why do all the words sound heavier in my native language?
— @metamorphesque, Yoojin Grace Wuertz (Mother Tongue), Still Dancing: An Interview With Ilya Kaminsky (by Garth Greenwell), Jhumpa Lahiri (Translating Myself and Others), @lifeinpoetry
Cosmic Funnies

titsay
i don't do bad sauce passes
Misplaced Lens Cap
Not today Justin
Sade Olutola

shark vs the universe
DEAR READER
Keni
AnasAbdin
$LAYYYTER

Janaina Medeiros

roma★

#extradirty
Xuebing Du
Peter Solarz
Jules of Nature
Aqua Utopia|海の底で記憶を紡ぐ

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@aphroadites
why do all the words sound heavier in my native language?
— @metamorphesque, Yoojin Grace Wuertz (Mother Tongue), Still Dancing: An Interview With Ilya Kaminsky (by Garth Greenwell), Jhumpa Lahiri (Translating Myself and Others), @lifeinpoetry

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"you felt nothing except the sword’s enormous, empty hate of you, which you knew to be real"
Gideon is stronger than me i’d fold for an evil cougar immediately
Commission for my lovely oomfiekins @elfieafterdark
(w/o glasses under the cut)
how’s that house that raised you? @dogrotpdf // intervew with the vampire, the vampire Armand
ELEKTRA: I am the shape you made me. Filth teaches filth.
(prints)(process video & high res)

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this is a foundational text to me i can’t believe it hasn’t even cracked 4k retweets
Maisie Peters, “There It Goes” / art by Otoha Takenami
I am the vampire Madeleine Eparvier. And my immortal companion is Claudia. My coven is Claudia.
Of course, Daddy and Uncle have problems, plenty of them, but they figure them out quick most times. And when they can't, I can always get in between and make it right.
INTERVIEW WITH THE VAMPIRE - 1.04 “...The Ruthless Pursuit of Blood with All a Child's Demanding”
INTERVIEW WITH THE VAMPIRE - 1.01 “In Throes of Increasing Wonder…”

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fuck. i know everyone talks about the orpheus-and-eurydice of it but i’m SO fucked up about the orpheus-and-eurydice of griddlehark
i really wanna talk about this bc.
right before she dies, gideon doesn't look back. (there's the implication that had she looked back, she would have been unsuccessful. either looking at harrow would have made her unable to go through with it OR it would would have given harrow time to stop gideon) in this, she's a successful orpheus. she prevents eurydice's death. eurydice can live because orpheus did NOT look back, hut this time it comes at the expense of orpheus instead of eurydice.
like, imagine you are eurydice. and you are dead (you should have died long ago, should have never been born) and you think orpheus has come to die with you and even though you want to save her, maybe you're a little relieved, a little happy knowing that you will die together. and then, suddenly, you are alive, and orpheus is not, and that's not how its supposed to be at all.
gideon, not looking back so she can die.
harrow, not looking back so gideon can't.
Orpheus, asking Charon to claw out his eyes and carefully break his neck so that he might never turn around to see Eurydice. An act of profound love, obviously. Except Eurydice identifies the key motive as a contempt for her so profound that Orpheus has taken extreme measures to ensure that he need never look at her loathsome form again.
there's a beast in the pool
jaws theme starts playing in a homoerotic way
something that came into my mind while I was laying with fever
without text
ouhuyhuhhh pyrrha...... :(
something something orpheus and eurydice

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"Tell Camilla- Oh nevermind. She knows what to do."
Are we the sum of our worst moments?