BELGIAN ART @belgianart - Tumblr Blog

More beautiful woods by Léon Spilliaert (Belgian, 1881-1946), Boomtakken (1940).

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The Teniersplaats in Antwerp

Artist: Henri De Braekeleer (Belgian, 1840-1888)

Date: 1876

Medium: Oil on canvas

Collection: Royal Museum of Fine Arts, Antwerp, Belgium

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Good Morning !

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Juliette Wytsman (Belgian, 1866-1925), Le pré fleuri [The Flowery Meadow], 1910. Oil on canvas, 60 x 73 cm.

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Crucifixion,1957

Paul Delvaux, 1897 - 1994

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Kurt Peiser (1887-1962), L’accordéoniste, fusain sur papier

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James Ensor, Entrée du Christ à Bruxelles le Mardi Gras en 1889, 1898 — etching with watercolor

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Jules De Bruycker (1870-1945) - Le placement du dragon sur le Beffroi de Gand.

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Water Fun Near the Tempelhof Farm (oil on canvas, 1918) by Evariste Gustave de Buck. De Buck’s 1918 riverbank scene — a study in leisure, warmth, and the gentle shimmer of a Flemish summer.

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León de Smet, Breakfast (1940)

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Het kanaal, 1909, Léon Spilliaert

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Theo Van Rysselberghe (1862-1926).

Le Ruban écarlate,1906

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ART DECO - Magnificent architecture in BRUSSELS

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Rik Wouters (1882-1916) Resting, 1912 signed and dated 'Rik Wouters 1912' (lower left) watercolour on paper 41 x 50.5 cm.

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Juliette Wytsman (Belgian, 1866-1925), Le pré fleuri [The Flowery Meadow], 1910. Oil on canvas, 60 x 73 cm.

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Waroux castle, Alleur, Belgium

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ann demeulemeester madonna (bij Sint-Andries)

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Edouard Agneessens (Belgian, 1842-1885). "L'adolescent endormi", c.1859. Bruxelles Musées. oil on canvas

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Painted around 1859, The Sleeping Adolescent (oil on canvas) showcases Edouard Agneessens’ early command of the academic nude. Still a young student at the Brussels Academy, he embraced the rigorous discipline of anatomical study, where the male nude was considered the foundation of artistic training. The work pairs precise modelling with a quiet, introspective atmosphere, reflecting a broader 19th‑century shift toward more intimate and psychological portrayals of the human figure. Far from a simple study, the painting already reveals Agneessens’ sensitivity to light, contour, and the vulnerability of the resting body — qualities that would shape his later career.

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