अणु

Presenting to you, the music of the late Yukihiro Takahashi - a leading figure in Japan’s music scene for nearly 50 years and a member of Yellow Magic Orchestra. 

As a drummer and a vocalist who embraced music technology, he had a wide artistic range - from city pop and arty new wave to acoustic folk-rock, in addition to producing material for several pop acts and composing film and video game soundtracks.

Born in 1952 in Tokyo, he began his music career early, playing drums with college bands while still in junior high school and starting as a session musician at 16. He studied design at an Art University in Tokyo, without graduating. Like many of his peers, his artistic output had no limits - he developed his own clothing line in the 70s (Bricks), often designing the outfits worn by Yellow Magic Orchestra. He also took the role of actor in several films - mostly comedic roles (he seemed to have a good sense of humour!) & some of which, he produced soundtracks for. 

Takahashi loved to collaborate, forming bands on the fly and bringing in friends to play on individual tracks.

So -  I hope you enjoy this chronological deep dive into Yukihiro Takahashi’s musical catalogue as I pay tribute to his iconic and influential life. I’ve listened most of his 43 albums and have done my best to condense them into 2 hours! Let’s go!

1992 - Expected Ocean Umi Sora Sango no Iitsutae Soundtrack

Movie soundtrack by Takahashi acting as a bed for the show’s intro. 

2. 1975 - Sadistic Mika Band -  Time To Noodle - Hot! Music

Sadistic Mika Band were formed in 1972 - the founding member, Kazuhiko Katō moved to Kensington in 72 and was impressed by the upcoming glam rock scene led by T.Rex and David Bowie - so he formed the band in Japan, including his wife Mika and Takahashi on drums. The name is a parody of the 60s band, Plastic Ono Band.

The band were popular in the UK, touring with Roxy Music in ‘75 - the first ever UK tour by a Japanese band. During this period, they performed on the BBC’s Old Grey Whistle Test. When they appeared,  the name of the programme (usually shown hung from the back wall) was spelt as The Old Gley Whistle Test as a nod to the Japanese pronunciation of the letters L and R.

Sadistic Mika Band’s albums were released on Doughnut Records - Japan’s first private label that was founded by Katō. 

Around the time of Hot Music’s release, members of Yellow Magic Orchestra started working together on solo projects and as a part of each others bands. 

3. 1978 - Sadistics - Nao - We Are Just Taking Off 

Katō and Mika divorced and left the band. The remaining members, Takahashi, Takanaka, Imai, and Gotō continued for several years as The Sadistics. They released two albums and two live albums before the band eventually petered out in ’79 as the members became busy with their solo careers & other projects. 

4. 1978 - Present - Sarravah! 

This was Takahashi’s first solo album, created whilst on tenure from The Sadistics. It was produced by Sakamoto - he also features on keys. Plus Hosono on bass, with Tatsuro Yamashita, Minako Yoshida & Rajie on backing vocals. 

Named after Pierre Barouh’s record label of the same name, Takahasi based the album on French pop music - this influence would later show up in early YMO material. 

Sarravah! Was released the same year that YMO fully formed, recorded & released first album. 

5. 1980 - Numbers From A Calculated Conversation - Murdered by the Music 

Second studio album & his first release whilst he was a member of YMO. Murdered by the Music did pretty well in the Japanese charts, reaching #12. 

Features contributions from Sakamoto, Hosono & Sandii. 

6. 1981 - Extra Ordinary - Neuromantic 

This is my favourite album from Takahashi’s collection - synth-pop goodness and his vocals are perfection! 

Neuromantic was self-produced, again with contributions from Sakamoto and Hosono + Tony Mansfield and members of Roxy Music. 

The name, Neuromantic, is a pun on the early 1980s British fashion movement, the New Romantics.

7. 1981 - Drip Dry Eyes - Neuromantic

Another classic from Neuromantic. My favourite song of his, probably yours too. Was also covered by Sandii. & the video! Ah! 

8. 1981 - The Beatniks-  No Way Out - Exitentialism

Formed by Takahashi & Keiichi Suzuki in 1981. More of an Alt-rock tinge. They released several albums, including soundtracks for Yohji Yamamoto’s catwalk shows. 

