he/it/(they). physically disabled. genderqueer lesbian. french classics student. ao3.
poetry sideblog: @autometaphorical. spn sideblog: @dean-interrupted. mutuals only sideblog: @elektrainterrupted.
i talk a lot about greek myths, greek girls, sexuality & violence & gender in greco-roman literature. i write short stories and poems about that too. i probably think too much about kallisto, antigone, kassandra, iphigeneia, philomela and elektra.
writing, trauma, rape & incest, sex & violence, queer things & theory, lesbianism, art, literary fiction, tolkien, poetry, horror, familial horror, disabilities/disorders. and my daily woes and whines
i frequently reblog and post things about incest, sexual violence, trauma, sex, kinks, and similar topics. you can ask me to tag something if you want to avoid some topics, i donât usually use warnings otherwise. iâm chronically online and i can be awkward or lack the energy to socialize sometimes but iâm more than ok with comments/messages/interactions and getting to know people if you want to talk about writing or about shared interests
no "dni" but i block for transmisogyny, transphobia, racism, antisemitism, islamophobia, ableism, etc. and for terrible takes on abuse or just things that upset me
mutuals can follow my personal sideblog, ask for my instagram, and add me on discord (transbutchblues)
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i donât have enough "inspiration" (= my brain is too tired and slow to create original ideas) to write so now i want to translate texts, a task which is also tiring but does not require the exact same type of creativity since you work more closely with an original text. however iâm not sure itâs a good idea since i tend to find translation extremely frustrating due to both its limitations and my own limitations, i simply donât do enough translation to be a good translator. but there are extracts from this book that i would like to translate into english. and translating my philomela story into french would be an interesting exercise.
i cannot stress enough how much time i have spent this past year trying to find as much information as i could for masterâs admissions and on this specific program, so that i wouldnât have to deal with surprisesâi looked everywhere, i figured out things that were not indicated in clear ways and that were hard to find, iâve been on this for so long. and still now that itâs time for the actual enrollment they hit me with new incomprehensible things that were not specified anywhere (and i know that because iâm looking them up trying to understand whatâs going on and i canât find anything). so itâs summer and iâm finally done with my stupid undergraduate degree and iâm already crying over my masterâs degree iâve not even started yet
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reading beautiful books in french makes me want to write in french again, something i havenât done in years, and when i did nearly all of it was literary role play, collaborative writing. i want to explore writing in french in other ways, trying new things, but iâm already trying so hard to improve my writing in english, iâm not sure i can do both
everyone saying âsheâs got a pointâ is similarly participating in a sort of undeserved literary snobbery that belies any actual understanding of the function and popular reception of the novel as a form since its inception.
I am saying this as someone who has never once picked up a âpopular on booktokâ canva art romance novel, and rarely reads any 21st century literature at allâwho finds a lot of contemporary anglophone lit to be banal, obnoxious, and utterly tedious. I couldnât care less about the artistic merits of fanfiction as âlegitimate literatureâ either way, and I find the âcharacter-firstâ approach to storytelling most people in fandom circles employ to be reductive and a bit exhaustingâŚ
if you seriously think that the kinds of people writing gay fanfiction on ao3 about the main characters from a mainstream hollywood production are the same kinds of people who would otherwise be experimenting with the form of the novel in artistically groundbreaking ways, then I really donât know what to tell you. and if you think the phenomenon of novels being written for the emotional (and sexual) gratification of women being derided as a perversion of an otherwise elite artform is a new phenomenon that sprung up within the past decade, then you obviously donât know enough about the history of literature to be making these kinds of claims with such dismissive arrogance.
the form of the novel, especially novels by women, especially novels by women for women involving romance, have long been trivialized in the popular consciousness for lacking the kind of artistic merit that disqualifies it from being considered âreal literature.â whether such novels are artistically lacking or not is entirely subjective and beside the point. claiming that popular entertainment primarily produced and enjoyed by women and girls has rotted their brains and debased their potential intellectual engagement with âhigherâ artforms is a notion repeated by every generation, and itâs equally ridiculous every time! least of all because there are still plenty of women in the world who care about the craft of literature and artistic experimentation within the form of the novel. and some of them even like fanfiction, also.
one of my creative writing professors once said that to evaluate a work as good or not, first you ask what the work is attempting to do, and then you evaluate how well it does it. and this is how to judge everything from critical essays to romance novels to snack packaging to theory tracts.
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