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You know your neighbors the way you know background characters in a movie you’ve seen too many times. Familiar. Unremarkable. Just part of the scenery.

Which is why it’s strange that you’ve never properly noticed the man in 3A. You’ve seen him, obviously. In passing. At the mailboxes. Once in the car park when you were both leaving at the same time and did that awkward thing where you both reached for the door simultaneously and then laughed and said sorry at the same time. He’s tall. Dark hair. Has a nice face in the vague way that you register nice faces without really looking at them.

He moved in about eight months ago. Keeps to himself. Quiet. You’ve never heard a peep through the wall you share, which you appreciate deeply after two years of listening to the previous tenant’s aggressive taste in late night television. You know his name is Jake because it’s on the mailbox.

That’s it. That’s the extent of your knowledge of the man in 3A. Until 6:58 on a Tuesday morning when someone knocks on your door.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

You are not a morning person. You are, in fact, the opposite of a morning person. You are someone who sets four alarms and ignores three of them and considers getting out of bed before eight a personal attack. Your first class doesn’t start until ten. You were planning to sleep until at least eight thirty, mainline coffee until nine, and leave with approximately four minutes to spare.

So when someone knocks on your door at 6:58 AM you lie there for a full thirty seconds convincing yourself you imagined it. Then it happens again. Small. Rhythmic. Insistent. knock knock knock

You groan into your pillow. Drag yourself upright. Pull on the hoodie hanging off your desk chair and shuffle to the door, hair catastrophic, eyes barely open, prepared to be deeply unpleasant to whoever is on the other side.

You open the door. There is no one there. You blink. Look left. Look right. The hallway is empty and quiet and— “Hi.”

You look down. There is a child sitting on the floor outside your door. She is approximately three years old, round-cheeked and bright-eyed, wearing a yellow pajama set covered in tiny ducks. Her dark hair is escaping from two lopsided pigtails. She has a serious expression on her face like she has somewhere important to be and is merely pausing here briefly.

She is, without any competition, the most adorable thing you have ever seen in your entire life. You stare at her. She stares back. “Hi,” she says again, very patient, like she’s giving you time to catch up.

“Hi,” you manage. “Um. Who are you?”

She considers this question with great seriousness. “Mia.”

“Okay. Hi Mia.” You look up and down the empty hallway again. “Where did you come from?” She points at the door directly across from yours. 3A. “Are you—” You crouch down to her level. “Did you come out of your apartment by yourself?”

“Mr. Bunny is lost,” she explains, as if this answers everything. And apparently, in her world, it does. She stands up, remarkably steady on her feet for someone so small, and peers past you into your apartment with undisguised curiosity. “Is he in there?”

“Is who— Mr. Bunny? I don’t think so, sweetheart. I haven’t seen any—”

“Can I look?”

“I— well—” She’s already walking past you into your apartment.

You stand in your doorway, blinking slowly, watching a three year old you have never met toddle into your living room and start investigating with the focused energy of a tiny detective. She checks under the coffee table. Behind the couch cushions. She picks up one of your throw pillows, examines it, puts it back. “He’s not here,” she announces, sounding genuinely disappointed.

“I’m sorry.” You’re fully awake now, adrenaline doing what four alarms couldn’t. “Mia, does your dad know where you are?”

She looks at you. Blinks. And then, for the first time, something flickers across her face that isn’t complete confidence. Something small and uncertain. “Daddy’s sleeping,” she says quietly.

Oh no. Oh no.

“Okay,” you say, very carefully, going into full calm adult mode even though internally you are having a minor crisis. “Okay, that’s okay. Let’s go wake daddy up, yeah?”

You take her hand — she gives it to you immediately, tiny fingers wrapping around yours with complete trust, and something in your chest does something weird and unexpected — and you walk her across the hall to 3A.

You knock. Nothing. You knock louder. A crash. Muffled swearing. Footsteps. The door flies open.

Jake Sim, your neighbor from 3A, looks absolutely terrible. He’s in gray sweatpants and no shirt, hair destroyed, eyes wild with the specific panic of a parent who has woken up to find their child missing. There’s a pillow crease down his left cheek. He looks like a man who has just experienced the worst thirty seconds of his life.

He looks down at Mia standing beside you, her hand still in yours, looking up at him with the expression of someone who has done absolutely nothing wrong. The relief that crosses his face is so profound it’s almost painful to witness. “Mia.” His voice comes out wrecked. He drops to his knees right there in the doorway, gathering her up, holding her against his chest. She pats his back tolerantly. “Mia, I— you can’t— how did you—”

“I was looking for Mr. Bunny,” she explains into his shoulder, very reasonable.

“You can’t leave the apartment by yourself, baby, I’ve told you—”

“But Mr. Bunny—”

“I don’t care about Mr. Bunny right now—”

“Daddy.” She pulls back to look at him, deeply offended. “Mr. Bunny cares.”

You press your lips together very hard to keep from smiling. Jake looks up at you over Mia’s head, and he looks so mortified you almost feel sorry for him. Almost. It would be easier to feel sorry for him if he didn’t look — even rumpled and panicked and creased from sleep — really quite unfairly attractive. You file that observation away to examine later, when a child is not present.

“I’m so sorry,” he says. “I’m so, so sorry, she’s never done this before, I don’t know how she got the door open—”

“She knocked,” you tell him. “Very politely.”

He closes his eyes briefly. “Oh god.”

“I used my reaching stool,” Mia informs him helpfully. “For the handle.”

“We’re getting rid of the reaching stool,” Jake tells her.

“No.”

“Yes.”

“Daddy, no—”

“Mia.” He pulls back to look at her properly, and his voice goes soft but serious. “You scared me. Really scared me, okay? You cannot leave without waking me up first. Ever. Do you understand?”

She looks at him. Her lip wobbles, just slightly. “I just wanted Mr. Bunny.”

“I know, baby.” He pulls her back in, pressing a kiss to her hair. “I know. But you have to wake me up. Promise me.”

“Promise,” she mumbles into his neck.

He holds her for another moment, and you feel like you’re witnessing something private. Something that belongs to them. You take a small step back. “I’ll let you—”

“Wait.” Jake stands, Mia on his hip, and looks at you with an expression that’s somehow equal parts exhausted and sincere. “I really am sorry. And thank you. Genuinely, thank you for— I don’t even want to think about what would have happened if she’d gone downstairs instead of just across the hall.”

“She was perfectly safe,” you say. “She was very focused on her investigation.”

“Mr. Bunny is lost,” Mia reminds both of you gravely.

“We’ll find him,” Jake tells her. Then to you: “I’m Jake, by the way. Since apparently we’ve been neighbors for eight months and I’ve never actually introduced myself, which is—”

“Terrible,” you supply.

“Yeah.” He winces. “Yeah, it really is. I’m sorry about that too.”

“Y/N,” you tell him. “3B.”

“I know. I’ve seen your name on the mailbox.” He shifts Mia on his hip. She has turned to look at you with renewed interest, the Mr. Bunny crisis temporarily suspended. “I kept meaning to knock and introduce myself properly but then time just—”

“It does that,” you agree.

He smiles. It’s a tired smile, still coming down from the panic, but it’s genuine. It does something to his face that you also file away for later. Mia is still staring at you. “You have pretty hair,” she announces.

“Mia—” Jake starts.

“Thank you,” you tell her seriously. “Yours is very pretty too.”

She reaches up and touches one of her lopsided pigtails, considering. “Daddy did it,” she says, with the tone of someone being very diplomatic about a disappointing situation.

You look at Jake. He looks back at you. The pigtails are genuinely quite bad. “I’m working on it,” he says.

“We could—” You stop yourself. You don’t even know this man. You’ve spoken to him for approximately four minutes. “Never mind.”

“No, what?”

“I was just going to say I could show you. If you wanted. It’s not— it’s easy once you know the trick.” You gesture vaguely. “But you probably have things to—”

“I would love that,” Jake says immediately. “Genuinely. Every morning is a disaster. She came home from daycare last week and her teacher had written a note that said ‘we love Mia’s creative hairstyles’ and I’m pretty sure that was a polite way of saying—”

“Daddy can’t do hair,” Mia explains to you, very straightforward.

“I cannot do hair,” Jake confirms.

You laugh. Actually laugh, fully awake now, standing in the hallway at seven in the morning in your old hoodie with your own hair catastrophic, and it surprises you a little. How easy it is. How natural. “Come over tomorrow morning,” you find yourself saying. “Before daycare. I’ll show you a couple of things.”

Jake looks at you like you’ve offered him something much more significant than a hair tutorial. “You don’t have to—”

“I know.” You crouch down to Mia’s level. “I hope you find Mr. Bunny.”

She studies you with those serious dark eyes. Then she reaches out and puts her small hand on your cheek, very gentle, the way toddlers sometimes do when they’re deciding something important about you. “You’re nice,” she declares.

“So are you,” you tell her. She nods, satisfied, like this has confirmed something she already suspected.

Then she tucks her face back into Jake’s neck, done with the interaction, and Jake gives you a helpless sort of smile over her head. “Thank you,” he says again. “Really.”

“Anytime.” You stand up and take a step back toward your own door. “And Jake?”

“Yeah?”

“Maybe put a chain lock on. Up high. Before tonight.”

He looks at the door. Looks at Mia. Looks back at you with the expression of a man who has just realized how many things there are to think about when you’re doing this alone. “Yeah,” he says quietly. “Yeah, good call.”

You don’t go back to sleep. You make coffee and sit on your couch and think about the way Mia put her hand on your cheek like she was taking your measure. The way she gave you her hand without hesitating, tiny fingers trusting yours completely.

The way Jake held her when he found her safe. Like she was the most important thing in the world, which she obviously was, which was obvious in every single line of his body.

You think about his apartment, which you caught a glimpse of through the open door. The small pair of shoes by the entrance. The sticker on the light switch at toddler height. The general chaos of someone who is managing, but only just. You think about the note from the daycare teacher and the terrible pigtails and the way he said I’m working on it without a single drop of self pity.

You finish your coffee. Make another one. You have a feeling that next door is going to become a lot more complicated than background noise and a name on a mailbox.

You’re not sure yet if that’s a good thing. But when you close your eyes you can still feel the ghost of small fingers wrapped around yours and you think— yeah. Yeah, you’re probably already in trouble.

Mr. Bunny turns up two days later. He is in the freezer. Neither Jake nor Mia can explain how he got there.

You laugh about it for five minutes straight when Jake texts you, and then you look at your phone and realize you’ve been texting your neighbor for two days like it’s completely normal and you’ve known him for years. You put your phone down. Pick it up again. Type back: at least he’s preserved.

Jake sends back a string of crying laughing emojis and then: Mia wants me to tell you that Mr. Bunny says thank you for looking for him

You smile so hard your face hurts. You are, you realize, completely and utterly done for. And you haven’t even properly met him yet.

The hair tutorial happens on Wednesday morning. You hear them before you see them — Mia’s voice carrying clearly through the wall at seven fifteen, a stream of cheerful commentary about something, Jake’s lower voice responding, the particular domestic chaos of someone trying to get a toddler ready for daycare on a schedule. Then a knock at your door.

You open it to find Jake holding Mia like a football under one arm, a hairbrush in his free hand, and the expression of a man who has already lost this morning’s battle comprehensively.

Mia is upside down and completely unbothered. “Hi,” she says, from her inverted position.

“Hi,” you say. You step back and open the door wider. “Come in.”

They troop inside, Jake setting Mia down on her feet in your living room where she immediately begins a thorough reinvestigation of the space, picking up where she left off two days ago. She examines your bookshelf. Touches the small succulent on your windowsill very gently with one finger. “Plant,” she observes.

“His name is Gerald,” you tell her.

She looks at you. Looks at Gerald. Looks back at you with the gravity of someone receiving important information. “Hi Gerald,” she says politely. Jake makes a sound that might be him trying not to laugh.

“Okay.” You take the hairbrush from him. “Sit her up on the couch and I’ll show you.”

What follows is twenty minutes that you will think about for the rest of the week for reasons you can’t entirely explain.

Mia sits between your knees on the couch, remarkably patient once she’s settled, holding Gerald the succulent in her lap because she asked and you said yes and Jake gave you a look that suggested he has learned to pick his battles. You work through her hair slowly, showing Jake each step — how to section it, how to hold the hair so it doesn’t pull, how to make the pigtails sit even.

He watches with the focused attention of someone who is genuinely trying to learn this. Not just nodding along but asking questions, asking you to slow down, watching your hands. At one point he leans in close to see what you’re doing and you’re very aware of how near he is and the fact that he smells like clean laundry and something warm underneath.

You focus on Mia’s hair. “The trick,” you tell him, “is that you do both sides before you tie either one off. Otherwise the first one pulls when you do the second.”

“That’s what I’ve been doing wrong,” he says. He sounds genuinely relieved, like you’ve solved something that’s been bothering him for months. Which, apparently, you have. “I couldn’t work out why they always went lopsided.”

“They were very lopsided,” Mia agrees pleasantly.

“Thanks, Mia.”

“You’re welcome, Daddy.”

You finish, tying off the second pigtail with the elastic, and smooth a hand over her hair. Perfect and even and neat. She reaches up and touches them carefully. “Pretty?” she asks.

“Very pretty,” you confirm.

She twists to look up at you, satisfied. Then she holds Gerald out. “You can have him back.”

“Thank you for taking care of him.”

“He was scared,” she explains seriously. “He doesn’t know me yet.” She places him very carefully back on the windowsill, patting the pot once. “It’s okay Gerald. I’m nice.”

Jake is watching his daughter with this expression — quiet and soft and a little undone at the edges — and when he catches you looking at him he clears his throat and looks away. Picks up the hairbrush from the cushion beside him. “Right,” he says. “We should get going. Daycare at eight.”

“Nooooo,” Mia says, without any real conviction. She’s already moving toward the door with the pragmatic acceptance of someone who knows the schedule.

“Thank you,” Jake says to you. He means it. You can tell he means it in that way where the words are bigger than they sound. “Seriously. This was—”

“It’s just pigtails.”

“It’s not just—” He stops. Starts again. “She talks about you. Since Tuesday. You’re the pretty lady from across the hall.”

Your face warms. “That’s very generous of her.”

“She’s got good taste.” He says it simply, matter of fact, and then looks slightly like he didn’t mean to say it quite like that. “I mean— she’s a good judge of character. Generally.”

“Y/N,” Mia calls from the doorway where she is putting her shoes on the wrong feet with great confidence.

“Yeah?”

She looks up at you. “Will you be here tomorrow?”

Something squeezes in your chest. “Yeah, I’ll be here.”

She nods, satisfied, like this is settled. Like you have made a commitment and she is holding you to it. Then she holds her foot up at Jake. “Daddy. Shoes.”

Jake crouches down to fix them, and you lean against your doorframe and watch, and you think about what Liv said to you once about knowing when something is going to change your life. How you can feel it sometimes. The specific weight of a moment that’s about to matter.

You feel it now, watching Jake tie his daughter’s shoes in your doorway at seven forty in the morning while she holds your door handle for balance and hums something tuneless to herself. You feel it, and you file it away with everything else, and you tell yourself it’s too early for any of this and you need coffee.

You leave cookies outside 3A that afternoon. You don’t examine why. You made a batch because you were stress baking about an assignment and you made too many and they were just sitting there and Jake mentioned once — in the mailbox, months ago, one of those nothing conversations you’d forgotten until now — that Mia liked anything with chocolate.

You leave them outside the door in a container with a post it note that says for Mia (and you, if you want) and then you go back inside and finish your assignment and don’t think about it.

At nine fifteen that night your phone buzzes: jake 3a: she ate four before I could stop her and is now absolutely feral and won’t sleep. I’m blaming you

You grin at your phone. you: that’s fair

jake 3a: they were really good though like genuinely really good. Did you make them from scratch?

you: yes

jake 3a: of course you did

jake 3a: I’m sorry, I don’t know what that means, that came out weird. I just mean they were better than anything I could make. I’m a terrible baker.

you: how terrible?

jake 3a: I made Mia a birthday cake in August and it came out flat and she cried

you: oh no

jake 3a: not because of the cake. She thought it was funny. She cried laughing. It was actually one of the best moments of my life which probably tells you everything about my standards right now

You’re smiling at your phone like an idiot. you: I’ll make the cake next time. You send it before you’ve fully decided to, and then stare at it. It’s October. You’ve just committed to being in this man’s life until at least next August.

Three dots appear. Disappear. Appear again. jake 3a: you really don’t have to

you: I want to. she told Gerald not to be scared because she was nice. I feel like she deserves a good birthday cake.

jake 3a: yeah she really does

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

The drawing appears under your door on Thursday morning. You almost step on it when you come out of your bedroom, a folded piece of paper on your doormat. You pick it up and unfold it and find a crayon drawing — several figures of varying heights and proportions, all labeled in Jake’s handwriting because Mia clearly directed and he transcribed.

Mia. Daddy. Gerald. Mr Bunny. And then, on the end, slightly larger than the others, with yellow crayon hair: Y/N. She’s drawn you into her family portrait.

You stand in your kitchen holding a crayon drawing with yellow-haired you standing next to a rectangle that is apparently Gerald and you feel something crack open in your chest so softly and so completely that you have to sit down.

You take a photo of it. You put the original on your fridge. You text Jake a photo of it on the fridge and he doesn’t respond for ten minutes and when he does it just says: jake 3a: she worked on it for an hour last night

jake 3a: kept starting over because she wanted to get your hair right

You stare at that message for a long time. you: tell her I love it

jake 3a: she’s going to lose her mind. also she asked if you want to come to the park with us Saturday

Three dots. Then: jake 3a: I want that too, for what it’s worth. If you’re free.

You look at the drawing on your fridge. Yellow-haired you, standing in a row with Mia and Daddy and Gerald and Mr. Bunny like you’ve always been there. you: I’m free Saturday

Saturday at the park is easy in a way that surprises you. You’d half expected it to be awkward — the three of you, still essentially strangers, trying to fill silence in an open space. But Mia eliminates the possibility of silence entirely. She has opinions about the swings (good), the slide (excellent, requires multiple repetitions), and the ducks by the small pond at the park’s edge (deeply suspicious, do not approach).

“They’re just ducks,” Jake tells her.

“They’re watching,” she says.

“They’re not watching.”

“Daddy.” She gives him a very patient look. “They are watching.”

Jake looks at you. You shrug. “They do look pretty focused,” you offer.

He points at you. “Don’t encourage her.”

Mia takes your hand and pulls you toward the swings, away from the ducks and away from Jake’s protests, and you go because she’s three and determined and her hand is in yours and you’ve decided that’s reason enough for basically anything at this point.

You push her on the swings while Jake sits on the bench nearby, and you watch him watching the two of you. He has his elbows on his knees and his face is open in a way you’re starting to learn is rare for him — in a crowd or with strangers he goes carefully neutral, pleasant but contained. But here, watching Mia go higher and higher and shriek with delight, he looks unguarded. Younger, somehow. Like something in him relaxes when it’s just the three of you. “Higher!” Mia demands.

“You’re already very high,” you tell her.

“Higher.”

“Absolutely not.”

“Please.”

“Nice try.”

She cackles. Pure delighted toddler sound, head thrown back. And you find yourself laughing too, pushing her at this very reasonable height, and when you look over at Jake he’s smiling at you with an expression you don’t quite have a name for yet. You look away first.

After the swings, Mia finds a stick, which becomes the most important object in the world for the next twenty minutes. She examines rocks. She makes Jake carry her on his shoulders. She falls asleep on the walk home with her cheek on his head and one fist clutching his jacket, completely unconscious, utterly trusting.

Jake walks carefully, holding her legs, talking to you in a low voice so he doesn’t wake her. “She doesn’t do this with many people,” he says.

“Fall asleep?”

“Trust people.” He adjusts his grip on her. “She’s friendly, obviously, she’ll talk to anyone. But she doesn’t— she doesn’t hold hands with people she doesn’t know. She doesn’t draw people.” He pauses. “She drew you in four days.”

You don’t know what to say to that. So you say, “she’s special.”

“Yeah.” His voice is quiet. “She really is.”

You walk in silence for a moment, the easy kind. “How long has it been?” you ask. “Just the two of you.”

He doesn’t tense the way you half expect him to. Just exhales, slow and steady. “Since she was four months old. Her mom left.” He says it flat, without bitterness, which somehow makes it worse. Like he’s had a long time to practice saying it that way. “Just— left. Packed a bag while I was at work. By the time I got home it was just us.”

“Jake—”

“It’s fine now.” He glances at you sideways. “It wasn’t, for a long time. But it’s fine now. It’s good, actually. It’s really good.” He looks up at Mia’s sleeping face. “She’s the best thing that’s ever happened to me. I didn’t know it was possible to love someone this much.”

You look at him. At the way he holds her. At the careful tenderness of it. “She knows,” you say softly. He looks at you. “That she’s loved like that. You can tell.” You hold his gaze. “She knows.”

Something moves through his expression. Quick and unguarded and gone before you can name it. “Thanks,” he says quietly.

You walk the rest of the way home in comfortable silence, Mia asleep above you, the afternoon sun going golden through the trees lining the street. It is, you think, a very good Saturday.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

It becomes a routine without either of you deciding it should. Wednesday mornings, Jake knocks with the hairbrush. You do Mia’s hair while she holds Gerald and narrates her thoughts about the day ahead. Jake makes coffee in your kitchen like he knows where everything is, which after three weeks he does.

Saturdays are the park, or the farmers market two streets over, or just the three of you on one of your balconies eating whatever Jake has cooked because it turns out that while he cannot bake to save his life he is an genuinely excellent cook and he seems to enjoy having someone to cook for.

Evenings sometimes, when Mia’s in bed and Jake knocks quietly and you sit on his couch and watch something and talk about nothing in particular until one of you falls asleep.

It is domestic and soft and easy. It is also, you are increasingly aware, becoming something that would hurt to lose.

Mia calls you her Y/N now. Not just Y/N. Her Y/N, possessive and certain, the way she says her daddy and her Mr. Bunny and her Gerald. You are hers in her taxonomy of the world and the certainty of it does something to your chest every single time.

She tells the woman at the bakery you buy her the jam scroll she likes every Saturday. She tells a child at the park. She tells Mrs. Kim from 1A who coos and looks between you and Jake with an expression that makes Jake find something fascinating to look at on the middle distance.

You’re folding laundry in your apartment on a Thursday evening, three weeks in, when Jake knocks. You open the door. He’s holding two containers of leftover pasta, still warm. He holds one out. “Made too much,” he says.

You take it. Step back to let him in. This is how it goes now. “Mia asleep?” you ask.

“Out cold. She had daycare and then apparently spent an hour reorganizing her stuffed animals by color.” He sits on your couch. “It took everything she had.”

You sit beside him, open the pasta. It’s good — it’s always good. “Did the reorganization meet her standards?”

“She made me come and approve it before bed.” He pauses. “Mr. Bunny is in the orange section even though he’s gray.”

“He has warm undertones,” you say seriously.

Jake looks at you. Starts laughing. Not the polite laugh of someone being friendly but the real one, the one that takes over his whole face, and you’ve been cataloguing that laugh for weeks now, the way it comes out surprised sometimes like he forgot he was allowed to do it.

You’re laughing too, both of you over toddler stuffed animal color theory at eight PM with pasta containers in your laps, and when the laughter settles it leaves something warm and quiet in its place.

Jake is looking at you. Not the quick sideways glances you’ve been trading for weeks. Really looking, steady and open, and you feel it the way you feel a change in weather. The pressure of it. The way the air shifts. “Y/N,” he says.

“Yeah?”

He opens his mouth. Closes it. Looks down at his pasta container, turning it in his hands. “Nothing. Never mind. It’s nothing.”

“It’s not nothing.”

He looks at you again and this time he doesn’t look away. “I really like spending time with you.”

You hold his gaze. “I really like spending time with you too.”

“I haven’t—” He exhales. “I haven’t wanted to spend time with someone like this in a long time. Maybe ever. And I don’t know what to do with that.”

The honesty of it lands softly. No performance, no deflection. Just him, telling you the truth. “I don’t either,” you say. “But I don’t think I want to stop.”

He looks at you for a long moment. Then he leans in, slow and deliberate, giving you every opportunity to pull back. You don’t pull back.

His mouth finds yours, gentle at first, questioning, and then you lean into it and it stops being a question. It’s warm and unhurried and it tastes like the pasta and something underneath that is just him, and when you finally break apart you’re both quiet, foreheads almost touching.

“Okay,” he says softly.

“Okay,” you agree.

He pulls back just slightly. His expression is open and a little nervous and more serious than the moment requires, or maybe exactly as serious as it requires. “I need to say something,” he says.

“Okay.”

“If we—” He pauses, choosing his words. “Whatever this is. Whatever it becomes. Mia comes first. Always. That’s non negotiable for me. I need you to know that going in.”

You look at him. At the set of his jaw, the quiet certainty in his eyes. A man who has built his whole life around a three year old with lopsided pigtails and a stuffed rabbit and absolute confidence in the people she decides are hers. “Jake,” you say.

“Yeah.”

“I know.” You hold his gaze. “I love her. She’s— she put her hand on my face the first morning and I was gone. I was completely gone.” You shake your head a little. “I think I fell for her before I even fell for you.”

Something moves across his face. Deep and quiet and undone.“Yeah?” he says, and his voice is rough at the edges.

