, making Dick turn round from the alleyway he has emerged from, “—I mean, you are the real Nightwing, right?”
Dick lets his gaze take visual purchase on you; sees the way that your eyes are glassily fighting for sobriety through a lush haze. The way that you look helpless and scared and a little out of your depth, especially at such a late hour. A late hour when the tapestry of stars is in full effect and cute people like you shouldn’t be wandering around alone.
“Sure am, honey,” Dick says as he crosses careful distance, hands splayed out in offer of aid, “You need help?”
“I—”—Your chuckle is stuttered, abashment still taking precedence even through the haze of alcohol—“—Maybe I do.”
You hold our your phone to him: something far too artificially bright and nigh-illegible for someone in your drunken state. “My friends ditched me—”
“Some friends,” Dick gently supplies as he eases the phone out of your ironclad grip, “Leaving a cute face like you on your own—”
“—Um,” You supply, lost for words at the compliment paid your way, eyes running askance of the cracked pavement beneath you both—“—And I’d like to call an Oober home. Only—”
“You want my help calling it?” He asks gently, keeping a weather eye over his shoulder for the superstitious and cowardly low. And since none seem to be in sight, it happens to be of supreme ease to pull up the app. “What’s your address, honey?”
You share it with him to no small fraction of palpable relief, and he dutifully inputs it for you. The phone seems so light in his yet carries such gravity as he trades hands with it back to you.
“You want me to stay with you until it gets here?” Dick asks, offering you a kind smile that you seem to relieve in further elation at.
“Please,” You gust through your mouth, “And—if you wouldn’t mind—?”
“I’ve been told I’m excellent for leaning on,” Dick says, already opening his arms out for your poor drunken form to collapse into. It’s a weight he doesn’t mind bearing, especially since it gives him opportunity to further admire you.
“You should hang up the vigilante life, Mr. Nightwing,” You reply sleepily, “You’d make a killing if you sold your hugs.”
“I’ll consider it,” Dick laughs as he keeps his arms in protective ruck around you. Trying to ignore the pleased delight that darts through him at the way you sigh.
It’s mere minutes to await the arrival of the car, through which Dick keeps you conscious enough to be awake for the car. To help you into the seat and buckle you in, to the astonishment of the Oober driver that tells Dick to hurry up and push Joker off a cliff already, don’t you know how he’s bad for business?
“Thank you, Mr. Nightwing,” You tell him through bleary eyes. “Come and find me when I’m sober so I can ask you out, okay?”
Dick can’t resist the endeared laugh that erupts out of him. “Sure thing—but keep in mind—”
—He closes the distance between you both so that he can share this in the propriety of your ear alone—“—I let my friends call me Nightwing, okay?”
Your soporific grin as you alight with glee up at him makes it all worth it. And if he follows the track of the Oober to ensure that you are deposited safely at home, then he makes no further mention of it. All, except, save for the hopes that the next time you cross paths, he'll be able to pick up where he left off.
Pairing: Jason Todd/F!Reader, Roy Harper/F!Reader, Dick Grayson/F!Reader, Wally West/F!Reader
Word Count: 10.2k
Rating: Mature
Warnings: mutual pining, suggestive flirting, mild language
Summary:
Before Night Signal had a name, an audience, or enough money to replace Wally’s damaged guitar strap, they had you and your camera.
What begins as one photograph during the final week of high school slowly becomes something none of the five of you can imagine building the band without.
Author’s Note:
all characters are 18-19 in this chapter.
🌙📸🎶📸🌙
The first photograph you ever took of the band was missing Roy’s left foot.
You had warned him twice that he was standing too close to the edge of the frame. Roy had listened with the solemn attention of someone receiving important professional direction, moved approximately half an inch, and resumed leaning against the peeling brick wall behind the school auditorium.
“You’re still too far over,” you told him.
“I moved.”
“You twitched.”
“That counts as movement.”
“It doesn’t count as cooperation.”
Roy glanced down as though checking whether the foot remained attached. “I think you can work around it.”
You lowered the camera. “I think I can crop you out entirely.”
The threat only made him smile.
The other three were becoming progressively less useful while you argued. Wally had been standing beside Dick when you began, his borrowed guitar hanging from a strap repaired with silver tape. He was now several feet away, explaining something with enough enthusiasm that his hands kept leaving the instrument entirely. Dick had turned to listen, which meant the light caught only half his face, and Jason had stopped pretending to face the camera at all.
You had agreed to take one photograph.
It was the final week of senior year, the auditorium had been locked after graduation rehearsal, and the four of them wanted something to post before their performance at a classmate’s graduation party. They had played the school talent show together three months earlier, followed by two birthdays, a fundraiser, and a backyard party that ended when someone’s neighbor threatened to call the police.
Dick had started calling them a band after the talent show.
Jason still referred to the arrangement as a series of poor scheduling decisions.
“Can everyone look at me?” you asked.
Wally turned immediately. Dick followed a second later, already smiling as though your camera were another audience he intended to charm. Roy stayed against the wall, his left foot still testing the limits of the frame.
Jason looked at you last.
He held his bass case against one leg, dressed in dark jeans and a black shirt despite the heat lingering after sunset. His expression suggested that being photographed ranked somewhere below a dentist appointment and slightly above helping Wally move furniture.
“You asked me to do this,” you reminded him.
“I agreed that they needed a picture.”
“That isn’t the same thing?”
“No.”
Wally looked between you. “I think it becomes the same thing once you show up.”
“That’s not how consent works,” Jason said.
“Jason,” Dick warned, although he was trying not to laugh.
“I consent to the photograph. I’m disputing the wording.”
“You’ve been disputing the wording for ten minutes.”
“It was inaccurate for ten minutes.”
You lifted the camera again. “Stand closer together.”
Roy pushed away from the wall and slung an arm around Jason’s shoulders.
Jason removed it without looking.
Wally moved beside Dick and draped himself against him instead. Dick accepted this as his natural due, shifting just enough to keep the neck of the guitar from striking his ribs. Roy settled on Dick’s other side, leaving Jason alone at the edge.
Through the viewfinder, the arrangement looked wrong.
They had been friends long before they started making music together, but friendship did not automatically make the four of them appear like a unit. Dick and Wally filled the center with easy motion. Roy had found the light and angled his face toward it with suspicious competence. Jason remained visibly separate, the bass case upright beside him like a barrier.
“Jason,” you said.
“What?”
“Closer.”
“I’m close.”
“You could fit another person in that gap.”
“Maybe we should. They might improve the band.”
Wally pressed a hand to his chest. “After everything we’ve been through?”
“You broke two strings during one song.”
“The audience thought it was intentional.”
“The audience was drunk.”
“It was a graduation party. They were somebody’s aunts.”
“Exactly.”
You lowered the camera again.
Dick caught the movement and stepped out of position. “What’s wrong?”
“It looks staged.”
“It is staged.”
“It shouldn’t look that way.”
Roy nodded sympathetically. “She wants us to seem like we enjoy one another.”
“I’m asking a lot,” you admitted.
Dick came around to stand beside you, close enough that his shoulder brushed yours as he looked at the display. He had been doing that since you joined the yearbook committee during your second year, and he decided every photograph taken at school required his personal review. At first, you had assumed he was vain. You eventually realized Dick simply liked being included in every stage of a process, especially when someone he cared about was responsible for it.
He studied the last image.
“You’re right,” he said.
“You didn’t need to sound surprised.”
“I’m never surprised when you’re right.”
“You argue with me constantly.”
“That’s because you’re smug when no one challenges you.”
You turned the display away before he could reach for the camera. “Go stand over there.”