Their first album in 7 years was released in 2018. That same year, they performed live in several concerts, despite Takahashi’s recent eye surgery. 

9. 1982 - Flashback - What Me, Worry? 

Fourth solo album. More features from Sakamoto & Hososno +  Zaine Griff, Tony Mansfield, and Bill Nelson.

Takahashi’s first release on YEN Records - An imprint of Alfa Records that ran from 1982 to 1985 fronted by Hosono and Takahashi, releasing music from Sandii, Hajime Tachibana, Miharu Koshi & more. They also produced most of the albums.

10. 1983 - Kagero (Live Version from Time & Place) - Tomorrow’s Just Another Day 

This album reached 11 in the music charts - the highest ranking for Takahashi’s solo work! Tomorrow’s Just Another Day really emphasises Takahashi as a singer. 

This version, taken from Time & Place was recorded live at Shibuya Kokaido in Tokyo, Aug. 1983. 

+ peep the cute cover! 

11. 1983 - And I Believe In You - Are You Receiving Me? 

Had to include this one as it’s another favourite. Released as the B Side to the single, Are you Receiving Me? This is classic Takahashi synth-pop goodness <3 

12. 1984 - Walking to the Beat - Wild and Moody 

Sixth and last solo album on his YEN label. 

Wild and Moody is quite mellow. He sings mostly in English, hoping to pursue more of a global audience. The lyrics for Track 2 were written by Steve Jansen who was a close collaborator of Takahashi and Jansen considered him as a mentor. 

13. 1985 - Instrumental - Poisson d'Avril

Soundtrack from the comedy film "Poisson D'avril" (April's Fool in French), released in 1986. Takahashi plays the lead role! 

14. 1985 - I Saw The Light - Once A Fool 

Another fav and it’s a Todd Rundgren cover. It’s just perfect pop. 

Once A Fool was the first album from the T.E.N.T. label that was started by Takahashi and Keiichi Suzuki (of the Beatniks). With Sakamoto on keys and synths, Hosono on bass & synths & Hiroshi Sato on the organ. + backing vocals from Miharu Koshi! 

15. 1986 - Moonlight Feels Right - Only When I Laugh

Second release on T.E.N.T. Only When I Laugh feels quite fresh with more of an acoustic tinge to it. 

16. 1987 - Parfum De L'Aube - La Pensee

Music for Yohji Yamamoto’s S/S ‘87 + A/W ‘87 - ‘88 collection, shown in Paris. 

Takahashi & Yamamoto often collaborated, and YMO often wore Yamamoto’s designs on tour. In 1991 Takahashi & Hosono walked the runway for Yamamoto and Comme des Garçons legendary collection “6.1 the men” 

17. 1987 - Main Theme - Ginga No Sannin OST

Takahashi composed a lot of music for video games, and his work in YMO had a major influence on early video game music.

18. 1988 - Sea Change - Ego 

Features some of his bolder synth arrangements and arena-ready tracks, with contributions from Sakamoto. 

19. 1992 - mis - Life Time Happy Time 

Another classic pop album from Takahashi - this one flew under the radar a bit and doesn’t stand out from his collection as much as others. 

20. 1995 - Fate of Gold - Fate of Gold 

Takahashi wanted to collaborate with a wide variety of artists of all different ages, “with the attitude of: "I'll let you mature when you're mature” “ Featuring Skapara, KYON, Rei Ohara, ICE's MAYUMI and Takenaka Naoto. 

21. 1997 - Pulse - The Choice - Pulse

In September 1997 Steve Jansen and Takahashi formed UK based, Pulse and completed a 6 track album in Tokyo and London under the same name. Released on Yukihiro's own label, Consipio Records. 

A very experimental, more “contemporary” album! The Choice features vocals from Indian classical singer Sonia Mehta. 

22. 1999 - For Men - The Dearest Fool 

Takahashi returns to the 80s techno-pop sound! + another collaboration with Steve Jansen. 

23. 2002 - Sketch Show - Gokigen Ikaga 1 2 3 - Audio Sponge

After YMO decided to “spread out” (they didn’t want to say “split-up”), Takahashi and Hosono formed Sketch Show. Sketch Show had ore of an electronica output as opposed to pop. 