“Yeah.” He kisses you again. Softer this time. Like something has been settled, like the last lock has clicked open. His hand comes up to cup your jaw and you lean into it and outside the window the city is doing whatever cities do at eight o’clock on a Thursday and in here it is warm and quiet and it feels, very specifically, like the beginning of something.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

The first time Mia is at the babysitter’s overnight, it’s an accident.

Not the overnight part — that’s planned. Sandy, Mia’s regular babysitter three streets over, has been asking for weeks if she can have Mia for a sleepover because her own grandchildren are visiting and Mia and the youngest, a boy named Theo, have formed the specific intense friendship that only exists between toddlers who have decided they are best friends after forty five minutes together at a playground.

Jake agrees because Mia asks with her whole body, bouncing on her toes, and because Sandy has been his lifeline for two and a half years and he trusts her completely. What’s accidental is what happens after.

He drops Mia off at four on a Friday afternoon. You’re not there — you have a late class — but when you get home at six thirty and knock on 3A because it’s become reflex, Jake opens the door and the apartment is quiet in a way it never is.

You’ve been in this apartment dozens of times now. You know its sounds. The particular creak of the second floorboard in the hall. The way the kitchen tap needs an extra turn to stop dripping. The constant ambient noise of Mia — her commentary, her singing, her negotiations with various stuffed animals about bedtime.

The silence is enormous. “Weird, right?” Jake says, reading your face.

“Really weird.” You step inside. “How long has she been gone?”

“Two hours.” He closes the door. “I’ve cleaned the whole apartment and reorganized the pantry and I don’t know what to do with myself.”

You look at the pantry, which is indeed immaculate. You look at Jake, who is in dark jeans and a simple white t-shirt and looks simultaneously very attractive and genuinely a little lost. “Have you eaten?” you ask.

“No.”

“Cook me something.”

Something in him settles. He moves into the kitchen, and you sit on the counter the way you’ve started doing, and he makes pasta — different from the other night, something with lemon and herbs — and you open the wine you brought from your apartment and it is easy, it is so easy, the way everything with him has become easy without you noticing it happening.

You eat at his kitchen table. You talk about your classes and his current project — branding for a new café opening in the city — and the book you’ve both apparently been meaning to read for months and never have. You talk about Mia, because you always talk about Mia, about the things she’s said recently that have floored you both. “She told me yesterday,” Jake says, “that she wants to be a paleontologist.”

“She’s three.”

“I know. I asked her what a paleontologist was and she said ‘a person who finds old bones’ and I have no idea where she learned that word.”

“That’s— that’s genuinely impressive.”

“She then said she also wants to be a cat.” He takes a sip of wine. “So. Range.” You’re laughing, and he’s laughing, and the kitchen is warm and the wine is good and at some point the laughter fades and you’re just looking at each other in the quiet.

It’s been two weeks since the kiss on your couch. Two weeks of nothing changing and everything changing — the same routine, the same easy rhythm, but with this new current running underneath it. His hand finding yours sometimes. The way he says goodbye now, at the door, that takes longer than it used to. The awareness of him that hums in your chest constantly, warm and insistent.

You haven’t had a night without Mia before. You’re both aware of it. “Y/N,” he says.

“Yeah.”

“Can I—” He stops. Starts again. His jaw works slightly, that tell you’ve learned. “I’ve been thinking about this. About us. And I want to— I want to do this properly. Take you on an actual date, not just—” He gestures at the table, the apartment, the comfortable domesticity of it. “Not just this. You deserve—”

“Jake.” You set down your glass. “I like this.”

“I know, but—”

“I mean I really like this.” You hold his gaze. “I don’t need a restaurant. I don’t need— I just want you. This. Whatever this is.” He looks at you for a long moment.

Then he pushes back from the table and crosses to you and kisses you like he’s been thinking about it all evening, one hand cupping your jaw, the other finding your waist. You slide off the counter and into him and he makes a low sound against your mouth that does something devastating to your concentration. “Stay tonight,” he says against your lips.

“Yeah,” you breathe. “Okay.”

You end up on his bed.

It happens slowly, the way things happen when there’s no rush, when the whole night stretches ahead and neither of you is going anywhere. He takes his time, unhurried and thorough, like he wants to learn you. Like you’re something worth learning.

He lays you back against his pillows and looks at you for a moment, just looks, and something about being seen like that — careful and wanting and completely focused — makes heat pool low in your stomach before he’s even touched you. “Hi,” he says softly.

“Hi,” you say back.

He leans down and kisses you again, and it’s different from the doorway kisses and the couch kisses. Deeper. More deliberate. His hand slides up your side, pushing your shirt up, warm palm against your skin, and you shiver.“Cold?” he murmurs.

“Opposite.” He smiles against your mouth. Keeps moving, finding the hem of your shirt, and you lift your arms and let him pull it off. He sits back to look at you, and his expression is so openly appreciative, so uncomplicated in its wanting, that you feel heat rise to your face.

“Don’t,” he says quietly.

“Don’t what?”

“Look away.” His thumb traces your collarbone. “I want to look at you.” You keep his gaze. He keeps his.

He gets rid of his own shirt and you run your hands up his chest, his stomach, the way you’ve been wanting to since— longer than you’ll admit. He’s warm and solid and he watches your face as you touch him like your expression is telling him something important.

“What?” you ask.

“Nothing.” He catches your hands, pins them gently above your head, leans down to press his mouth to your jaw. Your neck. The soft skin below your ear. “Just thinking about how long I’ve been wanting this.”

“How long?”

He mouths at your pulse point and you gasp, arching up. “Longer than I should admit,” he murmurs. “Probably since the morning with Mia. You opened the door half asleep with terrible hair and you crouched down and talked to her like she was a real person and I thought—” He lifts his head to look at you. “I thought I was in serious trouble.”

“Your daughter was upside down under your arm,” you manage.

“I know. Terrible timing.” He releases your wrists, hands moving to the button of your jeans. “Is this okay?”

“Yes. God, yes.”

He undresses you slowly, pressing his mouth to each new piece of skin like punctuation. The inside of your wrist. Your hip. The soft skin of your inner thigh that makes you grip the sheets and breathe out his name. He looks up at you from there, chin resting on your thigh, expression somewhere between fond and wrecked. “Jake—”

“I’ve got you,” he says quietly. “Okay? I’ve got you.” And then his mouth is on you and your head falls back and you stop being able to think in complete sentences.

He takes his time the way he does everything — with complete attention, reading every sound you make, every shift of your hips, adjusting until he finds exactly what makes you come apart. He slides one finger inside you and then two, curling them just right while his tongue works your clit in slow, devastating circles, and you fist your hand in his hair and try to remember how to breathe.

“Jake— fuck— I’m—”

He doesn’t speed up. Doesn’t change what he’s doing. Just keeps that perfect steady rhythm like he has all the time in the world, like getting you there is the only thing on his agenda, and you come with your thighs clamped around his head and his name on your lips and it crashes through you in waves that don’t seem to stop.

He works you through every second of it, only easing off when you tug at his hair, oversensitive and shaking.

He moves up your body, pressing a kiss to your stomach, your sternum, your mouth. You can taste yourself on him and somehow that makes heat flare through you all over again. “Hi,” he says again, soft and amused.

“You,” you manage, “are very good at that.”

“Yeah?” He looks pleased.

“Don’t get smug about it.”

“I’m not smug.” He is a little smug. You find you don’t mind. “You okay?”

“More than okay.” You reach up, pull him down to kiss him properly, deep and unhurried. “Your turn.”

You get his jeans off, and his boxers, and you wrap your hand around him and he hisses through his teeth, hips jerking slightly.“Sorry—”

“Don’t apologize,” you tell him. You stroke him slowly, learning the weight of him, and he drops his forehead to yours and just breathes. “Tell me what you like.”

“That,” he says roughly. “Exactly that. Just—” He covers your hand with his, adjusts the pressure slightly. “Yeah. Like that.”

You watch his face — the way his jaw goes tight, the way his eyes flutter. He’s trying to stay composed and not quite managing it and you find that incredibly satisfying. “Y/N.” His voice has gone rough. “I want— can I—”

“Yes,” you say. “Please.”

He reaches into his nightstand drawer. You take the condom from him and roll it on yourself, slowly, which makes him close his eyes and exhale hard through his nose.“You’re going to kill me,” he says.

“You’ll be fine.”

He settles between your thighs and you feel him there, pressing in, and you both go still for a moment. He pushes forward, slow and careful, watching your face, and the stretch of him makes you exhale hard, fingers pressing into his shoulders. He stops halfway, checking. “Good?” he asks.

“So good.” You shift your hips, urging him on. “Don’t stop.”

He doesn’t stop. He seats himself fully and you both breathe through it, foreheads together, and then he starts to move and everything else falls away.

He fucks you slowly at first, deep and thorough, finding the angle that makes you gasp and then staying with it. His hand slides between your bodies, thumb finding your clit, and you make a sound that you’d be embarrassed about in any other context.“There?” he asks.

“There,” you confirm breathlessly.

He keeps going. Steady and focused and impossibly good, hitting that spot inside you on every stroke while his thumb works you in tight circles, and you can already feel it building again, embarrassingly fast. “Jake— fuck— already—”

“Let go,” he says against your temple. “I want to feel you.”

You come clenching around him, and he groans deep in his chest, the rhythm stuttering, and you feel him follow you over with your name on his lips, buried deep, shaking.

Afterward you lie tangled together in the quiet. He traces absent patterns on your arm. You listen to his heartbeat slow. “Hey,” he says eventually.

“Hey.”

“That was—”

“Yeah.” You tilt your head up. “It really was.” He presses a kiss to your hair. You feel him smile against it.

Outside, the city is doing its Friday night thing, indifferent and ongoing. In here the lamp is warm and the sheets are soft and Jake’s heartbeat is steady under your cheek and you think about the drawing on your fridge and the hand on your cheek and Mr. Bunny in the freezer and all the ordinary extraordinary things that have built this without you quite realizing. “Stay,” he says.

“I’m already here.”

“I mean—” He tightens his arm around you. “Stay. Not just tonight.”

You’re quiet for a moment. “You’re going to have to define that.”

“I know.” His thumb moves slow on your arm. “I’m working up to it.”

“Okay.” You settle back against him. “I’m not going anywhere.”

Mia comes home at eleven the next morning. You’re still there.

You’re in Jake’s kitchen making coffee, wearing his hoodie and your underwear, when the front door opens and Sandy’s voice floats through — “here we are, my love, home sweet home” — and small feet thunder down the hall.

Mia appears in the kitchen doorway. She takes in the scene. You, in her daddy’s hoodie. The two coffee cups. The general evidence of your presence. Her face does something complicated and then completely simple. “My Y/N,” she says, delighted, and launches herself at your legs.

You crouch down and catch her, and she wraps around you like a koala, warm and sleep-soft and smelling like Sandy’s house, and you hold her and look up at Jake in the doorway and he’s looking at the two of you with that expression again. The one that’s bigger than his face can hold.

“Hi baby,” you say into Mia’s hair. “How was Theo’s?”

“We found a worm,” she says. “His name is Dave.”

“Did you bring Dave home?”

“Sandy said no.” A pause. “I think that was wrong.”

“Dave is probably very happy in Sandy’s garden.”

She considers this. “Okay.” Then, muffled against your shoulder: “Are you staying for breakfast?”

You look at Jake. He holds your gaze, steady and warm. “Yeah,” you say. “I’m staying for breakfast.”

Mia pulls back, satisfied. “Daddy makes good eggs.”

“I know he does.”

“You can sit next to me.”

“I would love that.”

She takes your hand and tows you toward the table with the authority of someone who has decided how this morning is going to go, and Jake moves to the stove, and outside the kitchen window the Saturday morning is doing its soft unhurried thing, and this— this is everything.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

The weeks that follow are the best of your life. You don’t say that out loud. It feels too large, too exposed. But it’s true in the quiet way that the truest things are — not dramatic, not announced, just sitting solidly in your chest every time you’re aware of it.

The three of you fall into a rhythm so natural it’s almost hard to remember the before. Jake knocks on your door with the hairbrush and leaves with coffee. You come to theirs for dinner more nights than not. Mia insists on showing you everything — every drawing, every discovery, every development in the ongoing organization of her stuffed animal collection.

The farmers market becomes yours. Every Saturday, the three of you. Mia on Jake’s shoulders, small hands wrapped in his hair, pointing imperiously at things she wants to examine. You buy her a sunflower from the flower stall in week two and she carries it home with both hands like it’s precious, and after that it becomes the thing — every week, a sunflower for Mia, who has decided they are her favorite and cannot be argued with on this point.

Jake watches you with her constantly. You catch him doing it — that soft unguarded look — and he doesn’t stop when you catch him, just holds your gaze until you look away first, which you always do because the directness of it does something to your chest that you haven’t found words for yet.

Mia tells her daycare teacher about you. You know this because Jake texts you a screenshot of a drawing she brought home — the same configuration as before, Mia Daddy Gerald Mr Bunny Y/N, but this time you and Jake are holding hands.

jake 3a: her teacher asked who the people were, she said ‘that’s my daddy and my Y/N they’re in love’

You stare at the message. you: she’s three

jake 3a: three and apparently very perceptive

you: what did you tell the teacher

jake 3a: I said she wasn’t wrong

You put your phone face down on the desk and press both hands over your face and sit there for a full minute. Then you pick it up. you: jake

jake 3a: yeah?

you: are you in love with me

A pause. Longer than usual. Your heart does something complicated in the silence. jake 3a: I’ve been trying to find the right moment to say it properly not over text but yes, very much yes. I have been for a while

jake 3a: is that okay?

You read it three times. you: yes, it’s very okay. also I love you too

jake 3a: yeah?

you: yeah

jake 3a: okay, good. I’m going to say it properly tonight with Mia asleep so she doesn’t narrate it

you: she would absolutely narrate it

jake 3a: she would make it about herself somehow

you: she would bring Mr Bunny as a witness

jake 3a: he’d be very moved

You’re smiling so hard your face hurts, alone in your apartment at two in the afternoon, and you think about the morning you opened your door and found a small person sitting on your doormat in duck pajamas looking for her rabbit.

You think about tiny fingers in yours on the way back across the hall. You think about you’re nice delivered with complete certainty by someone who had known you for four minutes.

That night, after Mia is asleep, Jake says it properly. Standing in the kitchen, cup of tea going cold on the counter, both of you knowing it’s coming and neither of you in any rush because there’s no need to rush anymore.

“I love you,” he says. Simple and direct. “I love you and I love that she loves you and I don’t want to do any of this without you.”

“I love you too,” you say. “Both of you. The whole— all of it. Everything.”

He kisses you there in the kitchen and it tastes like coming home, which is a thing you didn’t know kitchens could taste like until now.

Later, in his bed, you press your face into his shoulder and listen to the particular quiet of the apartment at night — the creak of the building, the distant city, the soft sound of Mia breathing through the baby monitor on the nightstand. “Hey,” Jake says quietly. “You know what Mia asked me today?”

“What?”

“She asked if you were going to live with us.”

Your heart turns over. “What did you tell her?”

“I said I hoped so.” He tilts his head to look down at you. “Is that okay?”

“Yeah,” you say softly. “That’s okay.” He pulls you closer. You close your eyes. Outside, a siren somewhere. The building settling. Mia’s breathing through the monitor, slow and even and completely safe.

In here, you think. Everything is in here. You never see it coming. That’s the thing about a knock at the door when you’re happy. You don’t brace for it. You don’t clock the risk. You’re just— there. In the warm. Thinking about nothing that isn’t good.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

It’s a Sunday. Mia is at Sandy’s. Not overnight this time — just the afternoon, a regular arrangement while Jake works on a deadline.

Except Jake finished his deadline by noon and texted you and you came over and the afternoon became the best kind of afternoon, the kind that starts with coffee and talking and turns into something else entirely when Mia isn’t home, when there’s nowhere to be and no particular reason to leave the bedroom.

You’re in his bed. Late afternoon light coming gold through the curtains. His hand on your back tracing lazy patterns on your spine. You’re boneless and warm and half thinking about nothing and half thinking about whether Mia will want to show you the worm situation at Sandy’s when Jake picks her up.

“Sandy said she asked to bring Dave home three more times,” Jake says, like he’s reading your mind.

“Persistent.”

“She gets it from somewhere.” His hand moves up to the back of your neck, squeezing gently. “You hungry?” “Not yet.”

“Okay.” He presses a kiss to your shoulder. “We’ve got a couple of hours before I pick her up.” You hum. He pulls you closer. The afternoon light shifts.

Then someone knocks at the door. Jake’s hand stills on your back. “Expecting anyone?” you ask.

“No.” He frowns slightly. “Sandy would call.” He sits up, reaching for his t-shirt. “Probably Danny about the tap.”

You stretch out across the warm space he’s left, drowsy and content, listening to his footsteps down the hall. The sound of the door opening. Silence.

Not the brief silence of oh hi Danny it’s fine. A longer silence. A loaded one.

Then a voice you don’t recognize — a woman’s voice, careful and slightly uncertain — saying his name. “Jake.”

You go very still.

Jake says nothing for a long moment. When he speaks his voice is completely flat in a way you’ve never heard from him before. Like all the warmth has been removed surgically. “What are you doing here?”

“I just— I wanted to—” The woman’s voice. “Can I come in?”

“No. How did you find me?”

“Your mum. She didn’t— she thought I knew the address, I think. I don’t think she realized—”

“Why are you here.” Not a question. A demand.

A pause. “I want to see her,” the woman says. “I want to see Mia.”

The name lands in the apartment like something dropped. You sit up slowly, pulling the sheet around yourself, and the drowsy warmth of the afternoon has gone completely. In its place something cold and alert.

“You need to leave,” Jake says.

“I know I don’t have the right to—”

“You left,” Jake says, and his voice is still flat, but underneath the flatness there is something enormous being held very carefully in check. “She was four months old and you left. You’ve been gone for three years. You don’t get to knock on my door and say you want to see her like it’s a reasonable thing to say.”

“I know.” The woman’s voice cracks slightly. “I know that. I just— Jake, please, I just want—”

“To see her? Or to see me?” Silence. “Yeah,” Jake says quietly. “That’s what I thought.”

You get up. Quietly. You find your clothes in the soft afternoon mess of the room, pull them on, and you stand in the hallway outside his bedroom door and you look at the front door.

She’s standing in the doorway. Tall, dark-haired, pretty in a way that might have been beautiful before whatever she’s been carrying got into her face. She’s looking at Jake with an expression that mixes guilt and want in proportions you don’t have to be a genius to read.

She sees you. Her eyes move over you — your rumpled clothes, Jake’s apartment behind you, the obvious geography of the afternoon — and something hardens in her expression that you recognize. The specific hardening of someone who wanted to find a door open and has found it closed.

Jake turns. He sees you in the hallway. Something moves through his face — protective, apologetic, something else underneath that you don’t have time to read. “Y/N,” he says. “Hi.” You keep your voice steady. “I’ll— I can go.”

“You don’t have to—”

“It’s okay.” You look at him clearly, trying to say with your eyes what you can’t say in front of her: I’m fine. I’m not going far. Handle this. “I’ll be across the hall.”

He holds your gaze. His jaw is set, his eyes tight at the corners, but he gives you the smallest nod.

You pick up your keys from the bowl by the door — yours, in the bowl by Jake’s door, which happened so gradually you can’t remember it beginning — and you step past the woman in the doorway without looking at her.

You go into 3B. You close the door. You sit on your couch and you listen to the muffled sound of voices through the wall, and you hold yourself very carefully together, and you wait.

You sit on your couch for forty minutes. You know because you watch the clock. Not obsessively — you’re not counting seconds — but every time your eyes drift to it another chunk of time has passed and the voices through the wall have not stopped.

You make tea you don’t drink. You open your laptop and close it again. You pick up your phone three times and put it down without texting anyone because what would you even say.

My boyfriend’s ex showed up. The one who left when their daughter was four months old. She’s been there forty minutes and I’m sitting in my apartment trying not to think about the way she looked at him.

You put your phone face down on the cushion beside you.

The thing is — and you know this, you do — you trust Jake. That’s not the part that’s making your chest tight. You’ve watched him for months now. You know who he is. You know the way he holds his daughter and the way he laughs and the way he looks at you when he thinks you’re not watching. You know he means what he says.

The part that’s making your chest tight is her face when she saw you. Not guilt. Not embarrassment at the intrusion. Something proprietary. Something that said what are you doing in my space even though she is the one who left. Even though she forfeited any claim to this apartment and this life and this man the day she packed a bag while her four month old daughter slept.

You’re familiar with that expression. You’ve worn it yourself, briefly, watching other women talk to Jake at the market or at the park. You know what it means. She wants him back. Mia is the reason she knocked. But she wants Jake back.

You’re still sitting with that when your phone buzzes. jake 3a: she’s gone, can you come back?

You’re across the hall before you’ve fully decided to move. He opens the door before you knock. He looks terrible. Not falling apart — Jake doesn’t fall apart, you’ve figured that out, he goes very still and very controlled when things get bad, which is almost worse — but there are lines around his eyes that weren’t there this morning and his jaw is set in that way that means he’s been holding something in for a while.

He steps back to let you in. Closes the door. You turn to face him and he looks at you for a moment like he’s checking that you’re real, that you’re still here, that the afternoon hasn’t completely dismantled itself. “You okay?” you ask.

“I should be asking you that.”

“I’m fine. I was across the hall.” You hold his gaze. “Are you okay?”

He exhales. Long and slow. Runs a hand through his hair. “She wants to see Mia. She says she’s been in therapy. That she’s been— working through things. That she made a mistake and she knows that and she just wants—” He stops. His jaw works. “She was here for forty minutes and Mia’s name came up maybe three times.”

Your stomach tightens. “What did the rest of it cover?” He looks at you with an expression that answers the question without words. “Jake—”

“I told her no,” he says. “To all of it. I told her— Mia doesn’t know her. She’s three years old, she has no memory of her, and showing up out of nowhere and announcing herself as her mother would be— I’m not doing that to her. I’m not letting someone walk in and blow up her world because they’ve decided they’re ready now.”

“That’s right,” you say quietly.

“Is it?” He looks genuinely uncertain, and that more than anything tells you how rattled he is. Jake is not an uncertain man. He’s careful, he’s considered, but when he’s decided something he holds it steady. Watching him doubt himself is unfamiliar and uncomfortable. “Because part of me thinks— she’s her mother. Biologically. Does Mia have a right to know her? At some point? And am I—”

“Jake.” You cross to him. Put your hand on his chest, flat over his heart, and look up at him. “You are the most present, devoted, thoughtful parent I have ever seen. You have been both of them for three years. Whatever you decide about this, it comes from that. Not from fear, not from jealousy. From knowing your daughter.” He looks down at you. His hand comes up to cover yours. “She’s not here because of Mia,” you say gently. “You know that.”

“Yeah.” His voice is rough. “Yeah, I know that.”

“So you handle the Mia question in your own time, with proper advice, on your terms. Not because she showed up at your door on a Sunday afternoon.”

He’s quiet for a moment. Then: “When did you get so—”

“Wise?”

“I was going to say steady.”

“Same thing.” You press your palm flatter against his chest. “You’re okay. Mia’s okay. This is just— a thing that happened on a Sunday. It doesn’t have to be more than that right now.”

He looks at you for a long moment. Something in his face shifts — the held-in thing loosening slightly, the lines around his eyes easing. “I really love you,” he says quietly.

“I know.” You reach up, press your hand briefly to his jaw. “I love you too. Go get your daughter.”

He comes back with Mia at five thirty. You’re in his kitchen making dinner — you’d found pasta and vegetables and half a block of good parmesan and it seemed like the right thing to do, to be here, to have something warm happening when they got home.

Mia comes through the door at full speed, as always, and finds you at the stove and absolutely loses her mind with delight. “My Y/N is here!”

“Hi, my Mia.” She barrels into your legs and you crouch down and catch her, and over her head you watch Jake close the front door and lean against it for just a second, eyes closed. Like he’s taking a breath. Like he’s counting the things still here and finding them all present.

Then he opens his eyes and sees you watching him and something in his face goes soft. “Dave update,” Mia says urgently against your neck.

“Tell me everything.”

“Sandy said he moved.” Her voice is full of significance. “She doesn’t know where he went.”

“Dave is living his life.”

“That’s what Sandy said.” She pulls back to look at you. “I think he went to find his family.”

“That’s a very hopeful interpretation.”

“Worms have families,” she tells you solemnly. “Probably.”

“Definitely,” you agree.

Jake has moved into the kitchen. He comes up behind you — Mia still in your arms — and presses a kiss to the side of your head. Quick and quiet. Gratitude and love in a single gesture. “Smells good,” he says.

“Twenty minutes.”

“Can I help?”

“You can set the table.”

“I want to help,” Mia announces.

“You can put the napkins out,” you tell her, and she accepts this responsibility with great seriousness, and Jake sets her down and gets the napkins and she carries them to the table one at a time with both hands like they’re fragile, and Jake catches your eye across the kitchen and mouths thank you and you shake your head slightly because there’s nothing to thank you for.

You’re exactly where you want to be.

