on my blog, you'll often see me posting about 'the rewrite'... but what is it exactly? find out below! ;)
the rewrite (or 'poto rewritten') is my version of 'phantom of the opera'! i came up with it in september 2021 as a way to have more eristine moments and a happy ending for erik, but it's blossomed into so much more! from weird coincidences to references galore, writing the rewrite has been a wild time! :D
(get an equally wild peek at 'the opera ghost' here and buy it here!)
(and be sure to get the first short stories collection, the second one, the third one, rewrite erik's mystery, his pov story and the cutest (free) fic!)
first off, let's say hello to the characters:
christine is shy and steadfast with a heart full of kindness, erik is an awkward yet witty stringbean with a love for music and raoul is a caring, optimistic lad with an affinity for the sea!
there are a ton of other poto characters in here like meg (she's in the group photo at the beginning of the post!), madame giry, nadir, ayesha, carlotta, piangi, sorelli and cecile (two ballerinas from the book) oroyeso (a mini series guy), carlous fonta (truly the most underrated poto character ever!), caesar the horse, madame valerius and of course good ol' daddy daae :)
the story mostly takes place in palais garnier (the lake isn't as magical as other adaptations make it but it's still pretty neat), but it goes far beyond the opera house! from bois de boulonge (book reference!) to the mazarine library and even the village of giverny, it explores the world of paris like never before! (and there's an eiffel tower cameo of course)
as you can already tell, there are quite a few references to other adaptations. the rewrite is a blend of various ones! poto soup if you will ;)
phans will certainly enjoy the rewrite since there are a ton of references to so many adaptations! from big bois like the book, musical, 1925 movie and susan kay's phantom to smaller ones like the mini series, the 1943/62 movies, love never dies and freddy phantom to tiny tales like ghost on the roof, angel's mask, phantom heart, and journey of the mask
some references are obvious like song lines from the musical (christine wanting to see the beauty underneath or whispering to her papa's grave, 'i wish you were somehow here again'), erik calling himself 'poor, unhappy erik' & raoul being on the naval borda ship like in the book, eristine having a picnic like in the mini series, erik having opera props on the wall like in ghost on the roof and masks from other adaptations being shown during the masquerade
others are super subtle like raoulstine reuniting on april 14th (the only thing i could pull from that lost 1916 movie das phantom der oper), walter plinge being a pseudonym from maskerade and cecile thinking the opera ghost is a canary (as 'the canary trainer'!)
and of course it wouldn't be a poto story without references to the creator, gaston leroux! manager armand is a fan of le gaulois (the paper that poto was originally published in), christina nilsson is name inspiration for christine (just like irl!), the maiden name of christine's mom is leroux (but they're not related probably) and-
...well let's just say there are a few neat cameos in store ;)
(see all of them here... but beware of spoilers!)
as you can see, the rewrite is a love letter to poto! and there are plenty of original ideas like the story taking place in 1888. want to see christine room with meg, explore paris with raoul or do adorable things with erik besides singing? the rewrite's got it all and more! ;D (it's a very eristine heavy story but there are plenty of raoulstine moments... and who she ends up with is another reason why i started the rewrite)
but the rewrite isn't just one story... just like with my original stories, i've planned out short stories and mysteries that take place after the main story ends. this is just the beginning! ;)
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I think it's actually essential to children's moral development to be exposed to short stories moderately beyond their reading level where a bunch of fucked up shit happens and then instead of offering a moral lesson or any sort of emotional or narrative resolution it just ends.
we're moving to an internet where children would be banned from reaching out for help and friendship online but abusive parents can post their children's every second online to humiliate and expose them for money with no pushback
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“People should pass a test before being allowed to have kids.” “Isn’t it scary how white people have this inborn capacity for evil?” “I’ll never pass because males and females have different skull shapes.” “Autistic people have a stronger sense of justice than anyone else.” “I don’t want AMABs in my space because they’re dangerous.” “You shouldn’t have access to hormones if you dress like THAT.” “Anyone who does something that awful isn’t human.” “Some people really shouldn’t be allowed to vote.”
This is eugenics. This is phrenology. THIS IS NAZI SHIT, YOU ARE A LEFTIST BUYING INTO NAZI SHIT. YOU ARE NOT IMMUNE TO NAZI SHIT.
you are uninterested in absolute batman and I respect this but I thought you might like to know that in them Barbara is totally shredded and also black
oh goddamn...
literally we're so close to the Gordons permanently being Black/Latine/Afro Latine forever like chop chop let's make this happen
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I don't think cis men commit 90% of violent crimes because they are naturally more violent than cis women. I think cis men commit 90% of violent crimes because they are afforded more opportunity and leeway by society to do so.
I think there's an incredible correlation between insulating cis boys from the consequences of their actions and the prevalence of violent crime.
I think we teach cis boys from a young age that violence will be tolerated from them as long as they perform masculinity to society's standards.
That second part is the salient factor here. Because we also teach them that violence will not be tolerated from them if they defy society's standards of masculinity, even if it's self defense. If they're picked on for defying those standards, it's the violence against them that's validated.
I think cis boys who are performing masculinity to society's standards get in no real trouble for snapping their classmates' bra straps or pulling their hair or whatever else gets written off as "he likes you" & it sets them up for a life of violence.
It doesn't guarantee it. But it raises the probability that they will continue to express their desires via violence when they're adults.
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