Sakamoto often joined Sketch Show performances and recording sessions. He later proposed they rename the group Human Audio Sponge (or HAS) when he participates.

Sketch Show played live shows at Japanese raves and a headline slot at the 2003 edition of SONAR in Barcelona. 

24. 2008 - Pupa - Jargon - What’s Pupa - Floating Pupa

Takhashi put together Pupa in 2007 - formed of Tomoyo Harada, Hiroshi Takada, Ren Takada, Hirohisa Horie, and Tomohiko Gondo. The band name Pupa is a term from fly-fishing, a sport that Takahashi loves.

25. 2013 - Shadow - Life Anew 

Aged 61 - Takahashi goes back to basics yet you can tell he’s feeling musically inspired with Life Anew, which sounds more like a rock band than anything else he’s put out before. 

Features contributions from former Smashing Pumpkins member,  James Iha.

26. 2014 - Yukihiro Takahashi & Metafive - Drip Dry Eyes (Live) - Techno Recital 

Takahashi originally assembled Keigo Oyamada, Yoshinori Sunahara, Towa Tei, Tomohiko Gondo, and Leo Imai to serve as the backing band (billed as Yukihiro Takahashi & Metafive) on his 2014 tour - this version of Drip Dry Eyes was taken from the Roppongi Theatre show, for which they were billed as Yukihiro Takahashi & Metafive. In 2015, the band changed their name to Metafive.

They disbanded after the release of their last album, METAATEM in 2021, after the release was originally cancelled due to controversy from Oyamama’s past history of bullying. 

The line-up of Imai, Sunahara, Nagai and Shirane changed their name to TESTSET and released their debut EP in 2022. 

27. 1998  - Stay Close (Live) - Once A Fool 

We end on another favourite - a joyous live version from 1998 of Stay Close. - another collaboration with Steve Jansen. 

For the past 2 months I've listened to every album, soundtrack, composition, live recording that Ryuichi Sakamoto has made. There have been a lot of tears. A lot of reflection on life, on mortality, on social harmony and the environment. A loooot of emotions have been felt.

All of this research has solidified my respect for Sakamoto as an artist. A true pioneer. A maestro. Condensing his career into 2 hours has been difficult, but I hope you enjoy the show and my notes.

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Ryuichi Sakamoto has released over 20 solo studio albums, 10+ live albums, several compilation albums, over 40 EPs and singles, and about 48 soundtracks.

1978 - Thousand Knives - Plastic Bamboo

Sakamoto’s first solo album, created with the help of Hideki Matsutake who was known as the 4th member of YMO. The album fused electronic music with traditional Japanese sounds whilst incorporating elements of modern classical and reggae. 

On the album cover, from Taeko Onuki “I was told that the jacket he’s wearing was an Armani and chosen by Yukihiro. I had only known Sakamoto in jeans and rubber sandals and he said to me, “What do you think?!

2. 1980 - B-2 Unit - Riot in Lagos 

Sakamoto’s “edgiest” album. B-2 Unit birthed Riot In Lagos which is said to be an early example of electro. Several electro and hip hop artists were influenced by the album, especially Riot In Lagos. 

“Differencia" has, according to Fact, "relentless tumbling beats and a stabbing bass synth that foreshadows jungle by nearly a decade". Some tracks on the album also foreshadow genres such as IDM, broken beat, and industrial techno. For several tracks on the album, Sakamoto worked with Dennis Bovell, incorporating elements of afrobeat and dub. 

Another recommended track: E-3A

3. 1981 - Left-Handed Dream / Hidari Ude No Yume - Kacha Kucha Nee

Sakamoto wanted to record an album rooted in pop and created Left-Handed Dream (or Hidari Ude No Yume), which displays a variety of global influences through the instruments used - marimba, didgeridu, traditional Japanese instruments such as the sho and hichiriki flutes. The album showcased Sakamoto’s ability to seamlessly combine Eastern and Western sounds, strengthened through collaborating with Talking Heads guitarist Adrian Belew & co-producing with Robin Scott. 

Venezia would then become the Left Bank! 

4. 1982 - Bamboo Houses 

Sakamoto continues his long-standing collaboration with David Sylvian of Japan, Sylvian’s first solo project outside of the band. Featuring Steve Jansen on drums. 

