And So It Has Come To This

Charlie is the only child sired by Lucifer himself even if it's in a most unconventional way. He's essentially her father and her mother. No Lilith here, folks, sorry. I'm not Jewish and I don't feel comfortable adding her considering what Jewish folks have said about her inclusion in modern works so she's just...not appearing in this comic. A lot of this will be based on my Protestant upbringing with my Hellenic Polytheist sensibilities thrown in, just fyi.

Now, about the redesign...

I don't actually hate the redesign of Charlie in the show. Her hair is fun, her being masc-presenting is interesting, and red is actually my favorite color. However, I completely redid the Rings and like the idea of Charlie trying to unify Hell with her cause instead of just Pride Ring. She kept some of her red because Lucifer has blond/red hair in my version, depending on how much of his angelic persona drops. There's also red in her coat of many colors which is a Biblical reference as well as an extension of Charlie's ideas about Hell and how the "rainbow" of the Rings should be working together to rehabilitate Sinners instead of just torturing them and making them worse. She even made it herself from scraps of the Ringmasters' clothes, Belphagor's fleece, and an old sewing machine. Her dad hates it because it makes her look poor. They are locked in constant battle over him trying to discreetly destroy it and her salvaging it last minute. She also wears spats on her shoes. They're tap shoes because ofc they are. I let her keep her love of theater because it's cute. Lucifer secretly loves that his daughter is just as much of a showboat as he is.

JC is also Sir Not-Appearing-In-This-Comic, but at least we have Charlie.

Now, some of you are probably noticing that I made Charlie darker...that's not an accident. Charlie, by the method of her birth here, has black skin. She has her father's eyes and hair. As I get better at drawing and rendering black hair, we will see it in other styles because I love some of the things black folks with more textured hair than myself do with it. I just really like the bubble braid too. It suggests thickness not a lot of people have in their hair. Charlie has had to learn how to style her hair herself a lot since Luci can barely manage some puff buns. Doesn't help that It seems to grow back as fast as it's cut so Charlie mostly trims the ends and moisturizes the hell out of it.

I think it's fitting for Charlie to have a bit extra vibrancy with demon and angelic features because she isn't mortal. At least not completely. She does have a more horrifying form with horns and eyes and wings but she hardly ever has to use it. She also has a natural charm to her she gets from her dad that makes it very hard to turn down what she suggests. Not impossible, just very unappealing. Hoping I can get to a point where her eyes aren't so scary looking but she does have cat pupils so, we'll...see.

Funny thing about Charlie is she is a bit like Elsa. Born with powers beyond comprehension, lives in an icy castle in the mountainside of the remote (only) city in her country, and was kept away from most of her citizens until her 200th birthday.

Okay, it's not a complete 1:1 here. Yes, Lucifer kept Charlie under wraps for about 200, well 50 years from his family, the other Ringmasters. The other denizens of Hell had no idea they had a princess until the events of the comic. They really aren't sure what to make of it either. Some Hellborn think they'll be able to marry into Lucifer's good graces (Sinners cannot legally marry anyone), others consider ransoming Charlie when she ventures out to start the rehab hotel (they are so painfully mistaken; everyone from her dad to her aunt Bel has taught her how to fight viciously even if it's not her preferred method of conflict resolution. to say nothing of the protective friends she gathers quickly). It also makes Charlie a little...well, naive about just how well her plans to rehab Hell are going to go. Most of what she knows about interacting with others come from pop media and her loving and protective family. It's an eye-opening experience when she strikes out on her own.

Debating on adding more black fleece to the bottom hem of her coat too. Thots? The background is just a deserted little corner of Pride Ring which is covered in snow (yes, Pride Ring is cold like in the Divine Comedy here). The orange trees in the background are courtesy of @holoanarchy for giving me the idea when I asked "what's a good color for the leaves of Hell trees?". I'll talk more about those when I post that Ring up, though.

Okay, let's talk about this lovable asshole now.

Blitz Wire has had to struggle and fight for most of the things he has in life. From the very beginning, things have been...tough for him. Imps are not the very bottom of the social ladder in my version of circus Hell, but they still make up the majority of the working class. If you've never been working class, take it from me, it sucks rocks. Sucks even more when neither of your parents were ever really successful or good with money either, as is the case with the Wires. Blitz's parents met when they were young and idealistic in Greed Ring and shortly married after a brief courtship. Beatriz (this is what I named his mom to keep with the 'B' theme), worked in a factory where they painted figurines of Mammon and the gold paint she huffed developed into Imphysema over time. She stayed sickly throughout Blitz, Barbie, and Fizz's childhood while Buckzo took over the family carnival to help put food on the table. When Beatriz could no longer work, he put the kids to it. They were happy to help and work to get noticed by Mammon so they could rake in some dough to get better medical treatment for their mother, despite the Ringmaster being the very reason she was sick in the first place (capitalism, baby!).

Blitz, as in the canon...is not very funny. Despite having a range of acrobatic tricks and being able to think and react very quickly, he just never had a knack for nor got a grasp of how to hold people's interest and make them laugh. Is what it is. Fizz was always the star of their little sideshow attraction. Barbie came as a close second with her death-defying knife acts and torture plays. Blitz just never stood out as an entertainer as the maladjusted middle child. Over time, that became a resentment. Coupled with Buckzo's disregard for him as his son, Blitz started pushing the envelope with the acts he performed.