Later, after dinner, after Mia’s bath, after two bedtime stories and one negotiation about the structural integrity of a fort she wants to construct in the living room (tomorrow, baby, it’s bedtime), after small arms around your neck and a kiss pressed very seriously to your cheek and night my Y/N into the dark—

You and Jake sit on his couch in the quiet. He has his legs stretched out on the coffee table. You’re tucked into his side, his arm around you. The lamp is the only light. The apartment has the particular peace of a small child asleep in the next room. “She’s going to come back,” Jake says quietly.

“Probably.”

“I’m going to talk to a lawyer. Get clear on where things stand legally before she does.” His thumb moves on your arm. “She signed over custody voluntarily. I don’t think she has grounds for anything. But I want to know for certain.”

“That’s smart.”

“I don’t want Mia to know about this until I do. I don’t want her picking up on anything.”

“She won’t hear it from me.”

He turns his head to press a kiss to your hair. “I know.” You sit in the quiet for a moment. “She looked at you,” he says. “The way she looked at you when she saw you there.” His arm tightens slightly. “I need you to know that whatever she came here wanting, it was never going to— she left, Y/N. She made her choice. There’s nothing there.”

“I know that too.”

“I just—” He exhales. “I don’t want you to have any doubt. About this. About us.”

You lift your head to look at him. His face in the lamplight, tired and earnest and completely, simply honest. “I don’t,” you tell him. “Not even a little.”

He holds your gaze. “Good,” he says quietly. He kisses you softly, and you let yourself melt into it, and outside the window the night is doing its ordinary thing, indifferent and ongoing.

When you break apart you settle back against his shoulder. “Stay,” he says.

“Obviously,” you say. He pulls you closer.

In the next room, Mia sleeps, completely safe, completely loved, completely unaware that someone knocked on the door today and was turned away.

She’ll know, eventually. Jake will tell her, carefully, at the right time, in the right way. That’s the kind of father he is. But tonight she just sleeps. And you and Jake stay on the couch until you both drift off, warm and quiet and whole.

The lawyer’s name is Ms. Park and she is very thorough.

Jake comes back from the meeting on a Wednesday looking lighter than he has all week. He finds you in his kitchen — where you are most afternoons now, it’s become accepted fact — and he leans in the doorway and says:

“She has no legal standing. She relinquished custody voluntarily and completely. If she wants any kind of access she would have to apply through the courts and demonstrate sustained rehabilitation and it would be a long process with no guarantee.”

You set down the mug you’re washing. “Okay.”

“She came here once and I turned her away and she hasn’t come back.” He exhales. “I don’t think she’s going to pursue it. I think she came here for me and when that didn’t work—”

“She has no reason to stay.” You cross the kitchen to him. Put your hands on his chest. “How do you feel?”

He thinks about it genuinely, the way he does. “Relieved,” he says. “And— sad, a little. That it’s this way. That Mia doesn’t have—” He stops.

“She has you,” you say. “She has Sandy and Mrs. Kim and the daycare teachers who love her and Theo the worm friend and—” You meet his eyes. “She has me. For as long as you’ll both have me.”

Something moves through his face. “Forever, then,” he says simply.

Your heart turns over. “Yeah,” you say softly. “Forever works.”

He kisses you there in the kitchen and it tastes like relief and sunlight and something settled and permanent. From the doorway comes a small voice. “Are you kissing again?”

You break apart to find Mia standing in the hallway in her socks, Mr. Bunny under her arm, regarding you both with the patient exhaustion of someone who has seen this many times and has opinions. “Sorry,” Jake says, not sounding sorry at all.

“It’s fine,” Mia says, generous. “You can kiss. But after can we do the fort?”

“We can do the fort,” you confirm. She nods, satisfied. Turns and toddles back down the hall.

Jake looks at you. You look at Jake.“The fort,” he says. You nod in agreement and follow him and your daughter down the hall.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

Three months later, Mia stops calling you my Y/N. She starts calling you mama.

It happens on a Tuesday. Not a special Tuesday. Not a significant one. Just an ordinary Tuesday in February where the sky is doing that flat grey thing it does in late summer when the heat hasn’t broken yet and everything feels slightly sticky and slow.

You’re doing her hair. The Wednesday morning routine has migrated — it’s every morning now, most mornings, because somewhere between October and February the question of which apartment are you sleeping in stopped being a real question. You’re here. You live here, functionally, in every way that matters except the technical one. Your toothbrush is here. A drawer is yours. Gerald the succulent has been relocated to the kitchen windowsill where he gets better light and Mia waters him every second day with great ceremony.

Jake is in the kitchen. Coffee is happening. Mia is between your knees on the couch, holding Mr. Bunny, and you’re doing two neat braids because she has decided braids are her preference this week and you’ve been practicing. “Tighter,” she instructs.

“If I go tighter it’ll pull.”

“I want tight braids.”

“You want braids that feel comfortable and also look good.”

She considers this negotiation. “Okay,” she concedes.

You keep going. She hums something to herself, swinging her feet, and you work through the second braid, and it’s quiet in the good way, the way that only exists when everyone in a space is completely comfortable. “Mama,” Mia says.

“Hmm?” You tie off the braid.

“Can I wear the yellow dress today?”

You’re reaching for the second hair tie when it lands.

Mama.

She said it like it was nothing. Like it was the most natural word in the world. Like she’s been saying it her whole life, which — you realize, with your heart doing something enormous and unsteady in your chest — maybe in her head she has been.

“Yeah,” you manage, and your voice comes out almost normal. “Yeah, baby, we can find the yellow dress.”

She scrambles off the couch and heads to her room, completely unbothered, Mr. Bunny trailing from one hand. You sit there. In the kitchen, the coffee maker finishes its cycle.

Jake appears in the doorway with two mugs, takes one look at your face, and stops. “What happened? Are you okay? What—”

“She called me mama,” you say.

The mugs go onto the coffee table. Jake sits beside you and looks at you with an expression that is doing the same enormous unsteady thing yours probably is. “Just now?”

“Just now.” Your voice is not quite steady. “She asked if she could wear the yellow dress and she called me mama and then she just— walked off. Like it was nothing.”

“Y/N—”

“I’m not upset.” You turn to him, urgent, needing him to understand. “I’m not— I’m not upset, Jake, I just—” You press a hand to your chest. “I don’t know what to do with this.”

He looks at you for a long moment. Then he takes your face in both hands, careful and deliberate, and presses his forehead to yours. “I do,” he says quietly.

“Yeah?”

“Yeah.” He pulls back just enough to look at you. “You say yes. That’s what you do. You just— say yes.”

From down the hall: “Found it!” A pause. “Mama, can you do the buttons?”

You close your eyes. “Okay,” you breathe. Yeah.” You open your eyes. Look at him. “Yeah. Okay.”

He kisses you, quick and soft, and then you get up and go down the hall to do the buttons on a yellow dress, and Jake stands in the living room doorway watching and the expression on his face is the most complete thing you’ve ever seen on a human being.

That night, after Mia is asleep, Jake asks you to move in. Not impulsively. Not as a reaction to the morning. You can tell he’s been thinking about it for a while — there’s a particular quality to his stillness when he’s been working up to something, and you’ve learned it the way you’ve learned all of him, gradually and permanently.

You’re on the couch. Late. The lamp on, the city quiet outside. His hand in yours. “Move in,” he says. You look at him. “Properly,” he says. “Not the drawer and the toothbrush. All of it. Gerald and everything.”

“Gerald’s already here.”

“I know.” The corner of his mouth moves. “Consider it a trial run.”

You look at your joined hands. At the apartment that has been yours in every meaningful sense for months. At the hallway where Mia is sleeping with Mr. Bunny and her color-organized stuffed animals and absolute certainty that you will be here in the morning. “Yeah,” you say.

“Yeah?”

“Obviously yeah, Jake.” You lean over and kiss him. “Obviously.”

He pulls you in and holds you there, and you feel him exhale slowly against your hair. “She’s going to lose her mind,” he says.

“She’s going to tell Gerald first.”

“She’s going to tell Gerald, then Mrs. Kim, then Sandy, then everyone at daycare.”

“In that order.”

“In that exact order.”

You’re both laughing, quiet so you don’t wake her, and it settles into something warm and certain. “Hey,” Jake says. “I love you.”

“I love you too.” You press your face into his shoulder. “Both of you. The whole thing.”

“The whole thing loves you back,” he says simply.

You tell Mia in the morning. Jake does it, at breakfast, with the careful measured approach of a man who has learned that toddlers receive important news better when they’re eating something. “Hey Mia. You know how Y/N stays here a lot?”

Mia looks up from her toast. Looks at you. Looks back at Jake. “Yes.”

“How would you feel if she stayed here all the time? Like, lived here. With us.”

Mia blinks. Puts down her toast. Looks at you with enormous serious eyes. “Like forever?” she asks.

“Like forever,” Jake confirms.

She stares at you for a long moment with the focused intensity of someone making a very important assessment.

Then she gets down from her chair, crosses to you, climbs into your lap uninvited and completely certain of her welcome, and wraps both arms around your neck. “Okay,” she says into your shoulder. “You can live here.”

“Thank you,” you manage, arms tight around her.

“Gerald will be happy,” she adds.

“He really will.”

She pulls back. Looks at your face. Puts her small hand on your cheek exactly the way she did on the very first morning, in the hallway, four months ago when she was looking for her rabbit. “Don’t cry,” she says kindly. “It’s good news.”

“I know.” You laugh, wet at the edges. “Happy tears.”

“Oh.” She considers this. “Okay.” Then, satisfied, she climbs back down, retrieves her toast, and resumes breakfast.

Jake is looking at you over her head with an expression that could power something. “Told you,” he mouths. You shake your head, still smiling, still blinking hard.

The whole thing loves you back. Yeah. Yeah it really does.

The move takes a weekend. It’s not a big move — your apartment was small and you’ve been migrating things gradually for months without meaning to — but there’s something significant about doing it officially. Carrying boxes across the hall. Hanging your clothes properly in the wardrobe. Arranging your books on the shelves beside Jake’s.

Mia supervises. She is a very involved supervisor, offering opinions on where everything should go and occasionally redirecting items she feels would be better placed in her room. You negotiate firmly on the throw blanket. You surrender the small lamp without a fight because she’s put it next to Mr. Bunny and it does look good there, objectively.

By Sunday evening the apartment is a comfortable chaos of rearrangement and you’re all sitting on the living room floor eating pizza from the box because no one has the energy to locate the table under the moving debris.

Mia is in your lap. Jake is beside you, shoulder to shoulder, pizza slice in hand, looking around the apartment that has shifted and expanded and settled into something new. “Looks different,” he says.

“Good different?”

He looks at you. “Yeah. Really good different.”

Mia tilts her head back to look up at you from your lap. “Can we build the fort now?”

“We live in a fort,” you tell her, gesturing at the surrounding box landscape.

Her eyes go wide. She looks around. Looks back at you. “We live in a fort,” she breathes.

“We live in a fort,” Jake confirms solemnly. She is overcome.

You and Jake look at each other over her head, laughing, and it is — this moment exactly, pizza and boxes and a delighted three year old and the lamp in the wrong place and Gerald on the windowsill — it is everything. Absolutely everything.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

A year later

The morning of the wedding, Mia wakes up at five forty-three AM. You know this because she comes and stands beside the bed and breathes on your face until you open your eyes. “It’s today,” she whispers.

“It is,” you confirm.

“I’m the flower girl.”

“You are.”

She absorbs this with great seriousness. Then: “I need to practice.”

“Mia, it’s not even six—”

“I need to practice.”

Jake makes a sound beside you that is him absolutely not laughing. You elbow him. “Okay,” you say. “But quietly. So we don’t wake the neighbors.”

She nods, solemn and focused, and turns and walks very slowly back down the hallway, scattering invisible petals with great ceremony, narrating under her breath — and then I walk here, and then here, and then I find mama—

You lie there in the early morning grey and stare at the ceiling and think about the word mama the way you have thought about it every day for the past year and a half. The way it still does something enormous to your chest. The way you don’t think it will ever stop.

Jake rolls toward you. Presses his face into your neck. “Morning,” he murmurs.

“Your daughter is practicing flower girl technique in the hallway.”

“She’s been planning this since we told her.” His arm comes around you. “She asked Sandy if she could practice at her house. She practiced at daycare. She made Theo be the groom so she could practice walking toward someone.”

“She’s extremely prepared.”

“She’s extremely her.” He presses a kiss to your jaw. “How are you feeling?”

“Good.” You turn to face him. His face in the early light, sleep-soft and certain and completely, permanently yours. “Really good. You?”

“Best day of my life,” he says simply. “After the day she was born. And the day you moved in. And the day you said yes when I asked.” He pauses. “Top five, at minimum.”

“That’s very good company.”

“You’re very good company.” He kisses you properly, slow and warm, and from the hallway comes the sound of small feet completing another practice lap.

“…and then I find mama, and she’s the prettiest—” You pull back from Jake, blinking hard. He looks at you. Reaches up and brushes his thumb under your eye, gentle.

“She’s not wrong,” he says.

“It’s five forty-five in the morning, I look terrible—”

“You look like the person I’m marrying today.” He holds your gaze. “Which means you look perfect.” You press your face into his shoulder and hold on for a moment.

From the hallway: “Okay I’m ready. Can we have breakfast now?”

Sandy comes at nine to take Mia for hair and getting dressed — a situation Mia has been anticipating with the focused excitement of someone who has been told she gets curls and a flower in her hair and has not stopped thinking about it since.

She submits to the process with remarkable patience, sitting very still while Sandy works, only turning her head twice to update you on developments. “It’s getting curlier,” she reports.

“I can see that.”

“Do I look like a princess?”

“You look exactly like a princess.” She nods, satisfied, and returns to stillness.

When it’s done she stands in front of the mirror in her small white dress — simple, with a yellow sash, because she requested yellow and you would move mountains before you’d say no to that — and looks at herself for a long, serious moment.“I look nice,” she concludes.

“You look incredible,” Sandy says.

“Yeah.” She turns to look at you. Her eyes go wide. “Mama. You look so pretty.”

You’re in your dress — simple, exactly what you wanted, nothing complicated — and your hair is done and you’re holding your bouquet and you’re trying very hard not to cry and failing slightly.“So do you,” you tell her.

She crosses to you. Reaches up and takes your hand, the way she did in a hallway a long time ago, completely certain of her welcome.“Don’t be nervous,” she tells you.

“I’m not nervous.”

“Good.” She squeezes your fingers. “Daddy loves you the most.”

“He loves you the most.”

She considers this with genuine fairness. “He loves us the same,” she decides. “Equal. Like a tie.”

“That’s exactly right.”

She nods. Pats your hand once, settling the matter. “Okay,” she says. “Let’s go get married.”

The venue is small and warm and full of people who love you.

Mrs. Kim is in the third row in her best jacket, already dabbing her eyes. Sandy is beside her. Jake’s parents flew in from Brisbane — his mother cried when she met you and his father shook your hand for a very long time and said thank you for making them happy and you’d had to excuse yourself to the bathroom for five minutes after that.

Your own family. Your friends. The people who have been the walls of your life. And at the end of the aisle, Jake.

In a dark suit, hands clasped in front of him, hair the way you like it. He’s talking quietly to the celebrant and then someone touches his arm and he looks up and sees Mia in the doorway.

His face does what it always does when he sees her. That open, completely unguarded thing. She waves at him. He waves back.

Then he sees you behind her and his face does something else entirely.

The music starts. Mia goes first. She has been told, approximately as many times as you can tell a four and a half year old anything, that flower girls walk slowly. Measured. Elegant. She lasts four steps.

Then she spots Jake at the end of the aisle and she goes — there is no other word for it — feral with excitement, sunflowers clutched in both fists, petals going in every direction except down, grinning so hard her whole face is the grin, half walking half skipping half something entirely her own.

“DADDY I FOUND HER” she announces at full volume to the entire assembled gathering. “I FOUND HER SHE’S HERE”

The room erupts. Not polite wedding laughter. Real laughter, the kind that comes from somewhere genuine, rippling through every row. Mrs. Kim is crying laughing. Sandy has her hand over her mouth. Jake’s mother is gripping his father’s arm.

Jake is crouching down to catch Mia as she reaches him, scooping her up, pressing a kiss to her chaotic curls, the flower in her hair somehow surviving the sprint. “Good job,” you hear him tell her.

“I practiced,” she says, very serious.

“I know you did, baby.” He sets her down. She takes her position with great dignity, as though the sprint did not happen, as though she has been standing here elegantly the entire time.

And then Jake looks up at you. You walk toward him. The room goes soft around the edges — not blurred, just quiet, the way things go when you’re paying attention to the only thing that matters. The faces on either side are warm and familiar and you see them without seeing them because you’re looking at Jake.

Jake, who opened his door on a panicked Tuesday morning and showed you his worst fear and his whole heart in the same thirty seconds.

Jake, who makes coffee before you ask and remembers every small thing and says what he means with a simplicity that still sometimes catches you off guard.

Jake, who watched you fall in love with his daughter before you fell in love with him and let it happen without trying to manage or protect or preempt it, because he trusted you, because he looked at you and knew.

You reach him. He takes your hand and holds it like he’s been holding it his whole life. “Hi,” he says quietly.

“Hi,” you say back.

Beside him, Mia has taken your other hand. She holds it with both of hers, feet planted, present and accounted for, witnessing this with the gravity it deserves.

The celebrant begins. The vows are Jake’s own words. You knew this. You wrote yours too, separately, privately, the way you’d agreed. But hearing them — in his voice, in this room, looking at his face — is different from knowing.

He talks about the morning Mia escaped into the hallway and how he stood in your doorway afterward watching you crouch down to his daughter’s level and felt something shift that he couldn’t name yet and didn’t try to.

He talks about Wednesday mornings with the hairbrush. About leftover pasta and late night texting and the drawing on the fridge.

He talks about the way you love Mia — not as a condition of loving him, not as an extension of it, but first, entirely and separately first, because that’s who you are.

She picked you, he says, before I had a chance to. And she has never once been wrong about anything important. Beside you, Mia straightens slightly at this. You feel her grip on your hand tighten.

I’m not a man who believed in easy, Jake says. I thought love was supposed to be something you work and worry at. And then you moved in across the hall and you were just — easy. Everything with you has just been easy. Not without difficulty. Not without fear. But easy the way breathing is easy. The way I can’t imagine not doing it. His voice has gone rough at the edges.

I love you. I loved you in October and I loved you in February and I love you today and I’m going to love you when Mia is grown and gone and it’s just us and I’m going to love you in every ordinary Tuesday that comes after this one because that’s where you live. In the ordinary Tuesdays. And I want every single one of them.

The room is very quiet. You are absolutely crying. You decided before today that you weren’t going to cry until after the vows at the earliest and you have failed completely. “Don’t cry,” Mia whispers, helpful. “It’s good news.”

Laughter moves through the room like a wave. Jake laughs too, wiping his eyes, and you laugh through yours, and it breaks the solemnity just enough, the way the best moments always do — serious and true and then suddenly full of light.

Your vows. You talk about duck pajamas and a stuffed rabbit and a small hand in yours in a hallway. You talk about a crayon drawing on a fridge and a child who put you in her family portrait before you knew you belonged there.

You talk about a man who carried his daughter on his shoulders through a farmers market and came home to make dinner and knocked on your door with leftover pasta and showed you what it looked like when someone decided that loving people well was the most important thing they could do.

You taught me that, you say. Both of you. You showed me what it looks like when love is a decision someone makes every single day without drama and without conditions. Mia does it for everyone she meets. You do it quietly and completely and I want to spend the rest of my life doing it back. You look at Jake.

I love you. I love our ordinary Tuesdays. I love Wednesday mornings and Saturday markets and bedtime stories and all the Gerald updates and every single version of this life we’ve built in an apartment across the hall from where I used to live alone. I love your daughter.

You look down at Mia. She is watching you with her whole face. Completely still, completely focused, taking this in with the seriousness it deserves.

She is the best thing, you say. She is the absolute best thing, and I promise her, today, in front of everyone who loves us, that I am here. I am not going anywhere. She is mine and I am hers and that is permanent and unconditional and nothing will ever change it.

Mia’s lip wobbles. Just slightly. You watch her decide, with great effort, not to cry, because she is a flower girl and flower girls are professionals and she has a reputation to maintain. She squeezes your hand instead. Very hard. You squeeze back.

I now pronounce you married.

Jake kisses you, and the room rises, and somewhere in the noise you hear Mia announce to no one in particular and everyone simultaneously:

“THAT’S MY MAMA NOW. THAT’S OFFICIALLY MY MAMA.”

And then, apparently satisfied that this has been adequately communicated, she inserts herself between the two of you and takes both your hands and holds on.

Jake looks at you over her head. He doesn’t say anything. He doesn’t need to.

The reception is everything. Mrs. Kim dances with Mia for forty-five minutes straight and neither of them stops. Sandy cries every time someone gives a speech. Jake’s father gives a toast that makes the whole room laugh and then immediately cry. Your own people hold you and tell you they knew, they always knew, from the moment you started talking about the little girl next door like she’d hung the moon.

Jake dances with Mia first — tradition, he’d decided, she gets the first dance — and you stand at the edge of the floor and watch her stand on his feet, both of them swaying to something slow, her head against his chest, his hand spanning her whole back.

You take a photo. You will look at that photo for the rest of your life.

Then he passes her off to his mother and comes to find you, hand extended, and you take it and let him pull you out onto the floor. “Hi wife,” he says, like he’s trying the word out.

“Hi husband.”

He smiles. Pulls you closer. “How’s it feel?”

“Same,” you say honestly. “Exactly the same. Just— more settled.”

“Yeah.” His hand moves on your back. “Like it’s been true for a while and now the paperwork caught up.”

“Exactly like that.”

You dance. The room moves around you, warm and full of people you love, and Mia is somewhere in it, probably telling someone about Dave the worm or Gerald or the structural integrity of forts, and it is — all of it, every piece — everything. All of it everything.

She falls asleep at nine fifteen. Mid-sentence, apparently — Jake’s mother told you later she was explaining the color organization system for the stuffed animals and then she simply stopped explaining and was asleep, curled in the chair with her flower crown half off and her shoes long since abandoned and the last of her sunflowers still in her hand.

Jake carries her out to the car at the end of the night, limp and certain and completely trusting the way only sleeping children are, and you tuck the seatbelt around her and push the flower crown gently back from her face. She doesn’t wake up.

She won’t remember being carried, won’t remember the drive home, won’t remember being tucked in. But in the morning she’ll wake up and come and stand at the side of your bed and breathe on your face until you open your eyes, and you’ll ask her how she slept and she’ll say good and you’ll ask if she had fun at the wedding and she’ll say yes I was the flower girl with the proprietary satisfaction of someone who performed their role excellently and knows it. And she’ll be right. She was, without any competition, the best part.

Later. Much later. His penthouse — your penthouse, it still catches you sometimes — quiet and dark except for the city light through the windows. Mia asleep down the hall. The flower crown on the kitchen counter. Your bouquet in a glass of water because you couldn’t throw it, it was too pretty.

Jake’s jacket over the chair. Your heels by the door. You and Jake on the couch the way you’ve been a hundred times before, his arm around you, your head on his shoulder, the easy comfortable weight of each other. “Hey,” he says quietly.

“Hey.”

“Mia told Theo’s mum today that she picked you.”

You lift your head. “What?”

“At the reception. Apparently she walked up to Theo’s mum completely unprompted and said—” He’s smiling. “She said I picked her first. Before Daddy even knew.”

You stare at him. “She’s four and a half,” you say.

“I know. She’s extremely perceptive,” Jake says. “Always has been.”

You think about a Tuesday morning and duck pajamas and the end of a hallway. The hand on your cheek. You’re nice. The absolute certainty of it. The way she gave you her fingers without hesitating like she already knew. “She did pick me first,” you say softly.

“Yeah.” Jake presses a kiss to your hair. “She really did.”

The city does its quiet nighttime thing outside the windows. Down the hall, Mia sleeps. You and Jake stay where you are, warm and settled, in the ordinary extraordinary life you built one Tuesday at a time.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

Three weeks later, on an ordinary Wednesday morning, Mia sits between your knees on the couch.

You’re doing her braids. Jake is in the kitchen. Coffee is happening. Gerald is on the windowsill. Mr. Bunny is in the orange section of the stuffed animal shelf. Everything exactly where it should be. “Mama,” Mia says.

“Hmm?”

“When I’m big can I be a flower girl again?”

“When you’re big you can be whatever you want.”

She considers this carefully. “I want to be a flower girl and a paleontologist and a cat.”

“All three?”

“On different days.”

“That seems manageable.” She nods, satisfied. Swings her feet.

From the kitchen, Jake: “Braids today?”

“Braids,” Mia confirms, with the authority of someone whose hair decisions are final. You finish the first one. Start the second. The morning does its ordinary thing around you.

Mia tilts her head back to look up at you, upside down, grinning. “I love you, mama.”

You smooth a hand over her hair. “I love you too, baby,” you say. “So much.” She rights herself. Goes back to swinging her feet.

Outside the window the morning is doing what mornings do, indifferent and ongoing and full of ordinary things.

In here it is warm. In here everyone is exactly where they are supposed to be. This is just the beginning. And it is everything.

⋆⋅☆⋅⋆ ⋆⋅☆⋅⋆

Hi lovelies! If you made it all the way to the end I hope you enjoyed. I’ve had a few people ask for a drabble or two based off this. if you want to see this click this and comment below your suggestions and what you want to see.