5. 1983 - Merry Christmas Mr Lawrence Soundtrack - Forbidden Colours

Sakamoto’s first film score, for Merry Christmas Mr Lawrence which he also starred in alongside David Bowie. David Sylvian contributed lyrics and vocals on Forbidden Colours, which became a hit and a vocal version of the main theme, Merry Christmas Mr. Lawrence. The soundtrack won a BAFTA Award for Best Film Music in 1984. 

Another recommended track: Germination

6. 1984 - Ongaku Zukan - Etude

Ongaku Zukan was an experimental album with no deadline - created around Sakamoto’s incredibly busy schedule in 1983, which saw Yellow Magic Orchestra pause their group activities after an intense 8 years of recording and touring. Features from Hosono, Takahashi, Minako Yoshida and Tatsuro Yamashita. 

Sakamoto recalls he got started on the album without having a clear direction for its content: "Making an album without a blueprint...... it's an adventure to see what happens like when you embark on a sea voyage without a compass or chart. If you follow a blueprint, you will be able to record efficiently and in a short period, but I removed all of that and made it that way."

Sakamoto likens this production method to "automatic writing", which is known as one of the methods of surrealism:

"I went into the studio and recorded what came out without any prejudice...... I made it as if in a kind of trance. It could be something classical, it could be pop. Regardless of style and unity, the major premise was to accept everything that was made, so we created a lot of songs."

7. 1985 - Esperanto - A Rain Song 

Sakamoto’s 6th solo album, orginally composed for a performance by New York choreographer Molissa Fenley. An experiment with new sampler technology - apparently Sakamoto needed a huge computer to make this score. 

Another recommended track: A Wongga Dance Song

8. 1986 - Futurista - GT

Futurista (未来派野郎, translates literally as "Futurist Bastard") was created as a response to the Futurist Movement - an artistic and social movement originated in Italy. Mid 80-s avant-garde synthpop perfection! 

Sakamoto samples a lot throughout this album - G.T. samples “Legs” by Art of Noise. 

9. 1986 - Illustrated Musical Encyclopedia - Field Work (ft. Thomas Dolby)

The reissued English titled version of Ongaku Zukan, intended for the international market. It combines about half of the tracks from the 1984 album with newer singles "Steppin' Into Asia" and "Field Work” ft. Thomas Dolby.

10. 1987 - Neo Geo - Risky ft. Iggy Pop

The term "neo geo", or "new world", is derived from Sakamoto himself as a way to describe worldwide musical diversity in regard to genre (similar to world music and world beat). Again, showcasing Sakamoto’s ability to combine Eastern and Western musical styles. 

Bootsy Collins on bass! 

11. 1987 - The Last Emperor Soundtrack - First Coronation 

The soundtrack features 9 pieces composed by Sakamoto, 5 by David Byrne & 1 from Cong Su. The album won Best Original Score at the 1988 Academy Awards.

12. 1989 - Beauty - You Do Me

8th solo studio album, which sees his solo career begin to extend outside of Japan. Beauty is notable for its "collage of styles" that range from rock, techno, and classical to flamenco, African, and Japanese traditional, featuring a long list of collaborators.  

In discussing whether music is narrative and illustrative or an abstract medium, Sakamoto said, "I have visions sometimes when I'm writing contemporary music, even when it's very logical. For example, for one of my songs on the album Beauty, I was always having visions of Amazonian rainforests, a little plane flying very low over the trees. Trees, trees, trees, and some birds. But the title of the song is 'Calling from Tokyo'".

13. 1991 - Heartbeat - Rap to the World

Sequel from Beauty, still collaging sounds from all over the world, this time in an eclectic upbeat fashion. You can hear the dance music influences throughout this album, which is enforced through the credits - notably Towa Tei and Satoshi Tomiie. 

14. 1994 - Sweet Revenge - Same Dream, Same Destination

One of my least favourite Sakamoto albums - the strings are beautiful but a lot of the vocals miss for me. But this song + the cover is iconic! Maybe he was just gearing up for his next album, Smoochy. 

The album title refers to Sakamoto’s wish to bring a sense of melody back to the “rhythm-obsessed pop-world”.

