early morning writing hack (real) (it's been working for about a month now):
think about the scene you're going to work on that morning not when you sit down to write, but the previous evening. this is daydreaming but with purpose. think about what might happen and how the characters feel about it. get excited. don't write a single word.
go about your evening normally, doing whatever else you do. your subconscious is a slow cooker and while you do other stuff, it's working on your idea for you.
get up early, like an hour before you'd need to start your day if you were cutting it close. everyone else in the world is snoozing their alarm, so no one can bother you rn. you're free! no one can judge your writing, not even you!
(optional i guess but it really helps me) unless the first few words of your scene are already clear in your mind, warm up. I've abandoned the idea of warm-up drabbles or whatever the hell people recommend. instead, I pull up a story by someone whose writing I love, and I type out a fragment of it in a blank doc, reading the words out loud as I go. this wakes up my writing brain as I become aware of how their prose and dialogue work their magic, when and where they reveal new information, how each detail leads to the next. I'd advise doing this with work that is of high quality and purposeful, so you can learn their tricks, but I'm not the boss of you.
write!!!!!!!
don't stop to judge if it's good or not!! it's too early for that shit!! if the draft sucks you can fix it later but you need the draft done first!!
do stop once yesterday evening's daydreaming prep has run out and you're out of steam. (sometimes the momentum can reveal the next part of the story you hadn't actively considered yet, but don't depend on it.) if you hit a wall where you have no idea how to continue, or it's still too vague to put words down, trying to push through will only bring frustration. and even if you do manage to write a bit more, the chances you'll end up scrapping it later because it doesn't fit are significant. just call it there, you're done.
take a minute to appreciate what you accomplished. you now have words you didn't have yesterday. you won the day, and meanwhile everyone else is still asleep, the absolute losers
if you use a word tracker, go ahead and input your word count for the day. maybe you got a lot done, or maybe you didn't; it's a victory either way. on mornings when I've been struggling, writing and then erasing and writing again, if I'm too pissed off to check the word count I just put down a symbolic number, like 50 words. it may not look like much, but when I look at the month's stats it feels good to have proof that I showed up and did the thing even when it was hard.
now you can start your day. and frankly at this point I don't give a shit how annoying my day is, because I already did the thing I care about getting done, so I'm not going through work resenting every task for stealing brain juice I could've used for writing in the evening. "I'll write when I'm done with work" is the ADHD hubris devil speaking.
and now it's the evening and you're free to daydream again!! and use absolutely zero brain power!! wheee!!
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At nineteen, Emmrich proposed to a fellow student, a boy with hair so dark it drank the light. The age itself was incidental; a number, an illusion, a neat division imposed upon a life that did not yet know how to divide itself. But still, nineteen was good. Good because it allowed for certainty, for decisions made with the heedless bravado of someone who has not yet learned how time can warp them. Â
He remembered family in the way one remembers the texture of a childhood blanket: warmth not as an abstraction but as a sensation, something real enough to be retrieved at will, kneaded, reshaped, pressed into new forms. It was this warmth, this phantom of closeness, that he sought to recreate in the tender spaces of early love. No one stopped him. Nineteen was the age of indulgence, of watching without intervening, of murmured allowances. Let him. He will learn. He will unlearn. The world granted him this folly.
"Letâs wait until weâre no longer apprentices," the lovely boy said, and so they did.Â
Then Minrathous for one, Ferelden for the other. Cities that, on maps, seemed no more distant than the span of a hand but, in practice, required whole journeys to cross. The change was slow. Small gaps in the correspondence, a hesitation in the ink, an unfamiliar concision where once there had been excess.Â
The letters continued. At first, swollen with sentiment, words pressing against the margins, impatient, tumbling over themselves in their need to be read. Then, the same flourishes, the same intricate loops, but now with the care of one writing an alibi. The words became beautiful in a way that beauty becomes a substitute for feeling. Then, in the end, not at all.Â
At thirty, he tried again, though this time without the formalities of a question. A gesture here, a remark left to linger, an invitation just vague enough to be ignored or accepted without consequence. The art was in the waiting: nets cast, lines slack, the delicate balance between reeling in and letting the current decide.
Gifts, unobtrusive at first, then a shade too particular, too attuned. Plans, not for next week but for some fogged-over point just far enough ahead to suggest permanence. A quiet test, a way of observing whether the word we would slip into conversation naturally or require a pause, a conscious effort.
Some entanglements stretched across years, some unraveled in mere months, some never took shape at all. But the process remained the same, a practiced routine, less an act of pursuit than a habit of expectancy, of waiting to see who would mistake the drift for direction.Â
With Johanna, it had almost seemed possible. They were young, clever, bright enough to blind themselves. Where she rushed forward, he held back; where she burned bridges, he traced blueprints for new ones. They fit together, he thought. She chose him to fight with, to kiss, to mock, to fuck, to abandon, to retrieve, to champion when it suited her and dismiss when it did not. Out of all the othersâso many others, so many better onesâit was him she turned to, and that was beyond exhilarating.
"You're a fucking idiot," she would tell him.Â
"Perhaps," he would agree, adjusting his sleeves, "but you still should not do this, Johanna." Or that. Or the next thing.Â
They did not balance each other. Balance suggested symmetry, some reciprocal give-and-take. Johanna was a force of nature; he, at best, a gust of wind. But in those days, he let himself believe they came close enough.Â
"I could stay with you forever," he confessed to her once, drunk on sentiment, on whatever else had been in his glass.Â
"Love. Romance," Johanna muttered, barely looking up from her notes. "Convenient, isnât it? Always there when it suits you. Always such a lovely little supplement to whatever grand, important thing youâre doing. We could go anywhere, you and I. Climb every ladder, scale every rung. Publish together, argue in print, scandalize conferences, carve our names so deep into the spine of academia theyâd have to chisel us out. For a while, it could even be fun."Â
Tap-tap-tap. Her cigarette met its end against his desk.Â
"And then, of-fucking-course, you'll be wanting more. Because you're a sentimental twat. It'll start with something small. A home, maybe. A study with matching desks. How adorable. Before I know it, Iâll be spending more time with you than without, and suddenly âweâ have âtraditions.â âWeâ have âa life together.â And the next thing out of your mouth will be that cursed, saccharine stupid word: family."
A wave of the hand, cutting off whatever nonsense he had been about to say.Â
"Tell me, Volkarin, when that moment comes, when the great balancing act begins, who do you think will tip the scales? Who will step back? Who will compromise, just a bit, just a fraction, just enough that it becomes a habit? It certainly wonât be you."Â
In the aftermath, he stopped collecting peopleâthey had a way of slipping through, of vanishing between seasonsâand turned to objects instead. Objects had the decency to remain where they were placed. Objects, too, could be tender. A frayed ribbon, a cufflink left behind in a hurry, the curve of a wine glass still faintly smudged. If flowers could be pressed between pages, why not the remnants of former closeness? Â
For a while, it sufficed. Once-beens do not grow cold. They do not tire of a familiar voice. They do not wake to discover that passion has gone.Â
Then, one day, sudden as a fairytale, a little thing followed. A little thing made entirely of curiosity, of unguarded wonder. It assembled itself from air and light, slipped into its chosen shape, donned a backpack, adjusted its goggles, and, most importantly, selected him. It let itself be named. It let itself become. First an it, then a he, then a wisp no longer but This is Manfred. And once again, he thought: this is enough. More than enough. Did he really need more? Did he really dare ask for it? To ask was to tempt, and he had lived long enough to know that nothing is punished more swiftly than wanting.
It is a graveyard, he thinks now, standing in the Lighthouse, frowning at the accumulated debris of a life, at the weight of what he has chosen to drag with him. The artifacts of his years; the trifles, the curiosities gathered not for use but for the fact of their gathering. Books he cherishes and books he detests, bought because, once, someone he desired mentioned them in passing. His grave gold has been carefully curated. Each piece first chosen for its shape and luster, its particular delight, but also bright enough, costly enough, to be seen. Gold so pure it warps under a careless grip, so soft that teeth would leave crescent-shaped wounds in its surface if one were to bite.Â
He wonders if Rookâwhom he loves, though he will not tell her, not yet, not when love, spoken too soon, has the peculiar effect of making things disappearâmight find some use for them. If she would accept one without knowing it was an offering. If she would take a second. If she would take them all. Books she cannot read, books she can set alight. If the gesture would amuse her, if it would tilt her just a hair closer, if, in some small, unnoticed way, it would make her stay after all is said and done and the gods are dead.Â
He is vain, naturally. If the wind disarranges his hair, he will pause before a reflective surface to smooth it down. He will scent the pulse points of his throat, darken his lashes, adjust the folds of his collar. But vanity, like intelligence, like charm, is an instrument. He has wielded it since youth, when prettiness earned him gifts, indulgences, the interest of those old enough to give what he could not take. In his prime, handsomeness made students linger too long at his desk, made colleagues tilt their heads toward his in the candlelit hush of evening. And now, past fifty, he is something else altogether.Â
Now he looks like a man who can provide. It is a new sort of attention, neither unpleasant nor pleasurable, merely a shift in expectation. He can no longer offer the prettiness of youthâfine, let it go. But there are other currencies. Stability, for one. A steady hand, a still point, a place to land when Rook, inevitably, falls. Because she will fall. It is in her nature to leap, just as it is in his to remain still, just as it was in Johannaâs to trespass.Â
He is tired. Not old, not yet, though the distinction is beginning to blur. A little past his prime, a few paces beyond what once felt limitless. Still, the weight of it settles; a fatigue not of the body but of anticipation, of wanting, of that feverish, grasping giddiness that used to propel him forward and now only leaves him breathless. He isnât sure when it happened, when the thrill sharpened into something sweeter, something he dared to call love.Â
All he knows is that the Lighthouse has no hours, no division between night and day, only the endless lull of the in-between. And that in this strange, untethered time, he would very much like to kiss Rook for every second of it.Â
"You look very good there," she says, watching him rearrange his books.Â
Another night, when a tome slips, edges itself beneath his desk, and he is forced onto hands and knees to fish it out, she remarks, "I donât like reading, but I like it when you read to me."Â
"I like this, and I like that, and I like this even more." Her voice is drowsy as she traces the lines of his face in the dark. He doesnât know what this or that are, only that she is saying it, only that it undoes something in him. He turns his face slightly, breathes in, and without meaning to, without even noticing at first, he cries.
