Murat Yazar
Today's Document
Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement
Not today Justin

titsay

⁂

Kaledo Art
Game of Thrones Daily
d e v o n
Sweet Seals For You, Always
Misplaced Lens Cap

if i look back, i am lost
seen from Malaysia

seen from Lithuania
seen from United States

seen from Malaysia

seen from Malaysia

seen from United States

seen from United States

seen from Saudi Arabia

seen from United States
seen from Bangladesh

seen from Canada
seen from United States
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@bluetapes
Murat Yazar

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Guim Tió Zarraluki
José Mijares - Mujer con Pezcado, 1968, oil on canvas, 50 × 40 cm
Blue Tapes
Anna Condo (Armenian, b. 1966, Yerevan, Armenia, based New York City, NY, USA) - À Propos des Fleurs (About Flowers) series, 2026

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BLUE FIFTY-FOUR: BEN RICHTER
Ben Richter is an accordionist, composer and leader of the New York-based Ghost Ensemble, who perform the work of Pauline Oliveros – who Ben studied under – and others, and advocate for her philosophy of Deep Listening.
In his release for Blue Tapes – the 54th in our regular series – Ben explores what feels like every conceivable tone and utility available to the accordion as instrument, gently bending and stretching each into a new kind of music.
For me, it’s very similar to how Tashi Dorji, another Blue Tapes artist, coaxes a new language out of his instrument by finding musical expression in some of the less intentionally musical functions of the guitar.
In blue fifty-four, this finds expression in a trilogy of breath sounds, room creaks and reed squeaks that opens the release. Minimal musical elements that nevertheless feel immersive and create a compelling narrative.
“By internally preparing the instrument so the airflow behaves differently, the accordion produces mostly breath sounds, with a little bit of ‘shadow pitch’,” Ben explains, “a ghostly pianissimo murmuring of the reeds, much softer than the ongoing air noise. Occasionally, the reeds ‘jump’ into speaking at a more normal dynamic.
“The recordings blend these shadow pitch effects with the natural sounds of the environment — my own breathing, the creaky old house, sometimes a distant bird or car sound. This is very much in the spirit of creating a sonic space to inhabit, more so than a piece of music with directional movement — but then the space starts to become multi-dimensional as the recordings are layered over one another in the second half of the side. A soft and gentle hyperspace.”
The second side of blue fifty-four takes these implied musics and builds them out into transportive, soaring drones that are, as Ben himself describes, “ecstatic with more melody and harmony, dissonance and (sometimes) consonance… mellow, ambient and floating.”
It is music that amply fulfils the promise and potential of Deep Listening as a concept
“Pauline certainly helped open my mind about what I thought was possible,” says Ben of his former mentor. “As an accordionist, I grew a healthy obsession with all the different ways to manipulate airflow in the instrument and how those methods can affect vibration in various ways, and more generally, I always try to ask myself what boxes I might accidentally be putting myself in and what music might be able to happen outside of them, if their walls were no longer around.”
BLUE FIFTY-FIVE: PEDRO OLIVEIRA & MORGAN SULLY
Recorded live “over two gloomy winter afternoons”, these five improvised pieces will warm the souls of fans of Blue Tapes releases from Abysmal Growls of Despair, Tashi Dorji, and Brian John McCrearty.
They’re not so much songs that are played by Pedro and Morgan, as much as fuzz, rust and roar wrung from the ghosts who live in valves and strings.
blue fifty-seven: Henry Birdsey
Henry’s post-Old Saw work for Blue Tapes sees that old lap steel magic return, but in more longform and meditative form.
Buy at the Bandcamp link below
The Blue Tapes House Band - vol. 4: Earthtone
This might be my favourite piece of music I've made.
https://bluetapes.bandcamp.com/album/vol-4-earthtone
Ah - Wei

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Daehyun Kim aka Moonassi aka 김대현 aka Moonothing aka Moonaa (South Korean, b. 1980, Seoul, South Korea) - 내부의-안쪽의-이면으로 (Into the Inner Inside), 2025, Drawings: Ink on Korean Paper
Fabrizia Milia
Lone Light 1/5
Artwork by Quentin Deronzier
Michał Kosmulski
“Charlie” ⦿ Lola Dupre — mixed-media collage

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Helena Costa
Goplay Roadster, Rich Byrne