Finally, when he was sixteen, Blitz decided he was ready to run a giant obstacle course straight out of Hell. It went about as bad as you would expect. Fizz got the brunt of the damage when he pulled his surrogate brother out of the jaws of certain death. While he was still recovering from being scalded by holy water, Blitz was fired and kicked out of the only home he'd ever known by his father. Barbie and Beatriz kept in touch, despite Buckzo's "banning" it, but Blitz spent the remainder of his teenage years on the streets of Hell, urban foraging and doing odd jobs to save up for a place away from Greed and the posters of Fizz's face as his fame grew.

I didn't really want to change much about Blitz's clothing choices since it makes sense for him to want to look professional, but also be comfortable while slicing throats and blowing people up. Also, blue and gold comes from him being from Greed and Asmo being his company's sponsor. Took away the boots and gave him proper hooves, though. Now, I didn't base the imps' lower halves on any specific ungulates, but Blitz's top half is defs based on an iguana. I want them to be more reptilian since Wrath is pretty desert-oriented and Satan is lizard-like herself. I could probs get away with making his tail a little shorter, but I'm happy with how his horns and spines turned out. He smokes this shitty brand of cigs called Blak'N'Bluz. They aren't called that because of the black filter and blue of the Hellfire they burn on, though. It's said they actually make one's lungs black and blue with one drag because they're so caustic. They're the easiest to steal as a result and the one Blitz started with so he always comes back to them.

I wanted him and Barbie to look more twin-like and I really don't care for OG Blitz's horns. As far as the pendant he's wearing goes, it never made sense to me that his mom only left him something and never left anything for her other kids (which could not be the case but we just don't know because...well, we're never given this info). Blitz and Barbie split their mother's necklace down the middle and each of them wears a piece of it. No idea what to give Fizz from her yet.

I changed Blitz's facial scars and I'll tell you why. Forget who pointed it out in the critical tag, but the type of face scar OG Blitz has would likely leave him blind, with low vision, or with no eyelid in the eye covered in that scar tissue. No matter how you slice it, his sight would be compromised. Given that I gave that particular trait to Loona and Vaggie also has an eye patch, I decided to vary him up. He's still disabled though. As another person pointed out on a totally unrelated to HB/HH post, burn scars can impact everything from self-esteem to physical movement depending on what caused them and how they heal. Due to the majority of Blitz's scarring being on his right and back, his tail and right side usually suffer some debilitating pain flares when he overworks himself. Also, migraines and trouble extending his limbs fully. Basically, he carries a bottle of percocet around (it's like demon ibuprophen; it's fine). His pain is part of why Blitz is such a cussy grump. Hard to be pleasant when you're poor, traumatized, AND hurting all the time.

I.M.P. is still a thing in this rewrite (still debating the name), but Blitz got the idea for it when he was dating Verosika (yup, that's still a thing too). She's the one who got him an in with her boss, Asmodeus. So, he has access to Asmodean crystals since the Ringmaster also liked the idea for snatching extra wicked souls early (they're a power source and, therefore, far more valuable then someone committing tax fraud or whatever) They parted on okay terms, but Blitz adopted Loona shortly after entering his 30s. Kid's gotta eat, so he expanded the business from an imp with a knife to two imps with a van full of guns. Hiring on Moxxie from his old stomping grounds of Greed, they were able to take on more clients. That led to meeting and hiring Millie. Loona comes on hunts now that she's old enough too and they all have a blast. The rest, they say, is history.

The other side of his face for ref:

First, because it’s just not in the books. Gabrielle isn’t a great mom but it’s more like she and Lestat are friends and partners in crime (any romance between them doesn’t happen until after they’re vampires). So I don’t see her doing it even as a bad mom because book Gabrielle liked Lestat.

Second, I’m a mom with a one year old so it was, admittedly, just a repulsive story to me. Not really a criticism. If anything it’s praise for the horror elements of the show.

But third? Third really bugs me. Third is that the de Lioncourt family had servants. I’m not even sure if in the book they were rich enough to have them but the show makes very explicit that Lestat’s family has got a bunch of servants running around.

So like just historically there’s no way the aristocratic lady of the house in the 1700s is having this very modern mom experience of taking her kid out for a walk to entertain him because there’s no one else around and then getting stuck with him alone without help or someone to hand him off to when he starts to get on her nerves.

Like Gabrielle would have had to choose to take him to the river herself, because normally you’d just hand toddlers off to your wet nurse or servants as an aristocrat. So the idea she’d be down there alone with him without a servant around to take over if she got annoyed or bored would also require a choice on her part. Like she wouldn’t have to interact with her small children at all unless she chose to.

So the show added this horrifying story about Gabriella being such a shit mom that she just abandoned her toddler by the river because he was annoying her but this random addition really just doesn’t take into account the historical aspect at all.

I have his redesign drafted, but I'm going to tweak him a bit and it'll be a minute before I post him because there's a lot of plot and lore about this rebuild of Hell around him and the Overseers.

HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")

In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.

A good boss (liege lord) is:

Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.

Patient. He is not impulsive, he does not lose his temper.

Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.

Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.

Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).

Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"

Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.

Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.

Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.

Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.

Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.

Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.

The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.

TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"

Over The Waves by Setsuko Matsushima

Except my phone unexpectedly broke shortly thereafter, and I lost those pictures forever. It’s been like 15 years, and I still think of that little wall hanging quilt and feel a little sad that I’ll never see it again.

That’s 1972

29 years before AVEN was started online,

and 47 years before the present.

And that’s only the date that Manifesto was written, so asexuals as members of a community must have existed at least some time before that.

Commission for Clint the werewolf is complete!