The party is Mina’s idea. It always is. You’ve stopped pretending otherwise — stopped doing the thing where you spend twenty minutes debating whether you’re really feeling it before Mina gives you the look and you both know you’re going regardless.

It’s a Friday in late September, the air outside finally tipping from warm to something with a bite in it, and you’ve been in your dorm room since two in the afternoon staring at the same paragraph of Middlemarch without absorbing a single word.

“You need to get out of this room,” Mina says from your bed, where she’s been watching you not read for the past hour. She’s already dressed — black top, dark jeans, the gold hoops she only wears when she’s decided the night is going to be worth the effort. She decided before she came over. The last hour has been a courtesy. “You’ve been staring at that book like it cheated on you.”

The word lands between you, briefly. Mina’s face doesn’t change “George Eliot is a menace,” you say.

“You love George Eliot.”

“I love George Eliot when I’m not trying to produce fifteen hundred words on her narrative voice by Monday morning.” You close the book. It’s not like you’re reading it anyway.

The thing about Delta Kappa parties is that they are, by any objective measure, too much. Too loud, too hot, the bass sitting somewhere in your sternum, red cups and bodies everywhere you look. Mina thrives. You tolerate it with the specific resignation of someone who knows they’re going to have a good time despite themselves and finds this faintly irritating.

You’re on your second drink when you see Sunghoon. He’s across the room near the kitchen doorway, mid-conversation with someone you don’t recognise, laughing at something. Head tipped back the way he always did — that particular way, unhurried and a little private, like whatever amused him was his alone. You used to love that about him. You watch it for maybe three seconds before you look away, which feels like a victory of some kind.

Four months. Four months since you’d found out, since you’d sat on your dorm room floor and read a conversation thread you were never supposed to see, since everything you thought you’d built with him had turned out to be built on something rotten underneath.

Two years of your life. Your first real relationship. You’d thought it would last.

You look away. You drain the rest of your cup.

“He’s here,” Mina says, appearing at your elbow with the precision of someone who has been watching.

“I know.”

“Do you want to leave?”

“No.” You mean it. “I’m not leaving a party because of Sunghoon Park.”

She studies you for a moment with that particular look — the one that measures the difference between actually fine and performing fine with uncomfortable accuracy. Whatever she finds seems to satisfy her, because she clinks her cup against yours and says, “Then let’s get another drink.”

You’re at the makeshift bar — someone’s kitchen counter pressed into service — when you become aware of someone standing beside you. Not waiting for the bottle. Something else. A specific quality of attention that you register before you’ve consciously clocked it. You look up. Jake Sim looks back.

You know who he is the way you know most things about the people who exist in Caldwell’s uppermost stratum — passively, through cultural osmosis, without ever having chosen to learn. Captain of the Wolves. Dean’s son. The name that comes up in a specific tone of voice, like a warning dressed as gossip.

Up close he is, unfortunately, exactly as good-looking as that reputation implies. Tall, built through the shoulders and chest in the way that years of hockey builds — not showy, just solid, like his body was designed to take up space and does so without apology. Dark eyes. A jaw that should probably be illegal. A mouth curved at the corner like he’s already three steps ahead of the conversation and finds this mildly entertaining.

“You’re doing maths,” he says.

You blink. “What?”

“Your face.” He nods at you, vaguely. “Very intense for someone just standing at a bar.”

“I’m making a drink.”

“You’ve been staring at that vodka for forty-five seconds.”

“I didn’t realise I was being timed.”

“You weren’t.” He reaches past you for the bottle — close enough that you catch something clean and faintly expensive — pours his own cup, sets it back.

“I’m Jake.”

“I know who you are.” Something moves through his expression. Amusement, maybe, or the specific satisfaction of a fact confirmed.

“Most people do,” he says, and there’s no arrogance in it, just a statement of observable reality, which is somehow worse. “And you’re—”

“Also a person,” you say.

That gets a real smile. Brief, but actual. “Fair enough.”

You should find Mina. You’re aware of this the way you’re aware of the coursework due Monday and the fact that it’s past midnight — true, noted, irrelevant. Instead you stay where you are and let the conversation go where it goes, and it goes somewhere you didn’t expect.

He’s good at this. That’s the thing you clock first and keep clocking — the way he makes conversation feel like it has momentum, like you’re building toward something together, the timing of his humour landing slightly off-beat in a way that catches you. He asks questions and actually listens to the answers. You know it’s a formula. You know it has worked on an uncountable number of girls at an uncountable number of parties exactly like this one, and knowing that should make you immune to it, and it doesn’t.

Mina finds you at some point, clocks the situation in under a second, raises her eyebrows precisely two millimetres — a full paragraph in two millimetres — and disappears back into the crowd.

At some point his hand finds the small of your back. Light. Questioning. You don’t move away from it. At some point, close enough that you feel the words more than hear them, he says: “We could get out of here.”

You think about Middlemarch, which you’re not going to read tonight regardless. You think about the two years you spent being someone’s person and the four months since that have felt like learning to walk in a body that’s been subtly rearranged. You think about Sunghoon somewhere in this house with his head tipped back, laughing.

“Okay,” you say.

His room is in the east block upperclassmen housing — a single, because of course, because Jake Sim has probably never had to negotiate space with anyone in his life. It’s tidier than you’d have guessed. You file this away without meaning to, the way you’re still filing things even now, even when you’ve told yourself you’re not doing that anymore.

He closes the door and you’re already turning toward him and then his mouth is on yours and it’s nothing like how he acted downstairs — no charm, no ease, just heat and intent, his hands gripping your face and kissing you like he’s already decided exactly how this goes.

You grab his shirt and walk him backwards and he turns you instead, smooth and immediate, your back hitting the wall beside the door hard enough to knock the breath out of you and you don’t care, you’re already pulling at his shirt and he’s already got your top halfway up your body.

He strips it off you and his mouth drops straight to your throat, open and hot, and then your bra is unclasped and gone before you’ve fully registered his hands at the back of it.

Then his mouth is on your tits and he makes a sound low in his chest like the sight of them was specifically designed to ruin him. His hands cup them, squeezing, thumbs dragging slow over your nipples and watching your face while he does it. You feel your cheeks go hot because his expression is entirely too focused, too attentive, like he’s cataloguing your reactions and filing it away for later use.

He bends his head and takes one nipple into his mouth, tongue working in slow wet circles. Your head drops back against the wall on a moan you didn’t mean to let out that loud.

“Yeah,” he says against your skin, rough and pleased, “get loud,” and bites down lightly you gasp and your nails find his shoulders through his shirt.

He marks you up like he has all the time in the world — mouth dragging from your tits to your throat to your collarbone and back again, teeth and tongue, leaving his work on your skin with a thoroughness that should feel like too much and instead just makes you want more.

His hips grind into yours against the wall, the hard line of his cock pressed against your core through clothing, slow and deliberate, the friction makes you roll up into it and he does it again to which you make a sound that’s honestly embarrassing.

“Bed,” you manage, and he pulls back just enough to look at you — mouth-bitten, dark-eyed, satisfied with himself in a way you don’t have the capacity to be annoyed about right now — and walks you to it.

You land on the mattress and he’s over you immediately, his mouth back on your tits before you’ve stopped bouncing on the mattress, you’re pulling at his shirt until he lets you get it off him and then his jeans are gone and yours are gone and he’s settled between your thighs in just his boxers and the weight of him is — a lot, in the best way, solid and warm and pressing you into the mattress, his hips grind down slow as his cock drags against your pussy through the thin fabric of your panties, you grab his shoulders to hold onto something.

He does it again. Slower.

His mouth is still at your nipple, tongue working it stiff while his hips keep that maddening rhythm, grinding into you with enough friction to make your thighs clench around him but not enough to give you anything real, you can hear how wet you are, can feel it and judging by the way his jaw tightens he can too.

“Jake,” you say, and it comes out more desperate than you intend.

“I know,” he says, like that’s an answer, and then he’s moving down your body.

He hooks your underwear off, throws it somewhere and finally puts his mouth on your pussy. Your back comes off the mattress.

He licks into your folds slowly, taking his time, his tongue dragging from your entrance up to your clit in one long stroke and then doing it again, his hands are spread flat on your inner thighs holding you open and still and there is nothing to do but take it.

He’s good — infuriatingly good — like he’s genuinely interested in making you cum, like this is something he wants to do rather than something he’s doing to get to the next thing. You’ve got one fist in the sheets and one pressed to your own mouth to which he pulls your hand away from your face without looking up. “Don’t,” he says against your cunt, and goes back to work.

His tongue finds your clit and stays there, tight focused circles, two fingers then press at your entrance and push in slow, curling immediately, finding the spot that makes your hips jolt and working it with patience that feels almost cruel.

The sounds coming out of you are loud and continuous and undignified and he hums against you like he approves, the vibration travelling straight up your spine, and you can feel yourself getting close embarrassingly fast, your walls clenching tight around his fingers, your whole body chasing it.

“Don’t stop,” you manage, “don’t — please —“ and he doesn’t, his tongue relentless on your clit and his fingers curling deep, and you cum on his mouth with your thighs shaking, his name coming out broken and too loud for the room.

He works you through every second of it, tongue gentling, fingers slowing until you’re twitching and oversensitive and pulling at his hair to get him off you, he comes back up your body looking composed in a way that feels like a personal attack. There’s something dark and satisfied in his expression as he looks down at you and kisses you before you can say anything, slow, and you taste yourself on his tongue.

His cock is hard against your hip, straining against his boxers, you reach between you and wrap your hand around him and feel him shudder. He’s thick and heavy in your palm, already slick at the tip and when you stroke him his composure cracks — hips pushing into your grip, jaw tightening and a low rough sound forming against your mouth.

You work him slow and watch his face and feel something warm and powerful settle in your chest. “Condom,” you say.

“Yeah,” he says and reaches for the nightstand.

He pushes in slow and you feel every single inch. The stretch of him opening you up, thick and relentless, your walls giving way around his cock, you dig your nails into his back and breathe through it until he’s fully seated. You’re so full it sits somewhere between pleasure and pain and then he rolls his hips and it tips firmly into the first one.

He starts slow — deep, grinding strokes, his cock dragging against every nerve of you, the weight of his hips pinning yours into the mattress and his mouth finds your tits again immediately, like he can’t help it, tongue working your nipple while his hips keep their deep rhythm and you stop being capable of thoughts that go anywhere.

“You’re so fucking tight,” he says against your breast, low and rough, and bites down on the swell of it and soothes it with his tongue and does it again somewhere else.

“Jake—”

“I know,” he says, his thumb finds your clit. The added pressure makes you gasp and your hips jolt up to meet his and he makes a sound that isn’t quite a groan and picks up the pace.

The slow grind gives way to something sharper. His hips snap against yours and the headboard knocks the wall and the wet sounds of it fill the room. You have completely stopped caring about anything except the way his cock fills you on every stroke, deep and thick, the drag of him pulling back and driving in again setting off a chain reaction of sensation that climbs fast.

He shifts your leg up higher over his hip and the angle changes, deeper, and the sound you make at that is genuinely obscene. “Yeah?” he says, doing it again, deliberate. “There?”

“Yes,” you manage, “there, don’t stop, please—”

“Dirty when you want something,” he says, low and pleased, and fucks you harder.

His thumb circles your clit without stopping, his cock drives into your cunt again and again and his mouth marks your throat. The build crests too fast to catch — you cum for the second time harder, walls clenching rhythmically around him, his name coming out wrecked and he follows you over with his hips buried deep and his face pressed to your throat, low broken sounds against your skin as he cums.

The room goes quiet. You stare at the ceiling. Your body has been taken apart and put back together slightly differently and everything feels warm and loose and heavy.

That, you think distantly, was either the best or worst decision you’ve made in months.

Possibly both.

Jake disposes of the condom, comes back, drops onto the bed beside you. The quiet settles. It’s almost comfortable — the dark, the warmth, both of you just breathing. And then…

“You can go whenever,” he says. Flat. Casual. Already looking at the ceiling like you’re no longer the most interesting thing in the room. Like you’ve been downgraded, in the last thirty seconds, from a person to an inconvenience that’s resolved itself.

You blink. You can go whenever. Not you don’t have to rush, not do you want some water, not even basic human decency. Just — you can go. Door’s there. Thanks for coming.

Something cold moves cleanly through the warmth in your chest and extinguishes it. You sit up. “Right,” you say. Your voice comes out level. You’re proud of that.

He says nothing. He is staring at the ceiling with his arms folded behind his head like a man with absolutely no awareness that he’s just been profoundly rude, or perhaps perfect awareness and total indifference, which is worse.

You find your clothes in the dark with quiet methodical efficiency — jeans, top, shoes, bra shoved into your bag because life is short. You do not look at him while you dress and he does not look at you. At the door you pause, and you genuinely don’t know why, some reflex kicking in from a life spent being polite to people who haven’t earned it.

“Bye, then,” you say.

“Mm,” says Jake Sim, at the ceiling not even at you. You want to scoff in his stupidly hot face.

You close the door behind you.

The walk back across campus takes twelve minutes and you spend all twelve of them with the cold night air doing its best against the heat in your face. Not embarrassment — or not only that. Something sharper. The specific anger of someone who knew exactly what they were walking into and walked into it anyway and is now annoyed at themselves for being annoyed.

I knew, you think, with each step. I knew what he was. Everyone knows what he is. I just—

You’d let the hour at the bar do its work. You’d let the conversation and the hand at the small of your back and the dark eyes and the unfair jaw do their work, and you’d told yourself it was fine because you were going in clear-eyed, and the sex had been — god, the sex had been amazing — but then he’d opened his mouth and reminded you exactly who he was and now here you are, at one forty in the morning, crossing the quad with your bra in your bag.

You text Mina. still up?

The reply is immediate. obviously. how was it?

You stare at your phone for a moment. come to mine, you type back.

Mina is sitting up in your bed when you get back, laptop open, a bowl of cereal balanced on her knee that she definitely made while waiting. She takes one look at your face as you come through the door and sets it on the nightstand. “Tell me.”

You drop your bag, toe off your shoes, and sit on the end of the bed. You press your fingers to your eyes for a moment. “The sex,” you say carefully, “was genuinely incredible. Like — top three of my life, Mina. Easily. Potentially top two.”

“Okay—”

“And then, the moment it was over, he looked at the ceiling and told me I could go whenever.” You drop your hands. “In the tone of someone dismissing a tradesman. Like I’d come to fix his boiler.”

Mina’s expression moves through several stages. “He did not.”

“He absolutely did.”

“What did you say?”

“I said bye then and closed the door.”

“Bye then?”

“I panicked and defaulted to manners.” You flop backwards onto the duvet. “I knew. That’s the thing. I knew exactly what he was before I ever spoke to him and I did it anyway because—” You gesture at the ceiling. “I don’t know. Because I’m tired of being careful. Because Sunghoon was across the room being beautiful and I wanted to feel something that wasn’t about him.”

Mina is quiet for a moment. Then: “Was it, at least something that wasn’t about Sunghoon.”

You consider this with the ceiling. “Yes,” you admit. “Annoyingly, yes. Right up until he opened his mouth.”

“He really is the worst,” Mina says, with the conviction of someone delivering a verdict.

“He really, genuinely is.” You stare upward. “He’s got such a good cock though, Mina. Like. I’m annoyed about it. I’m actively annoyed.”

Mina puts her face in her hands. You watch her shoulders shake. “It’s not funny,” you tell her, and then you’re laughing too, and the tight mean thing in your chest loosens by a fraction, and outside the window Caldwell goes on being loud and indifferent and fully lit up, and you are fine.

You’re fine. You’re completely fine.

The week after the party you are, by any reasonable measure, completely fine.

You turn in the Middlemarch essay on Monday morning — fifteen hundred words on narrative voice, mostly written Sunday afternoon in a single focused stretch that you attribute to having gotten something out of your system.

You go to your Tuesday seminar and your Wednesday lecture and you have coffee with Mina on Thursday at the place near the English building where they do the good almond croissants, and you do not think about Jake Sim.

Or you think about him the normal amount. The amount that is appropriate for a person you slept with once at a party and will probably never speak to again, which is to say occasionally and without weight, the way you might think about a film you watched on a plane — enjoyable in the moment, not something you’d seek out again, largely irrelevant to your actual life.

This is what you tell yourself. Mina does not challenge it, which means she’s either convinced or she’s decided to let you have it, and knowing Mina it’s the second one.

Sunghoon texts you on Wednesday. Just — hey, saw you at Delta Kappa Friday. you looked good. You stare at it for a long time. You don’t reply.

You see Jake on Monday. You’re crossing the main quad, coffee in hand, bag over one shoulder, running approximately four minutes late for your seminar, and he’s coming the other direction with Jay Park and someone you don’t recognise, all three of them in Wolves gear, clearly post-practice.

He’s laughing at something Jay said, head tilted back, and he looks — easy, and loose, and completely unbothered by anything in the known universe, which you knew, which is exactly what you expected, and yet something about seeing it in person at ten forty-three on a Monday morning makes your jaw tighten anyway.

He doesn’t see you. Or he does and gives no indication of it, which amounts to the same thing. You look straight ahead and keep walking and do not think about it for the rest of the morning.

You think about it a little bit in the afternoon. By evening you’ve filed it away under irrelevant and moved on, which is the correct and mature response and you’re proud of yourself.

The sickness starts on Wednesday morning. You wake up with your stomach doing something wrong — not dramatic, not the sharp unmistakable rebellion of food poisoning, just a low persistent nausea that sits behind your sternum like it’s made itself at home. You lie still for a moment, waiting for it to pass.

It doesn’t.

You get up, make it to the bathroom, sit on the edge of the tub for ten minutes breathing carefully, and then it eases enough that you can brush your teeth and get dressed and tell yourself you’re fine.

You’re not fine by Thursday morning.

The nausea is worse — still not acute, still this low insidious wrongness, but it’s there when you wake up and it doesn’t fully lift, and your coffee tastes like something burnt and metallic and you push it away after two sips which Mina clocks immediately from across the table at the place near the English building.

“You’re not drinking your coffee.”

“I’m not feeling it today.”

Mina looks at the cup. Looks at you. “You have never in three years of knowing you not felt like coffee.”

“There’s a first time for everything.” She watches you for a moment with that look. You look back at your laptop and don’t say anything else.

By Saturday you feel actively, genuinely terrible.

Not sick-sick — no fever, no aches, nothing you can point to as a specific illness — just this relentless creeping nausea that is worst in the morning and fades by afternoon and makes the idea of eating before eleven o’clock an abstract and unpleasant concept.

You cancel your Saturday morning coffee with Mina, which you have never done, and she’s at your door by noon with a container of crackers and a forensic expression. “Talk,” she says.

“I think I’m coming down with something.”

“What kind of something.”

“I don’t know, Mina, a virus. A bug. Something that’s going around.”

She sits down on your bed and opens the crackers and holds them out to you and you take one because the sight of them is, somehow, the most appealing thing you’ve encountered all week. You eat it slowly. Your stomach does not immediately rebel. You take another one. “How long?” Mina asks.

“Since Wednesday morning.”

“And it’s worst in the morning.”

“Yes.”

“And you can’t drink coffee.”

“It tastes wrong.” Mina is quiet for a moment. You eat another cracker and look at the wall. “I’m sure it’s just a bug,” you say.

“Yeah,” Mina says, in a tone that means something else entirely. “Probably.”

The conspiracy theories start that evening, though. It’s the two of you on your bed with Mina’s laptop open and a bag of pretzels between you, and it begins reasonably enough — you googling nausea worse in morning possible causes and working through the list with the detached efficiency of someone who is definitely not spiralling. Stress. Acid reflux. Inner ear issues. Viral gastroenteritis. Dietary changes.

“Have you eaten anything different lately?” Mina asks.

“No.”

“Stressed about something?”

“When am I not stressed about something.”

“Fair.” She scrolls. “It says here inner ear problems can cause—”

“I don’t have inner ear problems, Mina.”

Mina scrolls further. You eat a pretzel and watch her face and wait for it. You know it’s coming. You’ve known since Saturday morning, if you’re being honest, since she’d sat on your bed with that specific expression and said probably in that specific tone, and you’ve been not-thinking about it with considerable effort for the past several hours.

“Okay,” Mina says, carefully, still looking at the screen. “What if.”

“No.”

“I haven’t said anything yet.”

“You don’t have to.” You pull the laptop toward you and close the tab. “It’s been less than two weeks. It’s too early for that. It’s a bug.”

“You used a condom?”

“Obviously.”

“They’re not a hundred percent.”

“It’s a bug,” you say. “It’s a completely normal bug that normal people get and it has nothing to do with — it’s a bug.”

Mina looks at you with the expression of someone who has several more things to say and has made a strategic decision to not say them yet. “Okay,” she says. “Bug.”

By Sunday you can’t keep breakfast down. You sit on your bathroom floor at eight in the morning with your back against the tub and your forehead against your knees and you think about the party, and Jake’s room, and the nightstand, and the condom, and you think no very firmly and repeatedly and it doesn’t help at all.

You text Mina. can you come over

She’s there in seven minutes. She doesn’t say anything when you open the door, just looks at your face, and you nod back at her.

The Caldwell campus drugstore is a five minute walk from your building and has, blessedly, a single-occupancy bathroom at the back that Mina sweet-talks the Saturday cashier into letting you use on the grounds that you’re not feeling well, which is at least entirely true. It’s a very small bathroom.

The two of you fill it completely — you on the closed toilet lid, Mina with her back against the sink, the test sitting on the edge of it between you with three minutes on Mina’s phone timer counting down. Nobody says anything.

The tile is white. There’s a motivational poster on the back of the door — you’ve got this! in yellow letters — that you stare at with a feeling you can’t fully name.

Two minutes.

“It’s probably negative,” you say.

“Probably,” Mina says.

“The condom—”

“Yeah.” “And it’s been less than two weeks. Like. The timing—”

“The timing is actually about right,” Mina says, gently, “for symptoms to—”

“Stop,” you say.

One minute.

You watch the timer. The timer watches back. Your hands are completely still in your lap which surprises you — you’d have expected them to shake, but instead you feel very calm in the specific way that you get sometimes when something is about to happen and your body has decided that panic is a resource to be conserved.

The timer goes off.

Neither of you moves for a second. Then Mina picks up the test and looks at it. Her face does something — a flicker, fast and controlled, there and gone — and she hands it to you without speaking.

Two lines.

You look at it for a long time.

“Okay,” you say, finally.

“Yeah,” Mina says.

The motivational poster on the wall says you’ve got this! in yellow letters and you stare at it and think about Jake Sim telling the ceiling you can go whenever and feel something move through you that is too big and too complicated to have a name yet.

“Okay,” you say again. Like if you keep saying it, it’ll start meaning something useful.

—

You don’t go to him straight away. That feels important somehow — that you don’t just spiral out of that drugstore bathroom and make a beeline for the Hargrove Center in a panic, that you go back to your dorm first and sit with it for a while like a person with some degree of self-possession.

You and Mina order food you mostly don’t eat and sit on your bed with the test face-down on the nightstand like if you can’t see it it’s less real, and you talk around it for a while before you talk about it directly, which is its own kind of processing.

“You don’t have to decide anything today,” Mina says.

“I know.”

“You don’t have to tell him today either.”

“I know.” You pull your sleeves over your hands. “But I feel like — I don’t know. He should know. Like in or not he’s — it’s his. He should know.”

Mina is quiet for a moment. “Okay,” she says. “But eat something first.”

You eat half a portion of noodles. It’s the most you’ve managed in days and your stomach accepts it cautiously, like it’s making no promises. Then you change your top, put your shoes on, and look at Mina.

“Don’t come with me,” you say.

“I wasn’t going to.”

“You were absolutely going to.”

She opens her mouth. Closes it. “Text me the second you’re out.”

The Hargrove Center is a twenty minute walk across campus and you use all twenty minutes to rehearse what you’re going to say, which turns out to be a complete waste of time because the moment you push through the side door and the cold air of the rink hits you — that particular sharp smell of ice and equipment — your prepared sentences evaporate entirely.

Practice is just wrapping up. You can see them from the entrance, the Wolves coming off the ice in clusters, helmets off, sticks in hand. Jay Park says something that makes Riki Nishimura laugh. Jungwon Yang is already halfway to the boards.

And Jake is — there, centre ice, still, talking to one of the assistant coaches with his helmet under his arm and his hair pushed back from his face, and even from here he looks like someone who has never had an uncontrollable variable in his life.

You wait.

You’re good at waiting. You’ve spent the last two weeks being good at things you didn’t choose to be good at.

He sees you when he comes off the ice — clocks you in the way that people clock something unexpected in a familiar space, a brief recalibration. Something moves across his face, too fast to read. Then it’s gone and he’s walking toward you with the easy unhurried stride of someone who has decided to be unbothered and you stand your ground and wait for him to reach you.

“Hey,” he says. Like you’re an acquaintance. Like he’s mildly surprised to see you and finds it mildly unremarkable.

“I need to talk to you,” you say. Something shifts.

The easy expression doesn’t disappear exactly but it adjusts, becomes more guarded. He glances around — Jay is watching from the boards with open curiosity, Riki less subtly — and then jerks his head toward the corridor off the main rink.

You follow him into it. It’s quieter here, the noise of the rink muffled, the overhead lights slightly too bright. He turns and faces you with his arms crossed and his weight back, and waits. You had sentences. You had very good sentences, all the way across campus.

