Dofus: The Treasures of Kerubim(2013) - épisode 10 Vax's Living Art
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Dofus: The Treasures of Kerubim(2013) - épisode 10 Vax's Living Art
-> part 24/...

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Salvaging Wakfu: How I'd Fix Aurora
No, the world is not ending. But I understand your bafflement.
How come I, probably one of the biggest Aurora haters out there, have anything positive to say about her?
Well, the truth is that I never found it too hard to make her a more compelling character. Granted, no matter the route the show chose, I may have never liked her. You see, I can be quite the rabid stan and Amalia is my bias. I was never going to take kindly to a woman that was introduced seeing and treating my fave as little more than a political pawn for her own gain. Especially one who was intended to be bad news all along.
But I digress.
My point is that canon Aurora is simply insufferable and two-dimensional. A glorified background character with one very particular purpose whom the writers chose to give more "relevance" to without actually knowing what to do with her.
She and her father are easily the most despicable characters in this entire franchise, and it's us, the audience, that have to pay for it by having them and their machinations constantly "haunt" the already flawed writing of The Great Wave.
Aurora doesn't work simply because she isn't a character; but a caricature of a villain. She doesn't actually have any traits or complexity, she's just terrible because she's Amalia's main and most personal opponent and ToT can't be bothered to give anything related to Amalia that isn't a man any real depth.
But the truth of the matter is that Aurora's character is very easy to fix. Just make her more interesting and give her some better-balanced traits that don't reduce her to "overgrown spoiled brat on a power-trip." Better yet, canon actually gives us plenty to work with. They just don't do anything with it.
So here's how I'd write Aurora. Keep in mind, this is with the objective of keeping her as an antagonist for the Great Wave. So she will still be villainous to different degrees, but at least she won't be as flat. I have three alternatives on how I'd write her: one in a more positive light, the other two keeping her more unsavoury aspects from canon, but actually exploring her character.
And without further ado, let's dive in.
─────────゚.*・。゚🍅゚.*・。゚─────────
Okay... I'm about to get roasted... I have been thinking, and here is my updated take:
I still feel incredibly sorry for Aurora! And I'm protecting her.
WHOA WHOA WHOA!!
(╯°□°)╯ ︵ 🍅 🫷( •о• 🫷)
Yes. But...
Not as a person. Because she does not have any development or traits to even talk about her as something human. It is as if she never even got a chance!
I defend her as a character — or a piece of plot machinery that could have meant a lot to me. In theory... My man literally got the only thing that made him happy ripped away from him. Am I mad? FUCKING RIGHT I AM.
(╯°□°)╯«hypocrite!» ︵ «YES!!» ヽ(°□°ヽ)
She just got unlucky enough to become an active player in a story about the Brotherhood that has been dying for a while now, which honestly is pretty standard these days.
And I know what you are probably thinking:
«It is one thing to pity a character who started out good and then got ruined. It is another thing entirely to pity a character who was always a shitty blank slate and then got made even worse»
But even if she was a total piece of shit ten times over, I still hate watching those overdramatic violence scenes that do not seem to serve any actual purpose. Where a character exists purely to be hated!
─────────゚.*・。゚🍅゚.*・。゚─────────
Let us take a couple of obvious examples:
Adamai. He did a ton of horrible things and got forgiven way too easily, in my opinion. But he still has a fanbase — thanks to his past self and a few genuinely defined traits that make him feel like an actual character.
Oropo. An even better example of an unpleasant character. But even he was given some self‑loathing, those flashbacks with the Brotherhood of the Forgotten, personal breakdowns, and at least some grudges to work with. This guy even got a whole OVA just so the audience could understand just how complicated he is. If you asked him, «What the hell, man, why are you like this?» he would actually give you a canon answer. Even if you thought his answer was complete nonsense, at least he tried to justify himself.
Aurora, though? She has no backstory, no personal struggles, no attachments. The way she acts toward her dead husband's family and kingdom pretty much proves she did not even care about Armand. She shows no regret, does not even try to awkwardly justify herself. And that does not piss me off. It just makes me sad! She is being used as a spit in the face to the audience. Aurora was not even given a chance to be anything other than a villain.
