IM NOT CRYING YOUâRE CRYING SHUT THE FUCK UP
[transcription:
Have you ever wondered about like cave paintings? Like, âWhat were they doing? These donâtâŚÂ look very good,â -chuckles- In fact, almost every cave painting has Spaghetti Lines, which are webs of lines drawn over-top images, which you can see here.
-picture changes to a grayscale image of a deer standing in tall grass-
And hereâs an example of natural Spaghetti Lines in nature, but weâll get to that in a second.
-picture changes to a photo paleolithic drawing of a mammoth. Alongside the photo is a tracing of the drawing, to clarify the lines-
The second weird thing is like sometimes animals are given extra body parts, like here the mammoth has two trunks. And here, thereâs a drawing of an antelope or a deer, it looks like, that seems to have two heads.
For a long time, people would assume like maybe the Spaghetti Lines were just some kind of paleolithic graffiti, and maybe the animals were these kind of religious creatures that they had mythologized. But then, in 1993, a German scholar went into this cave in southern France, and it changed everything.
Unlike the other caves he had been to, this one was very poorly funded, so it had no artificial lights, and he had to be guided in by a local farmer, with nothing but a flickering lantern to guide his way. Here is how he described the experience.Â
He said, âM. Lapeyre finished his story and wanted to move on. I encouraged him to remain and to slowly swing his lantern back and forth a few feet from the cave wall. As he moved the light, I saw the colors of the tectiform begin to shift. When the lamp arced to the left, the blacks faded, the browns became red and the red intensified. When the light moved to the right, the pattern reversed, creating a shifting color scheme. Moreover, the engraved lines under and around the tectiform became animated. Suddenly, the head of one creature stood out clearly. It lived for a second, then faded as another appeared. The spaghetti lines were no longer a confused two-dimensional pattern. Rather, they became a forest or a bramble patch that concealed and then revealed the animals within. By firelight, a secret of the cave painters was exposed. In the space of a few moments, I saw cuts and dissolves, change and movement. Form appeared and disappeared. Colors shifted and changed. In short, I was watching a movie.â
Understood this way, the antelope with two heads, under the dance of the firelight, is an antelope going from grazing to checking for predators. And the mammoth with two or three trunks becomes a mammoth in motion, swinging his trunk.
Thereâs something beautiful to me about knowing that hundreds of thousands of years ago, ancient humans descended into the depths to watch movies.
/end transcription]
