Loch Enoch, Kirkcudbrightshire (1913)


blake kathryn
we're not kids anymore.

titsay

⁂
taylor price

dirt enthusiast
i don't do bad sauce passes
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ

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d e v o n

@theartofmadeline

Andulka
Show & Tell
Cosimo Galluzzi
TVSTRANGERTHINGS
trying on a metaphor

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@casillia
Loch Enoch, Kirkcudbrightshire (1913)

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Supermoon by garrastro.
doors of athens, 2022
if we make it through december and january and february and then march and april as well and may and june and july also and august and september. we’ll be fine

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“The conventional wisdom of the Tower of Babel story is that the collapse was a misfortune. That it was the distraction, or the weight of many languages that precipitated the tower’s failed architecture. That one monolithic language would have expedited the building and heaven would have been reached. Whose heaven, she wonders? And what kind? Perhaps the achievement of Paradise was premature, a little hasty if no one could take the time to understand other languages, other views, other narratives period. Had they, the heaven they imagined might have been found at their feet. Complicated, demanding, yes, but a view of heaven as life; not heaven as post-life.”
— Toni Morrison’s Nobel lecture, December 7, 1993
star gallery
If you enjoyed this book you should read every other book in the world for extra textual context. All things are intricately related to one another.
free my girl she did all that and should’ve fucking done even more
Yukio Mishima, from Spring Snow
Text ID: Dreams, memories, the sacred-they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch.

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Simon Harsent - White Water, 2013
vessels of desperation
acrylic and ink on wood
"history will absolve me" as the e-mail signature
"Old Trees" by artist Vlad Miroshnikov, 2019, oil on canvas
The Dead Icarus, Paul-Ambroise 1758

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H.R. Giger: ‘Virus’ 2000 from HR GIGER Icons (2002)