A typology quiz for the years 1500 to 1789. Thirty-four questions, thirty-four types—humanist, Puritan, philosophe, magus, salonnière, merce
babe wake up new quiz dropped
Stranger Things

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
d e v o n
will byers stan first human second
Peter Solarz
wallacepolsom
hello vonnie

izzy's playlists!

tannertan36
taylor price
"I'm Dorothy Gale from Kansas"

Janaina Medeiros
Today's Document
Misplaced Lens Cap


oozey mess
he wasn't even looking at me and he found me
Claire Keane

seen from United States
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seen from Poland
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seen from Vietnam
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@bitchmael
A typology quiz for the years 1500 to 1789. Thirty-four questions, thirty-four types—humanist, Puritan, philosophe, magus, salonnière, merce
babe wake up new quiz dropped

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Maurice (1987) dir. James Ivory
formative years? aren’t they all?
Charlotte Wells in Harlots, 2.06.
me when the character has a uniquely fucked mindset. me when the character's fundamental views of how the world works lead to them being hurt and/or hurting others and not seeing the problem with this. me when the character is a little freak who does weird shit because their beliefs, inspired entirely by their environment, are fuckeddddd
[said with so much adoration in my heart it physically hurts] why would they say that. what do they mean by that. why would they do this❤️ [also said while knowing exactly why they'd do this and, in fact, having done hours of analysis into why they'd do this]

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anyway. harlots s02 e06 the tv episode of all time
harlots greatest tv show of all time that approximately three (3) people watched. including me
very very few other tv shows have ever actually been willing to Go There on how violent, & specifically sexually violent, the family is. not just An aberrant dysfunctional family but capital-T capital-F The Family. the thing that enables & produces & prolongs so much of the sexual violence in this show is the family. AND not even necessarily because of a lack of love or care. margaret wells loves her daughters. it did not stop her selling them to be raped by the highest bidder, and in fact it was precisely her love for them coupled with the absolute power she held/holds over them as their parent that allowed her to do it. a lot of the women in the show who are presented as good, or at least better, mothers are that precisely because they've kept their children as far away from them as possible
unfortunately the english were incapable of making it greenwich nicies time
The Birdcage (1996) dir. Mike Nichols
God I fucking love being a monk at the Monastery of Lindisfarne on this fine morning of June 8th, 793. I love looking at all the gold and silver objects and alive monks that live here.

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I also think that the strength gap is at least partially manufactured women would in fact be stronger overall if little girls were encouraged to do physically taxing games and activities and eat their fill while they’re growing vs having to constantly diet and be sedentary indoors (or god forbid do intense cardio while under-eating). The amount of adult women honestly afraid to lift weights bc they think they’ll get bulky as though bulking isn’t a full time job that athletes have to spend all their time on and anyone on earth gets shredded from just using their adult muscles for their intended purpose, girl your bone density 🥀
if you say women are intentionally nerfed from birth in 2026 people look at you like you’re insane and start condescendingly telling you about how women are just better at different things (but not during their periods haha) but this was a completely basic feminist talking point I grew up with like “girls can do it too! [shot of little girls climbing and running with boys]” nickelodeon commercial tier base level I hate it how is everyone suddenly dumber than the average 7 year old
"it would be so good if it was good" will haunt you but "it's extremely good, except for the one or two parts which are so bad it's genuinely kind of insulting" will straight up drive you insane
one has you making posts like "okay but if the author UNDERSTOOD the POLITICAL IMPLICATIONS of the story they were telling, and leaned into it, it would actually be a really interesting exploration of..."
the other has you pacing your bedroom at one in the morning going "why. why would you ever in a million years do it like that. genuinely what possible thought process was involved. was the writer possessed by a fucking ghost or something."
believe it or not the natural environment of the house cat is in fact the house
my pronouns are she/her bc I'll never be him (anthony head playing on his pink ds in full costume on the set of merlin)
phone somehow autocorrected "the joker" to "the worker." why so devoid of class consciousness, batman

