Kate Bush (1978)
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PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me

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@blood--buzz
Kate Bush (1978)

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I bet he doesnât have a gun. I bet he has likeâŚa spork. You packinâ a spork?
Thoroughbreds (2017) dir. Cory Finley
Kate Bush, 1978
Photos by Gered Mankowitz

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every woman is out of every manâs league actually
low cut pants are so supremely unflattering im so glad i live in a high rise pant dominant fashion moment
Nina | @ninapof
https://instagram.com/p/BebBNxll9wS/
a goddess
so brave

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not to harp on this point but the care with which a girl youâve known for maybe three weeks will ask you âwhatâs wrong?â if you look even mildly distressed is more emotional labor than youâd receive from any man over the course of six lunar cycles
if my dad sees me crying, he pretends heâs getting a call so that we donât have to have an awkward conversation, but a drunk girl who stumbled across me in a public bathroom would literally become my emotional triage nurse
Serena Motola photographed by Franz for Ultramarine Studio.
Bloodbuzz Ohio, by The National
Lay my head on the hood of your car IÂ take it too far
y'all ever hear a song and just. immediately adopt it into your aesthetic and self like âoh this,, this is me now,,, my whole identity,, is this songâ
âThe song recounts a specific sexual assault (âOne of the most shattering experiences of my life,â Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: âAnd never walk about after dark/ Itâs my point of view/ Because someone could break your neck/ Coming up behind you always coming and youâd never have a clue,â she lisps in her high, pinched voice. Itâs a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind herâthe songâs springy, propulsive synth line was one of 2012âs most unforgettableâindicates something other than victimization. âSee you on a dark night,â Boucher repeats. [âŚ] But what âOblivionâ ultimately offers is victory. Itâs the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.â
Grimesâ Oblivion is the best song of the decade - so far.

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I deserve to have my hair played with every night