"Oh," she says, and then, "Hm." A pause. A brief assessment. Finally, a careless shrug. "Itâs fine. Thatâs fine. I like this too."Â
Rook, Rook, Rook, he wants to say, you donât need Rivain, you donât need the sun. The sun burns you, always has, always will; your skin is too pale for it, you freckle, you scald. But NevarraâÂ
Nevarra is softer. Nevarra has clouds, long grey stretches of them, merciful and cool. Nevarra has catacombs and tombs, stone corridors humming with history, names carved so deep they outlast memory. And everywhereâflowers. Tangled over crypts, spilling down staircases, curling at the hinges of forgotten doors. He has seen them all. He's collected them, commissioned their likeness in ink, dried them between pages so they would keep, so he could say: look, here, this one, still perfect, still intact. You donât need the sun because they don't either.Â
He feels selfish, but after all this time, surely, he is allowed. He is not certain if this is the love, grand and operatic, but it has the right proportions, the right density.
Then let him be selfish. Because one way or another, he will go before her. She is young; he is not. He will leave her everythingâwhat he has made, what they will make togetherâlet her wade through the excess of it, scatter it, burn it, gild herself in its remnants. Or perhaps it will be the other way around. Perhaps she will die first, and he will remain, the eternal, patient custodian of the Necropolis, throat slit in the name of lichdom.Â
He will visit her bones, speak to her as he speaks to his parents, his voice flattening against stone, words meant for no one but himself. He will not whisper. Not to her. Not the way he does to the others, not in the hush reserved for the dead. Because what if she does not answer? Worseâwhat if she cannot? What if there is nothing at all on the other side, just a severance so complete that every Rook-shaped, Rook-possessed, Rook-claimed thing is erased, like a hand wiping chalk from a slate? And he, undying, would remain to witness it. So no, he will not whisper. But he will talk.Â
He wants it, but he doesnât want it, because he wants too much, all at once, all overlapping, all pulling in different directions. He wants to live, but he does not want to die. He wants to live with Rook, wants to kiss her, undress her, drag her down onto the floor of the Lighthouse, press her against familiar sheets in Nevarra, in Rivain, in places they have never been, in places that do not yet exist. He wants to pull her so close that the seam between them dissolves.Â
More than that, he wants to buy her grave gold, not just because she would relish itâbecause she is a dragon, a creature drawn to glittering thingsâbut because when she wears it, when her wrists flash with bangles, when her ears are burdened with gold, when her fingers are swallowed in rings, people will see. They will see and know. Know that every piece was placed there, deliberately, by someone who cares for her in the way that gold cares for fireâdevotedly, completely, until it melts.
"I love you so much," he tells her one night, after a sip of whiskey too many, after something in his chest has tipped over and spilled. "I love you so, so much, and perhaps, oh, just perhaps, we do not need to die."Â
She kisses his cheek, absently. She looks tired. "Not now?" she asks.Â
"Not ever," he insists, giddy again, grasping her hands, pressing his lips against her knuckles.Â
She exhales, leans back, undoes her braid, fingers brushing through. Inquires again, "How?" Not with disbelief, but with that particular indulgence she reserves for him. She humors, but she listens. She likes to listen. And so he will talk.Â
"Me, in lichdom. You... I do not know. Not yet. Not entirely. But I will. Through artifice, perhaps."Â
"Artifice?"
"You like gold, do you not?"Â
"I suppose."
"Then gold it shall be," he concedes. "Fed into your veins, threaded through capillaries, chaperoned along the corridors of your body. A patient infusion, drop by drop, until the filigree of your arteries is lined with metal, until the marrow of your bones drinks it in like water. When your heart beatsâ" he presses his fingers to the pulse at her wrist, measuring it, counting. "It will push gold through you, coil it around your sinew, stain your blood the color of amber. It will settle in the soft places, the hidden ones. Behind your ribs, along your spine, between the cords of your throat. You will be a reliquary, a thing preserved, untouchable." His grip tightens slightly, just for a moment, before he releases her, watching the light catch at the faint blue of her veins. "And if your skin were ever cut," he murmurs, "nothing would spill. No ruin, no red, no proof of mortality. Only the gleam of permanence seeping through."Â
Rook watches him for a long time, long enough that she seems older, the angles of her face sharpened by something he cannot name. Then he blinks, and suddenly she is younger; too young, younger than memory allows, younger than she has ever been. Paler, too.Â
She takes his glass, finishes it without hesitation, grimaces slightly. Still wordless, she cradles his face in her hands, presses a kiss to one cheek, then the other. Her lips brush his eyelids, and he closes them for her, yielding. She lingers there, warm and silent, mouth against the thin skin, long enough that the room begins to shift, long enough that he thinks, drowsily, that he might simply drift into sleep.Â
"I love you too," she murmurs, very quietly. Then, softer still, her lips moving against his temple, "But donât speak like that again." Another kiss, this time to his jaw. "I will come to the Necropolis with you, if you like. In the next few days. You are not doomed, nor transcendent, nor anything half so tragic. You are homesick. That is all. You are simply homesick."Â
He knows himself to be a man of excess: of reaching too far, of wanting beyond reason, of pressing his hands too deeply into whatever is offered. That was why the others left, wasnât it? But Rook, Rook is different. Rook takes. Rook wants. Rook gives, recklessly, and he, in turn, cannot help but take.Â
Bad jests, confessions that start careful and end careless. A first time beneath the covers, blood on the sheets, a kiss, the way her mouth moves against his, the way she lets herself be known in increments, in silences, in the cool of her palm against his cheek. Her favorite spot behind the waterfall. Because love, if it is anything at all, is the act of giving. Not just anything, not just for the sake of it, but precisely what the other cannot reach for themselves.Â
And so, he wants to give her gold.Â
In the morning, he will apologize. Will run a hand over his face, will mutter something about whiskey, about tiredness, about speaking without thinking. He will dismiss himself before she can. Will say that he does not know what possessed him.Â
But tonight, he will think of her throat gleaming with gold. He will dream, as he always does, in metal.Â
Happy Friday! For DADWC, âWe can just lay down for a moment. The worldâs not ending when weâre taking the rest we need.â and Fenhawke?
Thank you so much for this ask, and sorry for the wait x3 I need to take a break every now and then.
But I had fun writing this for @dadrunkwriting
Pairing: male Hawke/Fenris
Rating: T
Length: 526
TW: canon death mention (You know, DA2...)
Hawke was on edge.
He was only hanging on by a repeatedly thinning threat. His shoulders were tensed and his walk was slow as they returned to Hightown. Dark circles had appeared under his eyes a few days ago but everyone had refrained from commenting.
Even him.
But now, Hawkeâs tiredness had become quite evident. Fenris could see that the mage was struggling. Hawke had always struggled in some ways since he arrived in Kirkwall, everyone knew that.
Yet, he could sense there was someone else to it now.
Hawke had been like this ever since his mother died. Fenris couldnât emphazise and he sometimes loathed himself for it. He struggled to comfort the mage who he shared a deep connection with, and he had tried his best but he knew it wasnât enough.
How could it be enough?
There had been nothing he could have said to comfort Hawke. Nothing he could have done to bring his Mother back. It wasnât fair, but it never was. Fenris knew that more than anyone else.
He had faced so many losses himself and he couldnât even remember his mother anymore.
Sometimes he wondered if it was for the better if his amnesia was a mercy or a curse. But he never found an answer to it as he lay awake in a mansion that wasnât even his.
Fenris shook his head, a deep breath escaping him when he stopped Hawke in his tracks.Â
âYou need to stop.â he gruffed while Hawkeâs eyes scouted their surroundings for potential enemies. The gangs inhabiting Kirkwall rarely came that far up, but Hawke always wanted to make sure there was no one posing a threat after what happened to his mother.
âStop?â Hawke looked puzzled when Fenris stopped him.
âTrying to rescue everyone in this town.â The elf added, his green eyes piercing Hawkeâs face in the Dark. âYou know itâs not up to you right? You canât save everyone. Especially not when itâs yourself you sacrifice. Itâs not worth it. When was the last time you slept?â
A hint of guilt sparked in Hawkeâs eyes, but he was quick to shift his face away.
âI have to do this,â he spoke quietly but not without authority, a tired smile on his lips. âIf I donât save this town, who will?â Hawke added, but Fenris could see how tired he was despite the effort.Â
âI couldnât save herâŚâ The words were quiet, almost lost in the soft evening breeze, but Fenris caught them anyway.
âI know. But that doesnât mean you need to save them all instead.â Fenris knew he had no place but he reached out to Hawke anyway. Hawke didnât even flinch when the cold metal of Fenrisâs gauntlets touched his bare and broad arm.
âWe are allowed to lay down for a moment. The worldâs not ending when we take the rest we need,â he added almost softly.
âWill you come with me?â Hawke didnât ask him as a lover but as a friend. Or maybe it was both.
But no matter what it truly meant, there was only one possible answer.
One of the first stories I remember asking my mother to tell over and over again was the story of how I spoke my first words.
Most parents try to elicit their children into parroting ma-ma or da-da. Iâm sure my mother did, too, but twelve-month-old me had other plans. After all our meals, she would tell me that we were âall doneâ in a cheery, sing-song voice, and that meant that we would put the food away and move on to doing other things. One day, in a well-intentioned effort to expand my growing palate, she offered me spoonfuls of mashed sweet potato. Squash, she called it.
