Ilona Heinrich
🪼

titsay
he wasn't even looking at me and he found me
Not today Justin
untitled
will byers stan first human second

roma★
Noah Kahan

Claire Keane

Janaina Medeiros
Lint Roller? I Barely Know Her
Show & Tell
Fai_Ryy
sheepfilms
PUT YOUR BEARD IN MY MOUTH
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$LAYYYTER

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official daine visual archive
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@helloagauniverse
Ilona Heinrich

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“Ilona Heinrich ~Das meer in mir… (The sea in me…) series~”
WE ARE NOT MAD. WE ARE HUMAN.
We are not mad. We are human.
We want to love, and someone must
forgive us for the paths we take to love,
for the paths are many and dark, and
we are ardent and cruel in our journey.
(Leonard Cohen, 21.09.1934 - 7.11.2016)
Foto: by Ilona Heinrich
Jumy-M Night Dreamer / 少しずつ消えていく夢と理想、精査された言い訳
Dove 1,2.
Ōgaki Teizō 大垣禎造 (1936 -2020)

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Enzo Isaia
You whom I could not save Listen to me. Try to understand this simple speech as I would be ashamed of another. I swear, there is in me no wizardry of words. I speak to you with silence like a cloud or a tree. What strengthened me, for you was lethal. You mixed up farewell to an epoch with the beginning of a new one, Inspiration of hatred with lyrical beauty; Blind force with accomplished shape. Here is a valley of shallow Polish rivers. And an immense bridge Going into white fog. Here is a broken city; And the wind throws the screams of gulls on your grave When I am talking with you. What is poetry which does not save Nations or people? A connivance with official lies, A song of drunkards whose throats will be cut in a moment, Readings for sophomore girls. That I wanted good poetry without knowing it, That I discovered, late, its salutary aim, In this and only this I find salvation. They used to pour millet on graves or poppy seeds To feed the dead who would come disguised as birds. I put this book here for you, who once lived So that you should visit us no more. - Czeslaw Milosz, Warsaw, 1945
Seaweed in the Wind, 1928 Vane Bor (Stevan Živadinovic) 1908–1993, oil on canvas, source:
Howard Hodgkin
Autumn Sky
Tony Nahra

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Tony Nahra
Tony Nahra pic.twitter.com/eopBWjoFdH
— Laurence (@Laurence_A_) April 23, 2018
@tonyinseattle When It Comes, We’ll Be Ready
Neda Dana-Haeri , Colourscape series (Vaadi Knowledge), 2012, Etching
Robert Rauschenberg, Cot, 1980. Solvent transfer, acrylic paint, fabric, and printed reproductions on two sheets of paper, 45 × 31 in. (114.3 × 78.7 cm).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Paul Smith. La vestaglia-kimono in velluto con stampa floreale e indossata con ampi pantaloni in fresco di lana e una T-shirt nera. Cintura 'obi' da Oro Incesnso e Mirra, Milano.
Jumy-M Falling / 無音のイメージ