happy pride month to these gay boys
taylor price
NASA
Peter Solarz
Misplaced Lens Cap
Sade Olutola
Today's Document
Monterey Bay Aquarium
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

Stranger Things
Sweet Seals For You, Always
Game of Thrones Daily
trying on a metaphor
todays bird
"I'm Dorothy Gale from Kansas"

@theartofmadeline
let's talk about Bridgerton tea, my ask is open
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@barelyaveragebarley
happy pride month to these gay boys

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paul talking about the âsecret codeâ part in days we left behind
paul mccartney at âthe one showâ (bbc), interviewed by lauren laverne (aired may 29th)
đŹđŹđŹ
Paul McCartney at the Factory Club in West Hollywood during his Dirty Weekend in June of 1968. (Source)
From a Wikipedia article about the Factory Club:
Studio One, currently known as The Factory, is an LGBT nightclub in West Hollywood, California. The Studio One building was originally owned by William Fox (producer) and was used as a Norden bombsite facility during World War I. In 1968 the building was bought and transformed into The Factory nightclub, named after the furniture manufacturing business in the lower floor of the building. The Factory became a popular 1960s-style discothèque that was frequented by Hollywood celebrities, but it only lasted a few years. Studio One was founded on the same site in the early 1970s by part-owner Scott Forbes, a Boston optometrist. The club was popular throughout the 1970s and 1980s. Throughout its history, the club has been associated with the gay rights movement. Many celebrities graced the club either as guests or performers, especially during the late 1970s and most of the 1980s. Photos of those people were displayed in the hallway between the disco and cabaret.
The evolution of the "She Loves You" story of Paul helping John and Yoko get back together
As anyone who's talked to me about the Beatles knows, I am unhealthily obsessed with the discrepancies and timeline inconsistencies in the story about Paul "bringing a message" to John from Yoko in 1974, which supposedly contributed to them getting back together. To put this obsession to rest (as if, lol) I have put together two timelines: one of how the story has been recounted by Paul and Yoko over the years, and another outlining when exactly Yoko was in England in 1974, and where everyone else was during this period. I'm sharing the timelines in infographics first, then written descriptions with all the relevant quotes and sources. Also some commentary from me at the end. Hideously long post, apologies! You can just look at the infographics at the start to get the jist if you want to skip the text that comes after:)
Timeline 1: Publication history of the story 1981-2025
_____________________________
Timeline 2: Where everyone was during late 1973-1974
Al Aronowitz about Yoko's visit to George (whenever it was):
Once I was there [at Friar Park] when Yoko Ono showed up. This was during that lull in her marriage when she sent John off to tryst with May Pang. As I recall, Yoko spent an entire day at Friar Park lamenting to George and to Pattie about how much she missed John.
( Al Aronowitz about George Harrison)
Mal Evans about Paul and Linda visiting John in 1974:
For Mal, the album [by John and Harry Nilsson] achieved its zenith on March 28. <âŚ>That night, none other than Paul and Linda had strolled into the Record Plant. Ever the sentimentalist, Mal was overcome by emotion at the sight of John and Paul together for the first time since Pattieâs March 1970 birthday celebration at Friar Park. Unfortunately, the music they made that night was a different matter altogether. In truth, Mal couldnât have asked for a more talented assemblage of musicians under a single roof. The great Lennon and McCartney were on hand, of course, along with Nilsson, Davis, and Keys. Better yet, they had been joined that evening by Stevie Wonder, who chipped in on keyboards. With nary a drummer in sight, Paul strode behind Ringoâs empty drum kit, joining John and a series of ragged lead vocals on such chestnuts as âLucilleâ and âStand by Me.â For their part, Mal and May made half-hearted efforts at percussion. After several sloppy attempts at finding a groove, the musicians mercifully called it quits. <âŚ> For Mal, the sunny afternoon of March 29 would bring pure magic in contrast with the previous eveningâs lackluster proceedings. The McCartney clan showed up out of the blue, this time with daughters Heather, Mary, and Stella in tow, and Mal was thrilled at the prospect of seeing John and Paul together againâtwice in the span of two days, no less. And he was by no means disappointed, observing the two old friends reclining on the patio together and, later, walking along the beach, with May, Linda, and the McCartney brood trailing along behind them. âNice to see him and John together,â Mal scribbled in his diary later that month. <...> When Mal returned to John and Mayâs Gold Coast estate the following Saturday, he arrived with purpose in his step. He had decided that today, April 6, 1974, would mark the end of his employment with the Beatles. It was high time he made Malcontent Music a reality. <âŚ>He was ready, finally, to elevate his own hopes and dreams above the Beatlesâ welfare. <âŚ> Having made up his mind, the only thing left for him to do was inform his famous employers. His diary entry for the day spoke volumes in its simplicity. There would be no absent-minded doodles, no chitchat about the weather. It was all business. In truth, Mal had brought Fran and Jody along for ballast, although his girlfriend had every expectation of enjoying a rollicking good time. After all, she and her daughter would be spending quality time with a Beatle. To their surprise and delight, they would end up getting three. As they strolled into the rented manse, Mal caught sight of John and May, followed closely by Ringo. And not long afterward, the McCartneys returned to 625 Palisades Beach Road. For Mal, it was nothing short of a godsendâŚ
(Living the Beatles Legend by Kenneth Womack, 2023)