“I’m pregnant,” you say.

The corridor goes very quiet. Jake looks at you. His expression does several things in quick succession that he doesn’t quite manage to keep off his face — shock, and something that might be fear, and then a shuttering, a closing, something careful dropping down over all of it.

“Okay,” he says.

“Okay,” you repeat.

“That’s — okay. How far—”

“I just found out today. So.” You fold your arms across your chest. “Not far.”

He nods slowly. His jaw is working. He looks at the floor for a moment and then back at you and the careful expression is fully in place now, composed and unreadable, and you don’t know whether to be relieved or furious about it.

“Are you sure it’s mine,” he says.

The corridor goes even quieter somehow.

You look at him. “What did you just say.”

“I’m just—” He shifts his weight. “We don’t know each other. I don’t know who else you’ve been—”

“Are you calling me a slut.” It comes out flat. Not a question.

“I’m not calling you anything, I’m just saying I don’t know—”

“You’re the only person I’ve slept with in four months.” Your voice is very level. “I was in a relationship. It ended. I haven’t — there’s been no one else. There’s only been you.” You look at him. “And I can’t believe I’m standing here explaining that to you.”

“I’m not trying to—”

“You literally just implied I could have slept with someone else.” The level voice is beginning to fray at the edges. “You literally said that. To my face.”

“Look, I just—”

You slap him.

You don’t plan it. Your hand moves before the decision has fully formed, the sharp crack of it landing across his cheek, and then there’s a ringing silence and your palm is stinging and Jake’s head has turned with the force of it and he’s looking at you now with an expression you haven’t seen on him before. Not angry. Something more complicated than angry.

“Don’t ever,” you say, quietly, “imply something like that to me again.”

He says nothing. His hand has come up to his cheek, not pressing, just — there. His jaw is tight.

“I thought you should know,” you say. “That’s all. I thought you deserved to know because it’s yours and you deserved to know. I haven’t decided anything yet and I’m not asking you for anything.” You pull your bag higher on your shoulder. “Okay?”

“Okay,” he says. Low. You walk back out into the cold. You text Mina out and she sends back seventeen question marks which is fair.

You tell her you’ll explain when you get back and spend the walk home feeling the particular hollow exhaustion of someone who has done the thing they needed to do and now has no idea what comes next.

You’re back in your building, one flight up, when you hear him behind you. “Hey—”

You turn. Jake is in the stairwell, still in his practice gear, slightly out of breath like he walked fast to get here, and you have absolutely no idea how he found out which dorm you’re in and you’re going to have questions about that later.

“How did you—“

“Jay knew,” he says, which explains nothing and everything.

He comes up the last few steps and stops on your landing and runs a hand through his hair and looks like someone who has been having a very difficult internal conversation at speed. “Can I—”

“No,” you say.

“Two minutes.” You look at him. He looks back. The mark from your hand has faded from his cheek but his expression is still doing that thing — complicated, unreadable, something working behind it.

“Two minutes,” you say, and unlock your door. Your room is small and suddenly smaller with him in it. He stands just inside the door like he’s not sure he’s allowed further in, which is the most uncertain you’ve seen him, and you sit on the end of your bed and look at him and wait.

He reaches into his jacket. He puts a stack of bills on your desk. You look at the money. You look at him. “Jake.”

“It’s enough to cover — whatever you decide.” He’s not quite meeting your eyes. “I’m not — look. I don’t want a kid. I’m not in a place for that. We don’t know each other. But I’m not going to just—” He stops. Starts again. “Take it. Whatever you need it for.”

You stare at the money for a long moment. “Are you going to want to be involved,” you ask. “If I decide to keep it.”

Something crosses his face. “I don’t — I haven’t—” He exhales. “I don’t know.”

“Okay,” you say. “That’s honest at least.”

“Are you going to keep it,” he asks. Quietly. Like he’s not sure he has the right to ask.

You look at the money on your desk. You look at him — standing in your doorway in his practice gear, jaw tight, trying very hard to look like someone who has this handled and not quite managing it — and you think that this is the first time he’s looked like a person to you. Not the reputation, not the corridor composure, not the ceiling of his bedroom. Just a person who is as blindsided as you are and coping with it badly.

“I don’t know yet,” you say. “I’ll let you know when I do.”

He nods. He looks at you for a moment longer than necessary. Then he picks up the money from your desk and puts it on your nightstand instead, like the desk was somehow wrong, like the four feet of distance makes a difference, and you don’t say anything about it.

“I’m sorry,” he says, at the door. “For what I said. At the rink.”

You look at him. “Which part.”

“All of it.”

He closes the door behind him and you sit on your bed in the quiet of your room for a long time, the money on your nightstand and the weight of everything pressing down, and then you pick up your phone and call your sister.

She picks up on the third ring. “Hey, you.” Hannah’s voice is warm and slightly distracted in the way it always is — you can hear one of the kids in the background, the particular high-pitched negotiation of a five year old who wants something and has decided now is the time. “Give me two seconds.”

Then, away from the phone: “Lily, baby, I said after dinner. After. Yes. Because I said so, that’s why.” A door closing.

Then: “Okay. Hi. Sorry. What’s up?”

You open your mouth. You’ve been sitting on your bed for forty minutes since Jake left, the money on your nightstand and your phone in your hand, and you’ve composed this conversation approximately thirty times in your head and all thirty versions started more coherently than what actually comes out, which is: “I did something kind of stupid.”

“How stupid.”

“Significantly.”

A beat. Hannah has always been good at letting silence do its work, at not rushing in to fill it with the wrong thing. It’s one of the things you’ve always loved about her. “Okay,” she says. “Tell me.”

So you tell her. All of it — the party and Jake and the test and the corridor and the slap and him in your room with the money — and Hannah listens through all of it without interrupting, which is its own kind of gift, and when you’re done there’s a moment of quiet that feels like her sorting through it.

“Okay,” she says again. “First question. Are you physically okay?”

“Yes.”

“Second question. Do you have someone with you?”

“Mina’s coming over in an hour.”

“Good.” You can hear her moving around, the soft sounds of her kitchen. “Third question, and I want you to actually think about it before you answer — not what you think you should say, not what’s practical, not what he wants or what anyone else wants. Just you.”

She pauses. “Do you want to keep it?”

You look at the money on your nightstand.

You think about the question the way she asked it — stripped of everything else, just you, just the truth of it underneath all the noise.

The thing is, you already know. You’ve known since the bathroom floor this morning, since you sat with your back against the tub and your forehead on your knees. It’s why the knowing has been so terrifying — not because you’re uncertain but because you’re not, and being not uncertain makes it real in a way that uncertainty would have postponed.

“Yeah,” you say. Quietly. “I do. I just — I don’t want it to be his. I don’t want to be tied to someone who—” You stop. “I don’t want the situation. I just want—”

“The baby,” Hannah says. “Yeah.” She’s quiet for a moment. “Those are two separate things,” she says. “The situation and the baby. They feel like the same thing right now but they’re not.”

You hear her sit down somewhere. “Marcus and I — when I had Lily, things with us were not good. You remember. We were not in a good place. And I thought about it the same way — I want her, I just don’t want this. And it was hard. It was genuinely really hard. But she’s five now and she’s the most annoying, amazing person I’ve ever met and I can’t — I can’t imagine.”

You press the back of your hand to your mouth.

“I’m not telling you what to do,” Hannah says quickly. “I promise I’m not. Whatever you decide I’m with you. I just — you asked.”

“I know,” you manage. “I know you’re not.”

“Is he terrible?” she asks. “This Jake person.”

You think about the corridor. The money. I’m sorry. For what I said. All of it. “I don’t know yet,” you say. “He’s — I don’t know what he is.”

“Okay.” Hannah’s voice is careful and warm. “You don’t have to know yet. You don’t have to know anything yet except what you want. Everything else gets figured out.”

You sit with that for a moment. “I’m keeping it,” you say. Out loud, to another person, for the first time. It lands differently than it did in your head — more solid, more real, like something that has been decided rather than something being considered.

“Okay,” Hannah says, and she says it the way Mina says it — not okay as in fine but okay as in I’ve got you. “Then we figure out the rest.”

You tell Mina when she comes over and she holds your hand and doesn’t say anything for a long moment and then says “okay, what do we need to do” in the tone of someone rolling up their sleeves, which is exactly right, which is why she’s your person.

You tell Jake two days later.

You find him after morning practice on a Wednesday, same side entrance to the Hargrove Center, and this time he sees you coming and something in his posture adjusts — not quite bracing, just becoming more careful, more deliberate, the way he gets when he’s paying attention. “Hey,” he says.

“I’m keeping it,” you say.

He goes very still. You watch him process it — the stillness and then the almost imperceptible movement of his jaw, the way his eyes go somewhere internal for a second before coming back to you. He looks like someone doing rapid and complicated mathematics. “Okay,” he says finally.

“You don’t have to be involved. I meant that when I said it. I’m not — I’m not asking you for anything except to know. You deserved to know and now you know and whatever you decide to do with that is up to you.”

“I said I’d provide,” he says. “I meant that.”

“Money isn’t the same as involved.”

“I know.” He shifts his weight. His hands are in his pockets and he’s looking at you with that careful expression, the one you can’t fully read. “I don’t — I’m not going to be the guy who just throws money at it and disappears. That’s not—” He stops. “I don’t know what I am yet. But I’m not that.”

You look at him for a long moment. There is, underneath the practice gear and the careful composure and the history of the last two weeks, something that might be decency in there. It’s buried. It’s inconsistent. You’ve seen it appear and disappear enough times already to know better than to trust it yet. But it’s there. “Okay,” you say. “Then figure out what you are and let me know.”

You turn to go. “Can I—” He stops. You look back. “Can I have your number,” he says. “Properly. So we can — so it’s easier to—”

“To what.”

He looks, briefly, like someone who hasn’t thought this far ahead. “Talk,” he says. “If we need to.”

You look at him for a moment. Then you take out your phone and hold it out. He puts his number in and hands it back and you save it under Jake Sim (do not text unless necessary) which you do not show him. “I’ll be in touch,” you say.

Jake doesn’t mean to tell his friend— or he does, but not like this, not in the locker room with his gear half off and Riki eating a protein bar on the bench across from him and Jay taping his wrist in the corner and Jungwon doing something on his phone. It comes out the way things come out when you’ve been holding them too long and the effort of holding them finally exceeds the effort of saying them.

“I got someone pregnant,” he says.

The locker room goes quiet. Riki stops chewing. Jay puts down the tape. Jungwon looks up from his phone. “I’m sorry,” Jay says, with the careful enunciation of someone who wants to make sure they’ve heard correctly. “You what?”

“You heard me.”

“I heard you, I just want to make sure I—” Jay sets down the tape fully and turns to face him. “Who.”

“Girl from Delta Kappa. Three weeks ago.” Another silence. Jay is looking at him with an expression that Jake doesn’t particularly enjoy — something between concern and the specific look of someone doing the maths on how this could have happened and arriving at several uncomfortable conclusions about Jake’s general life choices.

“Are you—” Jungwon starts.

“I’m fine.”

“That’s not what I was going to ask.”

“Then what.”

Jungwon looks at him steadily. “Is she okay.”

Jake opens his mouth. Closes it. Thinks about you in the corridor at the rink and your voice going flat and your hand cracking across his face, and then you in your dorm room — calm and certain and telling him you weren’t asking him for anything, which was somehow the part that landed hardest. “I think so,” he says. “She’s — yeah.”

“Do you like her?” Riki asks, with the bluntness of someone who has not yet learned that some questions require more runway.

“I don’t know her,” Jake says.

“That’s not what I asked.” Jay shoots Riki a look. Riki shrugs and takes another bite of his protein bar.

“What are you going to do?” Jay asks, turning back to Jake.

Jake leans his elbows on his knees and looks at the floor. The locker room smells like it always does — ice and rubber and effort — and it’s familiar in a way that is almost destabilising right now, how normal everything around him is when nothing feels particularly normal. “I don’t know yet,” he says. “Be there, I think. As much as she’ll let me.”

“As much as she’ll let you,” Jay repeats. Something in his tone.

“She’s not — she’s not soft.” Jake looks up. “She’s not going to make it easy.”

“Should she?”

Jake looks at him. Jay looks back, steady and unhurried. “No,” Jake says, after a moment. “Probably not.”

Jay nods once. Picks the tape back up. “Then figure it out,” he says, like it’s simple, like it’s the most obvious thing in the world, and Jake sits with that in the familiar smell of the locker room and thinks that he probably needs to.

—

The truce, when it forms, is not announced. It happens gradually over the following week — a text from him checking if you need anything, which you respond to with I’m fine thanks and nothing else. A text from you three days later telling him your first appointment is booked for the following week, which he responds to with do you want me there and you respond with not yet and he responds with okay and that’s it, that’s the whole exchange, and somehow it’s the most civil conversation you’ve had.

He doesn’t push. You note this without letting it mean too much. You’re not friends. You’re not anything with a name. You’re two people who made a mistake that turned into something neither of you planned for, and you’re figuring out how to exist in the same orbit without either of you combusting, and most days it feels manageable and some days it feels impossible and on the days it feels impossible you call Hannah, who answers on the third ring and lets the silence do its work.

It’s something, you think. It’s not much but it’s something. For now, that has to be enough.

The thing about Caldwell though, is that it’s a big campus until it isn’t.

Thirty thousand students, four faculties, two libraries, a quad the size of a small park — and yet somehow the people you most want to avoid have an unerring instinct for occupying the same coffee shop, the same corridor, the same stretch of pavement at the same time.

You’ve been navigating this for four months with Sunghoon and you’ve gotten good at it. You know his schedule well enough to avoid it without meaning to, the way you learn the shape of someone after two years and can’t quite unlearn it.

Which is why it catches you off guard when he’s just — there. The library café, a Tuesday afternoon, three weeks after the test. You’re at a corner table with your laptop and a cup of tea you’ve been nursing for an hour because coffee is still wrong and probably will be for the foreseeable future, and you’re halfway through a close reading of Middlemarch chapter forty-two when someone pulls out the chair across from you and sits down and you look up and it’s Sunghoon.

He looks, as he always looks, like something assembled with unreasonable care. Dark hair, clean jawline, the particular quality of stillness he has that used to make you feel calm and now just makes you feel tired.

“Hey,” he says.

You look at him. Then at the chair he’s sitting in. Then back at him. “I didn’t say you could sit.”

“I know.” He doesn’t move. “I just wanted to talk.”

“Sunghoon.”

“Five minutes.”

You close your laptop. Not because you’re agreeing, but because whatever he’s about to say you want to be looking at him when he says it. “Five minutes,” you say. “And then you’re going to go away.”

Something moves through his expression — not quite hurt, but adjacent. He folds his hands on the table. He has nice hands. You spent two years noticing his hands. “I saw you at Delta Kappa,” he says.

“I know. You texted me.”

“You didn’t reply.” He looks at you steadily. “You were talking to Jake Sim.”

There it is.

You keep your face very neutral. “I was at a party. I talked to a lot of people.”

“Jake Sim isn’t a lot of people.” Something in his voice shifts — not quite possessive, not quite jealous, threading that needle with the precision of someone who knows he doesn’t have the right to either and is trying to disguise it as concern. “He’s not a good person to get involved with.”

“Thank you for that,” you say. “I’ll bear it in mind.”

“I’m serious.”

“So am I.” You look at him. “Sunghoon. You don’t get to come sit at my table and tell me who I should and shouldn’t talk to. You gave that up.”

His jaw tightens. “I know I did.”

“Then why are you here?”

He’s quiet for a moment. Outside the café windows the quad is grey and overcast, students moving across it with their heads down against the wind, and Sunghoon is looking at you with an expression you know — you’ve catalogued it, the way you’ve catalogued everything about him, two years of accumulated knowledge you can’t seem to put down. It’s the expression he gets when he wants to say something and is choosing his words with care.

“I miss you,” he says.

You look at him for a long time. The honest answer is that you miss him too — or you miss the version of things you thought you had, which isn’t exactly the same as missing him but lives close enough to it that the distinction is hard to maintain on a grey Tuesday afternoon with him sitting across from you looking like that.

You miss having a person. You miss the shape of your life before it got complicated in every possible direction.

But you also know what he did.

You know it with the specific clarity of something you’ve gone over enough times that it’s stopped being sharp and started being just — true. A fact about him. A fact about what he chose. “I know,” you say. Carefully. “But that’s not my problem to fix.”

He nods. Slow. Like he expected it and it still costs him something. He stands up, pushes the chair back in, and then pauses with his hands on the back of it. “Are you okay?” he asks. “Actually? You look—” He stops.

“I look what.”

“Tired,” he says. “You look tired.”

“I’m fine,” you say.

He looks at you for a moment longer. Then he goes, and you open your laptop, and you stare at Middlemarch chapter forty-two for a while without reading any of it.

You don’t tell Jake about Sunghoon.

There’s no reason to.

You and Jake are not — whatever you are, it doesn’t include telling each other things. It includes occasional texts, one appointment you went to alone where a doctor confirmed what you already knew and gave you a due date that made it real in a new and specific way, and a strange careful politeness that exists between you like a temporary structure neither of you fully trusts.

He texts you on a Friday evening. how are you feeling

You look at it for a while. Fine. Less sick this week.

that’s good

A pause. Then: do you need anything?

You think about your sister’s voice. You don’t have to know anything yet except what you want. You think about Jake in your dorm room, the money on your nightstand, I’m not going to be the guy who just throws money at it. You think about how many times in the past three weeks he’s almost been decent and then done something to complicate it.

I’m okay, you send back. Thanks.

He sends a thumbs up and you put your phone face down and tell yourself this is fine, this arrangement is fine, and mostly you believe it.

You find out about the girl on a Saturday night.

You’re not looking for it — you’re not the kind of person who goes searching for things they don’t want to find, you learned that lesson with Sunghoon — but Caldwell is a big campus until it isn’t, and Mina’s friend group overlaps with the hockey crowd in the specific way that happens at schools where athletes are their own ecosystem but not a fully separate one.

It’s Mina who tells you, with the careful expression of someone who has been sitting on information and decided you’d rather hear it from her. “I heard Jake hooked up with someone last weekend,” she says. Not leading with it, not burying it either. Just: here is a thing that is true.

You look at your coffee. You’ve graduated back to coffee this week, weak and milky, which feels like a victory. “Okay,” you say.

“You’re allowed to have feelings about that.”

“We’re not together, Mina.”

“I know.”

“He can do whatever he wants. We’re not — there’s nothing between us. We’re just—” You move your hand in a vague gesture that encompasses the entire situation. “This.”

“I know,” Mina says again, in the tone that means she has more to say and is choosing not to. You continue to drink your coffee.

The thing is — and this is the part you don’t say out loud, the part you turn over privately in the quiet of your own head — the thing is that you know she’s right.

You are allowed to have feelings about it.

You do have feelings about it, somewhere underneath the very reasonable and correct observation that Jake Sim owes you nothing beyond basic decency and whatever co-parenting arrangement you eventually figure out.

You have feelings about it the way you have feelings about a lot of things lately — in the muffled, at-a-distance way, like they’re happening to someone slightly removed from you and you’re watching through glass.

You’re pregnant with his baby and he’s sleeping with someone else and you’re not together and you have no claim on him and all of that is true simultaneously and you’re not sure what to do with the fact that it still sits in your chest like something uncomfortable.

“I don’t care,” you tell Mina. She looks at you with the expression that means I know you and I know that’s not entirely true but I love you so I’ll let you have it.

“Okay,” she says.

—

Jake texts you on Sunday.

heard you’ve been doing better. that’s good

You stare at the message for a long time. Yeah, you type back. Thanks.

A pause. Then: can I take you to your next appointment?

You put the phone down. Pick it up. Put it down again.

The question sits there, simple and direct, and the thing about it is that it isn’t nothing. It’s not the gesture of someone who is just throwing money at a situation. It’s — something. Small and tentative and probably not enough and something nonetheless.

It’s in two weeks, you send back. I’ll let you know.

okay, he says. no pressure.

You put the phone down and look at the ceiling and think about a girl you don’t know and a Saturday night you weren’t part of and the specific stupidity of having feelings about either, and then you think about your next appointment and the due date the doctor gave you and the small impossible reality of all of it, and you decide that you are going to take a nap and deal with every single one of these things later.

Later, you think. All of it later.

He comes to the appointment, in the end you let him. You texted him the details the night before — time, building, room number — and he’s there when you arrive, standing outside the health centre with his hands in his jacket pockets and his breath fogging in the cold, and he looks up when he sees you coming and something in his expression does that thing, that complicated unreadable thing, and he falls into step beside you without saying anything.

Inside, in the waiting room, you sit next to each other in plastic chairs with a magazine between you that neither of you reads. A couple across the room are holding hands. You and Jake sit with six inches of space between you like a demilitarised zone.

“You okay?” he asks, quietly.

“Fine,” you say. “You?”

“Fine,” he says.

The nurse calls your name and you both stand up and Jake follows you in and stands slightly to the side while the doctor talks and asks questions and pulls up the scan on the screen, and you look at it — the small impossible blur of it, the heartbeat a flickering certainty on the monitor — and you feel the thing in your chest that you’ve been keeping at distance move closer without permission.

Beside you Jake goes very still.

You don’t look at him. You look at the screen.

“Everything looks perfect,” the doctor says.

You nod. You don’t trust your voice.

In the corridor after, walking back out into the cold, Jake is quiet for a long time. Longer than usual even for him.

You’re almost at the path that splits — his way, your way — when he says, without looking at you: “That was—”

“Yeah,” you say.

He nods. Puts his hands back in his pockets. “I’ll walk you back,” he says.

You think about the girl he slept with. You think about Sunghoon in the library café. You think about the scan on the monitor and the heartbeat that is real and certain and not theoretical anymore.

“Okay,” you say.

He walks you back. You don’t talk much. It’s not uncomfortable exactly — it’s something more complicated than that, something neither of you has a name for yet, and when you reach your building he stops at the bottom of the steps and looks at you and opens his mouth and then closes it again.

“What,” you say.

“Nothing,” he says. “Just — take care of yourself.” You look at him for a moment.

“You too,” you say, and go inside.

—

Sunghoon doesn’t give up. You’d half expected him to — one conversation in the library café, you’d said your piece, he’d said his, and you’d thought that would be the end of it. Sunghoon has always been precise about things, economical, not the type to repeat himself unnecessarily. You’d thought he’d take the answer and file it and move on.

Instead he texts you on a Wednesday. Just — how are you doing. No punctuation, which for Sunghoon is practically shouting.

You don’t reply.

He texts again on Friday. can we get coffee sometime? just to talk?

You stare at it for a long time.

You show it to Mina, who makes a face. “Don’t,” she says.

“I’m not going to,” you say.

He finds you on campus on Monday — the English building, your own territory, which feels deliberate. He’s waiting near the entrance when you come out of your seminar and you see him before he sees you and for one uncharitable second you think about turning around and going back inside.

You don’t. You keep walking. “Hey,” he says, falling into step beside you.

“Sunghoon.”

“I just want to walk with you.”

“I didn’t say you could.”

“I know.” He walks with you anyway, hands in his coat pockets, quiet for a moment in the way that used to feel comfortable and now just feels like pressure. “How are you feeling?”

You glance at him. “Fine.”

“You look better than last time I saw you. Less tired.”

“Thanks,” you say, flatly.

He’s quiet again. The path curves toward the quad and you keep walking and he keeps pace and you’re aware — acutely, uncomfortably aware — that you’re starting to show. Not dramatically, not in a way that’s obvious under your coat, but enough that you know. Enough that it’s a matter of time.

“I meant what I said,” Sunghoon says. “In the library.”

“I know you did.”

“I’m not trying to pressure you.”

“You’re walking next to me uninvited,” you say. “What would you call that?”

He stops. You stop too, half a beat later, and turn to look at him. He’s standing in the middle of the path with that precise, careful expression and something underneath it that isn’t quite what he’s performing, and you know him well enough to know the difference and wish you didn’t.

“I made a mistake,” he says. “I know I did. I know what I did and I know it was—” He stops. Starts again. “I just want a chance to—”

“Sunghoon.” You keep your voice even. “I can’t do this right now. I genuinely cannot — there is too much happening in my life right now for me to also be doing this. Okay? Please.”

He looks at you. Something in his expression shifts — a question forming, something he’s noticed that he can’t quite place. “What’s happening?” he asks. Carefully.

“Nothing that’s your business,” you say. “Please just — let me go.”

And he lets you go.

But the problem is that Caldwell is a big campus until it isn’t.

The problem is that two weeks later you’re at a party you didn’t particularly want to attend — a smaller thing, a friend of Mina’s, an apartment off campus — and both of them are there. Jake and Sunghoon.

You don’t notice Jake first. You notice Sunghoon, across the room with his circle, and you note it and move on, you’re good at that now. You get a drink — water, the specific reality of being the only sober person at a party hitting — and find Mina and settle into the corner and decide you’ll stay an hour and then leave.

You notice Jake about twenty minutes in.

He’s near the kitchen with Jay, and there’s a girl — tall, dark-haired, laughing at something he’s said with her hand on his arm and her body angled toward him in the specific way that means something. You see him lean in to say something close to her ear. You see her laugh again. You look away.