She managed two hard-fought airplanes in the hangar and one little-engine-that-could before her normally happy, avaricious eater looked her in the eye and spat out through locked lips: âAll done.â
It was my favorite story as a kid because, of course, I was the starâthe protagonist, the heroine, the Eve that beguiled Satan and refused the Forbidden Fruit. But more than that, it was my favorite because it was the first Truth I would carve into Babyâs First Stone Tablets:
and on the twelfth month, Cassandra tasted the squash, and the squash was Bad. And so She separated the squash from the rest and said, âAll done,â and the squash was no more.
 As the years went on, still inundated my conviction, Iâd patted myself on the back for my steadfast refusal of all things vaguely squash-ish. And it was this rock, this pillar of Truth that I began to build myself around.
I am Cassandra. I am a Girl. I do not like Squash.
Who Are You? was a question I looked forward to answering at the beginning of every school year. My answer varied only as my vocabulary blossomed, but that which was carved in stone at the base of the budding blooms remained unchanged except to state the obvious: I am Cassandra. I am a Girl. I am Strong and Strong-Willed. I do not like Squash.
Even so, I got the distinct sense from my peers that there was something about me that belied my conviction. Was I not girl enough? Sure, I played sports and liked to express that with my boxy t-shirts and grass-stained shorts, but that was just what they called being a tomboy, which was still a girl.
Was I too strong? Where most girls looked like the lean, stringy flowers their mothers doted them as, I grew in like a mushroom on a log: taller, thicker, and notably less fragrant. A bunch of flowers put together is called a bouquet, and itâs something people find so pleasing that they go out of their way to buy it for people they love. When has anyone ever tied a troop of mushrooms together and gifted them to an admirĂŠ?
Did they not believe me when I insisted I didnât like squash? All the other girls whispered and giggled their curiosities about other vegetables, and squash was never one of them. See, I knew the rules. Why didnât they see that?
I took this lack of understanding as a personal affront, and then as a challenge. What did I need to change to show that I was just like everyone else? I looked for a muse and found the most popular girl in school. I beheld her on a pedestal in the light, bore myself in marble before her--pen in one hand and chisel in the other--and began to look for the negative space that set us apart.
Her name was Kelly Pannos, and she was everything I could never be.
The first time I met Kelly, I knew Iâd spend the rest of my life comparing myself to her. It was nearly impossible not to: we were the two sides of the same coinâonly millimeters apart, only able to see the other by looking over the shoulder. She lit the sky by day and I could only make a pinprick in the fabric of the night in her absence. Though while the sun would feel honored to call itself Kelly, I was not even lucky enough to fall in her orbit, much less bask in the afterglow of her sky.
She was Kelly Pannos, and I was her Icarus.
In third grade, I didnât have the words or emotional capacity to understand how a sapling must feel the first time its leaves taste sunlight, how a windmill braces its first gust, how icy cold the tips of your fingers feel on the other side of a looking glass. Or to understand what that even meant.
In third grade, she was just Kelly Pannos. She excelled in every sport she tried, and she tried them all. She never struggled in her studies, except for where it was socially appropriate. She was popular for all the reasons that I was not.
And in seventh grade, she grew into a graceful form and beauty uniquely her own, owed to the round eyes and soft features of her obaasan and the lean muscle that carried the prowess of Hera, Artemis, and Athena.
And she was the apple of every boyâs eye.
At that age, I thought boys a pestilence. I enjoyed playing in the mud as much as the next tomboy, but boy-boys got so unnecessarily dirty. They wrecked anything you tried to cultivate, and ate everything in their path without discrimination. Sure, some made pretty keening noises and looked iridescent in the sunlight, but take one wrong step on a dirt mound and that little ruby-colored cutie will summon the whole kingdom and make your life a burning, stinging, itchy hell.
So, what would I do when a bug crawled through the garden?
Squash It.
That seemed to be where our biggest difference laid. Surely, that had to be it, and it was easy enough, in theory. I had just misunderstood it my whole life: Donât squash bugs, but offer them squash instead. I didnât even like it, anyway.
So I made changes that made it clear as day that I didnât mind bugs in the garden. I planted welcome signs instead of seeds. Aerated for earthworms instead of grass. Made room for Jesus between the vines of string beans and strawberries. Kept my wandering eyes from roaming the gardens of others. The gardens we grew were for the bugs, after all.
Kelly and I continued to walk the same path as we went through school. We played many of the same sports, and took many of the same classes. Even so, it seemed as though our same path led us down mirroring, meandering trailsâboth blazed, but only one attracted the horde: hers.
We both graduated valedictorian, along with the other students in the top ten percent of our high school class. And as we both moved to attend colleges over eight hundred miles away from home and only one hundred miles away from each other, I felt I finally had a chance to blossom in my own light.
We left in the fall with our arms full of seeds to sow. Some of our own choosing, but so many others placed on us by well-meaning family and public school tax-payers. They sent us off with gleaming smiles like scythes, waiting to reap what their pennies had sown.
So eager was I to see those seeds bear fruit that I planted them in the first patch of soil I landed on. With the sun shining so brightly in my eyes, I missed creeping chill in the air and mistook the red and yellows in the trees for sunspots.
I forgot that we only call autumn and winter the seasons of giving because we are so centered on ourselves. I forgot that, to the earth, they are the seasons of taking.
It takes, and it takes back. It takes sunâs warmth from our skin, and it takes the light from our days; it takes back the life it let lent above the surface, and it takes back the colors to remind us how naked and white our bones are.
She who gathers in the summer is a daughter who acts wisely,
But she who seeds in harvest is a daughter who acts shamefully.
It was in the darkness of a fourteen hour night that I was given a chance to prove the strength of my conviction.
The patch of soil Iâd claimed in the fall became a cemetery in the winter--a garden of stone and bones, too fargone for even the flies--and I was the ghost that haunted it.
It was then that a visitor crossed into my stomping grounds. I watched her--face freckled from the summer sun, healthy dimples from a full harvest--examining the headstones, a silent prayer falling from her painted lips.
She saw me digging for worms in the dusty soil. She approached and extended a hand, filled with a bouquet of blooming gold stars tied together with a string.
I consulted the stones that had stood with me through the seasons, and they showed me what I could not see.
And so I chased the serpent from my garden.
Where fall strips us into humility, spring is the forgiveness we do not deserve.
I went to the fields with my arms empty, and watched as those around me stained their hands and knees in rich, brown soil. Within minutes I could see their fields buzzing with renewed life.
My stones had always weathered the seasons and stayed with me, but I knew that planting pebbles was a fruitless endeavor. So I scanned the dust and scooped up the first bug I could find. âWhat do you seek? What can I grow to sate you?â I asked in plea. âSpeak and I will grow it.â
Have you ever seen an insect smile? Where we have teeth, they have mandibles--two pinching, clenching, venomous scythes.
Summer is the season of growing, and during each summer sojourn I could see those in my troop of hometown friends doing just that.
After what seemed like a decimating winter, their gardens came back more vibrant and alive than Iâd ever seen. Theyâd brought in the bees and put in a home where they unabashedly reaped what theyâd sown, serving zucchini bread, warm soup du cucurbita moschata, and the cutest little pumpkin pies for dessert. No half-hearted welcoming signs, no half chewed leaves, the vines of their tomatoes were allowed to share space with one anotherâno room for even a garden gnome, let alone Jesus himselfâand love, so much brave love, for their own gardens and the gardens of others.
And here I was, a scarecrow in a sunhat, knee deep in a feast for aphids.
Seasons passed, and graduation came both too quickly and never soon enough. As I walked down the aisle to receive my diploma, they called me by a name I did not call myself. I shook their hands anyway and took what Iâd earned: the proof that Iâd survived the third book of Ecclesiastes for twenty-two years.
Somewhere along the way, too, Iâd heard it through the grapevine that Kelly had put together a marvelous, enchanting little fairy garden in her Atlanta apartment she shared with her girlfriend.
Sometimes the harvest you yield is different than the seeds you sow.
I still tell people I donât like squash, the vegetable. And to some extent, itâs trueâthough Iâm loath to write off a slice of pumpkin pie or some crispy, crunchy zucchini fries. Similarly, my stance on seeing the beauty in others or the occasional bug in the garden is no longer squash, the verb. Since growing in our own light and taking our own paths, it makes me wonder, wandering the tracks barely visible through the underbrush, about the one I encountered back in the fourteen hour night in the darkâthe darkness of a nightclub, of inebriation, of binding inner truths and blinding social constructs, take your pick.
Back in the dark, when a girl with hair as vibrant as a jack-o-lantern on Halloween came up to me, wearing a bracelet of gold stars tied on a string. She didnât say muchânot much you can say over the bass of a rave. And, not that I was looking at her lips, but I could read them enough to hear her say, âYouâre cute. Come dance with me,â as she put out her hand towards mine.
Even then, I knew buried deep down that I didnât dislike squash, but did I like it enough to take her hand? Drunk as I was and dark as it was, I knew I didnât dislike the thought of letting her whisk me away. But after years and years of squash, the verb I lived and the vegetable I proclaimed to disdain, even my drunk self knew what was written in stone.
But stone can crumble, tastes can change, people can surprise you. The memory of her freckled face, dimpled cheeks, and her short slender hand outstretched, reaching for mineâ
I may never know what could have grown from her hands, but I know now that nothing worth keeping grows from rooted stones, planted pebbles, or buried memories.
I sat in the ruins of my garden. Iâd consulted the stones and they would not hear me, deaf from repeating their verses ad infinitum. Iâd consulted the bugs, and they built me up only to feast on my muscle, snip my sinew, and suck the marrow from my bones.