“Yes, ma’am.”
Dick returned to the wall. Rather than resuming his original pose, he caught Wally by the back of the neck and dragged him closer. Wally protested loudly, nearly striking Roy with the head of the guitar. Roy retaliated by putting him in a headlock.
Jason looked at them.
The corner of his mouth shifted.
You took the photograph.
Wally was laughing hard enough that his entire face had changed. Roy’s concentration had been ruined by the smile he was attempting to suppress, while Dick had turned toward them with the helplessly fond expression he usually concealed beneath his confidence.
Jason still stood slightly apart, but he was looking at the others now.
It was not a polished image. The security light above them cast a sickly yellow glow across the pavement, Wally’s jacket was too large, and a crushed soda can had been abandoned near Dick’s shoe. Roy’s left foot had disappeared beyond the frame.
They looked young, disorganized, and entirely certain they belonged together.
“That one,” Dick said.
You had not heard him approach.
His face appeared beside yours again, followed by Wally’s over your other shoulder. Roy leaned above him, and Jason remained a few steps away, apparently determined to preserve some dignity.
“My foot’s gone,” Roy said.
“I warned you.”
“It gives the picture mystery,” Dick decided.
“It makes him look shorter,” Wally said.
Roy reached for him.
Wally ducked behind you, using both you and the camera as a shield.
“You’re going to break something,” you said.
“Tell him that.”
“I’m not the one who insulted his proportions.”
“They’re objectively funny proportions.”
Roy lunged around you. Wally escaped toward the parking lot, guitar bouncing against his back, and Roy followed without any apparent concern for the instrument.
You checked the camera.
The photograph had survived.
Dick was still looking at it.
“We need a name before we post it,” he said.
“You’ve been saying that for three months.”
“We’ve been carefully considering our options.”
“Wally suggested Speed Trap.”
“He withdrew it.”
“Jason threatened him.”
“Constructive criticism is part of the creative process.”
Jason finally came over. “We’re not calling it Speed Trap.”
“I know.”
“We’re also not calling it Dick Grayson and the Night Wings.”
Dick looked offended. “That was never a serious suggestion.”
“It was on the list.”
“The list contained exploratory ideas.”
“The list was written on a napkin.”
“Most great art begins on napkins.”
Jason glanced at you. “Do you see what I deal with?”
“You keep showing up.”
“So do you.”
The observation caught you unexpectedly.
You looked down at the camera, pretending to check the photograph again. You had attended the talent show because Dick asked you to take pictures for the yearbook. The first graduation party had belonged to a mutual friend. The second was hosted by someone you barely knew, but Wally had sent you six messages insisting the lighting in the backyard would be perfect.
The fundraiser had been Roy’s invitation. The final party had come from Jason, although he phrased it as a warning that the others were going to attempt another performance and someone should preserve evidence in case of litigation.
No one had discussed why you were always there.
Dick looked toward the flickering light above the auditorium door.
It had been failing for most of the evening, alternating between an unpleasant glare and several seconds of darkness. You had spent half the shoot adjusting your settings to compensate.
The bulb blinked out again.
Wally and Roy returned from the parking lot, their fight apparently settled.
“We should move,” you said. “I can’t keep chasing whatever signal that thing is trying to send into the night.”
The light flashed on.
Dick went still.
You recognized that expression. It usually appeared when someone said something casually, and Dick decided it had been meant for him.
“What?” you asked.
“Night Signal.”
Jason frowned. “What about it?”
“That’s the name.”
“No,” you said.
Wally stopped adjusting his guitar strap. “Wait.”
“It wasn’t a suggestion.”
“Night Signal,” Roy repeated, testing the weight of it. “That’s not bad.”
“It sounds like an emergency radio broadcast,” Jason said.
“That’s why it’s good,” Dick argued. “Something trying to reach people after dark.”
You looked toward the defective lamp. “It’s something trying to tell the custodian to replace a bulb.”
Dick smiled at you.
“You named the band.”
“I complained about school maintenance.”
“You named the band while complaining about school maintenance.”
Wally had already taken out his phone.
“Don’t post anything yet,” you said.
He held the screen against his chest. “I wasn’t.”
“You opened the band account.”
“I was checking availability.”
“You don’t have a band account.”
“We do now.”
Jason closed his eyes.
Roy leaned over Wally’s shoulder. “Is the name taken?”
“Not by anyone with followers.”
“We don’t have followers,” Jason said.
“We have thirty-seven.”
“Half of them are relatives.”
“Relatives spend money.”
Dick took the camera carefully from your hands before you could stop him. He did not touch the controls, having learned after one disastrous yearbook assignment that you considered settings personal, but he held it up as though examining the weight.
“Night Signal,” he said again.
The name did suit them, although you were reluctant to give Dick the satisfaction of admitting it. There was something unfinished in it, a sense of searching across distance without knowing who might answer. They had no songs released, no proper rehearsal room, and no plan extending beyond the next performance.
They did not know what they were trying to become.
They only knew they wanted to be heard.
Dick handed the camera back.
“Take one more.”
“The light is dying.”
“Then we should get it before it does.”
This time, they arranged themselves without direction. Dick took the center, Wally leaning into him from one side and Roy from the other. Jason remained near the edge until Dick caught the sleeve of his shirt and pulled him closer.
Jason allowed it.
You raised the camera.
The light flickered.
The shutter opened just before the courtyard went dark.
🌙📸🎶📸🌙
The graduation party began badly and became louder from there.
Someone had assembled a stage from mismatched wooden platforms at the far end of a large backyard. The grass was soft from rain earlier in the week, and one corner sank whenever Roy struck the bass drum too hard. Extension cords ran from the house through an open kitchen window. Wally’s amplifier produced an alarming crackle whenever anyone walked too close to the outlet.
Jason spent the first twenty minutes arguing that they should not perform until the equipment had been made safe.
Wally spent the same twenty minutes insisting he had already made it safe.
“You wrapped tape around it,” Jason said.
“Electrical tape.”
“That isn’t a substitute for an electrician.”
“It is if the electrician is busy.”
“You’re not an electrician.”
“I understand electricity.”
“You failed physics.”
“That was a disagreement over testing methodology.”
Jason stared at him.
You crouched beside the edge of the makeshift stage and photographed his expression.
He heard the shutter.
“Delete that.”
“No.”
“You’re encouraging him.”
“I’m documenting the hazards of amateur live music.”
Roy leaned over his drum kit. “Make sure you get the part where I die because the stage collapses.”
“You’re not going to die,” Dick said.
The platform dipped beneath Roy’s stool.
He looked down.
“We should put that in writing.”
The audience began gathering before the argument was settled. Most were classmates, relatives, and friends who had spent the afternoon moving between the house and yard. Several folding tables had been pushed together beneath strings of lights. Someone’s father stood behind a grill, watching the equipment with increasing concern.
You moved through the crowd while the four of them finished setting up.
The earlier photographs had been controlled, even when the subjects refused to cooperate. This was different. People stepped into your path without noticing. The light changed whenever someone opened the back door. The stage was too low for clean angles, and the cords created boundaries you could not cross without risking Wally’s life or Jason’s temper.
You were still adjusting when Dick stepped toward the microphone.
He had been performing for years in school productions, choir concerts, and talent shows, but this was the first time you saw him appear nervous.
The signs were small. He rolled his shoulders once before reaching for the stand. His thumb rubbed across the side of the microphone. When he looked toward the audience, his smile arrived a fraction later than usual.
Then he found you.
You had raised the camera without thinking.
Dick’s shoulders loosened.
“Hi,” he said into the microphone.