You look back to Mina, who is mid-conversation with someone and hasn’t clocked it, and you drink your water and you are fine, you are completely fine, this is exactly what you knew was happening and seeing it in person doesn’t change anything and you are fine.

You last another twenty minutes before you decide you’re going to get some air.

The problem is that getting air requires passing the kitchen. Jake sees you at the same moment you see him and something in his expression shifts — that recalibration, that adjustment — and the girl’s hand is still on his arm and you keep walking, eyes forward, almost past— “Hey.”

His voice.

You stop. You turn. He’s stepped slightly away from the girl, who is watching with a politely curious expression. “Hey,” you say.

“You’re here,” he says, which is not his most articulate moment.

“Briefly,” you say. “Don’t mind me.” Something moves across his face.

“You okay?”

“Fine.” You smile at him — pleasant, neutral, the smile of someone who is absolutely fine. “Enjoy your night.” You keep walking.

The air outside is cold and you stand on the small concrete step outside the apartment and breathe it and tell yourself the tightness in your chest is just the stuffiness of the party and not anything else.

You hear the door behind you. “Hey—”

You turn, expecting Jake, and it’s Sunghoon. Of course it’s Sunghoon.

He’s in his coat, hands in his pockets, and he looks at you with that careful expression and says “I saw you come out” like that explains what he’s doing here, which it does, which doesn’t make it better.

“I needed air,” you say.

“I know.” He comes to stand beside you. Close, but not touching. “You looked upset.”

“I’m not upset.”

“You have a face,” he says, gently, and you hate that he’s right, hate that after four months and everything that happened he can still read you like that. “What’s going on?”

“Nothing.”

“Is it Sim?” Something in his voice changes — not quite hard, not quite angry, threading the needle. “Are you involved with him?”

“That’s not your business.”

“I’m asking because I’m worried about you, not because—”

“Sunghoon.” You turn to face him. “Please stop. Please just—”

The door opens behind you. Jake comes out. He takes in the scene — you and Sunghoon, close, Sunghoon’s expression, yours — in about half a second and his jaw tightens in a way you’ve learned to read as something being suppressed.

“Everything okay?” he asks. Looking at you, not at Sunghoon.

“Fine,” you say, for what feels like the hundredth time tonight.

“She said she’s fine,” Sunghoon says. His voice is even. “So you can go back inside.” Jake looks at him. Something passes between them that has nothing to do with you — some older, unnamed thing.

“I wasn’t talking to you,” Jake says.

“Then walk away.”

“I’m not going anywhere.”

“Jake.” Your voice is sharper than you intend. “It’s fine. Go inside.”

He doesn’t go inside.

He stays where he is with his hands in his pockets and his eyes on Sunghoon, and Sunghoon stays where he is with that precise stillness, and the cold air between all three of you is doing a lot of work.

“You’re the one she’s been seeing,” Sunghoon says, to Jake. Not a question.

“That’s not your business,” Jake says.

“It is when you’re—” Sunghoon stops. Something has crossed his face — he’s looking at you, at your coat, and the realisation moves through his expression slowly and then all at once.

His eyes find yours. “Are you—”

“Don’t,” you say.

“Are you pregnant?”

The step goes very quiet.

Jake goes very still.

You look at Sunghoon and there is a specific kind of exhaustion that moves through you — the exhaustion of someone who has been managing too many things for too long and has just watched one of them slip out of their hands.

“That,” you say, carefully, “is none of your business.”

“It’s his, isn’t it.” Not looking at Jake. Looking at you. Something in his voice that you don’t have a name for — not anger, not hurt, something more complicated and less clean than either. “You hooked up with Jake Sim at a party and now you’re—”

“Sunghoon—”

“What were you thinking?” And there it is — the composure cracking, the precision slipping, something rawer underneath. “What were you actually — with him, of all people—”

“Hey.” Jake’s voice is hard. “Watch yourself.”

“You stay out of it—”

“She told you it’s none of your business—”

“I’m talking to her—”

“Then talk to her with some respect—”

“Oh that’s rich, coming from you.” Sunghoon turns to Jake fully now and the precise stillness has sharpened into something else. “Everyone knows what you are. Everyone knows how you treat—”

“And everyone knows what you did,” Jake says, low and flat. “So don’t stand here and act like you’ve got the moral—”

“Stop.” Your voice cuts through both of them. They both look at you. “Both of you. Stop.”

A beat. “I’m going home,” you say. “This is—” You gesture at the three of you, at the step, at all of it. “I’m not doing this.”

“I’ll walk you—” Both of them, simultaneously.

“Neither of you will walk me anywhere.” You pull your coat around you. “I want to go by myself and I want both of you to leave me alone tonight. Okay?”

Sunghoon opens his mouth.

And then — later, when you try to reconstruct the exact sequence, it’s hard to isolate the moment it tips — he reaches for your arm, a gesture, just trying to stop you leaving, and Jake moves at the same time, stepping forward, his hand coming out to push Sunghoon back, and Sunghoon turns, and the angles are all wrong, and Jake’s elbow catches you across the side of your face.

It’s not hard. It’s not a real blow — it’s the edge of the motion, glancing, the kind of thing that in any other circumstance would be an accidental knock in a crowded corridor that you’d shake off and keep walking.

But you make a sound and stumble back.

Jake turns and sees your face and goes completely white. “Fuck—” He reaches for you.

“Don’t touch me.”

Your hand comes up. Your voice has gone very quiet. The side of your face is throbbing, low and dull, and underneath it everything else — the tiredness, the party, Sunghoon’s face when he realised, the girl’s hand on Jake’s arm — all of it presses in at once and you are so, so tired.

“I didn’t — it was an accident, I didn’t mean to—”

“I know it was an accident,” you say. Still quiet. Still very controlled. “I know that.”

“Are you okay? The baby—”

“I’m fine. It was my face, not—” You stop. Press your fingers briefly to your temple. “I’m fine.”

Jake is looking at you with an expression you haven’t seen on him before — something undone about it, all the composure gone, something almost desperate. “Let me take you home—”

“No.”

You look at him. Then at Sunghoon, who has gone very still and very pale. “I’m going to get Mina. I’m going to go home. And I don’t want either of you to contact me tonight.”

You take out your phone. You text Mina. You wait on the step with your back to both of them until she comes out, takes one look at your face, takes your arm, and walks you away without saying a word.

Behind you, you don’t look back.

Jake texts at midnight. I’m so sorry. please tell me you’re okay

You look at it for a long time. I’m fine, you send back. Goodnight Jake.

He sends: I’m sorry again

Those two words, and you put your phone face down and stare at the ceiling of your dorm room and Mina is asleep in your desk chair with a blanket over her because she refused to go home and you love her for it, and the small dull ache in your temple has faded to almost nothing, and the baby is fine, you’re fine, everything is fine.

You don’t text him back.

He tries on Sunday.

A text at nine in the morning — can we talk please? — that you look at and put face down without replying.

Then at eleven: I know you’re angry. you have every right to be. I just want to talk.

Then at two in the afternoon, which shows either impressive persistence or a complete inability to read a room: I’m going to keep texting until you tell me to stop.

You text back: stop.

He texts back: okay. I’m sorry.

You put the phone in your drawer.

He doesn’t stop.

Well, he stops texting — he respects that, or he tries to, mostly — but he finds other ways. There’s a bag outside your dorm room door on Monday morning: crackers, the specific brand you’d been eating in the early weeks, ginger tea, a punnet of the green grapes that you’d mentioned once in passing to him that you’d been craving. No note. Just the bag.

You stand in your doorway looking at it for a long time.

You bring it inside. You eat the grapes. You do not text him to say thank you and you do not text him to say stop and the not-texting feels like its own kind of answer that you’re not ready to examine yet.

On Tuesday he’s outside your building.

Not lurking — he’s sitting on the low wall by the entrance with his hands between his knees and his jacket on against the cold, and he stands up when he sees you come out and he doesn’t move toward you, just — stands there, and waits, and lets you decide.

You stop on the steps. “Jake.”

“Five minutes,” he says. “I know I don’t deserve them. Five minutes and then I’ll go and I won’t — I’ll leave you alone if that’s what you want.”

You look at him. He looks back. He has, you note, the specific appearance of someone who hasn’t been sleeping well — not dramatic, just a tightness around his eyes, a quality of having been somewhere difficult in his own head for the past two days.

Good, says a part of you.

The other part steps down off the steps and stands in front of him and crosses her arms and says: “Five minutes.”

He exhales. “I’m sorry,” he says. “For Friday night. For — all of it, the whole night, but specifically for—” He stops. His jaw works. “I should never have let it get to that point. I should have walked away from him the second it started and I didn’t and you got hurt and you’re — the baby could have—” He stops again. Something in his face that isn’t composure. “I will never forgive myself for that. I need you to know that. It keeps me up.”

You look at him. “It was an accident.”

“It was an accident that happened because I couldn’t keep my head.” His voice is flat with self-assessment. “Same difference.”

“It’s not the same difference.”

“It’s close enough.” He looks at you steadily. “I’m also sorry for the girl at the party. I know you saw. I know we’re not — I know you don’t have any claim on me and I don’t have any claim on you and technically I didn’t do anything wrong but I’m still sorry because I saw your face and I knew and I did it anyway and that’s—” He stops. “That’s not who I want to be. With this. With you.”

The wall by the entrance is cold and grey and a girl from your floor passes you both with her earphones in and doesn’t look up and the world keeps moving indifferently around this conversation.

“You hurt me,” you say. Not the elbow. The other thing. The girl at the party and the ceiling of his bedroom and the weeks of almost-decency that kept getting complicated. “Not — not physically. You just keep—” You stop. “Every time I think maybe you’re a person you do something that reminds me why I shouldn’t think that.”

He takes that. Doesn’t deflect, doesn’t explain, just takes it. “I know,” he says.

“I need you to be consistent,” you say. “I can’t — I’m going to have your baby, Jake. We’re going to be in each other’s lives for a very long time. I need you to be someone I can rely on or I need you to be completely absent because the in-between is—” Your voice doesn’t shake. You’re proud of that. “It’s too hard. I can’t do the in-between.”

He’s quiet for a moment. The wind moves across the quad and he looks at you with that expression — the undone one, the one without composure — and says: “I don’t want to be absent.”

“Then be consistent.”

“Okay.”

“That’s it? Okay?”

“What else do you want me to say?” He’s not defensive — it’s a real question, earnest in a way that sits oddly on him, like a piece of vocabulary he hasn’t used much. “Tell me what you need and I’ll do it. Specifically. I’m not good at—” He moves his hand. “Guessing. Feelings. Whatever this is. But if you tell me what it looks like I’ll do it.”

You look at him for a long moment.

“No more girls,” you say. “Not while we’re — not while this is what it is. I know I have no right to ask that but I’m asking.”

Something shifts in his expression. “Done,” he says. No hesitation.

“And show up. When you say you’re going to show up, show up.”

“Done.”

“And don’t fight people on my behalf. I can handle my own situations.”

His jaw tightens slightly. “That one’s harder.”

“Jake.”

“Done,” he says. “Okay. Done.”

You look at him. He looks back. The five minutes has long since passed and neither of you has moved and the cold is starting to get into your fingers.

“The grapes were good,” you say finally.

Something in his expression — brief, warm, gone almost immediately. “I’ll get more,” he says.

“You don’t have to—”

“I want to.” He says it simply. No performance in it.

You nod. You pull your coat tighter. “I have a seminar,” you say.

“I know. Go.” He steps back, hands in his pockets. “Thank you. For the five minutes.”

You go.

He tells his father that evening.

He doesn’t plan to. He goes to his dad’s office on the east side of the admin building for what is ostensibly a standing weekly dinner that they do on Tuesday evenings — a thing they’ve done since Jake’s freshman year, his dad’s attempt at maintaining something normal in the specific abnormality of being the dean’s son at your own father’s university. They go to the Italian place two blocks off campus. They talk about the team, the season, coursework, the usual rotation.

Except tonight Jake sits down across from his father and picks up the menu and puts it down again and his dad looks at him over his own menu with the steady, unhurried attention that has always been the most disarming thing about him — the way he looks at you like he has all the time in the world and means it — and says:

“What’s going on.” Not a question. His dad has never really needed to make them questions.

Jake puts his menu down. He looks at the table. He thinks about you on the steps this morning saying every time I think maybe you’re a person and the specific accuracy of it, the way it had landed not like an attack but like a diagnosis.

“I got someone pregnant,” he says.

The restaurant is quiet around them — mid-evening, not full yet, the soft noise of other people’s conversations providing cover. His dad sets his menu down with the deliberate care of someone who is choosing his response carefully.

“How far along,” he says.

“About eight weeks.”

His dad nods slowly. He’s a big man — Jake has his build, the same broad shoulders, though his dad carries more grey now at his temples and something steadier in his face, something earned. He looks at Jake with the expression that Jake has never been able to fully decode — not anger, not disappointment exactly, something more complicated and more patient than either.

“Tell me about her,” he says.

Jake blinks. Of all the things he’d expected — “What?”

“The woman. Tell me about her.”

Jake opens his mouth. Closes it. He thinks about you — the flat voice in the corridor at the rink, your hand cracking across his face, I can’t do the in-between. The grapes. The way you’d said the grapes were good like it cost you something to admit it.

“She’s—” He stops. Tries again. “She’s a third year. English lit. She’s sharp. Like — she doesn’t let me get away with anything, she just looks at me and calls it and moves on. She’s not—” He shifts. “She didn’t want this to be mine. She told me that. She wants the baby, she just didn’t want it to be complicated, and I’ve made it complicated.”

“How.”

Jake looks at the table. Lists it. The slap he deserved, the money that was clumsy, the girl at the party, Friday night and the elbow and her face and the specific look she’d had, controlled and exhausted and done.

His dad listens to all of it without interrupting. When Jake finishes there’s a pause — his dad picks up his water glass, drinks, sets it back down.

“Do you like her?” he asks.

Jake looks up.

“It’s a simple question,” his dad says.

“We don’t — I don’t know her. Not really.”

“That’s not what I asked, son.”

Jake is quiet for a moment. He thinks about you outside your building this morning, arms crossed, giving him five minutes you didn’t have to give. The way you’d said I need you to be someone I can rely on like it was the most reasonable thing in the world, like you weren’t asking for anything extraordinary, just — consistency. Basic human consistency. The thing he has never had to be for anyone.

“Yeah,” he says. Quiet. “I think so.”

His dad nods. Like that’s the piece he needed. Like everything else was context and that was the information.

“Then be someone worth liking,” he says. Simply. Like it’s obvious. Like it’s the only thing that matters and everything else is just logistics.

Jake looks at him.

“You’ve never had to work for anything,” his dad says, and it’s not unkind — it’s just true, delivered with the directness of someone who has been watching this coming for a long time. “Not really. Not the things that count. You’re talented and you’re smart and things have always — moved for you. And that’s partly my fault.” He meets Jake’s eyes. “But she’s right. You can’t be the in-between. You’re going to be someone’s father. That’s not a thing you can be inconsistent about.”

Jake absorbs this.

“I know,” he says.

“Do you?”

“I’m trying to.”

His dad looks at him for a long moment. Then he picks his menu back up. “Good,” he says. “That’s the right answer.” He glances over the top of it. “Order something. You look like you haven’t eaten good in a while.”

Jake looks at the menu.

“Dad,” he says.

“Mm.”

“I really—” He stops. “I’ve really made a mess of this.”

His dad lowers the menu slightly. Looks at him with that steady, unhurried attention. “Yes,” he says. “But messes can be cleaned up.” He raises the menu again. “The carbonara is good tonight.”

Jake picks up his menu.

He end up ordering the carbonara.

—

The thing about consistency is that it’s quiet.

It doesn’t announce itself. It doesn’t arrive with a gesture or a speech or a moment you can point to and say — there, that’s when things changed. It just accumulates, slowly, in the background of your ordinary life, until one day you look up and realise the weight you’ve been carrying has shifted without you noticing.

Jake shows up.

That’s the only way to describe it. He shows up in the small ways, the unglamorous ways, the ways that don’t make for a good story but add up to something anyway. He texts when he says he will. He’s outside your building on Wednesday mornings because you have a seminar and the walk takes you past the science quad where the wind is brutal and he started walking with you three weeks ago without asking and has not stopped. He brings food — not always the crackers and ginger tea, sometimes just the grapes, sometimes something from the good Thai place near the rink that you’d mentioned once you were craving and didn’t expect him to remember.

He remembers things.

This is, you find, the most disarming thing about him. More than the jaw and the shoulders and the specific quality of his attention when he’s fully in a conversation.

He remembers that you take your tea with one sugar and that you’re writing your dissertation on George Eliot and that your sister’s youngest is called Lily and that you cannot watch medical dramas right now because they make you anxious in a way you can’t fully explain. He files things away and uses them with a quietness that suggests he’s not doing it to impress you — he’s just paying attention.

And god, it’s harder to be angry at someone who pays attention. You’re still trying.

Your bump begins appearing at eleven weeks.

Not dramatically — not one morning you wake up transformed, just a gradual undeniable softening of the line of your stomach that means your jeans sit differently and your favourite hoodie, the oversized one you’ve worn for three years, suddenly doesn’t hang quite right. You stand in front of your mirror on a Thursday morning and put your hand flat against it and stay there for a moment with the strange doubled feeling that has been following you for weeks now — the unreality of it and the complete reality of it, existing simultaneously, refusing to resolve.

Mina notices before you say anything. She’s been noticing for two weeks, you suspect, and has been waiting for you to bring it up, which is one of the reasons she’s your person.

“You’re showing,” she says, on Friday afternoon, without preamble.

“A little,” you say.

“How do you feel about that?”

You think about it genuinely. “Weird,” you say. “Good weird. Mostly good weird.”

Mina nods. “Have you told Jake?”

“He’ll notice,” you say. “We’re — we’ve been spending time together. He’ll see.”

Mina looks at you with the expression that means she has registered the significance of we’ve been spending time together and is choosing, for now, not to make anything of it. “Okay,” she says.

“Don’t,” you say.

“I didn’t say anything.”

“You were going to.”

“I really wasn’t,” she says, in the tone that means she absolutely was.

He notices on Saturday.

You’re at this Thai place — his suggestion, your agreement, the two of you in a corner booth with menus neither of you needs because you’ve been here enough times now that you already know — and you’ve taken your coat off because the restaurant is warm and you’re wearing a fitted top and when you reach across the table for the soy sauce you catch him looking.

Not rudely. Not in a way that makes you want to cover yourself. Just — looking, with that attentive expression, taking in information.

“Don’t,” you say.

“I’m not doing anything.”

“You have a face.”

“I have a face,” he says, which is almost a smile. “You’re showing.”

“I know.”

“You look—” He stops. Considers his word choice with unusual care. “Good,” he says finally. “You look good.”

You look at him across the table. “That was very diplomatic.”

“I meant it.”

“Jake.”

“I genuinely meant it.” He meets your eyes. “You look good. You’ve looked good for a while. I just—” He stops again. “Didn’t say it. You looks beautiful actually.”

The restaurant is warm and smells like lemongrass and the couple at the next table are arguing quietly about something and the ordinary world is going on all around you and Jake Sim is sitting across from you saying you look good with an expression that has nothing performative in it, no angle, no formula.

You pick up your menu that you don’t need and look at it. “Thank you,” you say, at the laminated page.

He goes back to his menu too. Neither of you says anything else about it. But the air between you has shifted by some small degree and you both know it and neither of you is ready to name it yet and that, you think, is okay.

For now that’s okay.

The not-naming becomes its own kind of language eventually.

He walks you to your seminar on Wednesday and waits fifteen minutes in the wrong direction from the rink to do it, which you know because you’ve looked at the campus map, which you will not be telling him. You bring him coffee one morning — just once, without explanation, the specific order you’ve heard him give three times now — and he takes it without making anything of it which is exactly right. You text him a photo of a onesie Mina finds online that says future hockey player as a joke and he sends back a voice note that is mostly him laughing, genuine and unguarded, and you listen to it twice.

You do not examine why you listen to it twice.

Sunghoon texts once more — I hope you’re okay. I mean that.

You look at it for a long time. You think about the library café and the step outside the party and the way his face had looked when he realised. You think about two years and what they were and what they turned out to be underneath.

I’m okay, you send back. Take care of yourself.

He sends a single: you too.

And that, you think, is the end of that chapter. It doesn’t feel like closure exactly — closure implies a clean line, and there is no clean line, just a gradual and mutual putting down of something that had gotten too heavy to carry. But it feels like something finished. Something that needed to be done.

You feel lighter, after.

Jake finds out about the dissertation.

Not in a dramatic way — you’re in the library one afternoon, the two of you at adjacent tables because you’d both ended up there independently and moving would have been more pointed than staying, and he leans over at some point and looks at your screen and reads two sentences and says: “You write like this normally?”

“Like what.”

“Like—” He gestures at the screen. “Like that. Like it means something.”

You look at him. “It’s an academic paper.”

“I know what it is.” He looks faintly annoyed, the way he gets when he’s trying to say something and the words aren’t cooperating. “I’m saying it’s good. It sounds like you.”

You turn back to your screen. You are not going to make anything of this. You are a reasonable and self-possessed adult and you are not going to sit in the library and catch feelings because Jake Sim said your writing sounds like you.

“Thanks,” you say, at your laptop.

“I’m serious. It’s—” He picks up his pen. “Good.”

“You said that.”

“Because I mean it.”

You look at him. He looks back, pen between his fingers, entirely unaware that he’s just done something dangerous, and you look back at your dissertation and breathe carefully and remind yourself of all the reasons this is complicated.

There are many reasons. They are good reasons. You know them all.

The night it almost becomes something, it’s late November and it’s cold enough that your breath fogs and Jake has walked you back from the library and you’re standing at the bottom of your building’s steps in the dark and neither of you is moving.

“I should go in,” you say.

“Yeah,” he says.

Neither of you moves.

You’ve been doing this — the standing, the not-moving, the conversations that go slightly longer than they need to — for three weeks now. It has a shape, this thing between you, even if it doesn’t have a name. It has weight. You’re both aware of it and both moving around it with the particular carefulness of people who have been burned recently and are not in a hurry to be burned again.

“Jake,” you say.

“I know,” he says. Like he already knows what you’re going to say. Like he’s been having the same conversation in his own head.

“I just need it to stay—” You gesture between you. “Like this. For now. Okay? I need it to stay manageable.”

He looks at you. “Is it not?”

You look back. “Less and less,” you admit.

Something moves through his expression. Warm and complicated and controlled. “Okay,” he says. “We’ll keep it manageable.”

“Okay.”

“I just need you to know—” He stops. Starts again. “I’m not going anywhere. Whatever this is, whatever speed it goes. I’m not going anywhere.”

The cold is sharp and the steps are lit by the yellow glow of the entrance light and you are eleven weeks pregnant and standing in the dark with the father of your baby who is looking at you like you’re something worth staying for, and you think about all the reasons this is complicated and you think about your sister’s voice — those are two separate things — and you think that maybe, maybe, the situation and the feeling don’t have to be the same thing.

“Goodnight, Jake,” you say.

“Goodnight,” he says. You go inside.

At the top of the first flight of stairs you take out your phone.

You open his name — Jake Sim (do not text unless necessary) — and you look at it for a long moment.

You change it to Jake.

Just Jake. Nothing else.

You put your phone in your pocket and go to bed.

—

He asks you out on a Tuesday.

Not dramatically — not with any of the ceremony you might have expected from someone who has spent the better part of four months being alternately infuriating and disarming. He just falls into step beside you on the Wednesday morning walk to your seminar and says, with his hands in his pockets and his eyes forward: “Let me take you to dinner. A real one. Not Thai because we’ve done that.”

You look at him. “Are you asking me on a date?”

“Yes.”

“Just like that.”

“Did you want me to make it complicated?”

You look back at the path ahead. The quad is grey and cold and a girl on a bike nearly takes out a first year near the fountain and life goes on all around you, indifferent and ordinary. “No,” you say. “I didn’t want it complicated.”

“Friday,” he says. “Seven. I’ll pick you up.”

“I know where the restaurants are, Jake. I go here too.”

“I know you do.” He glances at you sideways. “Let me pick you up though.”

You look at him. That expression — patient, certain, not performing anything. Just asking.

“Friday,” you say. “Seven.”

He nods. Looks back at the path. The corner of his mouth does something that isn’t quite a smile and is better than one.

The restaurant he takes you to is small and Italian and not the kind of place you’d have expected from him, which you’re finding is a theme — Jake Sim consistently failing to be what you expect in the specific ways that make him hardest to keep at distance. It’s candlelit without being try-hard about it, the kind of place where the pasta is made that morning and the wine list is handwritten and the tables are close enough that you’re aware of his knee near yours under the table for the entirety of dinner.

You talk. That’s the thing — you just talk, the way you have been talking for weeks now on walks and in the library and over Thai food, except tonight there’s no pretence of it being anything other than what it is. He asks about your dissertation and actually listens to the answer. You ask about the season and he tells you about the conference standings with genuine animation, hands moving, and you watch him and think about the ceiling of his bedroom in September and the corridor at the rink and the bag outside your dorm door and all the distance between those things.

“What,” he says, catching you looking.

“Nothing,” you say. “You’re different.”

“From what?” He laughs.

“From who you were in September.”

He’s quiet for a moment. He turns his wine glass slowly on the table. “Yeah,” he says. “I think I am.”

