"It's Minecraft all the way down" - Lizbert Bugsnax....wait-

Where was your OC born, and where did they grow up?

How does your OC remember their childhood? Is this an accurate reflection of what their childhood was actually like?

If your OC could revisit their childhood, what would they want to change about it, if anything at all?

Describe three of the most important photographs your OC owns.

What is your OC's gender identity and sexual orientation? Is this also what they identify as in canon, or are they not (fully) aware?

How comfortable is your OC in their skin? Do they like who they are? What would they want to change about themself?

What is your OC's occupation?

What does your OC's family look like?

Describe a mundane day in your OC's life.

Does your OC have any physical scars? What is the story behind them?

What does your OC carry around in their pockets? What about their bag?

What is the worst thing that has happened to your OC? How has it affected their behavior, their health, and their life in general?

What is something your OC does (to others) that they would not like if others did to them? Are they aware that they do this?

Does your OC hold grudges? How good are they at letting things go? Do they believe in second chances?

What is your OC's fatal flaw?

Is there anyone your OC has lost contact with? What happened?

What are some of your OC's coping mechanisms during stressful or overwhelming periods in their life?

What are your OC's bad habits?

How does your OC handle preparing for and initiating a difficult conversation? How does the conversation itself go?

How quick is your OC to shift blame? Do they own up to their mistakes, or are they prone to start pointing fingers at others?

How does your OC handle criticism?

How good is your OC at apologizing, if they do this at all?

What is your OC like when they're angry?

What is your OC like when they're upset?

What is your OC's deepest desire? Would they ever ask for this?

How quickly does your OC reach their breaking point? What are they like when this point has been reached?

What are some assumptions others make about your OC? Are any of them true?

What does your OC think others are saying about them behind their back? Is any of this true?

What are three traits your OC has that can both have positive as well as negative qualities?

How paranoid is your OC? How does this affect their daily life?

Are there any places or people your OC is avoiding?

How does your OC handle rejection?

How does your OC handle jealousy?

What would be some of the signs your OC is starting to push people away?

If your OC had to kill someone, how would they do it? If killing is a near-daily occurrence to them, what is their preferred method?

Does your OC believe they deserve it when bad things happen to them?

What is the most common feeling or emotion in your OC's life?

What is the most recurring theme in your OC's nightmares?

What is your OC's pain tolerance like? What is the worst pain they have ever felt?

What is your OC afraid of?

Has your OC ever hurt someone, either physically or verbally?

How easily influenced by others is your OC?

What are common things your OC worries about?

Do others consider your OC to be scary or intimidating?

Does your OC keep their promises? Have they ever broken one before?

Does your OC carry any guilt with them?

If your OC had to pick a new identity and skip town, what would they come up with? Where would they go?

What would your OC do if they knew that this was their last day alive?

Does your OC fear death?

They're repelled by liminal spaces.

A vampire could never enter fairyland, not just because they'd never be welcomed, but because most of the usual entry-ways are naturally barred to them.

They can't cross running water. They can't be seen in mirrors. They will wait forever at a crossroads, unable to pick a direction to go in. They can't even step over a thresh-hold unless there is absolutely no ambiguity about whether they are welcome inside.

They crave human blood, iron and salt, but are repelled by herbs and plants. They are supernaturally prevented from harming you unless the rules of hospitality have been invoked.

A fairy may replace your newborn child with something unnatural and ever-hungry. A vampire will do the same, but with your grandmother's corpse.

The fae are typically associated, even in stories where they're the bad guys, with flourishing and purity. Vampires, even in stories where they're the good guys, are typically associated with decay and corruption.

The fae turn ancient human burial mounds into fancy halls for their courts. Vampires take ancient human castles and let them grow mildewed and cobwebbed, exchanging the beds for coffins, turning them into burial places.

Fae don't tend to live among humans, but can generally pass for them with relative ease if they so choose. Vampires nearly always live among humans, but tend to find not revealing themselves a huge struggle.

I can't think of many stories I've read where fae and vampires even exist in the same universe, let alone ones where they actively interact. I feel like their enmity is almost more inevitable than that between vampires and werewolves, however.

The rivalry between vampires and werewolves is, essentially, the rivalry between two apex predator species who share a territory. (Even in stories where the werewolves aren't actually hunting humans.)

The vampires hate the werewolves because the werewolves interfere with their access to prey. The werewolves hate the vampires either because they consider themselves aligned with humans (the prey species), or because they are also predators and the vampires are competing with them.

By comparison, I think there's some story potential in the fae finding something genuinely creepy and uncanny valley about vampires.

They're immortal, like them, but also dead. They can be beautiful, like them, but that beauty is something they actively require humans to sustain. They like to inhabit beautiful and ancient ex-human dwellings, like them, but they actively work to make those places dark, damp and empty.

Fairies who are unflappable in the face of all sorts of Otherworldly monsters, can look an eldritch horror in the eye(s) without blinking, and have never been phased yet by any human, but will recoil from even the weakest vampire.

Vampires who hate fairies just as much, but in a more envious way. The way that the creature for whom immortality is a curse is bound to hate the creatures for whom immortality is an eternity of sunlight and laughter.

Maybe their touches burn each other. Maybe vampires can't stand physical contact with anything so alive and vital. Maybe immortal fairies become ill from too much exposure to the undead.

Maybe they fight over the human population when their territories overlap. The fairy need for servants and people to make deals with, competing with the vampire need for thralls and blood to drink.

Reblog to claim your badge! Also, Doof voters, I get it, but PLEASE vote for Percy because he needs a win 😭😭😭 I have nine reasons for him to win PLEASE

Protagonist now remembers key facts about important people. He no longer develops convenient amnesia between cutscenes.

Protagonist now has a cooldown on certain adverbs. Adverbs have been buffed by 30% to compensate.

Developer note: Adverbs are important to writing but they are sometimes overused. This change keeps adverbs relevant while encouraging the use of adjectives and verbs.

The horse now has a name.

Solved a glitch where supernumerary limbs would sometimes emerge during complex physical interactions.

Should no longer display “[insertnamehere]” during conversations and narration. All of such occurrances have been replaced with the appropriate tags.

Conversation continuity has been improved. Characters will no longer inappropriately respond with lines from previous iterations of the narrative.

All references to “Event A” have been purged to reflect changes in narrative structure.

Paragraphs which contained two or more instances of the same adjective have had their adjectives updated to accurately reflect a player’s vocabulary inventory.

Minor time traveling issues have been resolved, all characters should now exist in the same tense.

Punctuation has been improved. Commas have been reduced by half.

Characters sighing has been reduced by 30%.

Characters looking at things or people during conversations has been reduced by 40%. To make up for this, characters thinking about the conversation has been boosted and descriptive narrative has been added.

I had a big fanfic in a previous fandom where one of the big reveals was the involvement of a kind of infamous villain, whose presence was built up to and foreshadowed through the whole fic until his reveal without ever mentioning his name, so that the name drop would be a gut punch. It worked especially well because of who the villain was and his presence in that fandom space specifically (it's very complicated) and if it was an original story this reveal wouldn't work at all the way it was written in the fic. Because if you don't have a predisposition to think about that character and his relationship to the hero in a very specific way, then just seeing their name won't do much to you; the reveal and the recontextualisation it pushes upon you hinges on your previous knowledge of the source material.

I think it's an interesting tool fanfic authors are given. One of my favorite fanfic of all time is partially a re-imagining of its source material's canon, and something it does is introduce antagonists much earlier in the story or deepen npcs' stories. It then works to evoke a tragic irony that again wouldn't work if you didn't know the source material, and it's something the author obviously has a lot of fun with.