The speakers shrieked.
Half the crowd covered their ears. Wally recoiled from his amplifier. Jason turned toward the equipment with the exhausted fury of a person whose warnings had become prophecy.
Roy tapped a light rhythm against the edge of his snare while the sound settled.
Dick laughed.
It changed everything.
The embarrassment became part of the performance rather than a failure before it. The crowd laughed with him. Wally recovered enough to play an exaggerated dramatic chord. Roy followed with a flourish.
Jason shook his head, but his fingers moved into position.
“We’re Night Signal,” Dick said.
It was the first time any of them had said the name to an audience.
The words traveled strangely through you.
Dick looked toward the camera again.
“Our photographer named us about an hour ago.”
Dozens of faces turned in your direction.
You lowered the camera.
“No,” you called.
“Yes,” Dick said.
“She was complaining about a light,” Wally added into his microphone.
“It was an important artistic moment,” Roy said.
Jason leaned toward his own microphone. “The light was broken.”
The crowd laughed again.
You raised the camera partly to hide behind it.
Dick counted them in.
The first song was one you had heard them rehearse twice in Roy’s garage. At the talent show, they had covered songs everyone recognized, relying on familiarity to carry the audience through the places where nerves disrupted their timing. Tonight, half the set belonged to them.
The difference was immediate.
Dick moved across the small stage as though he had forgotten it was assembled from borrowed platforms and sinking into wet grass. His voice opened around lyrics that had sounded uncertain in the garage. Wally’s restless energy stopped resembling nervousness and became momentum, his whole body following the guitar. Roy remained partly concealed behind the others, but every change began with him. Jason stood nearest the edge of the stage, apparently still enough to be separate until you listened and realized he was holding the entire song together.
You photographed the first verse from beside the speakers.
During the chorus, Dick found the lens.
He sang directly toward you.
You nearly missed the focus.
The crowd was small, loud, and generous. They cheered when Wally jumped from one side of the stage to the other, although Jason shouted something at him afterward that was probably related to the unstable platforms. Roy spun one stick between songs and dropped it into the grass. Dick filled the delay by inventing an elaborate story about how Roy had once been banned from a percussion store.
“I was not banned,” Roy called from behind him.
“You were asked not to return.”
“That’s different.”
Jason used the interruption to retune.
Wally watched you while pretending to adjust his pedal. When you lifted the camera, he pointed toward the far side of the stage and raised his eyebrows.
You did not understand.
He repeated the gesture.
Then he ran.
You reacted quickly enough to catch him leaping over a monitor, knees bent and guitar angled across his body. The string lights behind him blurred into warm circles.
He landed badly, stumbled into Dick, and nearly took both of them down.
Jason closed his eyes.
Roy missed a beat because he was laughing.
The crowd loved it.
Wally looked toward you immediately.
You held up one thumb.
His grin became bright enough to ruin his attempt at dignity.
They ended the set with the first song they had written together. It did not have a permanent title yet. Dick introduced it differently every time, while Jason insisted it should remain unnamed until they finished rewriting the second verse.
The opening was quiet enough that the conversation around the food tables softened.
Dick stood at the microphone without moving. Jason’s bass entered beneath his voice, followed by the low pulse of Roy’s drums. Wally waited until the chorus.
You lowered the camera.
Some moments became clearer when you stopped trying to preserve them.
You watched Dick close his eyes during the final line. Jason turned slightly toward him, waiting for the smallest cue before letting the bass fall away. Roy’s attention moved between all three, reading them. Wally played the final chord and let it ring through the yard.
For several seconds, no one spoke.
Then the applause began.
It wasn’t enormous. There were no strangers in the audience who had arrived solely for the music, no critics, no industry representatives, and no one likely to remember every song by the following week.
The four of them looked at one another as though none of that mattered.
You lifted the camera and caught the moment immediately after.
After the set, people crowded around them near the stage. Classmates asked when they were playing again. Someone’s uncle wanted to know whether the unnamed final song was available online. Dick answered every question as though they already had a calendar full of performances and a catalog ready to release.
You retreated toward the side of the house to review the photographs.
Wally found you first.
He was still carrying his guitar, the damaged strap darker where sweat had soaked through it.
“Did you get the jump?”
“You nearly killed Dick.”
“Dick’s fine.”
Across the yard, Dick was rubbing one shoulder while speaking to someone’s mother.
“He may disagree.”
“Did you get it?”
You turned the display toward him.
Wally leaned close enough that his hair brushed your cheek.
The image was sharper than you expected. His face was partly obscured, but the movement mattered more than expression. The string lights behind him made the yard appear larger and stranger, as though he had thrown himself across a stage rather than three feet of damp plywood.
“Oh,” he said.
You glanced at him.
Wally stared at the image with unusual stillness.
“That’s me?”
“You were there.”
“No, I know, but—” His mouth moved as he searched for words quickly enough to keep pace with his thoughts. “I look like I knew I was going to land.”
“You didn’t.”
“Exactly.”
You laughed.
Wally looked from the camera to you.
“You make us look better than we are.”
“That isn’t what I’m doing.”
“It kind of is.”
“You moved like that. I only caught it.”
“You knew when to catch it.”
“You pointed.”
“You understood eventually.”
“After you nearly dislocated your shoulder gesturing.”
His smile softened.
Before you could ask what had changed, he caught your face between both hands and kissed your forehead.
The gesture was fast, enthusiastic, and so unexpected that the camera nearly struck his chest.
“You’re never allowed to leave,” he announced.
Then he released you and ran toward the others, shouting that you had captured the jump.
You remained beside the house.
The place where his mouth had touched your skin felt strangely warm.
Dick approached a moment later.
He looked toward Wally, then back at you.
“What did he do?”
“Nearly damaged my camera.”
“That doesn’t narrow it down.”
“He got excited.”
“He usually does.”
Dick’s mouth curved as though he knew something you did not.
“Don’t,” you said.
“I haven’t said anything.”
“You’re about to.”
“I was going to thank you.”
“For the pictures?”
“For being here.”
The answer landed differently from the one you expected.
Dick reached out and straightened the camera strap where Wally’s hands had twisted it near your shoulder. His fingers grazed the side of your neck.
Neither of you moved.
The party continued behind him. Someone changed the music playing through the speakers. Roy called for help moving the drums before the platforms sank any farther.
Dick’s thumb brushed the strap once.
Then Jason shouted his name, and the moment folded itself into everything else you did not examine too carefully.
🌙📸🎶📸🌙
The first Night Signal post received sixty-two likes.
Wally reported every new one in the group chat until Jason threatened to mute him. Dick responded to every comment. Roy changed the account biography three times, once to describe himself as “the attractive one,” which began a twelve-message argument about whether that implied the others were unattractive.
You had never agreed to join the group chat.
Dick added you before the first post went live.
The chat was named NIGHT SIGNAL: OFFICIAL BUSINESS and contained no official business during its first week. Wally sent unfinished recordings at two in the morning. Roy shared photographs of poorly maintained drum kits from online listings. Dick produced increasingly ambitious ideas for future performances.
Jason asked practical questions that the others ignored until they became emergencies.
You posted the finished photographs.
The group went silent for almost a full minute.
Then Wally called you.
“You made us look real.”
You leaned back from your laptop. “You are real.”
“You know what I mean.”
You did.
The images did something the recording from the party could not. In motion, the four of them were talented but inexperienced, still checking one another for cues and recovering visibly from mistakes. The photographs removed that uncertainty without making them dishonest.