15. 1995 - Smoochy - A Day In The Park

An exploration of the old world meeting the future - Sakamoto combines Latin tinged sounds, jazz and the possibilities of the internet through electronic experimentation with an “listening” approach running throughout Smoochy. 

16. 1996 - 1996 - Bibo no Aozora (Trio World Tour Live recording) 

1996 contains a selection of Sakamoto's most popular compositions plus two new compositions, all arranged for a standard piano trio. The arrangement of "Bibo no Aozora" that appears on this album has appeared in several film and television projects.

A concert, called Ryuichi Sakamoto Trio World Tour, was organised in 1996. This concert was played at 6 venues in Japan, and the Bunkamura Orchard Hall concert was live streamed on August 28, 1996 on the Internet, and was one of the first concerts to be streamed.

17. 1997 - Discord - Salvation 

Sakamoto’s first full length orchestral work, which sees him contrasting modern musical tools with traditional instruments. Amongst procrastination and self-imposed deadlines, Sakamoto wrote the four movements in Discord ("Grief," "Anger," "Prayer," "Salvation") in a month. He finished writing the last notes on the morning of the first rehearsal with the orchestra. 

Salvation features spoken word contributions from Laurie Anderson, DAvid Byrne, Patti Smith and Banana Yoshimoto. 

18. 1998 - BTTB (Back To the Basics) - Energy Flow

Sakamoto was stuck in a traffic jam and melody popped into his head. That melody would then become Opus - the opening track of his solo piano album, BTTB - Back To The Basics. BTTB & Discord see Sakamoto’s departure from his pop-tinged outputs as he returns to the piano. 

19. 2002 - Elephantism - Great Africa 

Elephantism stands out from the rest of Sakamoto’s discography as it’s his first venture into new-age, ambient sounds with elements of African musical styles, featuring field recordings. 

Elephantism is a reflection of Sakamoto’s life ethos, where he strives for world peace. In his search for harmony, he turns to nature - specifically the elephant. “Elephantism is the state of being compassionate, loyal and loving towards family and friends, and being understanding and generous in attitude toward other clans; it means being big and expansive in your outlook on life, not small and mean; it means showing thoughtful consideration, wisdom and dignity when necessary, but in equal measure showing powerful expression and emotion, and being, yes, a little wild and passionate now and then!”

20. 2002 - Works I - CM - Old I (Suntory 1983) 

Compilation of music written for various commercials (called CM in Japan), all works are from 1983 to 1984. Monopoly is a favourite (didn’t have enough time to include it in the show!) 

21. 2004 - Chasm - Ngo/Bitmix

Sakamoto’s 15th solo studio album. Chasm is experimental, combining the paion with ambient and glitch programming. Features contributions from Hosno and Takahasi, under their Sketch Show alias. 

22. 2005 - Insen - Avaol 

Sakamoto and Alva Noto’s second studio album - their collaboration began in 2002. “Both explore the potential for interaction and tension between electronic and acoustic instrumentation”.

23. 2009 - Out of Noise - composition 0919 

Sakamoto was one of a handful of concerned artists who took part in The Cape Farewell Project, where scientists joined with the creative community for a conference in Greenland to address and investigate global warming. During his stay in Greenland, Sakamoto made a number of field recordings that he incorporated into his album Out of Noise; the album is dominated by graceful, minimalist keyboard pieces punctuated by electronic noise, ambient sounds and bits of found voices.

24. 2017 - async - Zure

Sakamoto’s 19th studio album - his first one in 8 years since Out of Noise. It’s also his first full length solo record since recovering from throat cancer in 2015. During this 8 year “break” he felt uninspired with the composition process and focused on scoring films. Despite his recovery, Sakamoto thought that async would be his last album. "That’s why I tried to forget all the rules and forms, anything. I just wanted to put down just what I wanted to hear, just a sound or music, it doesn’t matter. This could be the last time."

He began making async in 2016 and completed it in 8 months. 

Async is unusually textural, featuring both acoustic and electronic elements plus samples recordings readings and field recordings of city streets. Sakamoto’s worries of death seep into the album, which were influenced by his experience with cancer and the many earthquakes and tsunamis in Japan in 2011. “We were warned about how our civilisation is fragile and how the force of nature is great."

