love to you. always.

i love you intimacy in reverse order. yes we've had sex before and i know all the details of your pleasure, but i don't know anything else. i don't know what it feels like to embrace you carelessly. i can barely hold your hand, the grip is so slight it makes me lose my breath. i want to kiss you but what pressure is the right one? how much is too intimate? yes we've had sex and i've done all these things before - but without the guise of mutual pleasure, can i be sure you won't turn me away? will you allow me the delicate feeling of your hand in mine when you know it is me asking to hold it? i know i've held you before with our clothes off, but can i hold you even tighter? may i listen to the steady sound of your heartbeat? is it alright to look for it in front of everyone? yes, yes of course we've had sex before. i know what you look like naked, ive touched you with the lights off. is it alright to want see you with them on? in the morning, with the sun flitting through the blinds?is it alright to want you when the sun is up? yes we've had sex before but have we ever been intimate? can we be? tell me that it's alright to hold you. no, not like that. just like this.

I don’t think we talk enough about how the entirety of Wicked is built on the irony of No One Mourns the Wicked. The musical exists because Glinda feels the need to tell Elphaba’s story, because she is in mourning and entirely alone in that. Glinda’s love is what creates the musical because no one mourns Elphaba except her, and that is an incredibly lonely place to be. She’s just lost two of the most important people to her, and all she’s trying to do is make someone, anyone else see how important they were.