I went to the house of stained glass. Lilies, palm, holly, and water greeted me. I climbed the steps to the one who stood before the light. With the sun in my eyes, the keeper of this greenhouse had worn black with a white halo around his neck.
Theyâd told me to be blinded by the light is to embrace the light. But after twenty-two years, I knew there was a time to refrain from embracing.
With my dirt-covered hand blocking out the light, the white halo looked like a shackle around his neck, one that multiplied all down his black garb. Antennae like horns rose from his head and a second pair of arms grew from his torso, gesturing his along with the lecture slipping out from between his mandibles.
I ran.
I ran until I reached my own claim of land. The sun overhead said spring, but I plunged my hands in the dirt and finally understood how it yearned for the season of taking.
I ripped up the roots that clutched at the weight of twenty-two years of stones, bugs, and bones. I took the dead roots, I took back the soil theyâd sapped, and I purged it all, but the one thing I could not rid myself of was the way the man in the glass greenhouse looked down at me with his dark eyes--two, four, six, until they numbered into oblivion--and tutted:
Let she who is without sin cast the first stone.
And so I did.
I cast them out. I cast them all out: one by one, stone by stone.
I am Cassandra.
I am a Girl.
I am Strong and Strong-Willed.
I do not like Squash.
And then I wrote their words in the dirt, planting their meaning into soil to germinate or not. Let what can grow take root, and what cannot, be left to rot. That is what we leave for the bugs.
when will eppie hawke and fenris meet tavish and astarion? (:
"And anyway, it won't be that bad. One last little Fade rift. We'll barricade it up as best we can, send a message to Skyhold, go home, and--"
One of the craggy footholds crumbles away beneath Hawke's foot, and it's only Fenris's quick hand that saves her from a plummet back down the side of the barren mountain. "Hawke, please."
"Please yourself. I said you didn't have to come."
Fenris throws her a longsuffering look, the flickering green lightning of the rift casting weird shadows over his eyes, but he doesn't let go of her arm until she's got both feet on solid ground again. "Just seal it and let this be done."
"My heart's only desire, lover," Hawke says, smiling, just as another pair of voices rises from the other side of the rift.
"Careful--careful! It shocks like the entire Hells are in there. Where's Gale?"
"Wherever Karlach dropped him, I suppose, with that little sprained ankle of his. No, I see them, they're almost here. Come away, darling. No need to get so dramatically close."
"This, from you?" says the woman, just as she and her fellow voice round the far edge of the rift. "Oh!"
"Well!" Hawke says almost at the same moment. Two of them after all: a short, slim woman with auburn hair pulled back in a low tail, and a tall, lithe man with hair as white as Fenris's and eyes that gleam like rubies. The man has a dagger drawn already, a thin smile playing over his face; the woman's hand rests on her sheathed rapier, but her gaze is open, friendly. Hawke plants her staff on the rocky ground in as welcoming a gesture as she can manage. "Fancy running into someone like you up here of all places."
"I could say the same," the woman says. The green rift, still hanging between them and stretching a good twenty feet into the sky, gives an ominous rumble. "Our wizard's been fretting about magical disturbances along the city's borders for weeks. He finally traces the source to this location, and here you are at the heart of it. I'd like to believe it's coincidence."
"Alas," Hawke says, "one of my greatest faults is a terrible habit of being around when things begin. Fenris can attest to that better than most." She lays a hand on Fenris's shoulder, but he's stiff as iron, eyes glued to the dagger in the man's hand, and he's raised one hand to the hilt of his greatsword. "I'm Hawke, by the way."
"Call me Tav."
"And I'm Astarion," the man says grandly, accompanied by a wholly unnecessary flourish of his dagger. "We're here to steal the world."
"Save it," Tav says sharply.
"Of course, my dear. Save the world. What did I say?"
Fenris makes a short, disgusted noise, but Hawke's pleased to see he's let go of his own sword. She doesn't think this Astarion is going to kill them--not easily, anyway--and she likes the look of Tav despite herself. Both of them quick on their feet, she thinks, both moving gracefully with an innate, self-assured balance. As Tav steps around the rift Astarion moves with her like water, without even needing to see where she's gone. It reminds her a great deal of Fenris and herself, actually, though Hawke would give an arm to trust her own feet that much.
Fenris, it seems, has come to similar conclusions, and he rolls his shoulders as he releases their tension. Even his voice has lost its nascent fury, which for Fenris is practically friendly in situations like this. "The rift is dangerous. We will guard it until the Inquisitor can seal it permanently. Be on your way."
"Inquisitor?" drawls Astarion with that same, thin-lipped smile. "Sounds like someone from dear Shadowheart's former enclave, don't you think?"
"I don't think they're Sharran," Tav says. "Are you?"
"What a speculative look you've put on," Hawke says, delighted. "I haven't the faintest idea what you're talking about. Unless you'd like me to be Sharran, in which case, I most certainly am and in fact have always been."
Both Fenris and Astarion roll their eyes--hilarious in its own right, but heightened by the clear antipathy still remaining between them. Fenris sighs. "Hawke--"
The rift explodes.
Green lightning shatters over the rocky cliff. The rumble bursts into a deafening roar; the faint breeze that had been dancing around them sweeps up into a hurricane. The air cracks and snaps with a sudden smell of ozone.
Hawke throws her hand over her eyes. She can't see--the wind tears her hair from its bindings and she can't see past the brilliant flashes of blazing green and she can't hear-- "Fenris!"
Someone's hand wraps around hers. She wrenches up her staff, calls for fire--for ice--for anything--but the rift has become a maelstrom and every scrap of magic sucks into the raging whirl before she can shape it. Her boots skid on the stone as she tries to brace against the inexorable pull, pebbles and rocks rattling along every step. She can't--the hand wrapped around hers has seized tight as a vise, but she's slipping anyway, and Maker, she can't--
A man's echoing voice, stripped bare of all artifice, wild with fear: "Tav!"
The wind dies. Not slowly, not gradually; it falls off like someone's upturned a glass over the rocky cliff, and Hawke's ears roar in the sudden silence. The wind is gone, and the rift is gone with it as if it had never been, the thunderous clouds that had been swirling above it already dissipating to glimpses of blue morning sky.
"Andraste preserve me," Hawke says, loud in the quiet, and she looks over to see Tav still crouched against the face of the mountain. One of Tav's hands clutches a dagger she'd wedged deep into a stony crevice; the other is still wrapped tight around Hawke's hand where she'd pulled her away from the tempest.
No sign of Fenris. No sign of the other one--Astarion. A long white scrape in the stone marks where Fenris's sword had sought and failed to find purchase, disappearing at the precise place where the rift had torn itself open.
Gone. Gone, gone. Her heart hammers in her throat, and she indulges in thirty seconds of agonizing grief before she sets it aside, turns, and pulls Tav to her feet.
"Well," Hawke says at last. "Looks like it's just you and me, then. Ready for an adventure?"
"Yes," Tav says, her grip on Hawke's hand like steel, and her eyes blaze. "Let's get them back."
--
Everything hurts. Everything godsdamned hurts, and Astarion lets out a pained groan as he rolls to his back and drops his arm over his face. His ears ring like bells, and something twinges painfully in his left hip, and the inconvenient sun has decided to blaze right in his face and gods damn it, he'd known they ought to wait for Gale. Wretched wizard and his weak ankles. Wretched Tav and her complete inability--
"Tav," Astarion says, and sits bolt upright.
No Tav. Not even the dark-haired sorcerer with the wide smile. Just that taciturn warrior in leather and half-plate seated on a rock a few feet away, watching Astarion get his bearings, his greatsword slung across his knees and a deeply sour look on his tattooed face. The skies above them are clear and blue as a song.
No Tav. No Hawke. No rift. No plan, and no company besides an irascible stranger with the same look of dawning horror.
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Dirty Little Secret from the Smut prompt list for Varric/Hawke <3 <3
Hahahaha here you go, I loved this so much. Thanks for the prompt!
Uh, super porny. About 1800 words. E. Tags: semi-public sex
Mind the lemons.Â
@dadrunkwriting
======
âAnd what about you, Champion?â the man asks.Â
Heâs a third or fourth son of a prominent family, something he neglected to mention when they were all introduced. The cut of his suit is fine enough but it isnât particularly resplendent, lacking some of the touches of luxury common to the Kirkwall nobility. His sleeves lack the volume of a full length of lace at the cuffs and the threaded silver embroidery decorates only the collar and lapels of his waistcoat, rather than being worked through the whole piece. A younger son looking to improve his fortune with an advantageous marriage, but with enough flexibility to make his own match, or at least influence it.
And the ladâs trying his best, if his performance so far tonight is anything to go by. The woman sitting across from him at the dinner table, a Lady of another lesser house whom Varric assumes is supposed to be his date, wears an interesting mask of polite interest over an annoyed glower.Â
âSurely there are men knocking down your door all day!â
Varric chokes on his drink and barely recovers, a laugh coughing roughly from him. Hawke drops her fork across the table and blushes what would have been a peachy hue a couple glasses of wine ago.Â
âI, uh. Well.â Marian nearly drops the fork again and covers with a chuckle of her own. âActually. Well, that is to say--âÂ
Varric snorts. She glares daggers at him, the delicate bridge of her nose scrunching. It only makes him want to laugh more, so he hides his smile in his crystal goblet of too-expensive-to-be-this-shitty booze.Â
A sly smile sneaks across her face and Hawke focuses on their dinner-mate, composing herself in an instant. She leans forward to take full advantage of the way the sapphire blue silk of her dress clings to her body. Beside him, the poor fellow gulps audibly. The full weight of her gaze rests on the manâs face and her smile grows, positively radiant and entirely up to no good.
Varricâs suspicion is confirmed by a sneaky glance at him out of the corner of her eye. Hawkeâs gaze is full of daring laughter and Varric finds himself pulled in right along with the poor lad beside them.