Dick looked like someone a crowd would follow. Roy appeared half-concealed behind his drums, his expression caught between concentration and amusement. Wally’s energy survived the stillness, held in the angle of his body and the hand wrapped around his guitar. Jason looked directly into the lens, guarded but impossible to overlook.
Together, they appeared less like four recent graduates playing borrowed instruments and more like the beginning of something.
“They’re good,” you said.
“They’re really good.”
“That was implied.”
“No, I mean—” Wally stopped and restarted, which was rare enough to make you listen more closely. “I knew you were good. I’ve seen your other stuff. But this is us.”
You looked at the screen.
“Yes.”
“How did you do that?”
“I took pictures of you.”
“You’re impossible.”
“That’s what Jason says about you.”
“He means it affectionately.”
“He doesn’t.”
“I choose to receive it that way.”
The call continued for another forty minutes. Wally discussed profile pictures, possible posters, and whether you thought short videos would perform better than still images. You reminded him that you had a final project due and ended the call after he attempted to convince you that Night Signal qualified as your final project.
The following morning, Dick changed the profile picture on every account he owned.
Roy printed one and taped it inside his locker at work.
Jason said nothing.
Two days later, you noticed the candid photograph—the one with Roy’s missing foot—on his phone screen when he placed it faceup beside his lunch.
You did not mention it.
Neither did he.
🌙📸🎶📸🌙
Graduation separated everyone without creating much distance.
The ceremony took place beneath a white tent on the football field because the gymnasium’s ventilation system had failed. Everyone wore dark gowns despite the heat. Wally complained that the fabric had been designed to punish academic achievement. Roy attempted to smuggle a flask-shaped bottle of water into the ceremony and was stopped by a teacher who did not believe it contained water.
Dick gave a speech on behalf of the performing arts department.
Jason claimed he was not going to listen, then remained completely still for all six minutes.
You photographed the four of them after the ceremony beneath a tree at the edge of the field. This time Roy kept both feet inside the frame. Dick held his diploma above Wally’s head. Jason had already removed the cap he insisted looked ridiculous.
Someone’s parent offered to take a photograph that included you.
You almost refused.
You were more comfortable behind the camera, where you could decide what remained and what disappeared. Dick had already accepted the offer, however, and Roy took the camera from your hands before you could object.
The parent arranged the five of you beneath the tree.
Wally put one arm around your shoulders. Dick took the other side. Roy leaned behind you, his chin briefly touching the top of your head until Jason told him to move.
Jason stood at the edge.
You caught his sleeve and pulled him closer before the photograph was taken.
The image was slightly overexposed, and the horizon tilted to one side. You kept it anyway.
🌙📸🎶📸🌙
By the end of the summer, all five of you had begun learning what came after the structure of school disappeared.
Dick took vocal lessons twice a week and worked evening shifts at a restaurant near the theatre district. He began as a host but was moved to serving after the manager discovered that customers tipped more when Dick smiled directly at them. He complained about the uniform while somehow making it look intentional.
Wally enrolled in an engineering program at the community college, changed his specialization before classes began, and accepted a part-time job repairing computers in a shop where he was repeatedly told to stop taking apart items customers had not asked him to examine.
Jason registered for literature courses and worked at an independent bookstore. He claimed the job was temporary, then began recommending novels to customers with enough severity that several returned specifically to ask for him.
Roy worked at a motorcycle garage owned by a family friend. His shifts began early, ended unpredictably, and left permanent grease beneath his fingernails. The garage had storage space in the back and an owner willing to tolerate music after business hours as long as nothing caught fire.
You started a photography program while accepting every freelance job that could pay for equipment, transportation, or the next month’s software subscription. You photographed senior portraits for people who had delayed booking them, restaurant dishes that collapsed beneath studio lights, community theatre rehearsals, family parties, and one pet-adoption event during which a terrier urinated on your equipment bag.
Night Signal rehearsed around everyone’s schedules.
This frequently meant beginning after ten at night.
The garage had concrete floors, fluorescent lights, and walls thin enough for every mistake to echo back. Roy’s drums occupied the back corner. Wally ran three extension cords across the room in a configuration Jason described as an electrical confession. Dick kept lyric sheets on the workbench beneath boxes of spark plugs.
Jason brought you a folding chair during your first visit.
You had not asked for one.
He set it beside the least damaged wall, moved a crate away from your feet, and returned to tuning his bass.
“Thank you,” you said.
He glanced over. “Wally trips.”
“I heard that,” Wally called.
“You were supposed to.”
You sat down with the camera in your lap.
There was no practical reason to be there. The fluorescent lighting was terrible, and rehearsals did not produce anything the band could post without giving away unfinished songs. You had an assignment waiting at home and an early shoot the following morning.
Dick had sent you the address anyway.
Roy had brought an extra soda without asking what you wanted.
Wally had cleared enough space near the amplifier for your bag.
Jason had found you a chair.
You stayed.
🌙📸🎶📸🌙
They were developing a sound through argument.
Dick wanted songs that gave him room to move between softness and spectacle. Wally filled every available space until Jason told him that silence was also a musical choice. Roy experimented with tempo whenever the others became too comfortable. Jason listened to everyone before anchoring the confusion into something coherent.
You learned the earliest versions of the songs before they had names.
One began as a progression Wally played while waiting for Roy to finish repairing a stand. Dick started humming over it. Jason joined after the second repetition, his bass changing the shape of the entire piece.
Roy listened for another few seconds before entering with the drums.
The room transformed.
You raised the camera without thinking.
Dick noticed.
He always noticed.
His eyes found the lens as he sang words that did not yet exist, only sounds filling the space where lyrics would eventually go. Wally crossed the room while playing, unable to remain still now that the music had caught him. Jason stood near the workbench with his head lowered, fingers moving steadily. Roy watched all three from behind the kit, waiting for the moment he could push them somewhere new.
You took twelve photographs before the song collapsed.
Wally struck the wrong chord. Dick lost the melody while laughing. Roy continued drumming for several seconds after everyone else stopped, then finished with an unnecessarily dramatic crash.
Jason looked toward you.
“Did you get anything usable?”
You checked the images.
The lighting remained terrible. A stack of tires appeared behind Dick, and one extension cord cut across the bottom of the frame. Wally was blurred in several shots.
The final photograph caught all four of them looking at one another.
“I got something,” you said.
You edited it that night.
The band posted it with a fifteen-second clip of the unfinished song. The combination drew more attention than anything they had shared before. Local accounts reposted it. A small venue sent them a message asking whether they were available for an opening slot.
Night Signal’s first paid performance earned them one hundred dollars.
The venue called it a guaranteed fee. Jason called it twenty-five dollars each until Dick reminded him that they needed to include you.
You had been examining the room, calculating how far you could raise the exposure without destroying the photographs.
“What?”
“The money,” Dick said. “You get a cut.”
“I’m not performing.”
“You’re working.”
“I didn’t quote you a rate.”
“That doesn’t mean your work is free.”
You looked around the dressing room, which was actually a storage closet containing a mop sink and several cases of bottled beer. “You need the money more than I do.”
Jason leaned against the wall. “That isn’t the point.”
“You need new cables.”
“We always need new cables,” Wally said. “It’s a chronic condition.”
Roy took the envelope from Dick, counted the bills, and held one toward you.
You did not accept it.
“Roy.”
“You took the pictures that got us booked.”
“You wrote the songs.”
“And you still deserve to be paid.”
“I’m your friend.”
Dick’s expression softened.
It was precisely the wrong thing to say.
Jason straightened. Wally stopped trying to balance a bottle cap on his thumb. Roy lowered the bill but did not return it to the envelope.
Dick came closer.
