— Ingrid Goff-Maidoff
YOU ARE THE REASON
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he wasn't even looking at me and he found me

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@cesarescabinet
— Ingrid Goff-Maidoff

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千葉真一 仲代達矢
Sonny Chiba Tatsuya Nakadai
闇の狩人 Hunter in the Dark 1979
How strange it is to wake up, check the news, see the world burning down… and still have to go to work, answer texts, be a person. Do what you can. That’s enough. It really is.
The world is always burning somewhere. You just happen to be in an era when you have dozens of media companies making big money on broadcasting it to the world at large. Almost none of it matters to you and is just mental dead weight, something that neither affects, nor can be affected by you.
[D]o not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented…It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
-- C. S. Lewis
An African Dancer by Richmond Barthé (1934)

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Title: Phaethon in the Chariot of the Sun God Artist: Godfried Maes (Flemish, 1649-1700) Date: undated; presumably 2nd half of 17th century Genre: mythological art Movement: Baroque Medium: pen and brown ink and brown and gray wash, with framing lines in brown ink Dimensions: 17.7 cm (7 in) high x 23.2 cm (9.1 in) wide Location: private collection
As recounted most famously in Ovid's Metamorphoses, Phaethon, the illegitimate son of the sun god Helios and the Oceanid Clymene, demanded that his father grant him a wish to prove that Phaethon was really his son. Helios agreed, whereupon Phaethon unwisely asked to drive his father's sun chariot for a day. The horses of the sun proved to be too much for him, and he lost control, veering near the Earth and creating the Libyan desert. Ultimately, Zeus/Jupiter intervened and struck Phaethon with a thunderbolt to prevent Earth's complete destruction.
Godfried Maes, a highly successful painter, draughtsman, and tapestry designer in the southern Netherlands, has chosen here to represent the moment at which Phaethon realizes he can no longer control the sun chariot. The reins fall from his hand as the four horses surge forward, rearing wildly. Phaethon's anguished expression and the powerful, contorted forms of the horses reflect the emotional intensity characteristic of Baroque art.
Mary Blair
How much do you like the Marvel superhero Nightcrawler?
I love him
I like him
He's okay I guess
I dislike him
I hate him
I don't know much/anything about him

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Wish I knew how to edit the orb pondering image so it's dance fucker dance john arbuckle inside the orb.
here you go i guess
This chapter has a lot of influence from Greco-Roman mythology and other stuff as well. In this part, Angelica, Arthur's former mistress, feels depressed and humiliated over the events that have occurred recently. Whilst she's in her monastery, a messenger from the queen (Arthur's widow) comes to her, announcing that she has been condemned to death.
Angelica is taken to a Round Table (maybe The Round Table TM?), where she's told to choose the manner in which she will die. She chooses the seventh option where she will put on a garment that will barbecue her (which sounds very familiar because Morgan sends a similar garment to her brother Arthur in another Arthurian text). Then, Angelica dies in the manner she chose, her last words being of forgiveness towards her queen.
Arthur's widow, who receives the news that Angelica's sentence has been carried out, feels baffled over the other woman's last words (and feels regret). Some time later, the queen starts being haunted by what seems to be the Furies, Angelica's ghost and many other things. Ultimately, the queen ends up taking her life because she can't take it anymore.
References
Johnson, R. (1978). The most pleasant history of Tom A Lincolne (R. S. M. Hirsch, Ed.). University of South Carolina Press.
Embroidered Linen "Merveilleuse" Gown, French, 1796-1800
From Kerry Taylor Auctions
1940, Tea in the Blitz, London

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Concept paintings for Cinderella (1950) by Mary Blair
Mary Blair — Art for Disney's 'Sleeping Beauty' (undated) Source