âNo,â Marian says, a breathy, fawning affect to her words. âThough youâd think that wouldnât be the case, all things considered.â Her hand strays to her temple and a dark ringlet wraps shyly around her finger. Hawke glances down, a move that would look demure on any other person, and she darts to look at him again for just a moment. âMakes a girl wonder about things, you know?âÂ
The Lady makes a choking noise. Her hand darts down to her drink and--by accident or design, Varric canât quite tell--she knocks her glass across the table to spill her wine into Hawkeâs lap.Â
âOh, I am so sorry,â she simpers, and Varric snorts as he clocks it at the same time Hawke does.
âNo worries at all,â Hawke replies in that same light affect, and doesnât bother to look at the woman. âIâve got three more in this color alone.â She blots the stain daintily with a napkin.Â
âNeed a hand, mighty Champion?â Varric asks. His chair scrapes along the tile as he stands. He drinks in the smile Hawke gives him, this one without the sly guile, just full of knowing warmth.Â
âOh, I suppose I could use someone to hold my bag while I clean myself up.â
He arrives at her side just as she stands and, with a chuckle, she takes his outstretched hand. Together they breeze away from the table, dodging other dinner guests as they move around the edge of the ballroom. Their wandering feet lead them into a hallway just off the main room.Â
âHm, lost in a deserted hallway in a house neither of us own nor particularly like,â Hawke trips her fingers up Varricâs arm as she muses aloud. Her smile turns sharp, dangerous, and even covered in spilled wine sheâs as beautiful as a lightning storm over the bay. âWhatever shall we do?â
Varric grins and casts his gaze down the hallway. âI have an idea.â His fingers squeeze around hers and they jog down the corridor, veering into a curtained-off alcove, light filtering in from the sconces through the folds of the velvet sheets. A large stone statue fills most of the space, but there was just enough for them to sidle up behind it. It was a tight fit but it would work.Â
âOh, Serrah Tethras,â Hawke murmurs.Â
The breathy tone is almost genuine this time as Varric pins her against the foundation of the statue, a convenient little ledge that she sits back on. Her legs part and he nestles himself between them, his hands wandering over her thighs.Â
An airy sigh pulls out of her as he inches upwards. âI think you might be up to no good.âÂ
âThatâd be a lot more convincing if your hand werenât at my belt, Magpie.âÂ
She only grins and pulls at the knot of his sash in response.
Itâs easy, this. Hawkeâs nimble fingers have Varricâs trousers open in barely a breath and he gasps when she takes him in hand. His cock fills quickly under the thorough exploration of her fingers, and he rolls his hips to chase the friction for a too-brief moment before he can catch himself.
âKeep doing that and this will be embarrassingly short,â Varric breathes against her shoulder. âAnd believe me, thatâll disappoint us both.â Her laughter rumbles where their bodies meet and, almost drunkenly, he kisses it from her lips.
This is easy, too. He drinks in the sounds of her, the way his name falls from her tongue when his questing hand slides up between her thighs. Hawkeâs breath hitches in her throat and he takes that, too, nipping at her bottom lip as his fingers tease at the growing wetness of her slit. She tips back into the slope of the statue behind her and wraps her legs around his hips. âPatience, patience,â he murmurs into her mouth.Â
âHurry up and---ahh--âÂ
His fingertips slide ever-so-lightly over the firming bud of her clit. Hawke shudders against him and tilts her hips, trying to press harder into the pressure he keeps from her in his teasing. Varric pulls back just enough to catch her hooded gaze.Â
âIâve wanted to do this all night,â he admits, almost smug. Without ceremony, Varric dips his middle finger slowly into the tight heat of Hawkeâs cunt.Â
Her eyes blow wide and she tips her head back, mouth falling open on a soundless moan.Â
Varric gives her a moment to breathe--but only a moment--before moving, thrusting lazily into her. âBeen thinking about this since you came down the stairs, all gussied up. Prim and proper.â He crooks his finger and she clenches around him, her breath rushing out of her against his cheek. Varric is gasping, himself, Marianâs fingers a tight ring that strokes expertly over his cock. He sinks a second finger into her soon enough and cups the nape of her neck with his other hand. Their mouths fit together, a tangle of teeth and tongue, and she bucks against the pumping of his hand.Â
âVarric,â Hawke moans. Her ankles hook at the small of his back and she drags her mouth along his jaw, breath scorching against Varricâs ear. âFuck the lady outta me.â
His brain goes blank. Varric shuffles his trousers further down his legs and slots himself fully between Hawkeâs thighs. His breath shakes out of him and he has to pause as she keens softly against his neck.
They find a quick rhythm. The position isnât quite ideal, but she bucks against him anyway. He snaps into her heat, rushing headlong toward the edge, and the sounds he has to muffle with his mouth tell him sheâs hurtling right alongside him.Â
âHawke,â he breathes. âFuck--Magpie--â She clenches and Varric sees stars.Â
âPlease...â She murmurs the word against his lips like a prayer.Â
âMakerâs--fuck.â Varric shifts. His arms snake under her thighs to bend her knees up to her chest, and he pulls her tight against him to thrust deeper, fucking into her with all the leverage he can manage. âFuck, Hawke, I--â
Hawke tightens like a vise around him and he snaps his head up to watch her face in the mottled light as she comes. She bites at her knuckles to muffle the toe-curling noises that spill from her mouth and she shudders against him. Her eyes find him, pupils wide and glassy, and something in Varric threatens to burst from his chest.Â
"Marian,â he gasps. Varric presses his full weight down into her to seat himself in her soul and he comes, the world blurring out of focus until all he can see is the low light on her cheekbones, the bright blue of her eyes blazing like alchemical fire. He buries his head at the join of her neck and shoulder and shakes against her.Â
Itâs not an eternity but itâs theirs. Varric and Marian gasp for breath, slumped into each other as much as the tight quarters allows. They trade lazy kisses while their heartbeats settle, teasing even in the smouldering heat of the post-orgasm haze.Â
âI think weâre missing the party,â she finally murmurs. A laugh twists her plush lips into a grin that Varric dips his head to taste. âMm--this is why.âÂ
âDoesnât look like youâre exactly clamoring to get somewhere.â He gives a slight shake of his head, pulling against the fist sheâs twisted into his hair. It makes him shiver, and he sighs out a soft moan when she does it again. âThink we can sneak out of this party and take this somewhere private?â
Marian hums, a low, rumbling purr. âMaybe we can take the scenic route back.â Her fingers tug at his hair again. âThrough the parks. Take our time.âÂ
Heat lances up Varricâs spine. He grins and shifts to help her to her feet. âYeah,â he says, desire pooling again in his middle at the hungry glint in her eyes. He pulls her into a bruising kiss, his hands cupping at her jaw and nape. They move against each other and he presses her back into the statue behind her for another moment, two, three, before finally pulling back. Varric can feel a heady blush scorching its way up his face, but he canât care, not when Marian looks at him like that.
âCome on.â She presses another kiss to his lips and licks at the seam of his mouth only to dance away when he moves to follow. âWe have a party to ditch.âÂ
A colleague and I did a little writing challenge during our shift tonight. We challenged each other to write about something in our house that elicited strong opinions or big feelings.
It's been so long since I've written basically anything, so this unhinged ficlet spilled out. đ¤ˇââď¸
-----
That fucking blue stain.
You donât even like the carpet. It doesnât even bother you that the carpet has a stainâwell, it does, for homogeny reasons: too small to be an accent, but just bright enough to stand out nonetheless.
Itâs more about what the stain used to be, which was blue ink, which was a blue fountain pen, which was your favorite. It had a smart point (to make up for its user), and generally had a good sensory aesthetic, which is the cowardâs way to say: Pen Feel Good.
It had a delicious way of writing: it seemed the pen actually had no ink at allâthe paper simply bled in blue from where the pen had scratched it. Here, the words lived within the paper and the pen was more chisel than utensil. Truly, Michaelangeloâs pen of choice: the Uni-Ball Roller (Eco)â˘.
Despite its unique utility, like most pens, it was resigned to a fate of signatures, sticky notes, and grocery lists. Occasionally, it got to shine as a label. Before its glorious retirement, it served you well as a keeper of information and a sacred focus of attention and memory from a long-forgotten deity. Youâd had plans to elevate it to the status of Bedside Pen, but perhaps it was Apollo after all, as he bid you pause that, hmm, that ink might stain your bedsheets, should you fall prey to the hedonism of sleep during your attempted (fruitless) commune with the muses. So, instead, you pen a quick âDONâT FORGET - START DISHWASHERâ on a sticky note and set it down on the counter.
And now, every potential scribble, scrawl, and scrabbling scratch lay piled in an unceremonious blue heap on the carpet where the puppy had chewed it like a discarded soup bone.
The puppy doesnât know what a phalanx is, or a furcula, or a sternum, or a spine. A pen is a cylinderâwhich the puppy doesnât know eitherâwhich is also a rod, a stick, a bone, a chew. Despite catching the puppy red-handed (blue-pawed, rather), you canât blame the puppy.
But you do. At least in part because of the treasure trove left on the counter tops, choosing the ball-point just felt pointed.
It takes more than a week of staring disdainfully at the stain to remember to clean it.
The stain remembers the fang it poured from, and fights tooth and nail against the rented carpet cleaner. Pass after pass, it remains. You have to imagine Sisyphus happy. Then, maybe the boulder flattens the mountain to a hill, and bit by bit, thereâs more carpet than stain.
If you stare hard enough at the soapy, blue water spiraling down into the vortex, youâre almost certain you see a reminder to put the bins out. No doubt, without the pen, youâll forget in a few weekâs time.
Then, before long, itâs gone. All the words it had yet to write now floating in an alphabet soup of dirt and dog hair.
And you pour it down the drain.
