Stumbling Through The Tumblr UI Like A Baby Deer

we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)

please rb for larger sample size!

Question 1/3

Thank you for helping with this data collection. Please rb for as big a sample as possible!

Oh, but had the artisan who made me created me instead – a worthy woman... ...I would say "how lucky am I"

Father in heaven who did miracles for our ancestors with fire and water... ...Who would then transform me from a man to woman? Were I only to have merited this being so graced by goodness...

What shall I say? why cry or be bitter? If my father in heaven has decreed upon me and has maimed me with an immutable deformity then I do not wish to remove it. the sorrow of the impossible is a human pain that nothing will cure and for which no comfort can be found. So, I will bear and suffer until I die and wither in the ground. Since I have learned from our tradition that we bless both, the good and the bitter I will bless in a voice hushed and weak: blessed are you [HaShem] who has not made me a woman.

your name is Lurien the Watcher | Monomon the Teacher | Herrah the Beast, and you'd rather be anywhere else than still in this meeting with these two weirdos.

This is one of those non-poem things that are among my favorite poems.

As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.

Because I’m insane, decided to scan the poem:

Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.

There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.

And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”

The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.

This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.