25. 2023 - 12 - 20220123

Maybe one of Sakamoto’s most moving albums. 

His breath can heard throughout 12 like a metronome - keeping time, evoking the feeling of a warm embrace and making us are of how fleeting life is. It has a palpable level of intimacy to it, as if you’re in the room with him as he plays the piano. 

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Ending on a few of my favourite Sakamoto quotes:

"I hate to divide the world -- East and West. Where is the edge? My music is much more melting."

For Sakamoto's 70th birthday, his friends, peers and collaborators select 10 of their favourite tracks from his discography.

Featuring selections from Haruomi Hosono, Yukihiro Takahashi, Taeko Onuki, Ryoji Ikeda, Banana Yoshimoto and more!

Documentary filmed during the recording of Ongaku Zukan (1984)

Notes for further reading on the creation of Ongaku Zukan

Heartbeat Tour - Japan 1992

Sakamoto plays Sakamoto

Sakamoto Trio World Tour - 1996 - Japan

One of the first ever concerts to be live-streamed!

Plankton - 2016

A collaboration between visual artist Shiro Takatani and Sakamoto. Part of an art installation at Kyoto Municipal Museum of Art, showcasing Sardet’s images of microscopic plankton. The photos were paired with a video installation by Takatani and music composed by Sakamoto.

1995 - Music for Yohji Yamamoto Collection

This live performance would then be released as Garden of Shadows and Light - the first collaboration between Ryuichi Sakamoto and David Toop.

"The album’s title takes inspiration from the aesthetics of Japanese gardening. The spatial metaphor this suggests is apt, as listeners can imagine themselves wandering through a subtly changing environment, chancing on beautiful details and admiring them before moving on. We are led through a series of discrete moments, each uniquely shaded, whether by highly amplified small percussive sounds, austere electronic tones, or the mournful tones of Toop’s bass recorder. The course of the music follows a non-teleological drift, in which Sakamoto and Toop seem less concerned with establishing an overarching structure than in allowing each moment the space it needs to develop and breathe.

When Sakamoto eventually turns to the piano’s keyboard in the performance’s second half, the music becomes lushly enveloping as his jaggedly lyrical lines float against a backdrop of prepared guitar and field recordings. The music takes a radical, unexpected turn when Sakamoto picks up an electric guitar, with both players turning up the volume for a passage of distorted roar and shuddering feedback – bracing evidence of the unfettered, exploratory approach shared by these two uncategorisable musicians, beautifully documented here."

2000 - Lack of Love

L.O.L: Lack Of Love is a life simulation game developed created for Sega Dreamcast. The game was released only in Japan and was never exported to the West but it received a fan translation in 2020.

Sakamoto created the score for the game and he was also the game's scenario writer.

The musical score for L.O.L.: Lack of Love was created by film composer Ryuichi Sakamoto, who was also the game's scenario writer.

"The game's creator, Nishi and Sakamoto met at Club Eden via a mutual friend and, through a series of e-mails, began discussing James Lovelock’s Gaia hypothesis. This theory states that the earth's living organisms function in harmony and respond to ecological changes in order for the planet to sustain life. Nishi explained about the game's message: "We should care for other people, life, the environment and nature. Sakamoto came up with the title. We wanted to question the way in which our lifestyle lacks love"."

Recommended tracks: Artificial Paradise / Decision 

In 1994, Japan Football Association asked Ryuichi Sakamoto to compose the instrumental song - "Japanese Soccer Anthem". The song played at the beginning of Japan Football Association-sponsored events.

2 hours of the music of Ilaiyaraaja aka “The Maestro” aka one of the most prolific composers of all time. Ilaiyaraaja is a film composer, conductor, singer and lyricist who works in the Indian film industry - most in Tamil cinema - which is known as Kollywood. 

He’s composed more than 7000 songs, provided film scores for more than 1,400 movies and performed in over 20,000 concerts. &! he’s sung more than 400 of his own compositions. 

Ilaiyaraaja is known for fusing Indian folk music and traditional instrumentation with western music techniques. He often combines the techniques of modern popular film music to Tamil folk poetry and folk song melodies - creating a fusion of western and Tamil idioms. He has a deep understanding of so many different styles of music - combing elements of dance music, Bossa nova, pop, psychedelia, jazz and so much more!