The next day, your Bedside Pen falls between the headboard and the wall, and the world is cold and cruel. The puppy sleeps contentedly and dreams of destruction. You rise and, after a short search, resign yourself to a PaperMate Write Bros 1.0 in red.
And as it turns out, the ink is stored in the pen.
And the penâthe phalanx, furcula, sternum, and spineâwrites the words.
It was never the puppy. It was never even the pen.
Guys, I edit professionally. This list is legit. Incorporating these suggestions before you hire an editor will save you A LOT of money. Even if you did these and nothing else, youâd see significant overall improvement in your work.
That said, you donât have to overthink these things when youâre writing a first draft. If you write, âshe said angrilyâ in a first draft, you can always revisit the phrasing in a second draft. I mention this because overthinking style can lead to a loss of momentum, and losing momentum is why so many people never finish a draft. Give yourself permission to write fast, write messy or ugly, and edit your draft into beauty later.
Your first draft is going to read like fanfiction, and that is a good thing. Fanfiction is written episodically, as is the first draft, with only small bits and pieces being actually thought out and making sense. You need the plot to take protag here? You donât know how to get them there? Make up a bullshit reason and then figure it out later. Your first draft is for having fun, getting your big ideas on the page, figuring out certain plot points, and developing the characters more. Your first draft is going to be self-indulgent, itâs going to make very little sense, itâs going to be just a little bit shit. Thatâs what the first draft is for!
The second draft is for adding and removing things so that the story actually starts to make sense. And when I say second draft, I mean create a whole new document. No copy and pasting, it needs to feel natural. Maybe youâve had some ideas and want to change how it starts, maybe you realised you never explained a certain important detail, maybe a certain scene just feels really out of place. Your second draft is for adding and subtracting from you first draft so that it actually starts making sense. You already know how the story ends by this point, you already know what plot twists youâre going to include, so now you can integrate them more smoothly and include more foreshadowing. Maybe youâll create whole new characters and remove whole other characters. Maybe the relationship between two characters changes drastically. Thatâs fine. Your second draft is when it starts coming together.
Your third draft is for fine-tuning. Youâve got your initial plan, youâve got your more thoroughly thought out plan, and no you need to make it better. Maybe there was a certain scene you really miss from the first draft, maybe you want to make the chapter transitions smoother. Maybe you want to lengthen the chapters so that the amount of chapters is smaller and it seems more manageable. The third draft is for making all of these important changes to have it be the best that it can be. You did more research into a certain disorder so youâve altered a character slightly. You decided there werenât enough POC so you changed a few races. You decided there were too many bisexuals so you switched some of them to pan or omni or ace. The third draft is for making some of these final changes.
You can continue making other drafts if youâre still not happy with it, but after a certain point the idea may just need to left behind and put on hold. Fresh eyes from a few weeks or months or years into the future may figure out how to make it make sense. You also donât have to wait to finish one draft to start the next. You want to change how the story begins but youâve almost completed the first draft and you donât want to make all those edits? Just start the second draft! Write your idea down and then go back to your first draft. There is absolutely nothing wrong with that!
So, if youâre getting into writing and you look through your first draft thinking âthis makes no sense, it reads like self-indulgent fanfictionâ thatâs a good thing. Itâs all part of the process. And if by the third draft it still feels really self-indulgent, brilliant! You are writing this story because you think itâs interesting and you want to tell it! Who cares if itâs self-indulgent!? Who cares if itâs got a lot of tropes!? By the third draft you will have smoothed it all out and it will be a masterpiece! Keep writing!
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What they donât tell you about storytelling is that it becomes an instinct over time. You learn how to kind of ⌠intuitively chain events together over time. That doesnât mean itâs a cakewalk, or that you never get stuck on plotbeats, but you have a better time walking yourself out of corners that you as a less experienced writer would have been tempted to abandon your story over. Because youâve been stuck in similar corners before; you know how you get out now.
I know its frustrating to keep hitting dead ends, but you got this. Youâll learn a little from every roadblock you hit.
Hope you donât mind me reblogging your tags @inkpot-demigod;
#you really do#i realized a year or two back that iâd gotten to the point where i could just sort of trust fall into a story#as long as i donât stress myself out over it#it will come together over time#but i had to throw myself into a lot of stories to reach that point
Trustfall into a story ⌠oh, thatâs a nice feeling.
Darkest Before Dawn - A Baldur's Gate 3 Fanfic - Astarion x Tav
Rating: PG13
Word Count: 1353
You can find it here on Ao3, too.
-------
When Astarion opens his eyes, it is to the gentle shake of his shoulder. He allows himself a quick glance around the camp to see that most everyone is asleep, and the fire is starting to burn low.
There are no shouts, no scuffling feet, no scent of blood drawn.
The camp is safe; he is safe.
For now.
His gaze flits then to the one who has woken him.
Tav is leaning over him. Even in the dim, flickering campfire light, he can see the sparkle in their eyes, and he instantly hates it.
His plan to secure himself as a desirable companion has gone perfectly thus far. They practically wrapped themselves around his finger all on their own, and they have been easy to lead along. A compliment here, a purred promise there, a gentle touch, a wild night.
They are so easy to manipulate it is almost sickening.
It might be, if Astarion let himself think on it too much, but he doesnât.
Instead, he glances around camp again and realizes what this must be. Tavâs next words all but confirm it.
âI need you to come with me.â They hold a finger to their lips. âDonât wake the others.â
He swallows down the disgust and offers Tav a flirty smile, reaching out to let his fingertips feather against their cheek. Just enough of a touch to leave one longing for more. âAnything for you, my sweet.â
Tav hugs themselves impatiently while Astarion shoves his feet into his boots and gets up.
Quietly, of course.
Heâs always been good at sneaking through the shadows, but tonight it is almost unbearable. Tav keeps lacing their hands together and drawing him deeper into the woods. He hardly needs such guidanceâhis night vision is likely better than theirs, being a vampire and allâand it throws him a little to have to adjust himself so that their contact doesnât break.
They pass a few spots that Astarion tries to suggest would be as good as any for what they are going to get up to.
Each time, Tav just gives him a wide smile or a knowing look and assures him that this will all be worth it.
âCome on.â
When theyâre far enough that Astarion is beginning to wonder if their companions will know where to look for them, if they donât make it back by dawnâthe stars are such that it must not be far offâTav takes an unexpected turn, moving toward a small rocky outcrop and hauling themselves up.
âWeâre here.â
Astarion stops at the base, watching as they move higher, before they pause to look down and find him.
A hand motions quickly for him to come up before Tav disappears from view.
Astarion isnât sure what he expects to find at the top of the rocks, but the nothing that is there is disappointing none-the-less.
Nothing but Tav, anyway.
And him.
And a flat expanse of hard rock thatâs about twice the size of a conventional bed. Tav has seated themselves near the center, and pats the spot beside them, smile annoyingly radiant.
Astarion finds himself a little put out for having to have come so far for so little, but he acquiesces to Tavâs beckoning and strolls the short distance to join them.
There is a moment where they sit there, the silence dragging out between them as the sky gets darker still.
Astarion finally steels himself to make the first move, reaching out and catching Tavâs chin to pull them closer. Their lips brush, and he moves quickly away, toward the spot in Tavâs neck where their pulse thrums so temptingly. However, Astarion has not been invited to dine, and he merely presses a kiss there, though he does let his teeth drag over Tavâs skin.
Before he can do more, however, Tav lets out an excited cry and pushes Astarion back. âItâs starting!â
At first, Astarion is lost. His brow pinches as he sits back, appraising Tav.
They, in turn, reach out and gently turn his head so that he is facing forward.
For a second, there is confusion, and then he sees it.
The first rays of dawn coming up over the edge of the world.
For a moment, Astarion forgets everything except for those blossoming golds and pinks and yellows. The clouds look painted, each second a subtly new scene. The world below glistens and shines in the new light, and while he has been largely unimpressed with the wilderness they were so unceremoniously dumped into, even he cannot deny that there is something utterly beautiful about the way the sunlight dances over them.
For the first time, he truly understands the meaning of the word breathtaking.
It is hard to remember so far back, but he doesnât think heâs ever seen a sunrise so magnificent.
So simple a thought as it is, it brings the world crashing back, shattering the serenity of the moment.
The sun has risen high enough that the clouds are losing their rosy hues, and the world is becoming its usual array of green and brown.
Astarion fights the bitter bile that rises in him at the thought of how many sunrises he has missed, and glances around, grounding himself with the present.
As he glances to his side, he remembers that he is not alone, and pauses when he meets Tavâs gaze. They are watching him, that same sparkle in their eyes, illuminated now in the morning light. There is more than excitement there, now.
Now, they look so pleased with themselves. That satisfied smile, itâŚ
It throws him.
âPretty, huh?â
The word is an understatement, but more than that, it is confusing. Astarion wants to ask why Tav would do this. What do they get from this littleâŚitâs not even an adventure, is it?
What was the point?
For the first time since they snuck out of camp, Tavâs expression falters. They glance toward that ever-rising sun. Back at Astarion, back at the sun.
âI figured, after so long in the darkâŚâ Tavâs gaze finally slides away from him. âWe havenât really camped anywhere where there was a good view, soâŚit only seemed right that you get to see a proper sunrise after so long.â
Astarion finds himself at a loss for words. Just for a moment, of course. He quickly gathers his wits, offers a coy smile. âHowâŚsweet.â
Tav seems relieved. âYou did like it, right?â
âIt was beautiful,â Astarion murmurs.
Tavâs hand rests on top of Astarionâs for a breath as they lean in and catch him in a quick, chaste kiss. And then they are on their feet again. âCome on. Laeâzel will be grumpy if we take too much longer, and I donât want Shadowheart to steal my breakfast.â
As they scamper down the rocks, Astarion sits where he is, frozen. His mind tries to make sense of what just happened, but the pieces simply wonât fit together.
Tav already gets what Astarion has to offer.
So, what was the point of this?
