Project Silica: A Desert Photoshoot
By: Wade Henricksen (@darktrizzle on Instagram)
β’COMING SOONβ’

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@brenli
Project Silica: A Desert Photoshoot
By: Wade Henricksen (@darktrizzle on Instagram)
β’COMING SOONβ’

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My spouse and I were talking last night and the jeans problem came up so I want to talk about it with tumblr here.
The jeans problem was the favorite lecture one of my philosophy professors in college gave about the history of jeans and how it ties into capitalism/mainstream culture absorbing and monetizing any counterculture it encounters. So prior to the 1950s jeans were mostly an item of work-wear that you wore on the job as a farmer or factory worker or miner because they were cheap, durable, and hard-wearing. If you were off the job you'd wear what we'd call now dress pants or slacks. This changes in the 1950s when youth culture start wearing jeans as regular clothing, again because they're cheap, durable, and hard-wearing. But then jeans get absorbed by the culture and we start getting designer jeans, acid-washed jeans, pre-ripped jeans, and now we got people shelling out hundreds of dollars for "povertycore" aesthetic. And now jeans aren't even cheap, durable, and hard-wearing.
This came up because my spouse was talking about thrifting and spooky things (two of her favorite things) and how there was this trend of buying a landscape painting from a thrift store which was probably going to end up in a garbage dump and painting a sheet ghost on it to make it art millennials would like. But now you can go to Michael's or Home Goods or wherever and just buy a landscape painting with a sheet ghost on it, mass-manufactured by a corporation. The counter-culture once again being monetized and absorbed by the culture. It's the jeans problem again.
You don't even need to study for the Rorschach test, btw, it's super easy. All they do is show you a bunch of stupid pictures of your dad getting eaten by a horse
Do not share the answers with your classmates.
Yes Dr Rorschach
Sorry Dr Rorschach
Hi guys welcome to my essay:
Here are the cultural references I caught playing Touchstarved ANDDD my Eridia worldbuilding theory + observations. Iβll cut to the chase for you babygorl, Eridia is inspired by Middle East + Mediterranean. One could even argue, Turkey.
We will be looking at 3 things: Eridiaβs physical structure(Architecture, geography), word origins, cultural references (like food, clothing, weapons)- with the current non-backer available knowledge we have right now.
I double-checked with internet but Im open for feedback correct me if Iβm wrong OR you have any additional inputπ§ββοΈ
1) Eridiaβs Structure:
Eridiaβs architecture is confirmed to be somewhat inspired by Istanbul. This was confirmed in the livestream now posted in the RSS youtube. The houses we see in Lowtown are examples of the old turkish houses that were mentioned. We also come across mosque-like towers and domed structures. Also very prominent in maybe not specifically Istanbul architecture but def Middle East overall.
Evidence A: a1) Eridia Lowtown houses / a2 a3) traditional Turkish houses. A3 more picked to fit the vibe of Lowtown the source is Researchgate
Geographically, lowtown and Hightown are also VERY Istanbul given that the Lowtown seems poorer compared to Hightown, which is similar to the European side of Istanbul across theeeee drum roll pleaseeeee BRIDGES! CORRECT! Boom Istanbul land geography reflected in Eridian structures! Since we know Eridia is also separated by a bridge between Lowtown and Hightown, it feels not unique to Istanbul alone but at least resembling the European & Asian halves of Istanbul
Vere mentioned the weather being βDreckβ, idk what that really tells us geographically but Iβd love to hear your thoughts.
THEORY: Location wise, Eridia is giving Mesopotamian locations. With river and all. We know Vere had said βthis was more than a miserable (sth i dont recall before my laptop broke so I cannot replay the game rn someone reblog this w that Vere scene)β which leads me to believe that Eridia was once abundant-ish. Mhin also said its not that bad and the streets are now considered eroded (makes sense bc of water damage.)
The senobium is also a religious learning place and could serve as an institution more resembling of a historically islamic school: a Madrasah. Which also studied the sciences commonly during the Ottoman period. Madrasahs can be secular or religious. The Ottoman ones did study the sciences but outside of Ottoman Madrasahs Iβd love to hear if they were secular or not (Even Ottoman Madrasahs were not entirely secular institutions.)
2)Word Origins:
Senobium written as Cenobium for us- is like a monastary that encourages community more than solitary. And the word itself has greek origins, coming from the word koinobion apparently). Leander is also probably greek bc of his name origins(Leandros- look up the myth of Oleander), but we can also see some other symbols/ references related to other greek myths like the pomegranate wine, the triple moons, the keys (HECATE AND OVERALL UNDERWORLD SYMBOLISM WAKE UP PEOPLE HEβS A- gets killed) waterways are also somewhat common in ancient sites (for any city close to a water source)
Eridia as a name can possibly originate from the name of the Greek goddess Eris- and it makes sense given the chaotic nature of the city. Mhin themselves said Eridia was never perfect which hints at some level of inevitable chaos.
3) Cultural references:
Mhinβs dagger- looks like an Italian stiletto dagger.
Evidence B: Mhinβs dagger vs an Italian stiletto dagger
Leanderβs dagger- thatβs a khanjar. These daggers are sometimes used to symbolize βmanhood power and authorityβ. But take what I say with a grain of salt and feel free to correct me :)
Notes: Keep in mind that these dagger references are meant to show the blade not accurately determine where the blade is from-the argument is made for a region not a location. One could even argue this to be an Indian khanjar because of the handle.
Evidence C: c1)Leander khanjar / c2: Persian Khanjar / c3:Ottoman khanjar
Vereβs decorations feel Italian as well when paired with Mhinβs dagger. Kurasβs earrings are feel like they can be somewhere in Middle East (not super sure), Ais himself is an outsider to the city so no wonder nothing he has particularly matches whatβs going on as Eridiaβs vibe.
We look at Mhinβs blouse? Giving European bbg idk what to say especially those sleeves. And the overall silhouette.
Oh and btw. The lamps are Turkish/Moroccan lamps. And we have a silly little cup of what might be a funny Turkish coffee cup in MCβs room :)
(More evidence will be in reblogs)
But now that we are at the end of it all, if u actually came this far allow me to now get a bit more sentimental with my words: Dear @redspringstudio I donβt know if you will read this or see this post. Iβm also sure we cannot get a confirmation(for now) if any of these are true or not. Either way, I have so far never seen Middle Eastern references in a horror game before. Neither have I seen it done well-made too many times. I have followed the old work of some of the developers on the team and had came across a similar, heartwarming world building with again, Middle Eastern tones to it. Everything I have said today might be a speculation, perhaps I am really reaching with some things I say. But at the end of the day it really really warmed my heart to play this demo and not only freak out about the characters, but the world as well. To look around, frantically take notes and double check my current knowledge to make sure I was not delusional when making this post is really something not a lot of games can make me do. This is yet another reminder that representation matters, and that small hints in a good world building can really touch someone. I remember giggling with my friends and going insane over collecting the evidence for this post, and it will forever be one of the sweet memories I have had when playing visual novels for me.
Enough of being mushy go like and reblog so I didnβt end up wasting my hours and shit/j
@halorecoil
Saprophial, βFugit inreparabile tempusβ
pen & ink on paper, 2021

