“When I was younger,” Henry says, “I had this very elaborate idea of taking somebody I loved here and standing inside the chapel, that he’d love it as much as I did, and we’d slow dance right in front of the Blessed Mother. Just a … daft pubescent fantasy.” Alex takes his hand, and Henry turns to face the chapel like a nervous postulant, his cheeks hollowed out in the low light, before pulling Alex into it. When they kiss, Alex can hear a half-remembered old proverb from catechism, mixed up between translations of the book: “Come, hijo mío, de la miel, porque es buena, and the honeycomb, sweet to thy taste.” He wonders what Santa Chiara would think of them, a lost David and Jonathan, turning slowly on the spot. He brings Henry’s hand to his mouth and kisses the little knob of his knuckle, the skin over the blue vein there, bloodlines, pulses, the old blood kept in perpetuity within these walls, and he thinks, Father, Son, and Holy Spirit, amen.