There is the faintest whisper of a long-forgotten truth from within the smothered depths of his heart, but he squashes it before the thought can fully form.
Tav calls out to him. Astarion frowns as he glances toward the sun, still so low in the sky.
And then he follows Tav back to camp, watching their hands when Tav laces their fingers together, and struggling with the strange sensation that has settled in his chest. Something foreign, and most unwelcome.
He will need to be more careful going forward.
And he will need to figure out just what game Tav is playing.
By the time they get back to camp, he has found his resolve and his balance. He smiles and teases Tav with honeyed words as a few of their companions cast glances their way, unsurprised that they are returning together, hand in hand.
And he pretends he canât still feel that whisper that whatâs happening now is something heâd all but forgotten could.
Kindness for kindnessâ sake doesnât exist, after all.
âWhy havenât you kissed me yet?â for hhAAAAAAAAAANDERS or any other pairing of your choice lol
Thank you, friend! You and @fairfaxleasee ended up sending in the same prompt at some point! (I am suuuuper behind on my prompt backlog, whooooops.)
So without further ado, here's to you and @dadrunkwriting for enabling encouraging my Handers obsession, lol.
Marian Hawke x Anders, 2k words. T rating.
Getting together, hurt/comfort,
cw: temporary major character death, blood, injuries, surgery and healing, aftermath of battle
--
"Why haven't you kissed me yet?"
Anders startles out of his careful examination of one of the wounds in Marian's bared shoulder. "Iâuhâwhat?"
"I think it's a perfectly reaâreasonable question, given everything." Marian's eyes are bright and glassy in the dim light of the nearby lanterns. A mulish sort of line twists her lips, which are suddenly too close and too centered in Anders' vision, before she smiles up at him. "You could, you know," she says conspiratorially. Marian jerks a thumb vaguely upward, or what would be upward if the thumb was properly splinted instead of set in the hasty binding that was managed on the road. He doesn't ignore the wince that creases her features as she goes on. "I won't tell Choir Boy if you won't."
"He'd be scandalized, I'm sure," Anders quips, deadpan, before he can catch himself.
"Beside himself with concern, for certain." She chuckles weakly. "You know, I worry about him sometimes."
Anders shakes his head and sets himself back into examining the wreckage that is her left side. "Someone has to, I suppose," he allows magnanimously. "Won't be me, but someone. Now if you'll just sit still..."
It's still a mess, now most of a long night since Marian had been carried into the clinic by Aveline, Sebastian, and Fenris. They'd been caught up by smugglers while on an unofficial patrol of the coast, and Marian had been caught in a knot of blades before being pushed from one of the cliffs to a blessed ledge some ten or twenty feet below. She had been unconscious when they burst into the clinic in a cacophony of clattering armor and panic, and had only woken a handful of minutes ago after a long night of emergency surgery.
Sweat gathers at the nape of Anders' neck while he works. He wills his hands not to shake as he pleads for her blood vessels to mend, muscle fibers to knit back together, but it's not enough; he can hardly make her flesh listen to his will, as exhausted as he is, scraping at the bottom of a barrel only to come up empty. Her skin, normally a sun-kissed tan, is sallow and mottled with bruises beneath his shaking fingers.
"Anders?" she blurts out of nowhere, and it nearly makes him jump out of his skin.
"Can you justâ!" Anders wipes his neck with his forearm and scowls at her. "Can you just sit still for one damn minute while I save your life?"
Marian gives him a goofy grin, its shape lopsided with the strength of the potion Anders had poured down her throat a few minutes ago. "You know, techâtechnicallyâ" she bobs her head on each syllable, the words slurring slightly like a spoken cursive script "âyouâve got me down to nothing but my knickers and a borrowed chemise." She gives as scandalized a gasp as she can manage, which isn't much by Anders' estimation. "You saw me naked! Not how I thought it'd come about but I'll take what I can get."
"Iâwhat?" Anders pinches the bridge of his nose with a huff. "Justâcome on, Hawke." He takes a steadying breath and reaches for her shoulder once more before pausing. "Are you still in pain? I can give you some clove, that will help, just sit still." He speaks as he reaches for the makeshift table that sits beside him, a chair methodically laden with tools, vials, and jars. Anders retrieves the jar of clove oil and, with a single hand, unstoppers it, dips a small wad of fabric into the astringent liquid, and closes the jar again.
"Impressive," is what he assumes Marian tries to quip, but the word is broken by a sharp hiss when he presses the cloth to the red, raw skin of the wound heâs been checking.
"It'll help," he says, even as she whines with obvious disbelief. "Just hold still. And don't move," Anders warns sharply. "This is still only one of a handful of open wounds. Bloody void, Hawke."
She is blissfully quiet as the clove works its magic to relieve some of the pain, and Anders rubs his aching temples. Thankâwell, thank Hawke's amazing propensity for unlikely friendships that she is even awake right now to fight him. Anders is grateful, he is.
But Anders also hasn't slept in most of two days, and the thin stew Merrill had thoughtfully gifted him, alongside a small hunk of bread and a knob of cheese, had been his last meal the day before. Everything in him aches with the strain of nearly continuous healing, stopping only when he physically couldn't hold onto the spells any longer.
He bites back a tired sigh. Marian is alive, and will, if Anders has any say in the matter, stay that way. That's all that he can focus onâeverything else is just a detail. His chair groans beneath him as he shifts to ready his suture kit. He threads the curved silver needle with thin catgut. His fingers shake; he misses the needle's eye twice before he succeeds and secures the thread.
"This won't be particularly elegant," he mutters to himself. Almost like a reflex Anders reaches again for his magic, for Justice and their connection to the Fade, but finds the expected nothingness of his limits. He takes a deep breath and turns his attention back to Marian's face.
She stares at the needle. Marian is a careful study, Anders has found, attentive to detail and thorough. She swallows thickly. "Maybe, maybe some more clove?" Marian asks. "Or more elfroot."
"Iâno, no more elfroot for at least another four hours, you just had a potion," he says. At the soft distressed noise Marian makes, he relents. "I can give you more clove, though." Anders reaches for the jar again to dip another small pad into its depths. With a practiced hand he dabs the precious liquid at the wound sites that litter her shoulder and chest. She hisses again at the contact and he murmurs softly, letting the oil seep into her skin a bit before wiping it all away with a clean cloth.
"You have," she says, trails off, and tries again, "you have a delightful bedsideâbedside something, something healer-y?"
Anders snorts. "You'll decide otherwise in a moment. Hold still."
She jerks and sucks her teeth when the needle digs in, but thankfully that's the most of it as he works. Slowly the wound closes up, held together with what feels like little more than hope. Anders works his way through another puncture, and another, exhausted pride welling in him as he goes.
Marian gestures vaguely upward when heâs somewhere near halfway through. "Do you think there's really an afterlife?" she asks. "A real one, notânot some story."
Anders pauses. "What?"
"You know. Big light at the end of the tunnel and all, warm and hazy and such." She winces as he places another stitch. "Grass beneath my feet and everything, smelled honey oat cakes toasting on the hearth. And then I wake up on the cot. Is that normal?"
Anders bites his lip and finishes suturing a gash that runs from her shoulder down toward her armpit. She was so lucky, he thinks, that she wore any armor at all, for all the good it did her. He sets the suturing kit down on the chair beside him.
"Anders?"
She's watching him with those beautiful blue eyes. He reaches to cup his hand along the sharp wing of her cheekbone. Marian makes a valiant but unsuccessful effort to raise her less-damaged hand to meet his own; she tries again anyway, even when he sighs.
"You died, Marian," he says with a trembling voice. Anders brushes his thumb over her skin, thankful beyond measure for its warmth. "You died on my operating table, and I almost couldn't get you back." He purses his lips against a whimper that threatens to escape. "I didn't think I would, but I tried anyway," he breathes. "I had to."
Her throat bobs as she swallows. Marian finally does manage to reach him, her fingers light but insistent where they curl around his wrist, coaxing him closer. "But you did," she whispers. "Miracle upon miracle, you saved me."
Anders lets himself be pulled and presses his forehead against hers. The sight of her mangled body is etched into his lids when he closes his eyes. She was so still, so small when they'd all arrived. Marian Hawke was certainly no waif, no shrinking violet, but she might as well have been a porcelain doll, held aloft between Aveline and Sebastian. It's a memory Anders hopes to never see again even as he knows it will stain his dreams for years to come.
She speaks again, so soft he almost doesn't catch it. "You're always saving me, Anders."
"But you died," he stresses, and it's now that his composure breaksâa sob breaks past his barriers and it's over. Tears flow like a spring down his cheeks; they'd been held back by the violent waves of adrenaline that raced through him as he'd operated, then by the consuming worry and attention he'd wrestled with at her bedside as she lay unconscious. Anders can't bite back the panicked gasping of his breathing, the metallic scent of her blood heavy in his nose, almost enough to taste. "I don't know what I would have done had Iâhad we lost you."
"We've, we'veâwe've had close calls before."
"Not that close. Not like this."
She makes a noise at that, something undecipherable. Anders pulls back to study her face. "I never want to do that again," he murmurs. He rubs his thumb over her cheek again. "I never want to see you hurt like that again. Please, justâplease be more careful, okay? I don't... I don't think I'm strong enough."
Marian smiles wanly before turning her head to press a kiss awkwardly to Anders' wrist. "You're a fantastic healer, Anders. Powerful. I trust you."
A hiccupping sob wrenches through him. "YouâMarian. Marian."
Her lips are chapped and dry when he brushes his mouth over hers. She tilts her head at his gentle direction and he kisses her once, twice, thrice, so light it's more a mingling of breath than anything else. Marian's smile presses against his lips and she nuzzles the light stubble that dusts Anders' cheeks.
"That's hardly a ghost of a kiss," she whispers.
