⋙—Rose—➣

one’s character has no impact on whether they were/are a victim or not, victim status is not something that is only afforded to the palatable.

Third time we bought artichokes, she said, "It was good!"

She was an inquisitive and intelligent person. She recognized what she didn't know, she asked questions, she remembered what she was told, and she identified a resource for learning more.

She played bass on 10,000 songs, including the most-played track of the twentieth century. She was paid $55 per session. Her name never appeared on the albums.

Gold Star Studios, Los Angeles, 1964. A woman in a cardigan walks past the receptionist, a Fender Precision bass in her hand like a briefcase. She doesn’t sign autographs. She signs a timesheet.

Her name is Carol Kaye. In three hours, she will record what will become the most-played track of the twentieth century. She’ll pocket fifty-five dollars and head to another studio, on the other side of town, for the next session.

The record label will never put her name on the album.

Between 1957 and 1973, Carol Kaye took part in roughly 10,000 recording sessions. Not as the featured artist, not as a guest, but as a hired hand. She was part of an anonymous collective nicknamed The Wrecking Crew—elite studio musicians who actually played the instruments on your favorite records while the famous bands posed for promotional photos.

The work was relentless. Three albums before the day was over. Stale coffee in paper cups. No rehearsal. The charts arrived minutes before the tape rolled. If you couldn’t read a chart and nail the take in two tries, you didn’t get called for the next session.

Carol could do it on the first try.

She started playing guitar in grimy bars at fourteen because her family couldn’t pay the electric bill. Music wasn’t a romantic dream for her. It was survival. It was a job—factory work with better acoustics and lower pay.

But she was faster and sharper than almost everyone else. She corrected charts in pencil while the producer was still explaining what he wanted. In one session in 1968, she told a famous producer his arrangement sounded like a dying dog. She chose her own line. They kept her version.

That descending bass line that drives the Beach Boys’ “Wouldn’t It Be Nice”? Carol Kaye. The propulsive groove of “These Boots Are Made for Walkin’”? Carol Kaye. The acoustic-guitar intro to “La Bamba”? Carol Kaye. The iconic theme from Mission: Impossible? Carol Kaye.

She invented techniques on the spot, out of sheer necessity. When the bass sound was too muddy for AM radio, she stuck felt under the strings and used a hard pick instead of her fingers. The tone cut through the static like a blade. It became the sonic signature that defined 1960s pop.

Bassists spent years—decades—trying to crack the secret of the Beach Boys’ gear to get that sound. They were studying the wrong people. They should have been studying Carol.

She received no royalties. No residuals. No gold-record ceremony. No credit on the album sleeves. When “You’ve Lost That Lovin’ Feelin’” hit number one, Carol was already back in a studio cutting a soap jingle.

The biggest bands mimed her bass lines on TV variety shows. New York marketing departments decided a mom in classic clothes didn’t fit the rebellious-youth image they were selling. So they simply left her name off the album credits.

For thirty years, almost no one cared. The truth only began to surface in the late 1990s, when music researchers found the same union contract numbers on thousands of hit records. The very documents meant to preserve studio musicians’ anonymity betrayed them.

Think about it. Every time you heard “Good Vibrations,” “River Deep – Mountain High,” the Righteous Brothers, Nancy Sinatra, or Sonny and Cher, you were hearing Carol Kaye. She composed the soundtrack of an entire generation’s youth.

And yet the records still say nothing. She’s now over eighty. She wrote instructional books. She trained countless bassists. She is finally starting to be recognized by music historians who uncovered the truth about The Wrecking Crew.

But she never got what she deserved: her name on those albums. Credit for the music that defined an era. Recognition that those bass lines everyone associates with the “Beach Boys” were, in fact, Carol Kaye’s.

Fifty-five dollars a session. Ten thousand sessions. The most-played track of the twentieth century.

"you look great!" - normal. Anyone could say this. Could be true or could just be lying to be nice. Very normal expected thing to say to someone

2020:

This is actually a useful thing to understand how to spell out. What exactly is wrong with puritanical attitudes towards sexuality? TW: Discusses body image issues, suicide, STIs, sexual assault etc

1. It fosters fear, disgust and loathing of our bodies. By hiding the human body as soon as we are born, and treating it as an object of inherent shame: THAT creates trauma. Shame is one of the primary sources of trauma, its the fuel and lets trauma burn. Those raised in nudist societies, and children raised in households where nudity is treated in a neutral and non-sexual tend to have a much more positive relationship with their bodies as adults. This makes complete sense when you think about it. Going through puberty not knowing if your body is "normal" terrifies children in ways that stick with them for life. In fact, most cultures outside of the Unites States aren't as strange about non-sexual nudity actually...and are healthier for it. We can't have body positivity as long as we are literally criminalized for having an uncovered body. 2. It creates fear, shame and disgust about sex. Most people have sex at some point in their lives. No one would be here at all without it. Most people have sexual desires which lie outside their control. When people are ashamed of those desires, it leads to self hatred, and depression and anxiety. This shame is just as traumatic as bodily shame. When sex is normalized, and treated with the same candor as any other hobby: it becomes less apt to traumatize people.

3. Puritanical attitudes towards sex limit sex education. When people are too ashamed to talk about sex, people don't learn about pregnancy, stis, or consent. All of these things can and do kill people when they aren't addressed with an open dialogue.

Sexual shame leads to people too ashamed to buy condoms, to talk to their doctor about birth control, to ask their partner to use protection, to get tested...the negative health impacts of sexual puritanism have a massive negative effect on society.

4. Sexual shame leads to poorer communication in relationships. Ohh if I had a dime for every person i knew who ruined their relationship because they felt too guilty to talk to their partner about their sexual feelings...Not just that, but the general body shame that comes with puritanism blocks people from connecting to one another too. Have you ever avoided getting close to someone because you were ashamed of your body? If not, I guarantee you know someone who has.

5. Misogyny! Puritanical sexual believes hold that women are not capable of sexual agency. That only men should initiate sex. That women should only ever want babies and not pleasure from sex. All of this rolls right into the next one:

6. Victim blaming in sexual assault. When women are the gatekeepers of sex, its easy to blame them when they 'fail' to protect their chastity when someone violates their trust. This isn't something that just effects women: as the same attitudes hold that men are not capable of experiencing sexual assault. The lack of education and discussion about sex in a sex-negative world inherently prevent the open dialogues necessary for creating and maintaining consent culture.

7. Suppression and marginalization of the queer community. If we're too ashamed to talk about sex, we'll be too ashamed to talk about sexuality. Puritans can't accept any deviation from gender norms either. Anything other than sex between a cis man and a cis woman for the purpose of making a baby is a deviant kink, a mental illness, and needs to be wiped out. Its important to point out that many queer people hold puritanical values about sex: believing that they can achieve sex negativity and queer liberation at the same time. However, sex negative movements always rise with censorship and discrimination of queer people...because queer people are inherently considered deviant by the vast majority of sex negative "allies". It's very dangerous to forget this.

8. Censorship of art. Who decides what is sexual and what is not? Its easy to agree that sex needs to be hidden...but it never takes long before the definition of what is "sexual" expands. Even women's breasts are considered sexual in the United States. Its so normal for Americans to think of them that way that women can't feed their children in public. Drag queens face violence for reading at libraries. Books get taken off the shelves. Artists are bullied offline.