“Is that — do you mind that? Being different?”

He looks at you. “No,” he says. Simply. “I don’t mind it at all.”

You look back at your pasta.

Under the table his knee settles against yours and stays there and you don’t move away from it and neither does he and you eat your dinner in the warm candlelit ordinary of it and let yourself be there, fully, without managing it from a distance.

Outside afterward the cold hits and you’re pulling your coat around you when his hand finds yours. Not reaching, not making a thing of it — just his hand finding yours in the dark like it already knows the way, fingers threading through, warm and certain.

You let him.

You walk back across campus like that, not talking much, and when you reach your building you stop at the bottom of the steps and he turns to face you and you look at him in the yellow entrance light and you think about goodnight, about all the goodnights, about the careful distance you’ve been keeping.

“Come up,” you say.

His expression does that thing — complicated and warm and something that isn’t quite controlled anymore. “You sure?”

“I just asked, didn’t I?”

He follows you up.

Your room is warm and small and familiar and he’s been in it before but not like this — not with the door closed and the lights low and both of you knowing exactly what this is. He stands just inside the door and looks at you and you cross the room and kiss him.

It’s different from September.

September was heat and momentum and two people who didn’t know each other doing something that felt like a decision.

This is — slower. His hands come up to your face the way they did at the party but gentler, more deliberate, like he’s paying attention to something he nearly missed before. He kisses you like he has something to say and this is the only language that fits, and you feel it move through you differently than anything has moved through you in a long time.

“Hey,” he says, against your mouth.

“Hi,” you say back.

He pulls back just enough to look at you — really look, the way he does now, the full attentive weight of it — and his thumb traces your cheekbone and he says, quietly: “You’re so beautiful. Do you know that?”

“Jake—”

“I mean it.” You can tell he means it. It’s in his face, unguarded and certain. “I’ve been — I should have said it a long time ago.”

You look at him for a moment. Then you pull him back down.

He undresses you slowly, which is new — September was efficient, purposeful, barely stopping. Now he takes his time like he’s making up for it, his mouth following the line of your throat, your collarbone, his hands sliding your top off with a care that makes your breath catch. When he gets to the soft curve of your stomach he stops.

He goes to his knees.

You look down at him, breath held, and he puts both hands flat and warm against your bump and just — holds them there. His forehead drops forward to rest against you. The room is quiet. You put your hand in his hair without thinking about it.

“Hey,” he says softly. Not to you.

Your throat tightens.

He turns his head and presses his lips to the curve of your stomach, gentle, then again, then moves his hands slowly like he’s learning the shape of it, and you feel something in your chest come undone quietly and without ceremony.

“Jake,” you say, and your voice is not entirely steady.

He looks up at you. His eyes are dark and very serious. “Okay?” he asks.

“More than okay,” you manage.

He stands back up and kisses you again and walks you back to the bed.

He lays you down and settles over you and his mouth goes back to your tits immediately — you’d forgotten, or you’d tried to forget, the specific focused obsession of it — his hands cupping them, heavier now, thumbs dragging slow over your nipples until you’re arching up into his mouth.

“Perfect,” he murmurs against your skin, “you’re so perfect,” and the praise lands warm and low in your stomach and you pull at his shirt until he lets you get it off.

He’s as good-looking as you remembered, which is annoying.

His mouth works down your body and his hands slide your underwear off and then he looks up at you from between your thighs with an expression that makes your brain go briefly offline. “Okay?” he says again.

“If you don’t—” you start.

He puts his mouth on your pussy and the rest of that sentence evaporates.

He goes slower than September. That’s the difference — the same precision, the same devastating accuracy with his tongue on your clit and his fingers curling deep into your walls, but slower, like he wants to take you apart carefully this time, like he’s paying attention to every sound you make and adjusting accordingly.

Your hands find his hair. Your hips roll up. He holds them down with one forearm across your hips and doesn’t stop, doesn’t change pace, just keeps that steady merciless rhythm until you’re shaking and pleading and your walls are clenching around his fingers and you cum on his tongue with his name coming out wrecked and too loud for the room.

He comes back up your body looking — different than September. Still composed, still that infuriating ease, but underneath it something open. Something that wasn’t there before.

He reaches for his jacket on the floor. Finds his wallet to grab a condom.

You start laughing.

He looks at you confused. “What.”

“Jake.” You press your lips together. “We don’t — I’m already pregnant.

He looks at the condom in his hand. Looks at you. Something crosses his face and then he laughs too — real and unguarded, the laugh from the voice note, the one you listened to twice — drops it back on the floor and comes back to you.

“Fair point,” he says, against your mouth.

“Incredible,” you tell him. “You’re incredible.”

“Shut up,” he says, warmly, and kisses you.

He flips you over.

Not roughly — carefully, one hand at your hip and one at your shoulder, mindful, and you end up straddling him and looking down at him and his hands settle on your hips and he looks up at you like you’re the best thing he’s seen.

“You good?” he asks.

“Very,” you say, and sink down onto him.

The sound he makes is low and immediate and deeply satisfying. You feel every inch of him filling you, your walls stretching around his cock, and you go slow — partly because of the bump, partly because you want to, partly because watching his face as you take him is something you want to draw out. His jaw is tight. His hands on your hips are firm but not directing, just — there, holding on.

“Fuck,” he breathes. “You feel—”

“I know,” you say, and roll your hips.

His head drops back.

You find your rhythm — slow, deep, the grind of your hips meeting his, and his hands tighten and his hips push up to meet you and his mouth falls open and he is, you think, the best-looking thing you’ve ever seen like this, undone and flushed and completely present, all the composure stripped away.

“Perfect,” he says, rough and low, watching you move. “You’re so perfect, look at you—”

The praise moves through you like heat and you move faster, his thumb finds your clit and you gasp and his other hand spreads warm and careful over your bump and the gesture — the gentleness of it, the instinct of it — tips something over in your chest that you’re not going to examine right now because you’re busy, but you feel it, you feel it clearly.

You cum the second time with his cock buried inside you and his thumb on your clit, his hand on your stomach and his eyes on your face. He follows you not long after with his hips driving up and your name in his mouth, said like it means something, said like he’s been saving it.

Afterward you lie tangled together in your narrow dorm bed, which is not really built for two people but is managing. His hand is resting on your stomach with a naturalness that would have been impossible three months ago and you’re staring at the ceiling and feeling the particular peace of someone who has been braced for a long time and has just, finally, put it down.

“Come to my game next week,” he says.

You turn your head to look at him. “What?”

“Home game. Friday.” He’s looking at the ceiling too. Casual. Except you know him well enough now to know when the casual is covering something. “Come watch.”

You look back at the ceiling. “Okay,” you say.

He turns his head. “Actually?”

“Don’t make it weird,” you say. “Yes. I’ll come to your game.”

The corner of his mouth. That almost-smile that’s better than a real one. “Okay,” he says, and looks back at the ceiling, and his hand stays where it is, warm and certain.

—

The following week is small moments.

Tuesday he brings you the grapes and stays to help you outline your next dissertation chapter, sitting on your floor with his back against your bed and your notes spread between you, and he asks better questions than you expect and you don’t tell him that.

Wednesday the walk to your seminar, his shoulder bumping yours, the coffee he brings without asking — your order, exact, without you saying anything.

Thursday a voice note at eleven at night: just wanted to check you were okay. don’t reply if you’re asleep.

You reply and end up talking for forty minutes.

Friday morning he’s at your door.

In one hand, coffee. In the other, folded fabric — dark blue, the Caldwell Wolves crest on the chest, white lettering across the back. SIM. 9.

He holds it out. “You don’t have to,” he says, before you can say anything. “It’s not — I’m not trying to make it a thing. I just thought—”

You take it from him.

You pull it over your head immediately. It’s enormous on you — falls to mid-thigh, swamps your shoulders, the fabric soft from washing. You look down at it and then up at him. His expression is something you don’t have a word for.

You reach up and pull him down by his jacket lapel and kiss him, there in your doorway, in the yellow morning light, slow and certain.

When you pull back he looks — stunned, almost. Like he didn’t expect it even after everything.

“What was that for,” he says with a big grin.

“The jersey,” you say. “Come on. We’ll be late.”

The Hargrove Center is loud in a way that is different when you’re in the stands rather than the corridor — a living, moving noise, four thousand people and the echo of the ice and the announcer’s voice bouncing off the rafters. Mina is beside you, which you’d insisted on, and she’s wearing a Wolves scarf she definitely did not own before today and is eating a pretzel with the focus of someone who has decided to enjoy this.

Someone sits down on your other side.

You look over. He’s older — Jake’s build, the same broad shoulders, grey at his temples, a Wolves cap and a measured, unhurried expression.

“You must be—” he starts while smiling at you with the same grin Jake gave you not long ago.

“Dean Sim,” you say. “Hi.”

He looks at you for a moment with that steady attention that is so recognisably Jake’s that it almost makes you laugh. He’s smileing — warm, real. “He talks about you,” he says. “Quite a lot.”

“Good things, I hope.”

“Mostly.” He settles back in his seat. “He told me about the grapes.”

You look at him. He looks back with an expression of someone who finds this mildly amusing and is being polite about it.

“He remembered I was craving them,” you say.

“I know,” Dean Sim says. “That’s why he told me.” He looks out at the ice where the Wolves are warming up, Jake moving with that particular ease that is the same on ice as off it, unhurried and certain.

“He’s better than he knows how to show yet,” his dad says, quietly. Not performing it. Just — true. “But he’s getting there.”

You watch Jake on the ice.

“Yeah,” you say. “I know.”

The Wolves win.

Not narrowly — convincingly, the way they do when Jake is in the kind of form he’s been in lately, sharp and present, the kind of player who makes everyone around him better just by being fully there. You find yourself on your feet twice without meaning to be and Mina is absolutely losing her mind beside you in a way that suggests she has been quietly wanting to attend a hockey game for some time and has simply been waiting for the invitation.

After the final buzzer the arena stays loud, the celebration on the ice spilling into the stands, and Dean Sim shakes your hand and says it was lovely to meet you with a warmth that is entirely genuine, and you watch him go and think that Jake got the best of him, underneath everything.

And then the jumbo screen above the ice lights up.

You see it before you process it — your name, in big white letters, and then: JAKE SIM WANTS TO KNOW — WILL YOU BE HIS GIRLFRIEND?

The arena does not go quiet because four thousand people do not go quiet, but there is a definite shift — a ripple, a collective awareness, people turning and pointing and the noise changing character. Mina grabs your arm. You stare at the screen.

“Oh my god,” Mina says.

“Oh my god,” you say.

“Are you — are you going to—”

And then he’s there.

Full hockey gear, skates and all, somehow having gotten from the ice to the stands in the time it took you to register what the screen said, and he’s standing at the end of your row with his helmet under his arm and his hair damp and his face doing that thing — the unguarded thing, the thing without composure — and four thousand people are watching and Mina has both hands over her mouth.

“Well?” he says. Over the noise. Just to you.

You look at him. You look at the screen. You look back at him.

“You’re insane,” you say.

“Yeah,” he agrees. “Is that a yes?”

You laugh — real and helpless, the kind that comes from somewhere you haven’t accessed in a while — and you step over Mina’s knees and go to him and he meets you halfway and you kiss him in the Hargrove Center in front of four thousand people and full hockey gear and the crowd does what crowds do when they witness something and the noise is enormous but you don’t hear any of it.

When you pull back his forehead drops to yours.

“Yes,” you tell him. “Obviously yes.”

He exhales — slow, like something released. His hand comes up to your face. His thumb at your cheekbone, the way it always is. “Good,” he says.

“Good,” you say back.

Behind you Mina is making a noise that suggests she is going to be telling this story for the rest of her natural life.

—

Three weeks later you are officially four months pregnant and the bump is undeniable now, round and real, and you’re sitting on Jake’s bed in his room — tidier than September, same room, different everything — with your legs across his lap while he reads something for class and his hand rests on your stomach with the absent certainty of someone who has stopped thinking about it and started just doing it.

The Wolves won again last night. His jersey, what you wore last night and have been to every game, is on the back of his chair.

Outside the window Caldwell goes on being large and indifferent and fully lit up, and in here it is warm and quiet and ordinary in a way that is — everything, actually. The whole thing. The specific ordinary of someone else’s presence that you’ve been missing without knowing how to name it.

“Hey,” Jake says, without looking up from his page.

“Hey,” you say.

“You good?”

You look at him — at the line of his jaw and the hand on your stomach and the room that used to be just a room and is now something else, something yours — and you think about September, about the corridor and the money and the slap you don’t regret. You think about Mina in the drugstore bathroom and Hannah on the third ring and the heartbeat on the monitor that made everything real.

You think about how none of this was the plan and how a plan was never the point.

“Yeah,” you say. “I’m good.”

He turns a page. His hand stays where it is. Outside, Caldwell. Inside, this.

Good, you think. I’m more than good.

Senior year had been blissful, to say the least. After you and John finally—finally—began dating toward the end of your freshman year, life at Briar had transformed into something you never would've pictured for yourself. Weekends spent with the boys at the Hawks House, hanging out with Hannah and Allie on game days, parties that somehow always ended with you and Logan sneaking off to the firepit to sip beer and look at the stars. It was honestly hard to believe that you had been dating for only a couple of years—it felt like a lifetime.

And now, with finals, and graduation, and Logan being a shoo-in for the Bruins alongside Garret, you were excited to start the rest of your lives together. Most conversations these days between you and Logan were about apartments, where you guys would live after graduation. You were excited to move out of New Hastings and into Boston, where you'd been offered a job that was honestly, your dream since the day you walked into Briar U.

As Anna wrapped up the tour, you slipped your hand into Logan's, his palm rough, calloused against yours. Anna smiled as she handed you one of the brochures for the apartment. "So, the apartment would be around $3,900 a month. Utilities are not included, of course. I'll need the first and last month's rent if you decide to take the unit. The amount for the security deposit, as well as my fee is at the back of the brochure. If you have a few minutes, I'd recommend taking a walk around the block, familiarizing yourself with the neighborhood. I think you'd really like it."

You felt Logan's arm tense. Not too much—slight enough that you were sure you'd imagined it at first. But then, as you slipped the brochure into your purse, walking down the stairs, you noticed the slight crease in his brow, looking down at his phone. "Is everything okay?"

His gaze snapped up to yours instantly, his face softening the way it always did when he looked at you. "Of course it is, babe. Wanna take a walk around the block, see what's around?"

The two of you stepped out into the evening sun, hand in hand. The apartment was located in Beacon Hill, in a charming old brownstone. The cobblestone streets were lined with little luxury boutiques, antique stores, and gorgeous art galleries.

You passed several such stores in blissful silence, glancing idly at the displays in the windows, until—

"Oh, my God."

Logan was nearly yanked off-balance as you stopped short in front of the window of a jewelry store, mouth agape, staring at a pair of gorgeous diamond earrings. You turned to Logan. "These are exactly like the ones my mom had when I was a kid!"

Logan's face softened immediately. "Yeah?"

You turned back to the window display, pressing closer to the glass, close enough that your breath began to fog up the pane. The earrings were beautiful—simple diamond studs surrounded by a delicate halo of smaller stones. They were elegant, timeless.

"When I was little, my mom had a pair exactly like these. She wore them everywhere. To work, to date nights with my dad, even grocery shopping." A laugh escaped you, your gaze still fixed on the display, unable to tear your eyes away. "I used to sneak into her room and try them on when she wasn't looking."

Logan smiled faintly. You missed the way it didn't quite reach his eyes. "They're nice."

"Nice?" you repeated in mock offense. "John Logan, these are stunning."

"Right." Logan cleared his throat. "Stunning."

You finally dragged your attention away from the display to look at him properly. You couldn't seem to shake the feeling that something was off. You couldn't quite put your finger on it, but he hadn't been himself lately.

It had been happening more and more often—little moments where he seemed to disappear into his own head, where his smile seemed forced, where his eyes got this distant, faraway look in them, like he wasn't quite in the moment with you.

The crease between his brows was back.

Before you could even open your mouth to ask him about it, his phone buzzed, startling him. His hand immediately to his pocket, pulling out the lit up screen. Logan angled it away from you before you could even catch a glimpse of the caller ID, but you could see the look on his face—something between panic and relief.

Logan cleared his throat. "Sorry babe, I gotta take this."

"Everything okay?" you asked, trying to ignore the sickening sinking feeling blooming in the pit of your stomach.

"Yeah." The words spilled out of his mouth a little too quickly. Almost as if he could see the wheels in your head turning, Logan curled the corner of his lips into a smile—that familiar smile that usually settled every worry in your chest.

This time, it didn't.

Logan didn't seem to notice. "I'll be right back," he said, stepping away before you could say anything else, already lifting the phone to his ear.

You watched him retreat down the sidewalk, broad shoulders tensing underneath his jacket. You watched as his free hand went to the back of his neck, rubbing the spot at the top of spine like he always did when he was stressed.

Your stomach knotted itself further. Maybe it was hockey, maybe graduation, maybe apartment hunting. God knew the two of you had enough going on lately to make anyone lose their mind.

But somehow, you couldn't shake the feeling that there was something else.

You forced yourself to let it go, instead you turned back toward the jewelry store window. The earrings sparkled underneath the warm display lights—and before you could talk yourself out of it, you were reaching for the door handle.

A small bell jingled overhead as you stepped inside. The store was lovely. Crystal chandeliers hanging from the ceiling, casting soft light over glass display cases. You felt like a kid in a candy store.

A saleswoman was by your side almost immediately. She looked to be in her fifties, dressed impeccably in black. "Welcome, dear. Can I help you with anything?"

You smiled, pointing toward the window. "Could I see those diamond earrings, please?"

"Excellent choice," the woman said, her face brightening.

A few moments later, she was placing them carefully on a velvet tray. Up close, they were even more beautiful. Gently, delicately, you lifted one. The diamond caught the light, scattering a million tiny rainbows across the glass.

Your mother's face flashed through your memory—helping you zip up your prom dress, teaching you how to curl your hair, laughing so hard tears rolled down her cheeks at Thanksgiving dinner. A sudden warmth bloomed in your chest, but it had nothing to do with the earrings and everything to do with the woman who raised you.

"Would you like to try them on?" the saleswoman asked.

You swallowed the lump of emotions in your throat as you nodded, lifting the stud to your ear. The woman stepped forward, helping you fasten them.

Slowly, you turned your head to the side, glancing in the mirror. Your face immediately cracked into a smile. "Oh."

"I take it that's a yes?" the saleswoman laughed.

You turned your head to the other side, watching them sparkle. They really were almost identical—close enough that your mom would've loved them. Without thinking too hard about it, you asked, "How much are they?"

The saleswoman named the price.

They were expensive—definitely expensive. But not impossible.

You'd been saving aggressively ever since accepting your job offer in Boston. Between that and the graduation gifts from family, you could afford them quite easily.

You looked at yourself one more time, thinking about your mother, about all the milestones waiting just around the corner—graduation, moving to a new city, a new life. "Can I give them gift wrapped?"

The saleswoman smiled knowingly. "Of course."

Twenty minutes later, you stepped back onto the sidewalk carrying a small, cream-colored shopping bag tied with a pink satin ribbon.

The evening sun was beginning to dip lower between the brownstone buildings. Down the block, you could see Logan, still on the phone. His back was turned you, one hand shoved into the pocket of his jeans, the other pressed tightly to his forehead.

Your smile faded. The call had clearly lasted longer than expected.

As if sensing your gaze, Logan looked up, his entire expression changing the moment he saw you. The tension vanished, the crease on his forehead smoothening out. His smile returned, easy, warm, and familiar.

But this time, you were almost certain it wasn't real.

His gaze dropped to the shopping bag in your hand. Something flashed across this face so quickly you nearly missed it. It wasn't annoyance, wasn't surprise—it was something heavier.

Before you could figure out what it was, it was gone, and Logan was walking toward you. "Ready to keep walking?"

You slipped your hand into his, the shopping back swinging lightly from your wrist. "Yep."

Logan squeezed your hand—one, two, three times.

Together, you continued down the cobblestone street, neither of you noticing that the things you weren't saying were beginning to pile up between you.

At first, you told yourself you were imagining things.

Logan had a lot on his plate—he really did. Graduation was only a few months away now, and the Bruins had practically been circling him for over a year now. Between practice, games, classes, apartment hunting, and preparing for an entirely new chapter of your lives, it would've been strange if he wasn't stressed.

That was what you told yourself, anyway.

It was becoming a lot harder to believe, now that three weeks had passed and nothing had changed. In fact, if anything, you were afraid they'd gotten worse.

The first thing you noticed were the late nights. Logan had always been the kind of person who could fall asleep practically anywhere—on the couch, during movies, in the passenger seat of your of your car on the trips home for Thanksgiving.

But now? You woke up at two in the morning to find his bed empty.

The first time it happened, you found him sitting at the table in the Hawks House' kitchen, his tired face bathed in the blue light of his open laptop.

When he noticed you, he slammed it shut so quickly that you jumped. "Jesus, Logan."

"What're you doing awake at this hour?" he asked, his eyes widening.

"I could ask you the same thing."

You could've sworn he looked almost guilty as he looked down, rubbing the back of his neck. "Just couldn't sleep."

At the time, you'd accepted the explanation... until it happened again. The second time, he was sitting on the balcony, the third time, in the living room. The fourth time he was on the living room couch, claiming he was reviewing paperwork for the Bruins.

Every answer felt reasonable, but every answer somehow made you feel worse—because none of them explained why he looked so nervous, so guilty every time you caught him, or why he hid whatever was on his laptop, or why his phone suddenly never left his side.

You noticed the last part one Thursday afternoon, when the two of you were sprawled across the couch, your head in his lap, his fingers twisted in the ends of your hair as he watched a hockey game.

His phone buzzed on the coffee table, and Logan lunged for it so quickly you were nearly thrown off his lap. The movement was so abrupt that both of you froze.

A tense silence settled over the room. You had that feeling again—that strange, sinking feeling in the pit of your stomach like the day he got that phone call outside the jewelry store. It was stronger now, more potent, almost tangible.

Logan stared at you, forcing a laugh. "Sorry, babe."

Nothing—no explanation. You tried not to think about it, but once the thought entered your head, it became impossible to ignore, because there other things, too. Tiny, insignificant things that probably meant nothing... except they didn't feel like nothing.

You started noticing how often he stepped away to answer incoming calls, how frequently he angled his phone away from you. How many texts arrived late at night. How distracted he became whenever you asked him if everything was okay.

One evening, you were brushing your teeth in his bathroom when his phone lit up on the counter.

You weren't trying to snoop—genuinely. Your eyes simply caught the notification as his phone screen lip up with an incoming text. Your chest tightened—no name, just an unsaved phone number.

The screen darkened before you could read the message. Your fingers itched to reach out and hit the power button, to see what the text was, but no. You trusted Logan—you trusted him with your life.

A moment later, Logan entered the bathroom, almost as if he heard the distinct ding of the incoming text from where he lay on his bed. His gaze immediately found the phone, then you.

The tension in his shoulders materialized instantly. "What?"

You flinched at how sharp the word came out. "Nothing."

His face softened immediately. He stepped inside, reaching around you to pick up the phone, planting a soft, gentle kiss on your temple. "I'm sorry, babe."

You gave him a tight-lipped smile, but the damage was already done. That night you lay in bed next to him, staring at the ceiling. Try as you might, you couldn't fall asleep.

It was ridiculous. Logan loved you, you knew that. You'd never doubted it for a second, not once in almost three years.

John Logan wasn't a cheater. He wasn't.

So why did it suddenly feel like he was hiding something? The question followed you everywhere—to class, to work, to lunch with Hannah and Allie.

Which, unfortunately, spending time with Hannah and Allie only made things worse, because apparently, you were terrible at hiding your emotions.

"You okay?" Hannah asked, setting her coffee down.

You looked up from the drink you'd absentmindedly been stirring. "What?"

"You haven't heard a single thing we've said for the last ten minutes," Allie frowned. "Is everything okay with you and Logan?"

You immediately forced a smile, even as the concern in her voice made your stomach twist. "Yeah. Yeah, everything's okay."

The silence stretched as neither of them looked convinced. Then, Hannah's eyes narrowed. "Oh, my God."

"Hannah, no—"

"You think Logan's cheating on you."

The words came too fast out of your mouth. 'I do not."

Allie and Hannah exchanged a look that you could read all too well. It was a look you knew meant they didn't believe you.

"Oh, my God," Allie echoed.

You groaned. "I don't think he's cheating."

"Okay," Hannah said slowly. "Then why do you look like you're about to throw up every time somebody says his name?"

You opened your mouth, then closed it. Nothing came out—because saying it out loud would somehow make it real. It would make the the late nights, the secretive phone calls, the hidden laptop screens, the weird tension, the distance, the uncertainty—all of it would become far too real.

Suddenly, your coffee tasted like battery acid. Allie's face softened. "Oh, honey."

"I know how this sounds," you whispered, wrapping both hands around your cup. "I know Logan would never—"

The words caught in your throat. Would he?

The awful little voice in your head whispered something ugly—you'd trusted people before, you'd been wrong before. And lately, every time you looked at Logan, it felt like he was standing just a little bit farther away than he used to. Not physically, but emotionally, like there was an entire conversation happening inside his head that you weren't allowed to hear.