“You being our friend doesn’t make your work less valuable.”
“I know.”
“Do you?”
The question was gentle enough to be worse than an accusation.
You had photographed them because you liked being there. Assigning a price to it felt unnecessary, almost dishonest, as though admitting the camera had turned friendship into a transaction.
Dick seemed to understand.
“You can give it back later,” he said. “Buy food for rehearsal or replace one of Wally’s cables after he destroys it.”
“Why are you assuming I’ll destroy one?”
“Pattern recognition.”
“But you take it now,” Dick continued. “Because we hired you.”
“You didn’t hire me.”
Roy offered the bill again. “We’re trying.”
You accepted it.
The payment barely covered transportation and the time you spent editing. It was also the first money Night Signal earned from a show and the first money they paid anyone beyond the venue staff.
You folded the bill and placed it behind your identification card in your wallet.
You never spent it.
The show itself took place in a narrow room above a bar.
The stage lights consisted of two red lamps and a strip of blue LEDs that blinked whenever the bass became too loud. The audience included the headlining band, several people waiting for friends to finish work, and one couple who had apparently mistaken the venue for somewhere quieter.
You arrived before soundcheck and found the others arguing with the venue manager.
“She needs a pass,” Dick was saying.
The manager glanced toward you. “For what?”
“Our photographer.”
It was the first time you heard anyone call you that.
Not a friend taking pictures. Not the person who built their press kit or happened to own better equipment than the rest of them.
Their photographer.
The manager looked unconvinced. “She can stay in the public areas.”
“She needs stage access,” Roy said.
“There is no stage access.”
Jason pointed toward a narrow corridor beside the speakers. “That leads backstage.”
“That leads to storage.”
“It also leads behind the stage.”
Wally appeared beside you and took your equipment bag before you could protest. “She needs the angle.”
“What angle?” the manager asked.
“All of them,” Dick said.
The debate ended with a handwritten pass taped to your shirt and strict instructions not to block the fire exit.
You photographed the entire set.
Afterward, the manager asked whether he could use one of your images to advertise future live nights.
Jason stepped between you before you could agree to send it for free.
“She has rates.”
You looked at him.
Jason did not.
He negotiated the fee while you stood beside him, still holding your camera.
It wasn’t much. It was the first time someone had paid for one of your concert photographs without the band’s money passing through your hands first.
When the manager left, Jason took a bottle of water from the case near the wall and gave it to you.
“You didn’t have to do that.”
“He asked for your work.”
“I could have handled it.”
“I know.”
The absence of defensiveness stopped you.
Jason leaned against the wall, his bass case beside him.
“You would’ve given it to him.”
“Maybe.”
“You worked all night.”
“So did you.”
“We were paid.”
“So was I.”
“Because we made you take it.”
You turned the unopened bottle between your hands. “You’re very invested in my financial decisions.”
“I’m invested in people not taking advantage of you.”
The answer was direct enough to remove whatever joke you might have made.
Jason’s eyes moved over your face, then toward the room where the others were dismantling equipment.
“Especially when they’re using us to do it,” he added.
He picked up his bass and returned to the stage.
You stood in the corridor until Wally shouted that he needed help identifying which cable Jason had threatened to throw away.
🌙📸🎶📸🌙
The local shows multiplied slowly.
One opening slot became three. A promoter invited them to play a showcase in a room where the audience consisted mostly of other bands waiting for their own sets. They performed at a restaurant with a stage too small for Roy’s full kit and a neighborhood festival where Wally’s amplifier lost power during the second song.
You photographed all of it.
You learned where to stand before Dick crossed the stage. He could find your camera in any room, even when the lights blinded him to most of the audience. At first, he grinned whenever he caught you watching.
Later, he began singing toward you.
It should have felt theatrical. Dick was a performer, and the camera rewarded people who understood how to engage with it. You told yourself he was giving you better images.
That explanation worked until you lowered the camera during rehearsal and found him still looking at you.
He missed his next line.
Wally noticed.
His grin lasted for the remainder of the song.
Photographing Wally required a different language. He moved too quickly for warnings and disliked repeating anything that had happened naturally. You began watching his feet, the tightening of his grip, the slight bend in his knees before he jumped from a platform or crossed behind Dick.
Eventually, Wally realized what you were doing.
He started warning you with his eyes.
A glance toward the edge of the stage meant he intended to jump. A lifted eyebrow gave you half a second before he moved closer to Dick. When he shifted his weight toward Roy, you knew he was about to climb onto the drum riser despite being told repeatedly that there wasn’t enough room.
After each show, he came to you first.
“Did you get it?”
“You nearly kicked Dick in the head.”
“But did you get it?”
“You’re going to break an ankle.”
“That doesn’t answer the question.”
You always got it.
Wally began sending you ideas between shows. Most were impractical. Several involved smoke machines they could not afford, and one required access to a rooftop Jason pointed out did not legally belong to any of them.
Some were good.
For their first proper promotional shoot, Wally found an abandoned service station on the edge of the city. The building had been emptied, but the faded signs remained. Weeds grew through cracks in the pavement, and the setting sun turned the dirty windows gold.
The shoot cost nothing except fuel and the meal Dick bought afterward.
Wally arrived with three jackets and no idea what matched any of them. Roy wore a sleeveless shirt despite the cold. Dick had clearly planned his outfit for several days while pretending he had not.
Jason showed up directly from the bookstore in a dark sweater.
“You can’t wear that,” Roy told him.
Jason looked down. “Why?”
“You look responsible.”
“I am responsible.”
“That’s not our brand.”
“We don’t have a brand.”
Dick glanced toward you. “We have a brand.”
Four heads turned.
You had been checking the light.
“Don’t ask me,” you said.
“You’re the visual department,” Wally replied.
“I wasn’t informed there were departments.”
“There are now.”
Roy gestured toward himself. “Talent.”
“Percussion,” Jason corrected.
“Same thing.”
You directed them toward the side of the building.
Jason complained about every posed arrangement, so you stopped posing him. Instead, you asked Dick to stand near the old pumps and sent Wally to sit on the hood of Roy’s truck. Roy leaned against the building without being told.
Jason remained beside you.
“You aren’t in the picture,” you said.
“I noticed.”
“Go over there.”
“You said you weren’t posing me.”
“I said I would stop telling you what expression to make.”
“That’s different.”
“Yes. Move.”
He gave you a look but crossed the pavement.
Rather than arranging him, you waited.
Dick said something that made Wally laugh. Roy interrupted. Jason turned toward them, his body angling naturally into the group.
You took the photograph.
The resulting images became their first posters. One appeared behind the counter at Jason’s bookstore. Roy taped another to the office window in the garage. Dick convinced the restaurant manager to display one near the entrance until a customer attempted to take it home.
The photographs also led to more bookings.
So did the growing collection of live images you supplied after every performance.
Without discussing it, you began carrying spare batteries for the band’s equipment as well as your camera. Jason added your transportation costs to his spreadsheets. Dick copied you into venue emails so you could ask about access and lighting. Wally sent you unfinished tracks because he wanted to know what colors they sounded like.
Roy began saving the seat beside him whenever they traveled together.
You missed one rehearsal in October because a paid event ran late.
It should not have mattered.
They did not need you to rehearse. Your absence did not change the arrangements, the lyrics, or the equipment. You sent Dick a message explaining that you would not make it and expected the night to proceed normally.
The group chat became active forty minutes later.
Wally: this feels weird
Jason: We are rehearsing.
Wally: exactly
Roy: Her chair looks judgmental when it’s empty.
You: my chair is a folding chair
Dick: You’ve given it a strong personality.
