Hey! I go by Scarlet/Scar and my pronouns are she/her (probably?). I'm a 22 yo Aussie writer. I write fanfics, poems, I occasionally make art, and I scream about my hyperfixations a lot. This blog is mostly just my hyperfixations and fandom stuff, with a little mental health mixed in.
Here's a link to my MASTERLIST (requests are OPEN and encourage)
Here's a link if you really love my stuff and want to buy me a ko-fi
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"The magic system is never fully explained" yeah that's how life works. Imagine having a story set in modern day America and the characters have several pages of exposition on combustion engines and telecommunication networks before we get to the plot
i think this is absolutely correct and good writing advice but also victor hugo would like to have a word with you about the parisian sewer system circa 1832
i love when you've been mutuals with people for years so that when they end up with some new fictional guy they lose their mind over you can take one look at the dude and go "yeah you would go crazy about that one." no need to even be in the fandom or anything, you can just Tell.
the same is of course never ever true when it comes to me. i'm unknowable and my attachment to fictional characters follows no pattern whatsoever that could tell you anything about me as a person, no sir.
"going out to get milk" is a common turn of phrase used to describe a man abandoning his family.
the "milkman" is a common figure in stories depicting a woman's infidelity and adulterous affair.
this implies that the ability to provide milk would both decrease the likelihood of a man abandoning his wife and children, as it would eliminate the need for leaving to get milk AND would secure that man's marriage, as his wife would have no need to seek milk from an extraneous source.
therefore, all men should produce milk, through various means such as:
- being a cow
- being an almond
- being a woman
- being a coconut
- being in the omegaverse
- being an oat
(list is exemplary and not finite)
in this essay, i will redefine the nuclear family and explain the seductive and inflammatory nature of the 1993 "Got Milk?" commercials.
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It makes me mad that this show can be so beautiful and just absolutely devastating in the best ways, written so well and the details so perfectly done that people still talk about it years after it ended. Then they gave us that shit ass ending😭
I think it would be funny to write a murder mystery where not only did every single character involved have an obvious motive to kill this mf, they were actually all attempting to murder him first, but the murder attempts all cancelled each other out all except for one. Two people tried to poison him but the poisons just happen to work as antidotes for each other, and instead of killing him only gave him the shits, and due to having the shits he couldn't go hunting that day like he had planned, foiling the plans of the one who had conditioned his favourite hunting horse to panic and bolt at the cue of a whistle, and the other murder attempt of tampering with his gun so that it would have exploded his whole face off.
The whole mystery isn't about who could have done it or how, but who was the one who got lucky and actually succeeded.
When I was in high school a friend of mine would host murder mystery dinners once or twice a year. They were the kind you could buy as a kit -- I don't even know if they exist anymore -- and everyone was assigned (or chose) a character, then received a booklet of clues to share. The idea was to spend an evening in a one-shot LARP designed like an Agatha Christie novel.
I was a year above most of them at school so they threw a "goodbye" murder mystery for me just before graduation, and about 2/3 of the way through the game we all realized that everyone had at least attempted to kill the victim. The game then shifted from "whodunnit" to "who succeeded in dunninit" which we all felt was not only super fun but above the usual level of narrative complexity for those games.
After we solved it, we discovered that the game wasn't from a kit -- the host had written it herself and meticulously printed out the booklets in replica style of the kits. It was the best going-away party I think I could possibly have had.
when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and
It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen
It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own
Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”
I’m having some emotions about it!
“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
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I love the attention to detail in the outfits for Golden and What It Sounds Like.
The outfits are a representation of what they are feeling. For example:
When Golden is first released Rumi has the most black on her outfit. It’s a physical representation of the shame she has. Zoey and Mira have less shame than Rumi, therefore less black.
But…
As the movie continues the more shame everyone starts to have. HUNTR/X is being torn apart and we see how that is affecting each of them through the amount of black in their clothing.
But that all changes at the end.
When Rumi, Zoey and Mira finally accept their faults and let go of their shame they didn’t have any black clothing, despite wearing it moments ago.
And that also explains why the Demons always wear black. Just like Jinu said, all they feel is their shame.
⭑ — sam winchester has an emotional support water bottle. probably one of the big 2L ones. dean often threatens to hit him with it.
⭑ — dean winchester hates the taste of toothpaste. but loves peppermint gum. sam prefers spearmint.
⭑ — dean winchester uses his brother’s toothbrush from time to time. he doesn’t care. but sam does. a lot.
⭑ — sam winchester prefers his hair long because he likes the motion of tucking it behind his ears.
