To Everything, Turn Turn Turn @cesarescabinet - Tumblr Blog

— Ingrid Goff-Maidoff

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scurviesdisneyblog

Mary Blair's concept art for Disney's Alice in Wonderland (1951)

agafuta

Marya Morevna, the warrior princess from a Russian fairy tale The Death of Koschei the Deathless.

Art by me.

truckowski

One of the black knights

I might do a post with a bunch of sketches for different black knights from different stories.

Reading a book on the 14th century and how casually violent it was really puts into context some of the aspects of Arthuriana for better or for worse.

#Because as much as Arthuriana is arguably meant to be nostalgic depending on the version #It also is reflective of its society and mores.#Casual violence is included because frankly they had zero problem with it #And thats why i dont mind retellings pushing back on this a bit as a thought exercise #Also it just reminds me of this one crusaderboo who unironically believed it would be superior to live as a medieval peasant than now #Because reading this book truly emphasizes how unhinged that take was. Anyway.

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eclogues

fuck therapy i’m becoming a knight

#lancelot du lac

pipshinwhatever

logging onto tumblr like heyyy i'm thinking about the same character i've spent the past few weeks thinking about. no change here. just wanted to let yall know

faulsimon

how do you feel about your hometown

love it/never wanna leave (still live there)

mid/whatever (still live there)

hate it (still live there)

love it/miss it (don't live there)

mid/whatever (don't live there)

hate it/good riddance (don't live there)

im bald

Remaining time: 6 days 2 hours

saw a post that made me wonder this. please tag with your thoughts im curious!!

#I genuinely dont have a hometown lmao #So i guess its the bald option

strawberry-crocodile

for real tho it feels exhausting that ive seen this whole "woman should be allowed to abstain from X beauty standard" -> "i perform X beauty standard, am i evil? do you think im evil? please forgive me i came up with a dozen excuses 🥺" since like 2015 (and i know its been going on longer than that) like girl thats not the poiiiiint

strawberry-crocodile

look me in the eyes. repeat after me. "i face societal pressure to perform this beauty standard. i should not face that pressure. i conform to this standard. i am rewarded for performing to this standard. i need to respect women who do not perform this standard. this is not about whether or not i am a sinner for wearing makeup."

lionofchaeronea

Title: Morning Glories Artist: Torajirō Kojima (1881-1929) Date: between 1916 and 1920 Genre: garden painting, genre art Movement: Impressionism Medium: oil on canvas Dimensions: 197.2 cm (77.6 in) high x 131.5 cm (51.7 in) wide Location: Ohara Museum of Art, Kurashiki, Okayama Prefecture, Japan

Torajirō Kojima, from the village of Shimohara in Okayama Prefecture, was an important figure in Japanese Impressionism. He studied first at the Tokyo School of Fine Arts (Tōkyō bijutsu gakkō), then, from 1908, at the Académie royale des beaux-arts de Gand, Belgium. He was commissioned in 1924 to paint a fresco in honor of the Emperor Meiji but died before its completion; it was finished by his friend Shigeru Yoshida.

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everythingispirates

the-glorious-evolution-fanart

Some new student Viktor sketches for fun

blackryan53

千葉真一仲代達矢

Sonny Chiba Tatsuya Nakadai

闇の狩人 Hunter in the Dark 1979

#Tatsuya Nakadai #Sonny Chiba #Hunter in the Dark

inthefallofasparrow

wetheurban

How strange it is to wake up, check the news, see the world burning down… and still have to go to work, answer texts, be a person. Do what you can. That’s enough. It really is.

hst3000

The world is always burning somewhere. You just happen to be in an era when you have dozens of media companies making big money on broadcasting it to the world at large. Almost none of it matters to you and is just mental dead weight, something that neither affects, nor can be affected by you.

arcenciel-par-une-larme

[D]o not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented…It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.

-- C. S. Lewis

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sbrown82

An African Dancer by Richmond Barthé (1934)

lionofchaeronea

Title: Phaethon in the Chariot of the Sun God Artist: Godfried Maes (Flemish, 1649-1700) Date: undated; presumably 2nd half of 17th century Genre: mythological art Movement: Baroque Medium: pen and brown ink and brown and gray wash, with framing lines in brown ink Dimensions: 17.7 cm (7 in) high x 23.2 cm (9.1 in) wide Location: private collection

As recounted most famously in Ovid's Metamorphoses, Phaethon, the illegitimate son of the sun god Helios and the Oceanid Clymene, demanded that his father grant him a wish to prove that Phaethon was really his son. Helios agreed, whereupon Phaethon unwisely asked to drive his father's sun chariot for a day. The horses of the sun proved to be too much for him, and he lost control, veering near the Earth and creating the Libyan desert. Ultimately, Zeus/Jupiter intervened and struck Phaethon with a thunderbolt to prevent Earth's complete destruction.

Godfried Maes, a highly successful painter, draughtsman, and tapestry designer in the southern Netherlands, has chosen here to represent the moment at which Phaethon realizes he can no longer control the sun chariot. The reins fall from his hand as the four horses surge forward, rearing wildly. Phaethon's anguished expression and the powerful, contorted forms of the horses reflect the emotional intensity characteristic of Baroque art.

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