─────────゚.*・。゚🍅゚.*・。゚─────────
The funniest part? Tot has tried to justify plenty of genuinely fucked up things other characters did. But now, out of nowhere, we get a villain whose only job is to absorb pure, unfiltered hate from the viewers.
For example, I find it absolutely hilarious that in the same manga, in consecutive chapters, we get:
Adamai. A guy who, not long ago, killed Persedale, beat up a pregnant Eva, kidnapped a child, destroyed a home, and live‑streamed himself choking Yugo's best friend. And all he had to do to be forgiven was flash a dumb smile and give an awkward apology — so that in the next chapter, he could sit all saintly at a wedding, happily sipping wine, concerned about Yugo's wellbeing, as if he had not been beating his brother with pure sadistic joy a season earlier.
Aurora. She betrayed her people and kingdom to save herself. Came back out of nowhere to claim the throne, using her pregnancy as leverage — low and shameless. Snapped at a servant, and... that is it. Then suddenly she is painted as a crazed maniac who always dreamed of killing Amalia! Immediately thrown into a full‑on brawl, and naturally punished for her audacity with a brutal face‑beating.
Is it because she is a female character, Tot??
Or because you are so obsessed with showing pregnant women getting beaten, except the pregnant Eva thing already got old, and the audience did not share your enthusiasm?
Because I genuinely do not see the point of this scene otherwise. If taking the throne was that easy, they could have done it through Bonta without dragging the Corvus family into it... ???
To me, both of these characters just look like unhinged little shits with no clear motivation for their actions. And I genuinely do not understand the logic behind this selection — who gets to be "redeemed" and receive the coveted «YOU JUST DIDN'T UNDERSTAND THEM!!!» treatment, and who gets to be used as a mindless punching bag for emotional extraction, with zero depth?
─────────゚.*・。゚🍅゚.*・。゚─────────
My issue isn't even that Aurora acts like a bitch. It's that she acts like that for the sake of a poorly written political arc, just so she can be a villain for Amalia and Yugo to face. Just to get on the nerves of the yugomalia fans...
And now that I've cooled down a bit, I'm NOT telling people to «calm down their anger toward Aurora». I just think there's no point in endlessly discussing how awful she is.
Think of it this way: it's fucking insulting how they keep portraying a woman in such a dumb and degrading way!
Plus, it honestly scares me how they're bringing up the whole motherhood topic again. Beating up a pregnant woman is Tot's favorite trick. Not surprised.
But Amalia suddenly falling into someone's arms and screaming about endless happiness at the suggestion of having a child? That's the cherry on top 🍒👌(˘▾˘ )
Terrifying...
─────────゚.*・。゚🍅゚.*・。゚─────────
Anyway. Aurora is cardboard, no chance of redemption. But I will keep her as a seed of an idea and use her in my own interpretations.
Because I believe that treating cardboard like that is just disrespectful to the material!!! It is like watching an artist stomp all over their own canvas with muddy boots, just to make your teeth grind. Use the canvas for what it is for, you fucking hack!
─────────゚.*・。゚🍅゚.*・。゚─────────
stiiiiiiiiill didn't really get this recton, but it did remind me that I've been drawing Bellaphone for basically my entire time in the Wakfu fandom.
“This is our new class made from the primordial dofus and have a deep connection to dragons, also the dofus have always been here before the dofus era”

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congratz with new retcones my dudes
updated a lil bit
The other day @laneylunen and I were talking about this, but have you ever noticed how Amalia was robbed in season 4?
To be fair, we could be talking about a plethora of things. The fact that they killed her entire family just so she and Yugo could rule being high up on that Dick Move list.
But I am actually talking about how she was robbed of her moment of assertion between episodes 10 and 11. A moment where she could have truly asserted herself as Princess of the Sadida and defended the fact that she's actually one of the highest authorities in their kingdom and, therefore, deserving of respect.
Every time someone genuinely asks how anyone could possibly like Amalia or consider her the best-written member of the Brotherhood, a part of me dies inside.
I genuinely think most of the fandom needs to rewatch the series.
sketchy shit of my krosmoz ocs (not all of them)
the last slide is my attempt at a maxi mini style
Waven is surprisingly better than current Wakfu on its own.

