Thinking about Caine writing the circus escape adventure is so much fun. He was really sitting there going "most of these people have known me for years... better remind them of basic facts about myself like my love of bits!"
Aqua Utopia|海の底で記憶を紡ぐ

Janaina Medeiros
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$LAYYYTER

#extradirty
let's talk about Bridgerton tea, my ask is open
noise dept.

❣ Chile in a Photography ❣

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@candidateofloyalty
Thinking about Caine writing the circus escape adventure is so much fun. He was really sitting there going "most of these people have known me for years... better remind them of basic facts about myself like my love of bits!"

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I actually think that is an extremely common murder mystery L to not explore the psychological impact of killing a person. I understand the resistance to discussing how traumatic performing violent acts can be to the perpetrators, especially when that lens gets applied to huge systemic mass violence like wars. but I think it's important to acknowledge if you're exploring death and violence caused by other people... a murder story should understand that causing a death is also a fist through a pane of glass. even if it was on purpose! even if the person is horrible and dehumanizing their victim and stuff! <- dehumanization itself is an attempt to avoid the trauma of killing or hurting a person by rules lawyering who counts as a person. this is important to understand.
my spouse and i have been quoting this nonstop for the last several days and i need it to embed itself in everyone else's psyche too
ill be damned that's a sandy little ghoul.
i think people are starting to confuse class analysis with bioessentialism. like... no not all men do this, but Men as a constructed social class do do this. that's still okay to say. that is regular material analysis of the world around us.
this is true, but it is not bioessentialist. both cis & trans men WILL see a mouse & eat it. this is because it is in their best interest to eat mice. they benefit from eating mice. this is essential to their class position, not their biological makeup.
my problem is if i enjoy something enough i will be nitpicking. i Will have things to say about where and how it failed. out of nothing but love straight from my heart. unfortunately this often makes me indistinguishable from a hater who has never experienced joy or kindness. such is the amateur critic's burden.
all of my favourite things are like beautiful racehorses that trip over their own feet a hundred times. but they get back up again. and goddamn, you should see them run.

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liking a ship but disliking the distinct set of stock fanon that they have been assigned is like one of those punishments dante came up with when he wrote the worldbuilding for hell in inferno
did someone say something
3 pm: god, I'm EXHAUSTED. going to bed early for SURE.
midnight: I Have Literally Never Been More Awake And Alert
Well maybe you're having an "epidemic of mental illness" because your society sucks and systematically breaks people did you ever think about that

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they should make it illegal to end your story with an epilogue where your main female character is suddenly randomly married and has children when she's never once expressed a desire for this previously
people in the notes of this post being like "oh well it makes sense in canon why she would change her mind about wanting to start a family after the events of the conflict are over, there's a reason for it, let her have her happy ending." okay but fictional characters are not real people, they do not make these choices, their writers do. and those choices are not ideologically neutral, they stem from somewhere. and that place is misogyny in the cases where an author decides that becoming a wife and mother is The ideal happy ending for a woman. that's what the post is about, not a complaint that it's ooc or whatever (though it is often that too)
i feel like people in the notes don't really understand what i mean here. i'm not saying it can never make sense for a woman to have children in a story. there's a reason i mentioned an epilogue in the post (or an equivalent, some kind of time skip at the end of your story). what i really mainly have a problem with is relying on this trope as short hand for "The Nuclear Family = proof it's a Happy Ending :)" as if that's like. the only way you can show that? as if that is what marks whether or not a woman can be happy with her life? if you are showing a woman being happy with starting a family, you're allowed to do that, but it should absolutely not just be tacked on at the very end like this. bad and lazy writing at best, actively misogynistic at worst.
the example everyone is arguing for either side of in the notes is katniss from the hunger games (disclaimer that i haven't read the books in a long time so i don't exactly remember how it's handled, but i rewatched the movies recently and it sucks really bad there). sure, you can absolutely argue that this kind of ending makes sense for her. the reason she doesn't want kids throughout the story is because of the state of the world she lives in, so when the war is over, and she does have kids, that may very well be perfectly internally consistent with the world and her character. but that doesn't make this kind of writing any less lazy and misogynistic to me, because it's still a trope deployed simply to prove this peace to the reader, not actually grounded in exploring the character further or providing any real depth to this choice (hence it being kind of shoved in there at the very end). look, she's a wife and mother, that means she's happy now and the world is fixed! how else would we know? this is the thing all women really want deep down when their unfortunate circumstances aren't getting in the way of it, right?
It’s kind of crazy when you get likes on your fics every day and start to realise that at least one person around the world is reading your fanfics every day. It’s kind of a surreal feeling… No?
I watch a lot of old movies that nobody cares about any more, and this ends up filling in a lot of gaps in my cultural awareness. You would think knowing more about the world would make me more confident in my understanding of it, but you would be wrong.
The Barefoot Contessa (1954) is the life story of a poor Spanish woman who rises up to become one of the most famous actresses in the world. The movie does not bother to give her character traits beyond that she loves to have sex and also that she loves to run around barefoot (the fetishistic connotations are inescapable). She falls in love with a count and ultimately marries him. The big twist at the end of the movie is that her new husband had his dick blown off in the war and so they can't have sex (because, tragically, he never learned how to do hand stuff). Then he murders her for having an affair.
In 1978, Ina Garten bought a specialty food store that, for some unfathomable reason, someone had already named The Barefoot Contessa after this movie, which in 1999 became the title of her bestselling cookbook, which was then followed by a popular Food Network show. Now all of us need to deal with there being a TV cooking show called The Barefoot Contessa as part of the background radiation of our lives.
None of that makes any sense, and I am forced once more to confront the total lack of meaning in the world. It fills me with a terrifying sense of freedom.
show me your true form (i like seriously fucked up joker's pose here but it looks alright so it isnt a big deal i think)
being a Bandit is pretty great. Just got a new place with a couple friends, in Doghammer Cave (long history of hammering dogs there). It's pretty nice for the area! Zero bedrooms zero bathrooms, but it's got a falling spikeball trap in the entrance and a couple big linear multipurpose rooms full of barrels. I put a couple gold coins in each barrel. Really makes it feel like home.
Our leader is Klade Doghammer (long history of hammering dogs). He's the only one of us with a name. He likes to sit in the last room (our house has a last room because it's linear) at a desk with a half-finished page of notebook about how he'll get revenge on the town someday. My best friend Female Archer Bandit said the people in the town don't even consider us human. She says if you stay a bandit long enough they kill you for money. Sometimes when she and I are alone on watch late at night I get a funny feeling in my bandit parts. I think I just heard the falling spikeball trap go off. We didn't invite anyone over today but I hope it's someone friendly. Being a bandit is pretty great.

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sometimes being a fan of something means not wanting them to make any more of it
am i allowed to say kill all trillionaires or is that too specific of a threat