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BRIDGERTON (2020-) VIOLET AND MARCUS
4.05 Yes or No
MOBS - a proper translation
He wonβt accept it (1)- the truth. My breaking heart - he toys with it.Β
The teller of dreams (2), nods along.Β
It's not me who carries his cross - and yet I nod along too. As it is, as it is. Time passes just like this. There is a certain clarity, under this clearing sky - let me ask gently, if this is the answer...
I run on with no exit in sight, I speak as though my words mean anything, so which of us is it that cannot change? (3)
He wonβt accept it - my breaking heart. The teller of dreams, nods along. The teller of dreams, only ever nods.
(repeat chorus)
Only my ageing, distorted face, smiles back at me in the mirror, just the man Iβve always been.
--
(1) If you read the poem in its entirety, it is implied that the "he" is the face in the mirror. (2) Same as above, it is implied that the "teller of dreams" is the same person as the narrator. (3) It is implied that this "who" is the narrator.

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Blazing ember⨠...wallpaper goodies LINK! ^o^
Mount Saint Helens, 1980
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Paws up, mane fluffed~ ππ¦βπ

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Who is your favorite of the Little Mermaid's sisters, from the original fairytale? [Based on what they do when they first rise to the ocean's surface! Pics below]
The eldest sister [gazes at the human town from a distance]
The sunset sister [looks at the sunset & tries to swim towards the sun]
The adventurous sister [Swims down a river & tries to play with humans]
The shy sister [stays in the middle of the ocean watching the sky and dolphins]
The winter/storm sister [stays on an iceberg watching ships in a winter storm]
The Eldest Sister:
The Sunset Sister:
The Adventurous Sister:
The Shy Sister:
The Winter/Storm Sister: