on my blog, you'll often see me posting about 'the rewrite'... but what is it exactly? find out below! ;)
the rewrite (or 'poto rewritten') is my version of 'phantom of the opera'! i came up with it in september 2021 as a way to have more eristine moments and a happy ending for erik, but it's blossomed into so much more! from weird coincidences to references galore, writing the rewrite has been a wild time! :D
(get an equally wild peek at 'the opera ghost' here and buy it here!)
(and be sure to get the first short stories collection, the second one, the third one, rewrite erik's mystery, his pov story and the cutest (free) fic!)
first off, let's say hello to the characters:
christine is shy and steadfast with a heart full of kindness, erik is an awkward yet witty stringbean with a love for music and raoul is a caring, optimistic lad with an affinity for the sea!
there are a ton of other poto characters in here like meg (she's in the group photo at the beginning of the post!), madame giry, nadir, ayesha, carlotta, piangi, sorelli and cecile (two ballerinas from the book) oroyeso (a mini series guy), carlous fonta (truly the most underrated poto character ever!), caesar the horse, madame valerius and of course good ol' daddy daae :)
the story mostly takes place in palais garnier (the lake isn't as magical as other adaptations make it but it's still pretty neat), but it goes far beyond the opera house! from bois de boulonge (book reference!) to the mazarine library and even the village of giverny, it explores the world of paris like never before! (and there's an eiffel tower cameo of course)
as you can already tell, there are quite a few references to other adaptations. the rewrite is a blend of various ones! poto soup if you will ;)
phans will certainly enjoy the rewrite since there are a ton of references to so many adaptations! from big bois like the book, musical, 1925 movie and susan kay's phantom to smaller ones like the mini series, the 1943/62 movies, love never dies and freddy phantom to tiny tales like ghost on the roof, angel's mask, phantom heart, and journey of the mask
some references are obvious like song lines from the musical (christine wanting to see the beauty underneath or whispering to her papa's grave, 'i wish you were somehow here again'), erik calling himself 'poor, unhappy erik' & raoul being on the naval borda ship like in the book, eristine having a picnic like in the mini series, erik having opera props on the wall like in ghost on the roof and masks from other adaptations being shown during the masquerade
others are super subtle like raoulstine reuniting on april 14th (the only thing i could pull from that lost 1916 movie das phantom der oper), walter plinge being a pseudonym from maskerade and cecile thinking the opera ghost is a canary (as 'the canary trainer'!)
and of course it wouldn't be a poto story without references to the creator, gaston leroux! manager armand is a fan of le gaulois (the paper that poto was originally published in), christina nilsson is name inspiration for christine (just like irl!), the maiden name of christine's mom is leroux (but they're not related probably) and-
...well let's just say there are a few neat cameos in store ;)
(see all of them here... but beware of spoilers!)
as you can see, the rewrite is a love letter to poto! and there are plenty of original ideas like the story taking place in 1888. want to see christine room with meg, explore paris with raoul or do adorable things with erik besides singing? the rewrite's got it all and more! ;D (it's a very eristine heavy story but there are plenty of raoulstine moments... and who she ends up with is another reason why i started the rewrite)
but the rewrite isn't just one story... just like with my original stories, i've planned out short stories and mysteries that take place after the main story ends. this is just the beginning! ;)
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"I selected his features to be beautiful...."
Henry Clerval and The Creature.
I like the idea that Victor either subconsciously or intentionally designed The Creature to resemble a mix of Henry and himself but then everything goes wrong. He speaks to Victor with a harshness Henry would never use, there is a hard cruelty in his eyes that Henry wouldn't have the capacity for.
Victor wonders if the things that make The Creature so loathsome to him are Victor's own traits, his mercurial temper, his arrogance, his obsessiveness, warping and distorting the features of someone Victor loves more than life itself.
・ ⟢ ⋮ Free to use, credit not required but appreciated. Reposts/Edits/Recolours/adding to Masterlists or hoards allowed. Please do not modify my work with AI.
IM SO EXCITEDDD FOR ARTFIGHT OMGGGGG!! Which team will you choose? Miami Dolphins vs Evil Intimidating Horse vs Fake Smile Girl!!!!
Here phandom have some of my 2am phantom thoughts from last night
I have so many thoughts about Point of No Return regarding what follows in Final Lair and what it means for Erik and Christine's relationship in general, and I was thinking about at what point in the song Christine works out that it's him and not Piangi.
Here's what the actual score says about it:
That first one makes me think that the intent was always for Christine to work it out as soon as he starts singing. But more often I see the interpretation that she has no idea until right at the end of the song when she touches his mask under the cloak. I kinda don't buy this for a couple of reasons, namely that I think she would recognise his voice or at the very least wonder where the hell he has got to if he isn't on stage, or why Piangi is so into it all of a sudden. Also, his hands are not covered, I have to think that after all the Hand™ in first lair Christine would recognise that ring. But here are a few options for your consideration:
1. Christine knows even before she sets foot on that stage, because when she reads the score and all the directions for the sexy blocking of ponr she thinks hmm. Well Erik got extremely upset when Raoul lovingly kissed me once so I can't imagine he would be terribly happy about Piangi sticking his hands up my skirt. He certainly would not be deliberately directing for that to happen. He ain't gonna be watching in a fit of jealousy in box 5 while someone else gets handsy with me, he's gonna be right there on stage doing the handsy-ing. Et voilà! As far as Christine is concerned her pet ghost is rather predictable.
100% ship e/c with this interpretation, she knows her depressed basement boyfriend too well how can they NOT end up together. I have never seen this interpretation but I imagine it would go something along the lines of Christine making a "not surprised, just disappointed" expression at him when he inevitably turns up there with her.
2. Christine thinks that Piangi will be the one performing with her until Erik turns up on stage and opens his mouth. Doesn't matter if he tries to sound Italian or not, she has heard this particular voice every single day for months, she knows it's him the second she hears the first word. Lots of scope for different Christine reactions after that! She might be terrified but try to hide it, she's a professional after all and she has 3-ish minutes to work out a plan. Or as @mysticscorpia so brilliantly suggested maybe Christine is kinda enticed by the danger of it all. Or perhaps she's just horny as all hell and doesn't have any thoughts going on beyond sexy song, actually.
There's still so much opportunity for different trajectories with this approach and personally I like it best out of all of them, I think it's the closest to what's indicated by the score as well as being the most believable.
3. She doesn't twig straight away, but throughout the course of the first verse or so she realises something's up - maybe it's the ring, or the fact that Piangi wasn't quite this height, actually, and he's also not usually nervous on stage, and hmm, he really finessed those whole-tone scales since the rehearsal. Best when our boy Erik at least tries to imitate Piangi and convinces everyone else, but he can't quite fool Christine (or Carlotta for that matter, who I imagine is watching from the wings and also thinking, hmm, that doesn't seem like my beloved, what is going on).
Most delectable when served with a shocked reaction from the managers and everyone else when she pulls the hood off, but Christine is just a cool cucumber about it. If the actress playing Christine wants to go the "I deserve to be nasty to him because of everything he's done to me" route (which I can like, but it has to be done a certain way or it just annoys me and feels out-of-character) I personally think this is the best way for that to happen.
4. Poor girl has no clue until she touches his mask and freaks out about it. I see this a lot and, like I said above, I do find it a bit hard to believe that she really doesn't suspect something. Is she not glancing around the auditorium looking for him? He smells like mouldy basement, how does she not pick up on that? His voice? The ring? The fact that he is visibly crashing out for most of the song? Anyway. It does give a good opportunity for contrast, I suppose, between her being happy to play the part in this plot to catch the Phantom versus her freaking out when she realises it isn't going to plan. The horniness is all an act, which she suddenly forgets about upholding when she thinks she's in real danger; it does show that she is just trying to do her job as a singer/actress. (Unless she's genuinely getting horny over Piangi?! Possible analysis there for sure)
I see this interpretation a lot and from an acting perspective there's certainly nothing wrong with it, but it does require a bit of suspension of disbelief about the similarity between Erik and Piangi even under the cloak. That, or asking the audience to believe that Christine is just too dim to notice the difference, which imo is a real disservice to her character.
This turned into an essay, oops. Thoughts, contributions, anyone? Any personal favourite Christine takes on this scene?
Hello. I just wanted you to know your version of Erik inspired me to create a miitopia version of him! I couldn't decide what role to give him, so I tested a few out. I hope you like it. Thanks for making such a cool Phantom design!
(P.S. if you have miitopia, let me know and I would be honored to send you the download code.)
NO WAY, OH MY GOSH! I don't have Miitopia, unfortunately. I'm not much of a gamer, alas...I get (read this in the nerdiest voice you can muster) motion sickness from the screen, lol.
LOOK AT HIM, HE'S SO FREAKING ADORABLE, ARE YOU KIDDING? This is amazing. THANK YOU! His bat outfit is KILLING me lmao
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My god, what a voice! What acting choices! She was one of the stronger acted Christine's I've ever seen - I wonder if that has to do with her experience in the immersive show and being up close with the audience. She was really huddling in her scarf and cloak in the beginning, freezing in the graveyard, before opening up into the most beautiful Wishing.
Lovely Christine with a stellar voice that really captures the quality of a songbird - highly recommend you catch her if you can!
This dress just kept getting shorter and tighter 😅
I finally made an actual outfit for my OC, Camila. I went with this pattern because it had a really nice vintage mid 80s to early 90s vibe I like for this character.
I added a roll of embroidery around the hem to hide the seam and mimic a belt. I might add a gemstone?
i know i say this often but i cannot say it loud enough: people who comment on fics, people who reblog posts and engage with fanworks are the people who generate community and without them fandom would be nowhere, so truly thank you for your presence, you make the world go 'round <3
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This is why Pride is not just a party. It's a joyful celebration, but it's also a pointed and colourful two-finger salute to a world that stood back whilst so many of us died. And we'll never go quietly, never again.