The thought made your chest ache, because the worst part wasn't the possibility that he was cheating.

The worst part was that for the first time since you'd fallen in love with John Logan, you weren't completely sure what was going on inside his heart.

John Logan had never thought buying an engagement ring would make him feel like he was losing his mind.

And yet, somehow, here he was—three P.M. on a Saturday afternoon, surrounded by his teammates, staring at a spreadsheet. A fucking spreadsheet. He stared at the screen, already able to feel a headache building as he fiddled with an old receipt from Malone's.

"You know," Dean said from where he was sprawled across the couch, "most people use computers for porn."

Logan didn't even look up. "Shut up."

"No, seriously. Every time I see you lately, you're glaring at that thing like it personally offended your family."

Across the room, Tucker glanced over from his phone. "What's on it?"

"Nothing."

"That's a lie," Garrett said immediately.

Logan finally looked up only to see that all three of them were staring at him, judging him. And honestly, fair. He'd been acting like an asshole for weeks. He knew that, but the worst part, he couldn't seem to stop.

Every time he thought he had things under control, something happened that sent him spiraling all over again—like the earrings.

Jesus Christ, the earrings.

He'd watched you walk into that jewelry store and nearly had a heart attack—not because you'd bought something, but because you'd looked so happy, so excited. He couldn't forget the way your entire face had lit up, and

all he'd been able to think was that the earrings probably cost more than the ring he could currently afford. The thought had followed him home, into bed, into practice the next day, into every waking moment since then.

Logan rubbed a hand across his face. "I need a drink."

"It's three o'clock," Tucker pointed out.

"I need several drinks."

Dean sat up. "Okay, that's it."

Logan frowned, his fingers folding and unfolding the scrap of paper he was still holding on to. "What?"

Dean pointed at him. "You've been weird for a month. Like, you look like you're about to be executed."

"Pretty fucking accurate," Garrett snorted.

Logan glared at both of them in vain—neither of them seemed even remotely intimidated.

Eventually, Garrett sighed. "Dude."

The single word carried enough weight that Logan meet his watchful eyes, studying him carefully. "You gonna tell us what's going on?"

The silence stretched out between them. Logan looked away first, and that, unfortunately, that answered the question.

Three seconds later, Dean practically launched himself off the couch. "Holy shit."

Tucker sat up straighter, meeting Dean's widened eyes. "Holy shit."

Garrett groaned. "Oh, for fuck's sake., what?"

Dean pointed toward Logan. "He's proposing."

Logan froze as the room fell silent, Garret's jaw dropping, Tucker's eyes widening. Then—

"HOLY FUCKING SHIT."

"Keep your voice down, Di Laurentis!" Logan snapped, rubbing an exasperated hand over his face.

Dean looked personally offended. "No."

"Tucker?"

"Nah, dude."

Logan looked over at Garret, who was already laughing. "Come on man, you too?" he groaned, dropping his head into his hands. This was a mistake—a massive mistake.

"I don't even have a ring yet." The words slipped out before he could stop them. Immediately, all three guys went quiet.

Garret frowned. "What do you mean?"

Logan let out a slow breath. If he was already talking, he might as well finish. "The ring I want is too expensive, and every cheaper option feels wrong." Neither of them seemed particularly impressed, but Logan pushed forward anyway. "She deserves something nice."

"She deserves you," Tucker said.

Logan ignored him. "She loves jewelry." The memory of the earrings flashed through his head again—the way your eyes had lit up, the excitement in your voice, the sheer joy.

Dean groaned. "Oh my God." He was looking at Logan like he was an idiot—all three of them were. That annoyed him, because he was already very well aware of the fact that he was being an irrational idiot. "You think she cares about how much the ring costs?"

Logan opened his mouth. Closed it. Then opened it again. Before he could force his brain to string the words together, Garret beat him to it, staring pointedly at the piece of paper Logan was still messing around with. "She'd say yes if you propose with a Ring Pop."

"That's not the point," Logan sighed.

"That's exactly the point."

The front door opened before Logan could argue, the sound instantly drawing everyone's attention. A second later, a lilting, beautiful laugh floated into the house—a sound Logan would recognize anywhere. Your laugh.

His stomach tightened, eyes immediately looking for you as Hannah and Allie entered the house. You followed close behind, and immediately, every ounce of progress he'd made disappeared. Because there—shopping bags. Everywhere.

Bright little logos, gold embossing of luxury brands, of little boutiques, of department stores. Logan could feel his pulse spike. Out of the corner of his eye, he saw Dean tensing, muttering under his breath, "Oh, for the love of God."

Logan shot him a warning look. Dean rolled his eyes so hard Logan was almost genuinely impressed.

He saw your sift through the room, landing on Logan, and for a moment, a flash of emotions flickered across your face—relief, followed by uncertainty, then settling into something colder, emptier, something that made his stomach drop.

"Hey." Your voice was soft, polite and distant.

Logan hated it with every ounce of his being. "Hey, babe."

You smiled, the look never reaching your eyes. A moment of tense silence enveloped the living room. Logan could feel every single pair of eyes zeroed in on the two of you, and apparently, you could too, because you shifted uncomfortably. "I think I'm gonna put my stuff away."

Before Logan could respond, you disappeared up the stairs. The silence that followed was deafening, everyone's eyes trained on Logan until Dean let out an exasperated sigh, smacking the back of his head.

"Ow!" Logan groaned. "What the fuck?"

"Go."

Logan was up on his feet immediately, slipping the folded paper object into his back pocket before Hannah and Allie could get a good look at it.

And for once, nobody argued. Nobody joked about him being whipped, nobody teased him for being wrapped around your finger—because even they could feel the tension, the distance, the way something had shifted between the two of you.

Logan found you in your bedroom, the shopping bags sitting on the floor next to the bed. You stood on the far end, unpacking them carefully, methodically, like you were trying really hard not to think about something.

The look on your face made his chest hurt. "Babe?"

You glanced up, eyes sliding over his face before going right back to what you were doing. "Hi."

The polite distance in your voice was killing him. Logan stepped closer, words tangling in his throat. He needed to explain, needed to tell you. Except, as it always did in any important moment, his words failed him.

You stared at him expectantly for a moment, then sighed. "I got you something."

"What?" Logan blinked, confusion clear on his face as he accepted the small box you were holding out to him. His emotions knotted tight in his throat as he opened it, because something made you think of him.

Inside, on a delicate velvet cushion, sat a Bruins keychain—a simple, unremarkable trinket that brought him to the forefront of your mind while shopping. Undeniable proof that you were thinking of him, even when you were out with Hannah and Allie, even when you were clearly vexed with him.

His throat tightened. "Babe—"

"I thought you'd like it," you said softly. The smile that accompanied the words was small, sad.

Logan hated it, but more than that, he hated the realization that he'd brought that expression on your face. Because the weeks of stress, of secrecy, of acting like a complete asshole had clearly taken a toll on your relationship, and now—now you were looking at him like you weren't sure what to do with him anymore.

Logan cleared his throat. "I think I owe you an explanation."

You met his eyes, and for the first time all day, he saw something other than distance—hope. It was tiny, fragile, almost undetectable, but it was there.

"Okay," you whispered. The word had barely left your mouth when his phone rang. Logan froze. No. No, no, no.

He glanced down at the caller ID, his heart sinking, and sure enough, it was the jeweler—the custom jeweler he'd been working with for weeks, the one he'd been desperately waiting to hear from.

Before his very eyes, your expression changed. The hope vanished, replaced by the same cold indifference as before. Logan's pulse quickened. "Babe—"

"It's fine."

"I just need a minute."

You waved your hand dismissively, stepping back to create physical space between the two of you. "It's fine, Logan."

His phone continued to ring as he realized this was all his doing. All this distance between the two of you was his creation. The realization hit him like a punch in the ribs, gutting him almost as thoroughly as you brushing past him with the words, "I'll see you downstairs."

And just like that, the conversation was over.

His phone rang again, demanding his attention once more. Logan stared at the screen, then out the bedroom room at the empty hallway you'd disappeared into, and for the first time in weeks, a terrifying thought entered his mind: maybe the ring wasn't the thing he should've been worried about losing.

The call lasted several minutes—several long, agonizing minutes.

Logan barely heard half of what the jeweler was saying, his mind barely registering the words. Custom setting. Center stone.

Any other day, it would've been exactly the conversation he'd been waiting for, but instead, all he could think about was the look on your face when you walked out of the room.

By the time he hung up and headed downstairs, he felt sick.

The house was louder downstairs, Dean arguing with Garrett about something while Hannah laughed. A hockey game was playing on the television like background noise.

Life was continuing exactly as normal, which somehow made everything worse—because nothing felt normal.

Logan found you sitting alone in the lawn chairs by the firepit in the backyard. The sun was beginning to set, painting the yard pink and gold.

You were curled up on the chair, knees tucked against your chest. For a minute, he stood there, just outside your line of sight, wondering how he'd managed to screw up so fucking royally.

The floorboard of the back stoop creaked beneath his weight as he took a step toward you. You lifted your head, your face closing off the second you saw him—and that was the moment Logan truly knew that whatever was happening between the two of you wasn't something he could smooth over with a kiss and an apology. "Can we talk?"

You stared at him for several seconds, then nodded slowly. "Sure."

He lowered himself into the chair next to you, a heavy, uncomfortable silence settling between the two of you—the kind that hadn't ever existed before.

Finally, you spoke. "Are you cheating on me?"

The question hit him so hard he physically recoiled. "What?"

Your laugh was humorless, boken. "I asked if you're cheating on me."

"Babe—"

"Because I don't know what else I'm supposed to think anymore." The words were spilling out faster now, like they'd been trapped inside you for weeks. "You won't talk to me. You leave the room to answer phone calls. You hide your laptop every time I walk in."

Logan's stomach dropped. He opened his mouth to speak, but you kept going.

"You barely look at me lately." Your voice cracked—just slightly, just enough that the sound tore straight through him. "And every time I ask what's wrong, you tell me you're fine."

And suddenly, Logan could see it, could see the weeks of secrecy, of distance, of unexplained behavior through your eyes. God.

Of course you'd think that.

Your eyes were shining now. "You know the worst part?" you whispered, looking away. "I would've rather had you tell me the truth."

The sentence shattered something inside him, because you genuinely believed it. You genuinely thought there was another woman. That after everything—after three years, after every promise, every late night conversation making plans for your future together, you thought he was capable of hurting you like that.

And it wasn't because you didn't trust him, but because he'd given you every reason to question him, to harbor these thoughts.

The realization hit him like a freight train.

"Baby, no," he whispered, his voice cracking. "No."

You blinked. "What?"

"No." The words stumbled out of his mouth broken, desperate. "I'm not cheating on you. God, no."

You stared at him, hurt and uncertainty written all over your tear stained face. He'd done that. He'd put that doubt there. The realization made Logan drop his head into his hands.

For a second, neither of you spoke. Then everything he'd been carrying for months finally spilled out, summed up in eight simple words. "I was trying to buy you a ring."

Complete silence. Logan turned his head toward you to see your brows furrowed. "What're you talking about?"

Logan laughed, a miserable, exhausted sound. "The phone calls, the laptop, all of it. I wanted it to be perfect. The proposal, the dream, everything."

He could see your mouth parting slightly in surprise, but he couldn't stop the words from tumbling out anymore, couldn't stop the tears blurring his vision as he continued in messy, unfiltered sentences. "You love beautiful things,"

"Logan—"

"No, listen. You do." A helpless smile tugged at his mouth. "You stop at every jewelry store window."

You laughed softly despite yourself. "I do not."

"You absolutely do."

A tiny ember of warmth flickered between the two of you, then disappeared. Logan swallowed hard. "The earrings."

Your smile vanished. "The earrings?"

"That day in Boston. Babe, you were so happy."

You stared at him, completely lost, and suddenly Logan felt absolutely ridiculous, but he continued anyway, pushing through the discomfort of laying his heart bare, because where else would he be safe if not with you? "I couldn't stop thinking about how much you loved them."

"Because they reminded me of my mom."

"I know," Logan's voice dropped. "I know, babe. That's what made it worse. Because all I could think about was that if those earring made you so happy, your engagement ring should make you even happier."

He laughed shakily. "And every ring I could afford felt wrong. I kept looking at our apartment options, at budgets, at our future."

His eyes met yours, voice choking as a single tear finally escaped the confines of his long lashes. "I want to give you everything, my love. I want you to have the life you deserve."

"John."

"And it's—it's killing me that I can't do it. It was killing me that I couldn't afford the ring I wanted for you."

You hand flew to your mouth, the tears in your eyes mirroring his.

"And then I started thinking maybe I should wait." Logan shook his head. "But I don't want to wait."

A tear slid down your cheek. "John."

He barely noticed. "I want to marry you."

The words landed heavily between you—simple, honest, terrified.

Logan looked away, unable to hold your gaze anymore. "I know its stupid. I know how insane I sound." Silence, for a moment. Then, quietly: "But you deserve so much better than what I can give you right now."

The sound of your chair scraping as you stood up made Logan finally lift his eyes up off the floor. You crossed the space between the two of you without hesitation. Your hands found his face—warm and familiar and feeling like coming home.

"So let me get this straight." Your thumbs brushed beneath his eyes. "You thought I cared more about a ring than I care about you?"

Logan winced. "When you put it that way—"

"John Logan." The fondness in your voice made his heart stutter. "I like jewelry. I like sparkly necklaces and expensive dress. I like shiny things—but none of those things are you."

His breath caught in his throat as you leaned forward, resting your forehead against his. "I don't care about a large sparkly diamond."

"You don't mean that."

"I do."

'You d—"

"I'd marry you with paper rings, John Logan," you whispered, as his arm wrapped around your waist, holding you to him like you'd disappear if he let go. "I'd marry you with a twist tie. I'd marry you with nothing at all. You're the one I want, and nothing's ever gonna change that."

Logan's vision blurred again, because suddenly, all those nights, all those spreadsheets, all the fears—they all felt so small compared to this, compared to what he had with you. Compared to the certainty in your eyes—the certainty he'd been too stupid to trust.

Something in Logan's chest stuttered, because suddenly, he remembered the folded receipt, still sitting in his pocket. He'd been folding and refolding it between his fingers while Garrett and Dean gave him hell earlier, creasing the paper absentmindedly, and before he could think, his hand was moving.

You frowned as he dug into his back pocket. "What're you doing?"

Logan looked down, letting out a watery laugh.

"Jesus." Carefully, he pulled out the crumpled strip of paper. The receipt had been folded and twisted so many times that it barely resembled what it once was.

Except somehow, he'd managed to fold it into a ring.

A crooked, terrible ring—the saddest excuse for jewelry in human history.

You stared. "Oh my God."

Heat flooded Logan's face. "I was nervous."

A laugh escaped you. "What does that have to do with—"

"I don't know." He was laughing now, too, half-hysterical, half-relieved. "I just kept folding the damn thing."

The ring sat trapped between his fingers, somehow more important than any diamond he'd spent months obsessing over. There was no diamond, no grand romantic gesture. Just you—just the love of his life.

Logan knelt, and despite all the words spilling out of him only moments before, the only word that parted his lips was, "Please."

"Are you serious?"

Logan's voice shook. "I don't have the ring yet. I don't have the proposal I wanted to give you. I don't have it all figured out right now. But I know I want forever, and I don't want it with anyone but you."

A tear tracked it's way down your cheek. "John."

"I know it's not much, but—"

"It's perfect."

"It's literally made out of a receipt."

You laughed through your tears. "So?" The sound nearly stopped his heart. "So was our first grocery list."

Logan laughed—a real laugh this time, the first one in weeks. "Please, babe? Will you marry me?"

"Yes. Yes, you big idiot, of course I'll marry you."

You stared the paper ring from his hand as though it were made of diamonds, holding out your hand for him to slide the ring onto your finger.

It fit terribly. You loved it.

And just like that, every spreadsheet, every budget, every sleepless night, every fear he'd carried for months disappeared.

Because standing in front of him was the woman he'd been trying so desperately to impress, the woman who loved sparkly things, who deserved the world.

The woman wearing a paper ring like it was the most beautiful piece of jewelry she'd ever owned.

profiles:

jake sim and the gang

y/n and friends

The OGs

chapters:

001. did the chosen one strike again

002. dumbledore pro-baby

003. are you mudblood?

004. for love and glory (written + snapshots)

005. was that the age line spell or…? (written + snapshots)

006. hermione’s pewple (written + snapshots)

007. may the odds be ever in your favour

008. a platonic pear

009. chamber 5

maxverstappen1 😏 ♥︎ by author

oscarpiastri and we will be cashing in on said promise!

⤷ yn oh, i bet 😉

⤷ ynmaxcar 🤨

fan oh ynmaxcar i will never be able to form a solid opinion on you

fan this friendship will always feel so random to me lmao

fan my faaaaves

f1gossip 👀

fan yn: this is my boyfriend max and his boyfriend oscar ♥︎ by author

⤷ fan NOT HER LIKING THIS HELLO

fan was that promise a threesom-

⤷ fan SCREAM

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

texts from the love triangle (but better) gc

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

liked by f1wagsoffical and others

f1gossip Excuse me, sir? Who has you looking like that? 👀

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fan no cause i could’ve sworn i heard a woman laughing

fan is he hiding a girlfriend???

fan i’d pass out if i was on the receiving end of that look 😮‍💨

fan whoever it is has him so blushy omg

fan is this the beginning of his soft launch era?

fan where is deuxmoi when you need her

⤷ fan 🙄🙄🙄

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

yn has added to their story

♫ The Blue Nile ・The Downtown Lights

caption: trying to sweat off our hangovers 🥲

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maxverstappen1 can’t wait to see you guys tonight ❤️

⤷ yn we’re so excited!!

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fan i’m here for it 😌

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fan did you mean to post this to your close friends? 😭

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fan bring back shame

logansargeant liked your story

fan odd way to get caught cheating

flavy.barla liked your story

fan hot.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

maxverstappen1 has added to their story

caption: home ❤️ oscarpiastri yn

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oscarpiastri liked maxverstappen1’s story

oscarpiastri finally ❤️ ♥︎ by author

yn liked maxverstappen1’s story

yn missed you sooo much 😚

⤷ maxverstappen1 missed you more, baby ❤️

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fan umm…😭

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fan do you not know that they’re having an affair or do you just not care?

sophiekumpen liked maxverstappen1’s story

fan OH. i think i get it. and i’m obsessed 😌

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

race weekend

liked by yn and others

redbullracing Did someone say something about heart eyes? 😍

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fan haha that’s funn-REDBULL RACING?!

fan what do you guys know…

fan admin i hope you don’t lose your job for this

fan cheating with his girl and then smiling in his face is CRAZY

fan plot twist: oscar’s cheating with both of them

⤷ ynmaxcar double plot twist: they’re a throuple

⤷ fan yeah, sure 🙄

fan they way he looks at him omg <3

fan ynmaxcar would make a hot couple why lie

fan yn in the likes…so shameless

fan oscar ‘heart eyes’ piastri strikes again

fan i want whatever tf they’ve got going on

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

texts from the love triangle (but better) gc

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

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f1wagsofficial Yn has made it to the paddock!

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fan is she there for max or oscar lol

fan SHE’S SO HOT

fan she’s so unbothered

fan there are rumors she’s cheating with oscar, rumors MAX is the one cheating with him, and rumors that all three are dating each other and she doesn’t gaf about any of it 😭 #myqueen

fan this weekend is gonna be so entertaining

fan who invited the cheater 🫠

fan looking good 😍

fan i might not know what’s going on but i do know she looks good

fan guys have we considered the fact that whatever’s currently going on with her, max, and oscar is none of our business?

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫ .

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yn belgium, you were real 🖤❤️💛

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oscarpiastri best part was having you with us 🧡

⤷ maxverstappen1 what he said ❤️

⤷ yn ilysm 🫰🏼

fan gorgeous girl 💞

fan love when hot ppl date each other

fan i’m sorry for thinking you were crazy ynmaxcar

⤷ ynmaxcar forgiven

fan ya’ll got room for one more? asking for a friend 👀

hattiepiastri had so much fun judging oscar’s outfit with you

⤷ yn no cause wtf was that monstrosity 😭

⤷ oscarpiastri it’s called fashion!

⤷ yn osc…

f1wagsofficial this is the closest to a confirmation we’re gonna get i fear

fan i guess you guys are kinda cute…

⤷ maxverstappen1 we’re really cute ♥︎ by author, oscarpiastri

❛ 𝓦𝐀𝐑𝐍𝐈𝐍𝐆𝐒+𝐓𝐀𝐆𝐒. ❜ second icon on the top of the fic is unedited btw 😹 i wonder if any of yall remember seeing it on mar 26 on his replies 😭 ⠀·⠀⠀poorly edited pictures (i tried to make it realistic and failed bru leave me alone) ⠀·⠀⠀swearing ⠀·⠀⠀ft. maki (&team), niki (enha), won&iroha (illit) ⠀·⠀⠀yayay 2nd and final part :p

❛ 𝓝𝐎𝐓𝐄. ❜ THIS MF 😂 i’m so sure this has actually happened to him at least once irl bro

❛ 𝓢𝐂. ❜ 25.

☆ part 1 part 2 !

⌣ ﹒ ୨ৎ ﹕tl 1. @jjuhyeons @miisoluvsdeer @its-vante @angelyseo @sailuvsu @sevvycoer @chbq2 @miseulsoup @bananabread785 @sstrawbxrry @pbananalover @griinspire @lcvehyeon @stxrrymarsz @ilovegojosatoru13 @lunaryoongie @aphantassia @teacuplps @marsgirltyshi @qngelical @thesvxntyb @mxddi3-the-mnm-lover @nic-andhisfics @yatta-exe @sw4gprinc3ss @casszzzii @whitefang1919 @hollyoongs @haezki @enhaha94 @lurvno @mercilessasylumoracle @mershyjershy @eunjjx @one-chance-pls @r0ckst4rjk @letterstohyeon @yaksokhay @rixieisfreaky @simpqueen2025 @hiitzstar @sese-blurbs @seonghwaswifeuuuu @wonllitz @fromsaltandsea @mwaeom @inadazeee @frizzyyo @toomanyfanficsbruh @eoduuung

please DO NOT copy, repost, or claim as yours.

CREDITS: divider above from @/pixopix, any and all photos from pinterest (excluding the tomodachi martin)

maia’s note: im back !!! ok but first of all, i am not a tomodachi life larper, i’ve loved it since it was released on the ds and the photos of martin’s mii is from my actual game. anyways, i really love how this work ended up turning out not only bc of the concept of it but bc i’m genuinely just happy i finally finished a work. yes, this smau is not my finest… and there could’ve been more development… but nonetheless i like it and i hope you all enjoy reading it too ! reblogs and feedback are always appreciated !! 🩶

TAGLISTS: @bambisnc @mungbeancoups @starriniqhts @lusayyawnn @chrrific @winteringdream @w3willris3 @rickyshensgirlfriend @kaiyunsim @missingsarinha @lefttrashstrawberry @lovemashu

“wow uhm, nice bag.” keonho commented, watching his friend hold a sparkly pink purse.

the sight was almost comical.

kim juhoon, probably the most nonchalant guy keonho knew, was holding a purse right out of barbie’s dream house.

but juhoon only shrugged, “thanks. im holding it for my girlfriend.” he said, motioning to the room you just entered. he casually returned to scrolling on his phone, his grip on your bag tightening just a fraction.

keonho blinked, glancing between juhoon and the purse.

“your… girlfriend?” he repeated slowly, like the words were foreign in his mouth.

juhoon didn’t even look up from his phone. “yeah, my girlfriend.”

before keonho could question it further, you walked over, smiling. you looked a tad bit breathless, like you’d been looking for something.

“hey jju, do you- oh!” your eyes lit up when you spotted the purse in his hand. “you do have it! thank you!”

juhoon looked up, his expression softening a little. “you forgot it,” he simply said, holding it out to you.

instead of taking it right away, you leaned into his side, wrapping your arms around him. “you’re the best,” you murmured, resting your head against his shoulder.

keonho’s mouth fell open. juhoon. kim juhoon, somehow has a girlfriend??

he let out a short, disbelieving laugh. “what is this?”

both of you looked at him.

“what is what?” you asked. keonho gestured wildly between the two of you.

“this! this whole situation… juhoon since when do you do any of this?”

juhoon raised an eyebrow. “since i got a girlfriend?”

“no but like- you?” keonho insisted, “i can’t remember the last time you’ve been nice to… well anyone.”

you laughed, finally taking the purse from juhoon. “hey, he’s nice to me.”

“besides, im nice to people.” juhoon shrugged.

“really? name three, and your friends don’t count because you’re barely nice to us.” keonho pointed out. juhoon paused for a bit, before shaking his head.

“i don’t need to prove anything to you.”

you snorted, burying your face into his shoulder. his hand came up automatically, resting against the back of your head in a quiet, protective gesture.

“this is weird, you acting like a soft boyfriend.” keonho sighed, genuinely bewildered by the sight infront of him.

juhoon shrugged, “she likes it.”

“i do!”

keonho looked between the two of you, shaking his head. “wow, i need a minute. this is a lot.”

juhoon slipped his hand into yours, lacing your fingers together without thinking. “alright, take your time.”

“your holding hands now too!? gross, im leaving.”

you watched as he walked off, giggling once again. “is he always that dramatic?”