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If I were John Lennon in the 70s I would have ended it
everyone was doing lsd when he was on some top line estrogen
guys have you seen that paul had a listening party at abbey road today and mentioned his secret with john then said "i'm not telling you" ????
we NEED to do something about him at this point
reports saying we two lyrics are 100% about john. wbk but at what cost
also home to us (collab with ringo) is getting released as a single on friday
how do you then lead a normal life after that?

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days we left behind / in my end is my beginning
âYou know, I think of the film [Man on the Run] as kind of being *2 love stories*:
1 is you & Linda;
âŚ. And 1 is you & John.â
- Morgan Neville explaining his vision re: the filmâs overarching themes, one on one to Paul McCartney đĽ˛đŻ
Paul seems to be fine with that descriptionâŚ. No disagreement, just a tacit acknowledgement đĽš
The promise
I gave my promise to you girl I don't want to take it back You and me, side by side We know how to change the world
Promise to You Girl, 2005
We met at Forthlin Road And wrote a secret code To never be spoken I stand by what I said The promise that I made Will never be broken
Days We Left Behind, 2026
Code
We talk in code to each other. We always did when we had strangers around us. John Lennon, 1963 (from the Hunter Davies biography)
Darlin', I know it really wouldn't be a crime If I say I want to love you all the time But with all these people listening in I don't know where I ought to begin Maybe we should have a secret code Before we both get ready to explode When you want me to love you Well just tell me to press Press Paul McCartney â§ 1986
âOklahoma was never like thisâ. That can mean whatever you want it to mean. To me, when youâre writing songs, you often get a line you assume youâre going to edit later, youâre going to knock it out and put something sensible in. But every time I came to that line, I couldnât sing anything else â just the scanning, the way it sang. People would have understood it if it was âLiverpool was never like thisâ, but it wouldnât have sung the same. Itâs a symbol for the provinces, the sticks, the out of the way places. The line just wouldnât change, and when you meet such resistance from the lyrics themselves, you have to give in. Paul McCartney, Sound On Sound, October 1986
So this song, then, I started to play around with this idea of a girl and a boy who actually want to touch each other, but thereâs a whole big crowded room full of people. What are they gonna do? So he kind of says to her, âAnytime you want me to do that, just kind of say âpressâ quietly, and Iâll know what you mean.â So it becomes a little secret message between the two of them. Paul McCartney, 1986 102.5 WBEN-FM
Come on baby now, let me look at you Talking 'bout yourself, try to tell the truth I could stay up half the night, trying to crack your code I could stay up half the night, but I'd rather hit the road Fuh You Paul McCartney â§ 2018
And like the dominoes who are falling into place Ignoring everything in their way And all the telephones are calling constantly Imploring us to come out and play And soon we'll see That you and me Were really friends We broke the code and walked the road that never ends Dominoes Paul McCartney â§ 2018
We met at Forthlin Road And wrote a secret code To never be spoken I stand by what I said The promise that I made Will never be broken Days We Left Behind Paul McCartney â§ 2026
the thing about falling in love as a teenager is that everything is just so massive, so monumental. as it happens, it feels as though nothing could ever be more meaningful, and in a certain sense, itâs true. the rawness of youth canât be replicated. nothing is new forever.
but as you learn and grow and find your footing, that deep and dizzying rush settles into something gentler, more navigable. the loves that come after simply cannot be measured against the first, because theyâre so differentâ youâre so different.
now imagine you have tangible evidence suggesting your first love was actually as powerful as it felt. imagine people across the planet, across decades, are in awe of what you did together. imagine youâre Paul McCartney, and your first love literally changed the world. imagine comparing everyone to John Lennon.

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Linda McCartney and her daughter, Stella McCartney. September, 1971.
beautiful things are happening with paulgirls around the world