“Like when the dream

So perhaps he was, in fact, an absolutely gorgeous being, even in his Dark Lord form. Fey and terrible, yes. Frightening and menacing, absolutely. But also beautiful and elegant, a scarily alluring aura wrapped about him at all times. He carries himself with an otherwordly ease. His very voice is mesmerizing- smooth, velvety, rich. Each syllable rolls off his tongue like melted butter. He can fake politeness and courtesy like no other. When he sits upon his throne, he does it with such grace that it's difficult to look away from him.

Melkor and Manwe

But Eönwë would not permit the slaying of the sons of Fëanor; and departing unfought they fled far away. Each of them took to himself a Silmaril, for they said: 'Since one is lost to us, and but two remain, and we two alone of our brothers, so is it plain that fate would have us share the heirlooms of our father.'

is it Tolkien-based?

is it Hurtful to elves and men?

is it Inspired by tragedy?

is it Needlessly cruel?

‘Dark are the waters of Khaled-zaram and cold are the springs of Kibil-Nala and fair were the many-pillared halls of Khazad-dum in elder days before the fall of mighty kings beneath the stone.’

This is the moment Gimli gets her, or at least he gets that she gets him. In this one sentence, 

She acknowledges that Gandalf (and Gimli) was not wrong to pass through Moria.

She shows empathy for Gimli’s wish to see Moria again, even if it is ruined or unsafe.

She deliberately uses the Dwarven names of places - endonyms instead of exonyms, Khazad-Dum instead of Moria, Dwarrowdelf instead of Black Pit.

She doesn’t only show respect and understanding, she shows knowledge - in addition to knowing dwarven names, she seems to know dwarven culture, since the descriptions she uses are very similar to the ones in Gimli’s song.

Knowing Galadriel’s past, it seems like her understanding of Gimli’s grief for Khazad-Dum stems from her experiences with losing… well, she lost a lot of people and places over the eras. She stood witness to the losses of various paradises, she gets it. But the fall of Gondolin is the most obvious parallel, or maybe Doriath, and the knowledge that Lothlórien can only be a faint echo of its glories.

Knowing Galadriel’s future, it seems like her grief for losing Middle-Earth forever also shines through the sentence. The world is changing and beautiful things fade or die or must be left behind, and she knows this probably best of everyone on Middle-Earth.