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Hello there! I'm really glad I found a blog that gives wakfu the critique it deserves, I feel like a lot of fans just glaze the show to no end and either ignore and/or fail to see its shortcomings. I agree with a lot of the criticisms you've presented on your blog, and idk if you've talked about this, but the number one thing that really irked me about season 3 was the weird trauma guilt trip they did with Yugo regretting his actions against Nox and Qilby. Qilby I can maybe understand feeling guilty over that, but one of the things that made Nox such an interesting villain was that Yugo didn't actually defeat him. I saw you've talked before about inconsistencies in the plot so you're probably aware of all that, but one of my favorite aspects of season 1 was that Yugo technically lost to Nox. Nox defeated himself because his goal was too far from his reach to begin with. Claiming in season 3 that Yugo "killed" Nox annoyed tf outta me. I love this show but they coulda stopped at season 2 and i'd be fine with that.
Sorry for the ramble! I also wanted to say that your art is gorgeous! Have a lovely day 🌸
Oh, that's a hilarious topic. I've brought it up plenty of times with friends, just never on Tumblr.
Whether people agree with it or not, I've never understood why Yugo suddenly became so hung up on this. Between Season 2 and that point, we had the Wakfu manga and the OVAs, and then Yugo suddenly wakes up one day and goes, "Now is the time."
Honestly, this is one of the reasons I don't see Yugo as a particularly autonomous character. He often feels more like a puppet of the plot. His personality shifts depending on what the author needs the story to be.
That's why in the OVAs he suddenly turns into this aggressive, jealous guy who insists he'll never be with Amalia while simultaneously sabotaging negotiations with the Count at every opportunity. At this point that even Eva calls him out on it. Earlier Yugo, while admittedly a fairly archetypal kid, would at least try to understand his enemies. Look at Nox situation in s1. Yugo wanted to talk to him, understand him.
Then OVA Yugo shows up screaming shonen lines and trying to punch his way through every problem. But where did that come from? What was even the setup for the fight with Adamai? What happened in Emelka that suddenly awakened all this aggression?
Season 3 just continues this trend. Yugo becomes a vehicle for the author's reflections on past villains and moral responsibility, all while criticizing... the very people who helped save the world multiple times.
What a terrible Brotherhood of the Tofu.
Saving the kingdom from collapse and preventing the Shushu from taking over the world, truly unforgivable crimes.
Yugo already let Nox go. Nox got his farewell. As for Qilby, there wasn't exactly a better option at the time, especially considering Yugo was still young and not even a king yet. So where is all this guilt and resentment suddenly coming from?
And then Season 4 puts him right back into angry chihuahua mode whenever Qilby is involved. Which makes the whole angst arc feel even stranger, because it doesn't actually lead anywhere. It doesn't change Yugo, it doesn't resolve anything, and it doesn't produce any meaningful conclusion.
And thanks for the compliment! Have a nice day too.
Thank you for the lovely reply! Your insights on Wakfu's writing has helped me a great deal in understanding specifically what irks me about the show. I always knew I was frustrated with the way Yugo's personality took a nosedive after season 2, but I probably would never have described it as accurately as you. I really liked Yugo in the first two seasons because I enjoy happy, innocent characters. But I strongly agree with you that afterwards his writing felt almost like fanfiction, like a teenage author taking out their issues on their favorite fictional character, completely ignoring that character's canon personality. If that makes sense.
Thank you for all your wonderful analysis on Wakfu. Your blog has helped me understand the show a lot better, as well as what to be careful of in my own writing.
The funniest thing is, this isn't even an analysis in the full sense of the word. If you read interviews and artbooks with the lead writer's words, you literally have the whole picture before your eyes. And which characters are referenced to what, what anger Oropo personified at the French government, that Yugo represents Ukraine, and the Dofus are nuclear weapons, and so on. From such interviews and words, you can understand his attitude toward the character and his writing. Regarding Yugo, he said he wanted to "teach him lessons" through villains and, again, Toross.
…Maybe I wouldn't be so harsh if I hadn't read all this, but it is what it is.