You: play your songs
Wally sent you an audio recording.
The first thirty seconds consisted of Roy tapping the microphone, Dick asking whether the recording had started, and Jason telling everyone to stop wasting time. Then the music began.
You listened while sitting in the back of a rideshare with your equipment bag between your knees.
The song was unfinished. The recording distorted whenever Roy played too loudly, and someone dropped something metallic halfway through the second verse.
When it ended, Dick’s voice came through the speaker.
“That part was for you.”
“What part?” Wally asked in the background.
“The song.”
“The whole song?”
“Mostly.”
Jason said something you could not hear.
Dick laughed before the recording stopped.
You listened twice.
At the next rehearsal, your folding chair had been replaced with a padded one someone had found in the garage office.
No one admitted responsibility.
Roy brought your usual soda. Wally had created a space on the workbench for your laptop. Dick asked for your opinion on the unfinished song before he removed his jacket.
Jason handed you a paper cup of coffee.
The coffee was mostly milk and exactly as sweet as you preferred.
“You didn’t have to get this.”
“You stayed for four hours last time.”
“That was four days ago.”
“You were tired.”
“That condition has continued.”
“That’s why I bought it tonight.”
He moved to sit on the crate beside you.
The others were rehearsing the same section of a song, Dick and Wally arguing over a transition while Roy tapped an impatient rhythm against his leg.
Jason looked at the images on your screen.
“You didn’t post the one from Friday.”
You knew which one he meant.
After the show, you had found him alone beside the loading entrance with his bass resting against the wall. The venue owner had cut their set short because the headlining band arrived late and demanded additional time. Jason had been furious, though the photograph caught something beneath the anger: disappointment he had not wanted the others to see.
“It wasn’t for anyone else,” you said.
He was quiet.
“You could delete it.”
“I could.”
“Are you going to?”
“No.”
Jason nodded once.
His attention remained on the photograph.
“Why keep it?”
You considered the question.
“Because it happened.”
“That isn’t usually enough.”
“No.”
The image was darker than most of your work with the band. Jason’s face was partly shadowed, the loading entrance light outlining one side of him. His hands were loose between his knees, no longer clenched but not yet relaxed.
“You let me see it,” you said.
Jason looked at you.
The noise of the rehearsal continued behind him. Dick repeated the same lyric. Roy corrected the tempo. Wally played over both of them.
Jason’s expression became unreadable.
Then he picked up his bass and returned to the others.
You kept the photograph.
🌙📸🎶📸🌙
Roy’s flirtation became another part of the routine.
He made himself easy to photograph whenever he wanted your attention. He spun drumsticks between his fingers, tilted his face toward whatever light you had managed to find, and watched the lens through gaps in the cymbals. During one rehearsal, he removed his shirt under the pretense that the garage had become too warm.
It was November.
“The heater isn’t working,” you said.
“I run hot.”
“You’re standing beside an open door.”
“Maybe I’m helping you test the camera.”
“The camera works on shirts.”
Roy leaned one forearm against the drum kit. “You worried you’ll like what you see?”
“No.”
“You answered quickly.”
“I’ve seen you eat noodles directly from a saucepan.”
“There are people who would find that appealing.”
“Those people need help.”
He smiled, but the expression faded when he thought you had turned away.
You caught it through the viewfinder.
Roy’s flirtation created enough noise that you almost missed how attentive he was. He kept bottles of water near your chair without announcing it. If a venue became too crowded, he appeared at your side and created space with a hand at the small of your back. He noticed when you stopped responding to Wally’s commentary because you were tired rather than focused.
After one show, you sat on a crate behind the venue while trying to clean a lens beneath a security light.
Roy lowered himself beside you.
“You disappeared.”
“I’m thirty feet from the door.”
“Still counts.”
“The dressing room was crowded.”
“That guy from the opening band was bothering you.”
You looked at him. “He asked what camera I use.”
“He asked whether you needed someone to show you how to use it.”
“He was making conversation.”
“He was being an asshole.”
Roy’s tone remained light, but his jaw had tightened.
“I handled it.”
“I know.”
“You didn’t need to follow me.”
“I wanted quiet.”
“You brought drumsticks.”
He glanced at the pair in his hand. “Emotional support.”
You laughed.
The tension left his face.
Roy leaned back on his palms and looked toward the night sky, although the city lights erased most of the stars.
“You know you don’t have to be nice to everyone who wants something from you.”
“I’m not.”
“You’re nicer than Jason.”
“Most people are.”
“I heard that,” Jason called from the doorway.
Roy smiled without turning.
You finished cleaning the lens.
His shoulder remained against yours until the others were ready to leave.
🌙📸🎶📸🌙
By winter, the band had eight finished songs and enough local bookings to create the illusion of momentum.
The illusion required considerable maintenance.
Dick spent his breaks at work contacting venues. Jason maintained a spreadsheet tracking payments, equipment expenses, and promoters who had attempted to alter terms after the show. Wally managed the social accounts despite being repeatedly forbidden from posting without supervision. Roy found rehearsal spaces, replacement parts, and people willing to let them play.
You built the press kit.
It began because Dick sent you a document containing one paragraph, three different fonts, and a biography describing Night Signal as “four people united by sound, friendship, and a refusal to accept the ordinary.”
You called him immediately.
“What is this?”
“Our press kit.”
“It looks like a ransom note.”
“That’s dramatic.”
“You centered half the text.”
“The important half.”
“You described Jason as mysterious.”
“He is.”
“I’m sitting beside you,” Jason said in the background.
Dick lowered his voice. “See?”
You took control of the document before they could send it anywhere.
You selected photographs from the previous six months, rewrote the biographies, standardized the colors, and created a simple logo using the flickering line of the auditorium light as inspiration. Jason supplied accurate performance details. Dick rewrote his answers after you told him enthusiasm did not require adjectives in every sentence.
Wally attempted to include individual star ratings for each band member.
Roy rated himself six stars.
The work took most of a weekend.
They gathered at your apartment on Saturday afternoon with food, cables, laptops, and no understanding of how much space four musicians could occupy when none of them brought instruments. Dick sat beside you at the table and answered venue questions. Jason reviewed every date and fee. Wally paced while reading possible biographies aloud. Roy lay across the couch and offered unhelpful slogans.
At midnight, you were still correcting the layout.
Dick placed a plate beside your laptop.
You glanced at it. “What’s this?”
“Dinner.”
“We ate.”
“That was seven hours ago.”
Across the room, Wally was asleep on the floor with one arm over his face. Roy had finally stopped suggesting slogans and fallen asleep on the couch. Jason remained at the other end of the table, reading through venue contracts.
“You could all go home,” you said.
Dick looked offended. “And abandon you with our press kit?”
“You abandoned me with it when you used three fonts.”
“That was before I understood.”
“You still don’t understand.”
“I understand that you’re fixing it.”
He nudged the plate closer.
You ate while working.
Sometime after one in the morning, your concentration began slipping. You reread the same sentence three times without understanding it.
Jason noticed first.
“Stop.”
You looked up. “I’m almost done.”
“You’ve said that for an hour.”
“I need to export the files.”
“You need to sleep.”
“I have class on Monday.”
“It’s Sunday.”
You checked the clock.
Jason closed your laptop.
“Hey.”
“You can finish tomorrow.”
Dick’s hand settled on your shoulder. “He’s right.”
“You’re both deeply irritating.”
“Professionally,” Dick said.
Jason stood and began collecting empty containers.
Roy opened one eye from the couch. “Are we done?”
“No,” you said.
“Yes,” Jason said.
