Fryda in our apartment in Williamsburg, Brooklyn. 2016.
Shot on HP5 Plus on a Praktica.
Xuebing Du
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
he wasn't even looking at me and he found me
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YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸

seen from United States

seen from United States

seen from Netherlands
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seen from United States
seen from United States
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seen from United States
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seen from Portugal
seen from Vietnam

seen from United States
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seen from United States
seen from Costa Rica
@carmenishere
Fryda in our apartment in Williamsburg, Brooklyn. 2016.
Shot on HP5 Plus on a Praktica.

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Lovely Rosa.
Sadly I’m not too happy with the processing and scanning of this roll, but in an effort to document a learning process, here you are.
Shot on HP5 Plus, on a Praktica.
Ian Ellet in silhouette, Washington D.C., October 2015.
Marcy Avenue stop on the JMZ line, Brooklyn, New York. October 2015.
Marcy Avenue stop on the JMZ line, Brooklyn, New York. October 2015.

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Oh hey look! A long exposure!
...too long. But eh. Cheers to being hipster and passing off mistakes as “cool.”
Ian, thanks for taking me up here!
Go check out Ian’s blog for fun times with broken cameras.
Seen in Washington D.C., October 2015.
Back in October I started picked up medium format again in Washington D.C., all thanks to Ian Ellet (who recently revived a great blog about fixing up analog cameras).
I don’t remember what roll this was, really, but I can tell you I messed up it! Yay!
Oh, how I love messing up rolls of film. No sarcasm, I promise! A lot of people are nervous about messing up film because it’s expensive and it’s also adds up when you mess up rolls of film and develop them. To me, though, every time I mess one up I learn something new. In this episode of “Carmen Messes Up a Roll of Film” I learned about how to properly load and unload the camera which was new to me. I accidentally exposed the roll to yellow light, and now here we are. Overexposed, and yellow. Enjoy. But I ain’t mad!
Seen somewhere in D.C., October 2015.
This egg sandwich is the stuff wet-yolk dreams are made of, I promise. The restaurant where it's from is the place where dreams of a sustainable, local, affordable and creative dining experience become reality.
Black Tree is best known in Brooklyn and Lower East Side as a farm-to-table spot where the menu changes every week to offer any and every part of a whole animal. In other words- if it's goat week, you can expect to find goat all over the menu in some way, shape, or form. If there's a soup, the broth is made from the goat's bone marrow. If there's a cheese, it's goat cheese. If there's sausage... you get the point.
I met with Sandy Dee Hall on a sunny, Monday afternoon in March. He was sitting toward the back of the restaurant near the kitchen window, on his laptop, wearing a baseball cap backwards, papers spread all over the table.
In between calling to his kitchen staff about the week's relish sauce (pear based that week, as they decided on the spot), answering emails, reviewing bills and keeping up with his phone, he manages to answer a few questions for me.
It seems like his brain runs at a thousand miles a minute, yet nothing seems haphazardly done in his world. Sandy is one of the few extraordinary people I've met that can functionally multi-task.
It's common that restaurant goers fall in love with a menu item and never see it again. Sandy keeps his team small and tight-knit. Working together they carefully design unique menus every week. With so much agency, his team creates new dishes that guests keep coming back for.
Almost 100% of ingredients in the kitchen and the bar are sourced from within a 300 mile radius. Thirty minutes into our interview, a truck rolls up outside and a short, thin, man begins to unload meat. The very farmers that raise and slaughter the meat deliver them straight to the door.
"These animals, we've been to the farms they were raised on, they lived good lives until it was their time, it's all very ethical," says Macnair Sillick (Mac), co-owner of Black Tree.
As Sandy looks back at Black Tree's beginnings, he felt it was most important establish direct connections to local.
"I just started going to farmer's markets all over the city, when I first started, and started making connections that way," says Sandy.
Sandy's relationships to farmers has definitely led him into some interesting opportunities: like that time he briefly adopted a lamb and walked around with it all the time. Maybe he sympathized with Smokey, the little orphaned Lamb because he was an orphan himself.
"I grew up eating canned and frozen food and not even knowing that food could be good," he says.
After working in the restaurant industry for a few years he fell in love with food. Now if only this food didn't cost an arm and a leg for someone like Sandy.
"Why should people have to save up to eat locally?" asks Mac. "One night we came up with this idea to throw these ingredients (locally sourced) that you get at places like ABC Kitchen, into a sandwich, instead of having 50 people in the kitchen, keep the staff low, and make prices affordable."
The co-owners met some years ago when they lived in the same building, and started hanging out. After that night, they wrote up a business plan and soon they opened a pop-up at Crown Inn. Just a short year later, they had a brick-and-mortar location in the Lower East Side.
"The goal is to make farm-to-table more accessible, we can eat locally and educate people about the fact that you can't get avocados every day of the year, or citrus in the winter, but you can still eat delicious food," says Sandy.
Plates at Black Tree run from $10 up to $25, with the occasional rib-eye or specialty cut that runs for more, but the menu stays true to the restaurant's aim to be affordable.
"We feel really proud of what we're doing. We want to be a part of the community." says Mac.
"People go to these places that are 'farm-to-table' and they don't realize that they're paying all this money and the kitchen probably only sources 15-80% locally. Being 100% farm to table is difficult. I'll be proud when people realize that this is how it should be everywhere."
AMEN, Sandy. PREACH.
For more on Black Tree, stay tuned!
5 o’clock shadow, backlit and dreamy-eyed.

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Rafael; medical student, specializing in whiskey. Also, a stunt double for the most interesting man commercials (but don’t tell Maker’s Mark Co.)
Rafael Hernandez at age 26. Frank Melville Park, Setauket, NY. March 2016. My friends are hotter than yours.Â
Kathy Buccio in Union Square, Manhattan. February 2016.
When the model is like “hold up, I need to look at my phone,” and you just can’t “hold up,” because light is magic.
Kathy Buccio, Union Square, Manhattan, NYC. February 2016.
Straight stoop chillin, relxain, all cool.Â
Kathy Buccio in West Village. February 2016.

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Twin titans, phony phone booths, sunny streets.
West Village, Manhattan. February 2016.
Kathy Buccio in Manhattan this fine, freezing morning. As always, pleasure working with this lovely lady.
February 2016.