once you start noticing how many of the Sexy Thicc Anime Babez hornyposted across the net with fat tits and fat asses overflowing out of their micro-bikinis still have 24" waists and rail-thin arms and pencil necks you never stop noticing it

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once you start noticing how many of the Sexy Thicc Anime Babez hornyposted across the net with fat tits and fat asses overflowing out of their micro-bikinis still have 24" waists and rail-thin arms and pencil necks you never stop noticing it

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memo for labor by Ryan Eckes
Don't fuck with a They/Them who has a Sword and loves Jesus unless you want to feel the Wrath of a Joker with nothing to lose

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asking "hey is it fine if I smoke in here" and before you're able to answer I've already set up a full rack of salmon over a fire in your living room
Incredible things happening on tumblr
TCN-9 (1985)
I will forgive DC for not using All-Blades stuff on Jason, only if they give me a comedy little run, where the family finds out that he is a fucking chosen one, because the half of the world tries to reach for his help in magic stuff, which he ignores β so they are forced to beg Bruce to affect his son, somehow.
Bruce: Hey, John. Long time no see. What happened?
John Constantine, tired as fuck: I need you to ask Jason to pick the goddamn phone.
Dick: Is he wanted in LA, too?
John Constantine: Wanted? Guy is having a fucking blast. Do you know how many people need the Chosen One's assistance?
Damian β who actually knows it, so he is not surprised β scoffing: Todd? Assistance?
Tim, who knows as much as Bruce and Dick, which means nothing: Jason? THE CHOSEN ONE?
Bruce, catching Jason near the fridge in three in the morning: Jason? When were you going to tell us that you were chosen to... restore the balance between good and bad, and had magical swords?
Jason, chewing on dry cereals while skimming through the book: Like what, was it hard?
Browse the latest Government courses from Harvard University.

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One of the things that makes the family conflict in Lilo & Stitch work narratively is that Cobra is correct in that Lilo and Nani's current situation is non-sustainable. And yes, Nani is not prepared to handle everything by herself. But losing the custody is not the solution either, and to a degree Cobra seems to believe the same (he legit does not want that to happen), but if Nani can't solve the problem, then from his perspective it's the least harmful solution.
And the conflict is solved because what Lilo and Nani need (what they REALLY needed) is a support net. Someone, anyone to be there to take at least SOME of the burden from Nani and give her breathing room.
Which is why Jumba and Peakley joining the family alongside Stitch, and become a constant pressence who share the burden of the household, makes all the difference.
And this does not solve all the problems, because the movie is not about magically resolving those problems, it's about putting the characters in a situation in which they can move forward as a family. And for their desire to be a family and be together as a family, to be respected.
Anyway, someone told me what the remake did for the ending
Haircut, Amedeo Modigliani
'rudi gernreich's unisex thong swimsuits, los angeles, usa, 1974' in 100 ideas that changed fashion - harriet worsley (2011)
Went to the farmers market this weekend (β‘)