In 1986 he was the first Indian composer to record film songs though a computer. AND he was the first South Asian to compose a full symphony (which he wrote in less than a month).

At the age of 14 he joined a travelling music troupe headed by his oldest brother and spent a decade perming throughout South India. Throughout his musical career, he’s worked as a session guitarist, keyboardist, and organist for film music composers and directors. 

Hope you enjoy the show...see below for the track list & videos taken from the Kollywood/Bollywood films!

Don't Compare (Instrumental) - Ilaiyaraaja

2. Yedhedho Ennam (from Punnagai Mannan, 1986) - K.S. Chitra, Ilaiyaraaja

3. Yeh Hawa Yeh Fiza (from Sadma, 1983) - Asha Bhosle, Suresh Wadeka, Ilaiyaraaja

4. Endhan Kannil (from Guru, 1980) - S. Janaki, Ilaiyaraaja

5. Pattu Engey (from Poovizhi Vasalile, 1987) - Malaysia Vasudevan & S.P. Sailaja, Ilaiyaraaja

Poovizhi Vasalile went on to become one of the biggest commercial successes of 1987 in India

6. I Want To Tell You Something (from Anand, 1987) - S.P. Balasubramaniam, Ilaiyaraaja

7. Adi Aathadi (from Kadalora Kavithaigal, 1986) - S Janaki, Ilaiyaraaja

8. Raathiri Thookam (from Poruthathu Pothum, 1989) - S.P. Balasubrahmayam, Chitra, Ilaiyaraaja

9. Germanien Senthan (from Guru, 1980) - S. Janaki, S.P. Balasubrahmayam, Ilaiyaraaja

10. Oru Killiyin (Duet) (from Poovizhi Vasalile, 1987) - K. J. Yesudas, K. S. Chitra, Ilaiyaraaja

11. Vaan Megham (from PUNNAGAI MANNAN, 1986) - K.S. Chitra, Ilaiyaraaja

A.R. Rahman (who was working in Ilaiyaraaja's troupe) handled the synthesiser for this soundtrack. Punnagai Mannan was one of the earliest Tamil films to use a sequencer. The film revolves around a dance instructor whose student falls in love with him.

13. Ninnukkori (from Agni Natchathiram, 1988) - Chitra, Ilaiyaraaja

One of my favourite Ilaiyaraaja songs. Chitra's flow on this is insane!

14. Excerpt taken from this video where Ilaiyaraaja composes a piece of music in 15 mins - watch from 36 mins in!

15. Potta Padiyudhu (from Sathya, 1988) - Kamal Hassan, Ilaiyaraaja

16. Pesa Koodathu (from Adutha Varisu, 1983) - S.P. Balasubrahmayam, P. Susheela, Ilaiyaraaja

17. Baby (from Oruvar Vaazhum Aalayam, 1988) Anuradha, Ilaiyaraaja

18. One Two Three (from Punnagai Mannan, 1986) - Francis Lazarus, Ilaiyaraaja

19. Adi Rani (from Poruthathu Pothum, 1989) - Mano, Ilaiyaraaja

20. Oru Kili Uruguthu (from Aanandha Kummi, 1983) - S Janaki, S.P. Sailaja, Ilaiyaraaja

21. Sundari (from Thalapathi, 1991) - S. Janaki, S.P. Balasubrahmayam, Ilaiyaraaja

Ilaiyaraaja finished composing for the entire soundtrack of Thalapathi in less than half a day :o

22. Etho Mogam (from Kozhi Koovuthu, 1982) - Ilaiyaraaja

24. Vikram (from Vikram, 1986) - Kamal Hassan, Ilaiyaraaja

The first Indian soundtrack album to be recorded through a computer. Another crazy flow !!!

25. Pala Raatthiri (from Iravu Pookkal, 1986) - Vani Jairam, M. Vasudevan & G. Amaran

the drums!!!!!!!

26. Kattu Kuyilu (from Thalapathi, 1991) - S.P. Balasubrahmayam, K. J. Yesudas, Ilaiyaraaja