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Sophie Lewis looks back on Scapegoat to reassess the Andrea Dworkin's legacy, concluding that the current Dworkin revival is a "terrible ide
Scapegoat now states that women have no history but, if we did, it would be “a history of rape: the pogrom against the female body. The constant juxtaposition cuts short the breath that one would normally use to assess each claim, as it comes, before moving onto what follows. It turns my stomach in a way I suspect was not intended. A sudden comment on Chinese footbinding caps off, for instance, many paragraphs on the patriarchal oppression of women in Gaza. An abrupt swerve into Jew-on-Jew pimping follows many paragraphs on the pornographic core of National Socialism. A patronizing assessment of Palestinian women’s role in the resistance melts into yet another survey of state-sanctioned prostitution across the centuries. Dworkin has set herself the task to prove, inexorably—through a widening gyre of montage-based equivalences—that the “woman-hate” in men’s hearts really is everywhere, left and right. This hate will remain until women rise up across borders and draw new borders for themselves by seizing a homeland—an “Israel”—away from men. Her mission is carried out quite well. I just consider it fascistic, not least in its insistence on female innocence. Dworkin’s account of history is dazzlingly erudite and stunningly stupid at once: men have wrought it all. Even if your definition of “history” is strictly military, this is unpardonable stuff: armed struggles have always featured women leaders, such as, in the case of the Popular Front for the Liberation of Palestine, Abla Taha, Latifa Howari, Sarah Joudeh and Leila Khaled. Dworkin doesn’t mention these or any other Palestinian women militants and reckons that feminism is not currently possible in the Arab world: “in the sensibility of contemporary Arab women, the Palestinian male is the romantic figure,” not the Palestinian woman. Tellingly, the whole question of Palestinian women’s anti-Zionist struggle is dealt with only indirectly, merged with a discussion of “the heroism of Algerian women fighters” between 1954 and ’62 whose purpose is to ram home the lesson that national liberation movements always betray their women. Besides, when women participate in struggle, it’s “because they can be used and useful” and “get a temporary pass from complete servility.” Also, “the subsuming of the individual in the nationalist struggle is an easy process for women, who have little experience with a social reification of a singular identity.” These women are fodder for revolutionary movements, Dworkin misogynistically opines, because they have no self. All the litanies of rape-related facts in previous Dworkin books like Intercourse have palpably been dress-rehearsals for the remix in chapter three. “Rape,” she raps here mid-infodump, “is murder’s heartbeat.” It’s an undeniably dope line. What’s odd is how, while the wretched of the earth are always women, “Pogrom/Rape” rests on the leftfield assertion that “Israeli men get raped.” Dworkin alleges that “the rape of a defeated foe, soldier, male” is “part of the Arab code, coexisting with the obligation of the father or brother to kill the sister for sexual impurity.” She extrapolates further, on the strength of the book Arab and Jew (1987) by former New York Times Jerusalem Bureau chief David Shipler, that Palestinian men are engaged in a “revenge vendetta through male-male rape.” It is in fact purely on this basis—that is, unevidenced testimony cited by Shipler from a former Haganah paramilitary veteran (and, later, IDF/IOF colonel) Rafi Horowitz, recalling the Arab Legion systematically gouging eyes and mutilating genitals—that Dworkin delivers her chilling verdict: “the revenge rape of male Israeli soldiers in captivity is part of the fear, part of the hate, that drives the Israeli fear of annihilation.” It’s her concluding point, and given that rape, for Dworkin, is the supreme justifier of bloody preemptive defense, there can be no mistaking what is being justified here.
as new grifters relentlessly dedicate themselves to digging up radical feminism and attempting to toss the exhumed corpse onto the kitchen table for attention, i think it's worth reading sophie lewis' scathing takedown of dworkin's zionism and how it's inextricable from the rest of her politics
open tumblr, see something that pisses me off, write a snarky post, delete it, write a slightly more earnest post, edit it for 5 minutes, delete it, close tumblr