on my blog, you'll often see me posting about 'the rewrite'... but what is it exactly? find out below! ;)
the rewrite (or 'poto rewritten') is my version of 'phantom of the opera'! i came up with it in september 2021 as a way to have more eristine moments and a happy ending for erik, but it's blossomed into so much more! from weird coincidences to references galore, writing the rewrite has been a wild time! :D
(get an equally wild peek at 'the opera ghost' here and buy it here!)
(and be sure to get the first short stories collection, the second one, the third one, rewrite erik's mystery, his pov story and the cutest (free) fic!)
first off, let's say hello to the characters:
christine is shy and steadfast with a heart full of kindness, erik is an awkward yet witty stringbean with a love for music and raoul is a caring, optimistic lad with an affinity for the sea!
there are a ton of other poto characters in here like meg (she's in the group photo at the beginning of the post!), madame giry, nadir, ayesha, carlotta, piangi, sorelli and cecile (two ballerinas from the book) oroyeso (a mini series guy), carlous fonta (truly the most underrated poto character ever!), caesar the horse, madame valerius and of course good ol' daddy daae :)
the story mostly takes place in palais garnier (the lake isn't as magical as other adaptations make it but it's still pretty neat), but it goes far beyond the opera house! from bois de boulonge (book reference!) to the mazarine library and even the village of giverny, it explores the world of paris like never before! (and there's an eiffel tower cameo of course)
as you can already tell, there are quite a few references to other adaptations. the rewrite is a blend of various ones! poto soup if you will ;)
phans will certainly enjoy the rewrite since there are a ton of references to so many adaptations! from big bois like the book, musical, 1925 movie and susan kay's phantom to smaller ones like the mini series, the 1943/62 movies, love never dies and freddy phantom to tiny tales like ghost on the roof, angel's mask, phantom heart, and journey of the mask
some references are obvious like song lines from the musical (christine wanting to see the beauty underneath or whispering to her papa's grave, 'i wish you were somehow here again'), erik calling himself 'poor, unhappy erik' & raoul being on the naval borda ship like in the book, eristine having a picnic like in the mini series, erik having opera props on the wall like in ghost on the roof and masks from other adaptations being shown during the masquerade
others are super subtle like raoulstine reuniting on april 14th (the only thing i could pull from that lost 1916 movie das phantom der oper), walter plinge being a pseudonym from maskerade and cecile thinking the opera ghost is a canary (as 'the canary trainer'!)
and of course it wouldn't be a poto story without references to the creator, gaston leroux! manager armand is a fan of le gaulois (the paper that poto was originally published in), christina nilsson is name inspiration for christine (just like irl!), the maiden name of christine's mom is leroux (but they're not related probably) and-
...well let's just say there are a few neat cameos in store ;)
(see all of them here... but beware of spoilers!)
as you can see, the rewrite is a love letter to poto! and there are plenty of original ideas like the story taking place in 1888. want to see christine room with meg, explore paris with raoul or do adorable things with erik besides singing? the rewrite's got it all and more! ;D (it's a very eristine heavy story but there are plenty of raoulstine moments... and who she ends up with is another reason why i started the rewrite)
but the rewrite isn't just one story... just like with my original stories, i've planned out short stories and mysteries that take place after the main story ends. this is just the beginning! ;)
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You didn’t get to climb trees much as a kid, did you? Your mom put you in a skirt and told you not to get it dirty, so all you could do was sit on the porch and watch the other boys play in the mud together. It’s okay, though. She’s not here now. You’re not wearing a skirt anymore, you’re wearing your new big boy pants. They were made to be dirty. They were made to get ripped up on tree branches until your skinned knees begin to show through. We can climb as many trees as you want now, until the sun goes down. Until you’re dirty and bruised and your clothes need patching up.
Afterwards, we can go get pizza and catch a movie. We don’t have to go home for a while. We don’t have to go home ever again.
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i think elphaba and glinda are both actually very much idealists, at least in DG, only in opposite ways. elphaba's an idealist because she has this naive idea about affecting change. she thinks something being true or morally good will be enough to enact change, and that she if she can just tell enough people the wizard lies then she'll be able to take him down. but she's also very much a realist because she's able to recognize the flaws and injustices within oz, and that she won't be able to be happy while those injustices persist. she knows a life in the emerald palace serving the wizard could never satisfy her because it'd be partly built on a lie
whereas glinda's a realist in the sense that she's much more aware of the fact that popularity and social clout matter most to people and knows the social game you need to play to move up in the wold. but she's also very much an idealist because she believes that gaming the system enough will result in happiness. and this is idealism too because she gets everything she wants but is unsatisfied with her heterosexual happy ending and guilt ridden because her life is being propped up by lies and elphaba's demonization. and both of their idealized views on the world ultimately serve as a barrier to their happiness
ahhh so you're shown to be capable of recognising that people's trauma can make them act irrationally and unpleasantly! you recognised it in the white man! can you also recognise it in the brown woman? no? she's mean and bitchy and uncaring? i see
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