on my blog, you'll often see me posting about 'the rewrite'... but what is it exactly? find out below! ;)
the rewrite (or 'poto rewritten') is my version of 'phantom of the opera'! i came up with it in september 2021 as a way to have more eristine moments and a happy ending for erik, but it's blossomed into so much more! from weird coincidences to references galore, writing the rewrite has been a wild time! :D
(get an equally wild peek at 'the opera ghost' here and buy it here!)
(and be sure to get the first short stories collection, the second one, the third one, rewrite erik's mystery, his pov story and the cutest (free) fic!)
first off, let's say hello to the characters:
christine is shy and steadfast with a heart full of kindness, erik is an awkward yet witty stringbean with a love for music and raoul is a caring, optimistic lad with an affinity for the sea!
there are a ton of other poto characters in here like meg (she's in the group photo at the beginning of the post!), madame giry, nadir, ayesha, carlotta, piangi, sorelli and cecile (two ballerinas from the book) oroyeso (a mini series guy), carlous fonta (truly the most underrated poto character ever!), caesar the horse, madame valerius and of course good ol' daddy daae :)
the story mostly takes place in palais garnier (the lake isn't as magical as other adaptations make it but it's still pretty neat), but it goes far beyond the opera house! from bois de boulonge (book reference!) to the mazarine library and even the village of giverny, it explores the world of paris like never before! (and there's an eiffel tower cameo of course)
as you can already tell, there are quite a few references to other adaptations. the rewrite is a blend of various ones! poto soup if you will ;)
phans will certainly enjoy the rewrite since there are a ton of references to so many adaptations! from big bois like the book, musical, 1925 movie and susan kay's phantom to smaller ones like the mini series, the 1943/62 movies, love never dies and freddy phantom to tiny tales like ghost on the roof, angel's mask, phantom heart, and journey of the mask
some references are obvious like song lines from the musical (christine wanting to see the beauty underneath or whispering to her papa's grave, 'i wish you were somehow here again'), erik calling himself 'poor, unhappy erik' & raoul being on the naval borda ship like in the book, eristine having a picnic like in the mini series, erik having opera props on the wall like in ghost on the roof and masks from other adaptations being shown during the masquerade
others are super subtle like raoulstine reuniting on april 14th (the only thing i could pull from that lost 1916 movie das phantom der oper), walter plinge being a pseudonym from maskerade and cecile thinking the opera ghost is a canary (as 'the canary trainer'!)
and of course it wouldn't be a poto story without references to the creator, gaston leroux! manager armand is a fan of le gaulois (the paper that poto was originally published in), christina nilsson is name inspiration for christine (just like irl!), the maiden name of christine's mom is leroux (but they're not related probably) and-
...well let's just say there are a few neat cameos in store ;)
(see all of them here... but beware of spoilers!)
as you can see, the rewrite is a love letter to poto! and there are plenty of original ideas like the story taking place in 1888. want to see christine room with meg, explore paris with raoul or do adorable things with erik besides singing? the rewrite's got it all and more! ;D (it's a very eristine heavy story but there are plenty of raoulstine moments... and who she ends up with is another reason why i started the rewrite)
but the rewrite isn't just one story... just like with my original stories, i've planned out short stories and mysteries that take place after the main story ends. this is just the beginning! ;)
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The whole "Elvis sighting" thing is hilarious because, like, the first documented career Elvis impersonators began working over twenty years before the guy even died. I wonder why a public figure who has a whole industry of people who look and sound like him would generate an unusual number of posthumous sightings? It Is A Mystery.
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You know, the "funniest" (in the "laugh or I'll scream" sense) thing about that Native American comment is that there are in fact white people who would be Native American today if other white people hadn't forced the idea of blood quantum.
There are Native tribes that used to have full ceremonies where you could become a member and learn the same stuff born members did. The Sioux had not one but two famous inductees, Annie Oakley (with the Sioux name "Little Sure Shot") and President Calvin Coolidge (with the Sioux name "Leading Eagle" and the gift of a chief's bonnet). Coolidge claimed some Native ancestry (whether or not this is true is unknown), but Annie Oakley was white.
Blood quantum, an idea by white people for white people, was pushed onto Natives with the idea that only white people could decide how Native you were...
...much as goyim now feel that only goyim can decide how Jewish you are.
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Your post about domesticated coyotes and the problems that arise with the idea includes a specific phrase that I *could* look up myself, but I feel like you could phrase it very interestingly.
"Re"-domestication of cheetahs?
With reference to This Post
In ancient Egypt, Cheetahs were sometimes used as hunting animals like greyhounds, and kept as housepets by the royal family and later, many wealthy households.
Now, there's an argument about how "domesticated" these cheetahs were- the majority of them were captured from the wild as adults and tamed/trained to tolerate humans and obey hunting commands, mostly because back then and still today, cheetahs are extremely hard to breed in captivity. Some were bred and raised from cubs, and there was not a shortage of cheetahs living in and around human habitation for them to replace stock with.
Even today, cheetahs are... weirdly comfortable around humans, if those humans know how to mind their manners. Game wardens in Kruger National Park sometimes sleep next to young cheetahs they are re-introducing into the wild, or have had female cheetahs who are familiar with them drop their cubs off on their feet to 'babysit' while she goes hunting.
Here's a pair of San hunters from the Naankuse Wildlife Reserve in Namibia bow-hunting while a wild local male cheetah hangs out with them (the angle makes him look much bigger and closer to the men than he is, but he's still VERY close). The male's name is Aiko, and is well-known to these men- they're not worried about his presence because they know how to respect his space and he knows not to go after game they've downed. Game they miss is free for him to run down, and game he flushes from the bushes are much easier to shoot- a mutually beneficial partnership. It's extremely similar to how the indigenous people of Papua New Guinea hunt with their dogs, some of the most recently domesticated and most similar to ancient 'proto-dogs' alive today.
So, cheetahs aren't domesticated the way dogs and housecats are- they haven't been selectively bred for generations, they're not dependent on humans, and they can and will attack people that bother them.
But like Coyotes, the remaining cheetahs we have are VERY habituated to humans, arguably even moreso than coyotes are, and we've made a lot of progress in getting them to breed in captivity- Ironically by pairing them up with highly domesticated dogs, who teach them domesticated animal behaviors like "not worrying about everything".
With Coyotes, the obstacle to domestication are mostly practical matters like "getting a coyote farm funded, zoned, built and insured.", whereas with cheetahs the problem is "there are almost no cheetahs left to practice domestication on and the ones we do have are already inbred". There IS a lot of commercial interest in domesticated cheetahs, so I think a good way to get the funding for species conservation and genetic re-diversification of cheetahs would be to frame it as a prerequisite to "Re-Domestication" and pet cheetahs.
We've done much larger and more complicated things before.