⭑ — dean winchester once tried wearing eyeliner. john winchester hated it.
⭑ — sam winchester has never smoked a cigarette.
⭑ — sam and dean winchester are both right-handed, although both ambidextrous when it comes to handling weaponry. dean sometimes wishes he was left-handed.
⭑ — dean winchester thinks his nose is funny-looking. it’s the first thing he sees in the mirror.
⭑ — sam winchester loves tofu. dean hates it with a fiery passion.
⭑ — dean winchester never replaces the toilet paper when he finishes the roll.
⭑ — sam winchester used to collect bugs as a kid. his favourite bug is still a stick insect.
⭑ — dean winchester hates beanies.
⭑ — sam winchester often absentmindedly cracks his fingers. dean tells him it’s disgusting, that it’s unnatural.
⭑ — sam winchester was going to get a tattoo during his time at stanford, but decided against it when he saw the needle.
⭑ — dean winchester likes people laying on top of him.
A/N: these are the most stupid and random headcanons i could come up with LOL i love making stupid posts like this
Summary: After a nightmares wakes you, your emotions overpower yo and you feel like you’re drowning. Sam is there to support you and help you through it.
Warnings: Depiction of depression, past self-harm scars, emotional breakdown - handled with care
Also any mistakes are my own, please do not repost my work anywhere however reblogs are fine and welcome :)
If you love it, please comment and/or reblog. Let me know your thoughts! :)
A/N: if you ever do or ever have felt like this I’m so sorry. Please know you are not alone.
I wrote this during a really hard night, I had recently. It helped me. I hope it can help someone else too.
The nightmare clung like cobwebs—something about drowning in black water while hands grabbed from below. You bolted upright, gasping, the bunker's familiar darkness suddenly suffocating. Beside you, Sam slept deeply, his breathing slow and even, one arm flung protectively across your waist. The tenderness of it cracked something brittle inside you. Carefully, you slid out from under his arm, the cool air hitting your sweat-dampened skin like a shock.
Silence pressed in as you padded down the hallway, the concrete floor chilling your bare feet. The weight settled heavier, a familiar, leaden despair seeping into your bones. Why? The question echoed uselessly. There was no why, just the suffocating is. You slipped into the bathroom, locking the door softly, needing the illusion of containment.
The shower hissed to life, steam quickly fogging the tiles. You stepped under the scalding spray, hoping it would burn away the numbness, the hollow ache behind your ribs. It didn't. It just made the tears come faster, hot tracks mingling with the hot water. You slumped against the slick wall, sliding down until you were curled on the floor of the stall, knees pulled tight to your chest. The water beat down on your back, a relentless percussion to your silent sobs.
Then you saw them. Old, faded silvery lines crisscrossing the inside of your left forearm, barely visible unless you looked closely. Tonight, under the harsh bathroom light filtering through the steam, they seemed to glow.
Ghosts of a desperate, hurting teenager you thought you’d buried. A choked sob ripped from your throat. Stupid. Weak. Still broken. The thoughts hissed, venomous and familiar. You traced a finger over the smoothest scar, the memory of that sharp, clarifying pain a stark contrast to the messy, undefined agony filling you now. You pressed your forehead hard against your knees, shoulders shaking violently as silent cries turned into ragged, gasping ones. The water drowned out the sound, or so you thought.
The bathroom door handle rattled softly. "Sweetheart?" Sam's voice, thick with sleep but edged with immediate concern, cut through the roar of the shower. "You okay?"
Panic seized you. Hide. Fix your face. You scrambled, trying to stand, wiping furiously at your eyes. "Y-yeah!" you called, forcing brightness into your voice. It cracked horribly. "Just... just showering! Fine!"
The lock clicked – he must have picked it effortlessly. The shower curtain scraped back a few inches.
Sam stood there, hair tousled, wearing only his sleep pants, his face etched with worry that deepened into profound alarm as he took you in: crumpled on the wet floor, naked, shivering violently despite the hot water, eyes red-raw and overflowing, tear tracks stark against your flushed skin.
"Hey... hey, no," he breathed, the sound barely audible over the water. He didn't hesitate. He stepped into the shower fully clothed, the water instantly soaking his pants and plastering his hair to his forehead. He knelt beside you, ignoring the deluge.
You flinched, wrapping your arms tighter around yourself, trying to shield your scars, shield yourself. "Sam, no, go away! I'm fine, really, I just—"
He reached out, gentle but firm, pulling your hands away from your body. His large, warm hands enveloped yours. "Look at me," he murmured, his voice impossibly soft yet commanding. Reluctantly, you lifted your gaze. His hazel eyes held yours, filled with such raw understanding and pain for you that it shattered the last remnants of your composure.
