Koichi Uchida
Misplaced Lens Cap
Today's Document

#extradirty
$LAYYYTER

we're not kids anymore.
noise dept.
Cosimo Galluzzi

⁂

祝日 / Permanent Vacation

pixel skylines

Discoholic 🪩
wallacepolsom
Three Goblin Art
todays bird
Claire Keane
Cosmic Funnies

Kaledo Art

seen from Australia
seen from United States

seen from Israel
seen from United States
seen from France

seen from United Kingdom
seen from Switzerland

seen from United States
seen from Türkiye
seen from United States

seen from Russia

seen from Germany

seen from United States

seen from United States
seen from Malaysia

seen from Switzerland
seen from Philippines

seen from Singapore
seen from United States

seen from Brazil
@helloagauniverse
Koichi Uchida

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Jim Dine, Untitled, from the portfolio A Tool Box, 1966, screenprint and collage on acetate, 24 x 19 in. (61.0 x 48.3 cm), Smithsonian American Art Museum, Museum purchase, 1967.24.9
Jim Dine, Wrench (from suite, Ten Winter Tools (handcoloured)), 1973, hand-colored lithograph on paper, image: 93⁄4 x 81⁄8 in. (24.9 x 20.6 cm), Smithsonian American Art Museum, Museum purchase, 1974.41.1
Bridget Riley Study for Shuttle 1964 Gouache on graph paper 24.5 × 24.1 cm
Kenneth Noland
Franco Fanelli
Progetto a cura di Galleria Fumagalli Bergamo
SilvanaEditoriale, Cinisello Balsamo 2005,156 pagine,
euro 40,00
email if you want to buy [email protected]
Kenneth Noland, uno dei maestri storici dell’astrazione, torna dopo dodici anni in Italia con una personale alla galleria Fumagalli di Bergamo, documentata nelle pagine di questo volume. La mostra rivolgerà l’attenzione al periodo creativo degli anni ’70, esemplificato da dodici opere della serie Irregular shape e Shaped canvases: grandi tele in cui Noland esplora la forma geometrica non rettilinea, accompagnandola a un uso intenso e personalissimo del colore. Noland, celebrato fin dagli anni sessanta, ha partecipato a diverse edizioni della Biennale di Venezia (1964, 1976 e 1986) ed è stato definito dal critico americano Clement Greenberg capostipite della corrente "Color field painting". Il catalogo delle opere è introdotto da un saggio critico di Franco Fanelli.
Bergamo, novembre 2005 - gennaio 2006
07/10/24

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Kenneth Noland Sea Shade 1971 Acrylic on canvas 158.1 x 139 cm
“anxious for solitude, bitten by a virulent rancour against the world”
— Gabriel García Márquez, One Hundred Years of Solitude
by Susie J. Horgan Ian MacKaye, 1980
Jumy-M Stuck due to a downpour / 集中豪雨につき待機中
“Blue Immersion” by James Turrell

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André Kertész, Melancholic Tulip, NYC, 1939
Irene E. Jerome, Common Harebell, Wildflowers--Colorado,(1893-1900).
Lucio Fontana
Concetto spaziale
polished bronze, in two parts
Yayoi Kusama
Butterfly
Max Baur, Maguerite and Meadow Flowers, 1930

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Jethro Buck
Soaring (for Kettle’s Yard)
tempera, oil and white gold leaf on board
Yesterday had me all....😑