Wally startled awake. “Did we book something?”
“Not yet,” Dick replied.
Wally sat up, hair flattened on one side. “Then why did you wake me?”
“No one woke you.”
“I felt a change in the atmosphere.”
“You snored through the atmosphere,” Roy said.
You looked around your apartment.
Their belongings had spread across every available surface. Dick’s jacket hung over your chair. Jason had reorganized the empty containers into a neat stack. Wally’s phone charger stretched across the floor. Roy’s boots sat beside the couch because you had threatened to remove his kneecaps if he put them on the cushions.
The press kit was unfinished.
The band looked exhausted.
Something in your chest felt painfully full.
🌙📸🎶📸🌙
The following afternoon, all four returned before you asked.
The finished press kit helped them secure their first show outside the city.
Then another.
A bar owner in Keystone offered them a Friday-night slot if they could arrive early enough for soundcheck. A venue in Blüdhaven wanted them the following evening. Someone in Bristol had seen their photographs and asked whether they could join a Sunday showcase.
Dick printed the emails and brought them to rehearsal.
“This is almost a tour,” Wally said.
Jason studied the dates. “It’s three shows.”
“Three shows in three cities.”
“Bristol is forty minutes away.”
“Do not diminish our cultural expansion.”
Roy took the pages from Jason. “We could add the Thursday show in Burnside.”
“That one doesn’t pay,” Jason said.
“They cover food.”
“They offer one drink ticket per performer.”
“Hydration matters.”
“That’s not hydration.”
Dick looked toward you.
You were sitting in your usual chair with the camera beside your feet, watching the discussion become a plan.
The dates spread across the workbench. Three shows became four when Roy called a venue owner he knew. Wally found an open-mic night along the route and insisted it counted. Jason calculated fuel costs, accommodation, and how many shirts they would need to sell before the trip stopped actively losing money.
They argued about transportation next.
Roy’s truck could carry the drums and amplifiers but not five people safely. Dick could borrow a van from a cousin, provided they returned it with the same number of doors. Wally volunteered to drive until Jason reminded everyone that he had accumulated three speeding tickets in one year.
“They were administrative disagreements,” Wally said.
“They were recorded by cameras.”
“Machines lack context.”
“You were going twenty-three miles over the limit.”
“The road was empty.”
“You’re not driving.”
Roy drew another line across the map. “If we leave Thursday morning, we can make Burnside before soundcheck.”
“I have class Thursday morning,” you said.
The room quieted briefly.
You had spoken without thinking. The schedule was theirs, not yours. You were not performing, transporting equipment, or being paid to attend.
Jason crossed out the departure time.
“We leave after.”
“You don’t have to change it.”
“We can make it,” Dick said.
“You’ll be cutting it close.”
Roy checked the map. “We’ll still have forty minutes.”
“Assuming Wally doesn’t need to stop every hour,” Jason added.
“I have a fast metabolism.”
“You buy candy.”
“That’s fuel.”
You watched Jason write a new departure time.
No one asked whether changing the schedule around you made sense.
They treated your availability as another fixed part of the tour, like the venue addresses and equipment requirements.
You took pictures while they argued.
The photographs were not remarkable individually. Dick leaning over the map with a pen between his teeth. Wally pointing at a route on his phone. Roy sitting backward on a chair while Jason explained why sleeping in the vehicle wasn’t a financial strategy.
Together, they documented the moment Night Signal began extending beyond the city that created it.
You packed your camera after midnight.
Dick was waiting near the garage door.
The others had become suspiciously quiet behind him. Wally was pretending to organize cables. Roy was seated at the drums without touching them. Jason held a sheet of paper.
“What?” you asked.
Dick smiled.
It wasn’t his stage smile or the polished one he used on venue managers. This was the expression he wore immediately before asking for something he had already decided mattered.
“We have a question.”
“That sounds ominous.”
“It isn’t.”
“That’s what people say before ominous questions.”
Roy spun a drumstick between his fingers. “We need a photographer.”
You glanced toward the pages on the workbench. “For the new promotional material?”
“For the shows,” Dick said.
Your hand remained on the strap of your camera bag.
“All of them?”
Wally abandoned the cables. “That’s generally how touring works.”
“It’s five shows.”
“Six,” Roy said.
Jason looked at him. “What did you do?”
“Found us a Wednesday.”
“In another state?”
“It’s barely another state.”
“That’s not a measurement.”
Dick lifted one hand before the argument could gather momentum.
“We want you to come with us.”
You stared at him.
The trip would last eight days if the additional show became definite. They had no proper transportation plan, no confirmed place to sleep after two performances, and barely enough money to cover fuel costs.
“You can’t afford a tour photographer.”
“We can pay something,” Jason said.
He held out the paper.
It was a budget.
Your name appeared beneath theirs, followed by a modest daily rate, shared accommodation, meals, transportation, and a percentage of merchandise sales. The total wasn’t much. It was more than you expected them to offer.
“You included me before you knew whether I could go.”
“We were optimistic,” Dick said.
“You built the route around my class schedule.”
Jason’s eyes shifted briefly toward Wally.
Wally looked at the ceiling.
“You told us when your winter session ended,” Dick said.
“Months ago.”
“We remember things.”
“You don’t remember soundcheck times.”
“That’s why Jason exists.”
Jason ignored him. “If the rate isn’t enough, say so.”
“It isn’t about that.”
“What is it about?” Roy asked.
You looked at the four of them.
They had stopped joking.
The proposal should have felt like another favor between friends. You had attended nearly every performance already, and eight days was not long enough to transform the arrangement into something fundamentally different.
Yet the paper in Jason’s hand made the change visible.
They had not assumed you would come.
They had planned for you.
“You could take pictures yourselves,” you said.
Wally made a face. “You’ve seen the pictures I take.”
“You cut off everyone’s head.”
“I’m interested in composition.”
“You took fourteen photographs of your thumb.”
“It has character.”
“You don’t need someone at every show,” you continued. “You’re still building an audience. You could save the money for equipment.”
Jason folded the budget once, the movement precise.
“We could.”
The answer surprised you.
Dick stepped closer.
“We don’t want to.”
You searched his face. “Because you need content?”
“That’s part of it.”
“You need new pictures for the press kit.”
“Yes.”
“The venues want promotional material.”
“They do.”
You waited.
Dick’s gaze remained on yours.
Behind him, Wally had become unnaturally still. Roy’s flirtatious ease was absent. Jason held the budget at his side as though he had already made every argument he intended to make.
“You make us look like ourselves,” Dick said. “Even when we don’t know what that looks like yet.”
Your fingers tightened around the camera strap.
“That sounds rehearsed.”
“I tried three versions in the car.”
“Four,” Jason said.
Dick glanced back. “You said the second one didn’t count.”
“It was nearly identical to the first.”
“That doesn’t make it less sincere.”
Roy leaned forward, forearms resting on his knees. “We want you there.”
The simplicity of it unsettled you more than Dick’s prepared explanation.
“For the pictures,” you said.
“For the pictures,” Roy agreed.
Something passed between the four of them.
You didn’t understand it.
Wally came closer, stopping beside Dick. “And because you’re already part of this.”
“I’m not in the band.”
“No,” Jason said.
The answer was immediate.
Then he looked at the others, perhaps realizing how it sounded.
“You don’t play an instrument,” he clarified.
“I know.”
“You named us,” Dick said.
“Accidentally.”
“You made the first post,” Wally added.
“Because none of you knew how to edit a photograph.”
“You built the press kit,” Roy said.
“Because Dick committed crimes against typography.”
Dick pressed a hand to his chest. “It was expressive.”