"You're still hardly a ghost of a woman.â Anders presses a last kiss to the corner of her mouth and comes up to find both of their faces wet with tears. He wipes his face with his other hand, loathe to let her go as he fights to steady his breaths.
Marian rubs her cheek into his palm. "Anders."
"Marian."
She smiles, watery but there. Her fingers tap against his hand. "I like the sound of my name in your mouth," she confides. It startles a surprised snort out of him.
"IâI do, too," Anders admits after a stunned beat, once the last ten seconds catches up with him. He doles out the truth like a miser, each word a precious gem. "And mine in yours, perhaps... perhaps more than I should." The admission feels like a knife to the gut but the softness of her smile rivals any balm or salve he could possibly make.
Marian hums and closes her eyes. "Well, oh powerful healer," she says, turning back to lay flat on the cot, "I think we have some more work ahead of us." She slants one eye open to glance at him once more. "I have to survive this to get more kisses."
Something like hope sparks deep in Anders' belly. It's as surprising as it is unfamiliar, and he grabs for it with both hands, ignoring the warnings in the back of his mind. "Yeah, Hawke," he breathes. She settles once more at that, and he preps another wound for suturing.
I'd give you anything, Anders thinks as he threads the silver needle again, and knows it to be true.
It wasnât that Fenris had never seen liquid lyrium in use.Â
Obviously, that wasnât the case. The mages of the Imperium had always made sure it was in reach, of course, and Hawke and the other two kept it on hand whenever they expected a brawl. Heâd seen empty vials of it tossed aside mid-fight, seen it sipped from the finest gold goblets, passed from mouth to mouth in intimate momentsâyes, Fenris had seen plenty of lyrium in use.Â
He wished it werenât the case, though. Because if he was unfamiliar with it, that might explain the way he couldnât seem to help watching Hawke when she drank it down.Â
Unfortunately, it was not novelty but something else entirely that kept his eyes on her lips, pressed to the glass, on the long line of her throat when she tipped her head back to finish the draught.Â
OnâŚon her tongue, when she traced it over her full lower lip to gather up any loose drops.Â
âReady?â Isabela asked, twirling a dagger in one hand absently, âIâve an itch I need to scratch.â
âOh?â Hawke said, laughing, her head still half-back. She was all but a silhouette to him, standing near the top of a hill while he leaned against a boulder at the bottom.Â
âAgain?â Merrill asked, peering at the Rivaini, âIs it the one under your shoulder blade that you can never reach? Dâyou want me to tryââ
âNo, no,â Isabela laughed, slinging an arm over the elfâs shoulders, âNot that kind of itch, Kitten.â
âOh,â Merrill said, as the two began to wander back toward the road, âI thoughtâŚâÂ
Fenris had already stopped paying attention to them. Hawke was looking at him, one arm stretched across her bountiful chest, her head angled to the side. Fenris pushed off of the boulder and made his way very deliberately up the last rise. He stopped a decent distance awayâhe knew because he was measuring the space between them very carefully in his mindâand went on looking at her.Â
Heâd intended to say something. He knew heâd intended to stay something.Â
Hawke eyed him carefully, then stretched the other arm across her chest, wincing faintly. She only ever did that when he was the sole observerâand yes, he only knew this because he was so often watching herâbut Fenris could find no reason for it.Â
Under other circumstances, he might think she was trying to get something from him. For anyone else, he would be right. But this: that he was the only one she allowed to bind her wounds, aside from the healer; that he was the one she balanced herself with when she was limping or woozy from blood loss. Fenris could not understand it, and he dare not ask. The obvious explanationâthat she still trusted him after everything else that had happenedâwas simply beyond consideration.Â
There had to be a reason. If she were anyone else, he thought with a sense of dissatisfaction, he would almost certainly ask.
âStiff?â he asked gruffly, tapping the fingers of one hand against his thigh.Â
Mariaâher given name, not that anyone ever used it; Fenris only thought of her thus because sheâd gasped it into his ear that night three years ago, told him not to call her Hawke whileâ
Nevermind.Â
Hawke sighed and her mouth turned down at the corners in an exaggerated pout.
âIâm getting old, Fenris,â she said, so woefully that he almost believed her for a moment, âI feel it in my bones. Soon, Iâll only ever talk aboutâŚoh, gout and how young folk these days never know how to treat their elders.â
âYou could have just said no,â he told her sternly, but the corner of his mouth lifted faintly. She must have seen it, for her lips curled up in answer, even as she lifted her eyes dolefully to the sky.Â
âNo, Fenris, you donât understand,â she said, and set the back of her hand against her forehead, âWho will chase mercenaries all over these hills when I canât hobble after them? Soon I shall be all wrinkles and white hair andââ
âAnd still look just asââÂ
Fenris bit the end of the sentence off before he could make the fatal mistake of speaking it aloud, but both of them froze anyway.Â
And still look just as lovely as you do now.Â
The words hovered on his tongue for a moment, kept caged behind his teeth, and it was a force of will not to say the words aloud.Â
Theyâd only made it this far by pretending itâthat nightâhad never happened. Three years, nearly, and they were both still here together. That first night at cards in the Hanged Man, Fenris had hesitated at the door, abruptly itchy everywhere, as if the air itself were anathema to him. Heâd thought to leave, to prevent the inevitable discomfort, but sheâŚ.
Sheâd met his eyes and scooted over, nudging Isabela with her, clearing room at the other end of the table. SoâŚso heâd know he still had a place there, even if it wasnât at her side. Fenris thought he might be grateful to her for that forever, no matter what else happened between the two of them. How strange, not to realize how much having a place of oneâs own meant until one faced down the possibility of losing it permanently.
âWell,â Hawke said after a moment, blinking first and lowering her eyes, âIn any case, maybe Iâll be lucky and go bald. I cannot believe I forgot to tie all this up before I left the manor this morning. The wind is wreaking absolute havoc.â
âI canââ Fenris began, then winced inwardly.Â
He could, in fact, help with that; it wouldnât be the first time heâd tied someone elseâs hair up, nor the first time heâd done it for herâbut those had been simpler times.Â
âIf you have a bit of leather, orâŚanything, I can manage,â she said.Â
Fenrisâs fingers touched her token, still tied around his wrist, but he would not part with itânot even for the sake of her comfort. He reached into his pocket instead and retrieved a loose bit of leather heâd intended to tame his own hair with in case the weather turned. He despised the way wet hair stuck to oneâs skin, and heâd endured it several times too many on these outings to the coast. The leather ought to be long enough for her hair, too, if he plaited it first.
âTurn,â he told her, his voice thicker than he would have liked, and she turned without a word.Â
Fenris gathered the bounty of her hair in his hands, untangling several knots as carefully as possible. It seemed to cling to his fingers, twining around the joints, black against the pale blue lyrium that lined his skin. It had looked like that three years ago, too, had tangled around him just so when heâd tilted her head back over his hand to kiss down the length of her neck. It had felt like this draped over his chest when heâd combed his fingers through it after, andâ
âAre you coming down from there anytime soon?â Isabela demanded from the bottom of the hill, and Fenris realized heâd been combing his fingers through Mariaâs hair without moving onto the next step. For how long? Her chest rose and fell too quickly, as if sheâd just climbed a very steep hill, but that wasâŚprobably just exertion.Â
Fenris let his eyes focus again on her dark curls, pulling them into a simple plait down the middle while she answered Isabela. They were laughing about somethingânot him; it sounded different when Hawke was laughing about himâso all must be well enough. He finished the braid, tied it off as intended, and then he justâŚstood there, holding the end of her thick hair.Â
It was soft as silk between his fingers, shiny as a ravenâs wing and dark against the brown of his hands, against the pale blue of the lyrium that thrummed beneath his skin like a second heartbeat. Hawke was underneath his skin, too, in her way; and it was all the worse for knowing it had all been his choice. That having and leaving her had been his choice. And for all the times Fenris had wished he could forget what her skin had felt like, how sheâd sounded whenâ
Well.
For all heâd wished he could forget, he was deeply, deeply grateful that he could still remember every second of it. What would he be if this, too, had been taken from him? He did not wish to consider it.
âFinished?â Hawke asked, turning her head.Â
There was a faint quiver to her bottom lip that made him want to press his thumb to it, but he did not. He hadnât the right.Â
Fenris didnât move at all. He just stood, and looked, and wished.Â
Finished, sheâd asked.
âI amâŚnot certain,â Fenris told her.Â
Hawkeâs fingers found the end of the braid, tested the leather tie, but her attention was on him. He could tell; one could always tell when Hawkeâs full attention was fixed on them.Â
âAre you?â he finished, the words nearly carried off by the wind. She opened her mouth to answer andâ
âLetâs go,â Isabela called from the other side of the hill, âI have plans for tonight that donât include murder!â
Hawke turned, shaking her head at the words, but for a momentâjust a momentâher hand brushed against Fenrisâs, the warmth of her fingers barely felt between the joints of his armor. As she set off down the hill, the hand sheâd touched curled into a fist, tight enough to dig into his palm, and flexed loose again.Â
Fenris set off after her, eyes carefully on the steep ground ahead, but a careful observer might have been able to note the color in his cheeks, and the matching red that spilled over Hawkeâs.Â
It was unfortunate, then, that Varric had not come with them that dayâfor there was nobody present who would notice such things at all.
(For @14daysdalovers, Day 5: Lyrium. In case anyone is keeping track, this was about a week before the party ficlet I posted yesterday c: )
when you absolutely, positively, need to get that story edited
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reminder to self to fucking GO WILD with any piece of writing. just. have FUN type absolute utter bs and abandon that planned-to-publish wip to work on something you like, turn the same daydream around and look at it from every angle and write it down no matter if itâs fanfic, cliche or doesnât fit in any wip ALL OF THIS IS PRACTICING AND ITâS ALSO FUN SO YOU CANâT DO ANYTHING WRONG HERE