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@yanniskotsireas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Clarence John Laughlin (1905–1985)
“Sign Post to Nothingness, No. 2,” 1941
source
Augusto Cantamessa - Fotografie - Galleria Losano
Seconds (1966), dir. John Frankenheimer

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Domains, 1956-58. Ikkō Narahara. Gelatin silver.
𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, Untitled, 1968
Acrylic on paper laid down on panel
57 7/8 × 40 3/4 inches
📸 mark.cashion (instagram)
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
This is a much better shot than the auction catalog so I'm sharing it here because you can see a lot more of the paint texture, and that's pretty cool
Anselm Kiefer: Walhalla
Marcel Duchamp behind his sculpture The Bride Stripped Bare By Her Bachelors, Even (The Large Glass, 1915–23), at the Philadelphia Museum of Art, Photo by Mark Kauffman, 1952

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Augusto Cantamessa (1927–2018)
Campagne di Airasca, c. 1950
Masahisa Fukase, injured in a bamboo grove while searching for his cat Sasuke.
Photograph by Masato Seto.
“Elena”, Saint Petersburg, 1999.
Ph. Lise Sarfati

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Lay me down the long white line, Leave the sirens far behind me, Paint my name in black and gold, My heart, my flame, my heart, my road
— Heartland (The Sisters of Mercy)