“You took every photograph anyone cares about,” Jason finished.
The room became quiet.
There were moments when you saw the four of them as the rest of the world eventually might. Dick beneath a spotlight, holding a room with nothing but his voice. Jason steady at his side, quiet until the music demanded attention. Wally moving across the stage faster than your shutter could follow. Roy half-hidden behind the drums, controlling the pulse beneath all of them.
Most of the time, you saw your friends.
Dick sending voice messages from the restaurant stockroom. Jason placing coffee beside your laptop without asking. Wally calling at midnight because he had discovered an idea too urgent to survive until morning. Roy leaning against your chair after rehearsals, flirting until your laughter convinced him you were all right.
You did not know what Night Signal might become.
You knew you wanted to see it.
“When do we leave?” you asked.
The room erupted.
Wally caught you first, arms wrapping around your waist before you could protect the camera bag between you. He lifted you several inches from the floor.
“Put me down.”
“She said yes.”
“I was here.”
Dick joined the embrace from the side, laughing as you attempted to save both your equipment and your ribs. Roy abandoned the drums and folded himself around the group, one hand settling at the back of your neck.
Jason remained outside the collision.
You looked over Wally’s shoulder.
He was smiling.
It was small and unguarded, the expression you usually had to wait for him to forget the camera before revealing.
“Help me,” you told him.
“You made your decision.”
“You were the one who made the budget.”
“And you accepted it.”
“This is workplace harassment.”
“You haven’t signed anything yet.”
Roy loosened his grip enough for you to breathe. Dick took the camera bag before Wally crushed it. When your feet returned to the concrete, you reached toward Jason.
He looked at your hand.
Then he stepped close enough for you to catch his sleeve and pull him into the edge of the embrace.
Jason tolerated it for several seconds before muttering that everyone needed to move.
No one listened.
Later, after the others had resumed debating vehicles and accommodation, you found the proposed itinerary to be under budget.
The route had been written across the top. Six cities now, assuming Roy’s additional date was confirmed. Beneath it was a list of what they needed to bring.
Dick — microphone, cables, lyric book.
Jason — basses, amplifier, emergency repair kit.
Wally — guitars, pedals, spare strings.
Roy — drums, hardware, merchandise cash box.
Your name appeared last.
Camera equipment, laptop, chargers, press passes.
Someone had drawn a line beneath the five names.
The list had been written before you arrived.
You folded the itinerary and placed it inside your camera bag beside the first printed photograph of Night Signal, the one with the failing light, Wally’s laughter, Jason’s hidden smile, and Roy’s missing foot.
Then you raised your camera and photographed the four of them as they planned their first tour.
Pairing: Jason Todd/F!Reader, Roy Harper/F!Reader, Dick Grayson/F!Reader, Wally West/F!Reader
Word Count: 74.2k
Rating: Explicit
Warnings: explicit sexual content, mutual pining, longstanding friendship, polyamory, group sex, oral sex (female and male receiving), fingering, vaginal sex, unprotected sex, multiple partners, birth control/STI discussion, praise, light possessiveness, aftercare
Summary:
You have been the band’s photographer since Dick Grayson, Jason Todd, Wally West, and Roy Harper were playing half-empty dive bars, and now that they are famous, you are nearly as beloved by their fans as they are.
Five years after the release of their first album, an anniversary shoot finally forces all five of you to confront what has been developing behind the camera.
Author’s Note:
Hello my lovelies! Welcome to my newest multi-chapter work :)
I hope you will like it as much as you like Lessons in Devotion.
Non-vigilante Band AU
This fic is complete and will be 8 chapters total. Chapter 1 will be posted today, July 26th, with new chapters every Sunday after that.
batman not being in birds of prey is so funny to me bc its like once he hears about harley’s situation, he fucks off to a different country for a “vacation”, and gets the occasional update from alfred that’s like “well sir, she blew up the ace chemicals.” and bruce is like:
and then he goes back to doing weird justice league grade bullshit detective work.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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We talk about a lot of hear-me-outs on this blog, so I figured I’d give every a chance to show off their most diabolical hear-me-outs; whether they be due to appearance, bearings, moral/ethical choices—let’s open up all those skeletons in the closet and hear you out: the mic’s on you, friend-o.
RULES:
Include 5-7 of the hear-me-outs that get side-eyed the most. You gotta give us a picture and tell us their name and/or the media they’re from.
IMPORTANT NOTE: A conventionally attractive man that makes morally dubious choices is not a true hear me out. Miguel O’Hara, Albert Wesker, and Loki are not true hear me outs as they benefit from that oft-utilized pretty privilege.
You wanna explain why you chose this hear me out, you’re more than welcome to.
Keep the love going and tag anyone else you want to join in on this silly, silly game.
so to get the ball rolling, here are some of my most vulnerable hear-me-outs, in no particular order:
Thrax from Osmosis Jones, Hank McCoy from X-Men, Hades from Hercules, Hexxus from Ferngully, Ben Grimm from Fantastic Four, Tywin Lannister from Game of Thrones, Beta Ray Bill from Thor
and for the tagging: @skeeets @fanfictionwarrior-chills @devisedplan @infinictus @biglychee @buggjunction @rotrabbitrot @heraldofgayness @colonelfish @inkievoid @novatheory @i-gotta-go-so-much-bigger @lushberrys @gr0und-zer00 @finniestoncrane @gilverrwrites @cherryysunshine @acapelladitty @bat1nsignia @wonderrheartt @splodencible @batwngs @queen-of-gotham @froggibus @eatfeet69 @vigilantekisser @kaydekarios @luvmailing @shoot-i-messed-up as well as anyone else who wishes to chime in with their choices hehe
get to steppin friends—gimme some of your best hehe
nearly maxed out tags cus i’m crazy and just have so much love in my heart i wanted to tag everyone but i had to condense so i’m sorry if i missed anyone also but just know i love you all so bad
also a lot of you i haven’t interacted with in a long time and i feel bad abt that🙁 and some ppl that i tagged haven’t even been active since last year or longer like omg pls come back soon i miss you guys 😣😣
OMG THANK YOU SM BABY I MISS INTERACTING WITH YOU TOO<\3
my most favourite people here🙂↕️: @cherryvvave @moviecritc @bloomcissa @cryptic-doe @rh1nestcned @lechelovestoyap @luviery @vianawaits @scissorhvnds @dreamersentity @kamislop @batwngs @sakunai @mystiquevoid @1nsignia @patientofarkhamasylum @arfemiz @froggibus @tinafication @bitemysin @torupng @brinawing @biovomit @evilmanhater @gr0und-zer00 (i'm sorry if i didn't tag someone, but know that you're very dear to me too<3)
i feel like i don't say it enough, but i love you all, and y'all are very very dear to me. here on tumblr i found the community i feel sort of belonging to and with who i have experienced peak girlhood♥️
Hi there!! I’m the Moulin Rouge anon and I gasped when I saw that you actually took my request thank you so much!!! 🥹🥹(I’m at work trying to hide my excitement. 😭)
nonnie thank you so much again for your request!!
like i said, i had so much fun writing the fic and i hope you like what i did with your prompt 🫶🏼
do you want to be an emoji anon? 👀 the only one taken right now is the candle 🕯️
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming
Hey girl, so I have an idea if you’re interested. Have you ever seen the movie Moulin Rouge? The one made in 2001, by the director Baz Luhrmann. I was watching it and what if Dick Grayson is Satine and the reader is Christian. I’m not saying a full on copy of the plot but maybe something similar.
nonnie thanks for this request! i had soooo much fun writing this one haha