A fresh wave of sobs wracked you. "I'm s-sorry," you choked out, trembling uncontrollably. "I'm so sorry, Sam. It's... it's not you. I promise, it's not you. You're perfect. Everything is... is good. I just..." You gulped air, the words tumbling out brokenly. "I'm just so sad. All the time, lately. And I don't even know why! I just... I feel so heavy and empty and... and I see these..." You gestured weakly towards your arm, fresh tears spilling. "...and I feel like that scared kid again, and I hate it! I'm sorry, I'm so sorry..."
Sam didn't speak. He simply gathered you into his arms, pulling you onto his lap right there on the wet floor. He cradled you against his soaked chest, one hand splayed protectively across your bare back, the other cradling your head, fingers tangling gently in your wet hair. He held you tightly, anchoring you as your body convulsed with the force of your weeping. The hot water cascaded over both of you, mingling with your tears.
"Shhh," he murmured against your temple, his lips warm against your wet skin. "It's okay. Let it out. Just let it out, sweetheart. I've got you." His voice was a low rumble, vibrating through his chest and into yours. "You don't have to know why. You don't have to apologize for feeling this."
He rocked you gently. "It's okay to be sad. It's okay to not be okay. Especially after everything we've seen... everything you've been through." His thumb brushed tenderly over the old scars on your arm, not with pity, but with aching recognition.
"These are part of your story. A hard part. But they don't define you now. This," he squeezed you tighter, "this strength it took to survive, to be here now, even when it hurts this much... that defines you."
You buried your face deeper into the crook of his neck, inhaling the familiar scent of him mixed with steam and soap. The dam had broken completely, and you cried until your throat was raw and your body felt limp. Through it all, Sam held you, his embrace unwavering, his murmurs a constant, soothing litany against the roar of the water and the storm inside you.
"It's okay," he repeated, pressing a kiss to your hairline. "I'm here. I'm not going anywhere. We'll get through this fog, together. One step, one breath at a time. Just breathe with me, okay? Just breathe." He took a slow, deep breath, encouraging you to match it. "That's it. Just feel me here. You're safe. You're loved. So deeply loved."
Exhaustion washed over you, a different kind of heaviness replacing the sharp despair. The tears slowed to hiccups. Sam shifted slightly, reaching up to turn off the pounding water. The sudden silence was profound, broken only by your shaky breaths and the drip of water from his clothes and your hair. He didn't loosen his hold.
"Can I get you out of here?" he asked softly, looking down at you. His eyes were still pools of worry, but also filled with a fierce, protective tenderness. "Get you dry? Warm?"
You nodded weakly against his chest, too spent to speak. Sam moved carefully, supporting your weight as he stood, water sluicing off both of you. He grabbed a large, soft towel and wrapped it around you, rubbing your arms gently before bundling you tightly. He grabbed another towel for himself, quickly drying his face and hair, his soaked clothes clinging uncomfortably, but his focus remained entirely on you.
He guided you back to your shared room, away from the steam and the ghosts in the bathroom. The quiet darkness felt safer now, with him beside you. He sat you on the edge of the bed and knelt before you, using the towel to gently pat your face dry, his touch infinitely careful.
"Sam..." you whispered, your voice raspy. "Thank you. For... for coming in. For... not being scared off."
A soft, sad smile touched his lips. He cupped your face in his hands, his thumbs brushing away lingering moisture. "Scared off?" He shook his head, his gaze unwavering. "Never. Seeing you hurt tears me apart, but hiding it... that would hurt worse. You don't ever have to hide this from me. The sadness, the scars... all of it. It's you. And I love every part of you." He leaned forward, pressing a long, tender kiss to your forehead. "Now, let's get you warm. And then... we just rest. However you need. I'm right here."
He helped you into dry pajamas, his movements efficient and gentle. Then he stripped off his own soaked clothes, pulling on dry sweatpants before climbing into bed beside you. Immediately, he opened his arms. You curled into him, your head finding its place on his chest, listening to the steady, reassuring beat of his heart. His arms encircled you, strong and secure, one hand resting protectively over the towel-dried skin where your scars lay hidden beneath your sleeve.
The crushing weight hadn't vanished, but it felt... shared. Held. The profound darkness of the night receded, just a little, replaced by the warmth of his body, the solidity of his presence, and the quiet, unconditional promise whispered against your hair as his breathing slowly deepened: "I've got you. Always."
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