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VIDEODROME 1983・dir. David Cronenberg
Paint the Revolution: Mexican Modernism, 1910–1950
Link to exhibition preview.
“PHILADELPHIA — Politics or beauty? Take your choice. Conventional wisdom says they don’t mix. But “Paint the Revolution: Mexican Modernism, 1910-1950” at the Philadelphia Museum of Art argues, with reservations, otherwise. The show is the first all-out attempt in the United States in seven decades to grapple with the contradictions of early-20th-century Mexican political art. (The last one was also at this museum.) It has plenty of pumped muralist muscle — all those clenched fists — but offsets it with pictures as pretty as valentines.
Organized with the Museo del Palacio de Bellas Artes in Mexico City, where it will travel in February, the show focuses on pioneers of the Mexican movement for artistic nationalism, following the timeline of revolutionary events. In 1911, the country’s longtime president, Porfirio Díaz, was chased out of office. He had kept peace for decades by pampering the elite, enriching the army, and treating the poor, which meant practically everyone else, like dirt. Finally, dirt said no, and everything changed, including art.”
Read the full review here.
Images from the Philadelphia Museum of Art’s website (www.philamuseum.org) below:
Pottery Vendors, 1934, Alfredo Ramos Martinez, Mexican, 1871-1946, Tempera and charcoal on newsprint, 57.5x42.2 cm. (Private collection)
Portrait of Martin Luis Guzman, 1915, Diego Rivera, Mexican, 1886-1957, Oil on canvas, 72.3x59.6 cm. (Fundacion Televisa Collection and Archive, © Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./VEGAP, Madrid, 2016.)
War, David Alfaro Siqueiros, Mexican, 1896-1974, © Artists Rights Society (ARS), New York/SOMAAP, Mexico City.
Dance in Tehuantepec, 1928, Diego Rivera, Mexican, 1886-1957, Oil on canvas, 199x162 cm. (Collection of Eduardo F. Costantini, Buenos Aires, © Banco de Mexico Diego Rivero Kahlo Museums Trust, Mexico, D.F./VEGAP, Madrid, 2016.)
Classical Landscape with Horse, 1934, Emilio Amero, Mexican, 1901-1976, Watercolor on paper, 42.5x43 cm. (Private collection)
Troubled Waters, 1949, Jose Chavez Morado, Mexican, 1909-2002, Oil on canvas, 106x135cm (Acervo Patrimonial, Secretaria de Hacienda y Credito Publico, Mexico City © VEGAP, Madrid, 2016).
Carnival at Huejotzingo, 1939, Jose Chavez Morado, Mexican, 1909-2002, Oil on canvas, 71x96.5 cm. (Phoenix Art Museum: Gift of Dr. & Mrs. Loyal Davis, © VEGAP, Madrid, 2016)
Barricade, 1931, Jose Clemente Orozco, Mexican, 1883-1949, Oil on canvas, 139.7x114.3 cm. (The Museum of Modern Art, New York: Given anonymously, 468.1937, © VEGAP, Madrid, 2016)
Self-Portrait on the Border Line between Mexico and the United States, 1932, Frida Kahlo, Mexican, 1907-1954, Oil on metal, 31.8x34.9 cm. (Collection of Maria and Manuel Reyero, New York, © Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./VEGAP, Madrid, 2016.)
La Cucaracha (1959)
Título original: La Cucaracha
Director: Ismael Rodríguez
Año: 1959
Género: Drama / Revolución mexicana
País: México
Duración: 97 min
Idioma: Español
SINOPSIS: Derrotado y casi sin tropas, el villista coronel Zeta llega a un pueblo controlado por los carrancistas. Aunque son aliados, Zeta encarcela y ordena fusilar al coronel Zúñiga y a varios de sus hombres para tomar el control del pueblo. Entre los muertos está el amante de “La Cucaracha”, una bragada soldadera que capitanea un grupo de mujeres armadas. A los combates entre las tropas se suman los enfrentamientos entre Zeta y “La Cucaracha” y la aparición de Isabel, una mujer burguesa obligada a unirse al grupo de revolucionarios.
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Reed, México Insurgente (1973)
Reed, México Insurgente (1973)
Título original: Reed, México Insurgente Director: Paul Leduc Año: 1973 Género: Drama / Revolución mexicana País: México Duración: 124 min Idioma: Español SINOPSIS: Película biográfica que se centra en la vida, aventuras y acción política del periodista norteamericano John Reed, a partir de su propio libro de recuerdos “México insurgente”. VER TRÁILER VER PELÍCULA
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Así se veía a la Revolución Mexicana un año antes de la 1ra Guerra Mundial.
En julio de 1913, un año antes de la 1ra Guerra Mundial se publicó está caricatura en la revista norteamericana Puck.
En la imagen se puede ver cómo las potencias mundiales están observando y alborotando a la vez a la Revolución Mexicana (representada como un perro al servicio de EEUU).
Del otro lado está el Tío Sam a punto de usar el recurso de la intervención.
Todo esto tiene sentido si recordamos que unos meses antes (en febrero 1913) el presidente Madero fue derrocado por los militares bajo la bendición de los embajadores de EEUU, Inglaterra, España, Alemania y otros países. Así se instaló el militar Victoriano Huerta en la presidencia.
Sin embargo, para marzo de 1913 llegó a la presidencia de EEUU Woodrow Wilson. Wilson reprobó las acciones de su embajador y de todos los gobiernos del mundo respecto a la caída del gobierno de Madero. El gobierno de Estados Unidos (en aparente contradicción) desconoció a Victoriano Huerta unas semanas después de haberlo apoyado.
Las potencias europeas interpretaron el desconocimiento a Huerta por parte de EEUU como un intento de sacar a los europeos del continente americano
Texto: ismosmexico
April 12, 2024. Source: Quds News Network. "Despite the loss of lives, the devastation and the displacement, the children of Gaza make sure to have little room for joy at Eid al-Fitr."

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April 28, 2024 - An unintentionally funny video by a zionist propagandist shows off some good organisation and discipline at the UCLA encampment for Palestine.
✽In the Kurdish region of northeast Syria, a women-only village called Jinwar or ‘women's space’ has become a refuge for women displaced by war and domestic violence
Via Reuters (+video)
✽Suriye'nin kuzeydoğusundaki Kürt bölgesinde, Jinwar ya da 'kadın mekânı' olarak adlandırılan ve sadece kadınlardan oluşan bir köy, savaş ve aile içi şiddet nedeniyle yerinden edilen kadınlar için bir sığınak haline geldi.
Reuters aracılığıyla (+video)
✽シリア北東部のクルド人居住地域にある、ジンワール(クルド語/女性の居場所)と呼ばれる女性だけの村が、戦争や家庭内暴力で避難した女性たちの駆け込み寺となっている。
ロイター通信より(動画とも)
YPG guerrillas on fighting against ISIS.
Born From Urgency (2017)
The Witch (2015) dir. Robert Eggers
I am obsessed with him

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The Silence Of The Lambs Directed by Jonathan Demme (1991)
Amores Perros, 2000