Hello there! I'm really glad I found a blog that gives wakfu the critique it deserves, I feel like a lot of fans just glaze the show to no end and either ignore and/or fail to see its shortcomings. I agree with a lot of the criticisms you've presented on your blog, and idk if you've talked about this, but the number one thing that really irked me about season 3 was the weird trauma guilt trip they did with Yugo regretting his actions against Nox and Qilby. Qilby I can maybe understand feeling guilty over that, but one of the things that made Nox such an interesting villain was that Yugo didn't actually defeat him. I saw you've talked before about inconsistencies in the plot so you're probably aware of all that, but one of my favorite aspects of season 1 was that Yugo technically lost to Nox. Nox defeated himself because his goal was too far from his reach to begin with. Claiming in season 3 that Yugo "killed" Nox annoyed tf outta me. I love this show but they coulda stopped at season 2 and i'd be fine with that.
Sorry for the ramble! I also wanted to say that your art is gorgeous! Have a lovely day 🌸
Oh, that's a hilarious topic. I've brought it up plenty of times with friends, just never on Tumblr.
Whether people agree with it or not, I've never understood why Yugo suddenly became so hung up on this. Between Season 2 and that point, we had the Wakfu manga and the OVAs, and then Yugo suddenly wakes up one day and goes, "Now is the time."
Honestly, this is one of the reasons I don't see Yugo as a particularly autonomous character. He often feels more like a puppet of the plot. His personality shifts depending on what the author needs the story to be.
That's why in the OVAs he suddenly turns into this aggressive, jealous guy who insists he'll never be with Amalia while simultaneously sabotaging negotiations with the Count at every opportunity. At this point that even Eva calls him out on it. Earlier Yugo, while admittedly a fairly archetypal kid, would at least try to understand his enemies. Look at Nox situation in s1. Yugo wanted to talk to him, understand him.
Then OVA Yugo shows up screaming shonen lines and trying to punch his way through every problem. But where did that come from? What was even the setup for the fight with Adamai? What happened in Emelka that suddenly awakened all this aggression?
Season 3 just continues this trend. Yugo becomes a vehicle for the author's reflections on past villains and moral responsibility, all while criticizing... the very people who helped save the world multiple times.
What a terrible Brotherhood of the Tofu.
Saving the kingdom from collapse and preventing the Shushu from taking over the world, truly unforgivable crimes.
Yugo already let Nox go. Nox got his farewell. As for Qilby, there wasn't exactly a better option at the time, especially considering Yugo was still young and not even a king yet. So where is all this guilt and resentment suddenly coming from?
And then Season 4 puts him right back into angry chihuahua mode whenever Qilby is involved. Which makes the whole angst arc feel even stranger, because it doesn't actually lead anywhere. It doesn't change Yugo, it doesn't resolve anything, and it doesn't produce any meaningful conclusion.
And thanks for the compliment! Have a nice day too.
Remember when I talked about them replacing the Flopin OVA?
Well...
Now it's apparently a Toross OVA instead, while Flopin has been moved to Season 5. Whether that's a good idea or what exactly it's supposed to change, I have no clue. But it's yet another example of people being promised one thing, donating for it, and then getting something else entirely.
Just like the "secret OVA" that was originally supposed to be about Waven and then somehow turned into a Mechasm project and finally ended up as an extended Oropo OVA.
s3 s4 and the great mid will never really exist to me, but I do like to mess around with what they could have been, and I find it really funny that literally everyone and their mother in this fandom has their own rewrite for the show just because of those seasons and the webtoon
I can't speak for everyone, but a lot of people I know who are still in the fandom have their own AUs and personal interpretations. Not getting mentally upset over it is basically one form of copium. Maybe it is, maybe it isn't. Personally, I'm still here because of the OCs, and because I really love the old Ankama vibe like the grounded artists and their creative vision. Back then, the story was probably written by more than one person rather than being shaped by a single writer with a very specific set of political and moral views. Ahem.
Also, I’m not going to stay silent and I’ll keep sharing my opinions about Wakfu and Krosmoz in particular. If you don’t like it, feel free to unfollow or block me. Tumblr is still a free space for expressing opinions and if you disagree or don’t like it, no one is forcing you to stay.

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eh.
just remove grayscreen from all Ankama animations pls.
Wakfu isn't suppose to be that dull and gray.
Well, I'll be damned...
The Royal Osamodas Twins isn't just the manga being lazy in the character design department. It actually goes back to early season 4.
Somehow, that's not surprising...
Considering that Aurora was CLEARLY meant to be a grown-up version of "one of the twins," right down to the model's camouflage, I think these are just lazy placeholders.
Like that floating cloak of the Eniripsa in the T-pose in the concept art.