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sheepfilms
will byers stan first human second
occasionally subtle
Not today Justin
The Bowery Presents
noise dept.

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ellievsbear
trying on a metaphor
he wasn't even looking at me and he found me
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TVSTRANGERTHINGS
2025 on Tumblr: Trends That Defined the Year

Origami Around

Love Begins
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Jules of Nature

⣠Chile in a Photography ā£
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@anextrapairofeyes

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21 Lies Writers Tell Themselves 1. Underwear is definitely pants. 2. All you need to be a writer is talent. 3. My talent and its demands protect me from the responsibilities of normal people. 4. Iām almost done. 5. When Iām not engaged in the process of writing, Iām thinking about writing, therefore I am writing. 6. My writerās block protects me from humiliating myself. 7. I donāt care that my frenemy from grad school got a million dollars for that literary crossover novel. 8. I donāt care that I got a million dollars for my literary crossover novel. Iām going to just keep it real. This doesnāt change anything for me. You know. 9. I donāt need to back up my computer. 10. Publishing this book will change my life. 11. Iām not going to get caught up in all that publicity stuff. 12. Iām only on social media because I have to be to promote X. 13. Iām only going to go on Facebook/Twitter/Tumblr for a few more minutes. 14. I need a MFA. 15. I donāt need a MFA (and no one else does either). 16. If you put something on the Internet, no one will read it. 17. If you put something on the Internet, everyone will read it. 18. Writing for free for that website will help me get my name out there. 19. I donāt need a contract for this. 20. I donāt need an agent for this. 21. My agent is ignoring me!
21 lies writers tell themselves, joining our running archive of insight on writing.
(⬠this isnāt happiness)
Writers imagine that they cull stories from the world. Iām beginning to believe that vanity makes them think so. That itās actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I donāt fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Arundhati Roy (via victoriousvocabulary)
Gee, I don't know how to research writing Characters of Color tastefully:
So You Want to Write a Fantasy: Writing Female Characters
So You want to Write a Fantasy: Culture
Ā SYWTWAF: Writing What you Donāt know
Ā A list of adjectives to describe physical attributes, Or, As it turns out, I could go to Starbucks with half this list
Unpacking the Invisible Knapsack
Ā Some primers
Ā More Primers
Ā RaceFail ā09: Or where Deepadās I didnāt dream of Dragons comes from, and why.
Ā Writing characters of Color
Ā Writing Outside your experience
Media Representations Wiki - stereotypes/tropes/culture/etc
Ā On A:TLAās whitewashing - All The Worldās White, the Rest of Us merely live in it
The Face of the Other: Do Manga & Anime characters look āwhiteā?
Describing Characters of Color pt 1 & Describing Characters of Color (pt 2)
Ā I Didnāt Dream of Dragons
Ā Shame
Ā So You Want to: Avoid Unfortunate Implications
Ā Transracial Writing for the Sincere
Ā Why Writing Colorblind is Writing White
What a Girl Wants: Representation
Ā An Equal Place at the Table
Ā Avoiding LGBTQ Stereotypes
The Problem With Colorblindness (and the Rest of Racebending.com)
Ā Making Movies for White People: A Tongue in Cheek critique of Minority Representation in the Media, or lack thereof
Ā From Margin to Center: Writing Characters of Color via Racialicious
Ā Writing Characters of Color - a helpful community!
Ā Why my Protagonists arenāt white (even though I am.)
Ā The Dangers of Telling a Single Story (a helpful Video)
Ā The Lack of People of Color in Historical Fictions
Ā How to Read and Respond to Literature of Color
Ā The Advantages of being a White Writer (in getting published)
Ā Writing Characters of Colour (Now With 10% Less White Liberal Anxiety!)
Ā Fic and Skin Tone (discusses Nyota Uhura, otherwise relevant)
Ā On Problematic Writing
Ā Writing Race in YA fiction: Debunking Myths
Ā Diversity Writers: How to Write People of Color
Ā The Importance of Inclusionary Writing
Ā Racialicious
Ā Overcoming the Noble Savage and the Sexy Squaw: Native Steampunk
Ā The Intersection of Race and Steampunk: Colonialismās After-Effects & Other Stories, from a Steampunk of Colourās Perspective
Ā Beyond Victoriana: For EVERYTHING Steampunk/1800s/Industrial Revolution that isnāt just Victorian England and the archives Tales of the Urban Adventurer
Ā Can I just watch A Game of Thrones in Peace? (A brown feminist fan rant).
Fantasy and Sci-Fi race Bingo
Invoking Strangely Colored people
Many Voices
AfroFuturism, SciFi, and the History of the Future
Some Open Thoughts on Race & Dsyutopia
When Will White People Stop Making Movies like Avatar?
Portraying POC in YA Fantasy: Are we There Yet?
Debunking White Fantasy
Racism in Fantasy
Magical Realism is Fantasy written in Spanish.
1.) Itās not hard to figure out what to do, there are plenty of resources.
People say you have to get it right, do your research, but ⦠what else are you supposed to research? Itās not like people with more pigment in their skin have completely different personalities than those with less, any more than any individual. Itās frustrating when I canāt even figure out what the heck people are talking about.
Bam. Research step one done for you.
2.) Writing characters of color/minorities is a good thing.
I donāt like the notion that fantasy authors are under some kind of obligation to present ethnically diverse worlds. Iām English, and a fair sized part of English history consists of unwashed beardy white people in mead halls. If Iām inspired by my own history and cultural heritage, then thatās what Iām damn well going to write about. Iām not writing about some other culture just to appease the people who think there arenāt enough black characters in fantasy, or whatever. You want it, you write it. Nothing to do with me.
Youāre wrong.
3.) Your all White Fantasy Land Didnāt Exist in Real Life:
ā¦the rather medieval one has more diversity than real medieval Germany probably had [ā¦] In a world with medieval means of transport, it just doesnāt seem natural to me to mix dark-skinned people with blue-eyed blondes in one setting. I just try to give the people a colour that fits the place where they live.
You mean like the people from Africa and the Middle east who began to take over Southern Spain, as well as the Jews who were pretty well spread out throughout Europe, the Middle Easterners they would have met on the Crusades, and the incoming Mongol Hordes who spread to the very edges of Eastern Europe before the empire finally collapsed? Donāt forget that Turkey is right there, and the silk road would have gone from Song Dynasty China, through India, and ended in Turkey before moving further westwards into places like Germany. Also the attempts at the Franco-Mongol alliance would have been pretty interesting. (Thatās about the 13th century - arguably smack dab in Middle Ages Europe and definite contact between France/Christian Europe and the Mongolian Empire.)
Unless youāre writing everything in the far reaches of Denmark or something, historically speaking, I call bullshit on people who have societies that are only all white ever, because itās just inaccurate. Consider the relative closeness of Northern Africa to Spain, or Turkey to the rest of Europe, the conquests of Alexander the Great, the Crusades, Slavery existing in Europe, including England, the slave trade, imperialism, Pax Mongolica, The Silk Road, Jewish Diaspora, the Islamic Empire vs The Holy Roman Empire, Egypt, Algeria, Chinaās sailing across the world, The Maruyan/Gupta Empires of India, tea trades, Columbus sailing in hopes of finding China, etc, etc, etc.
4.) I mean I just donāt believe you anymore. Itās unrealistic. Seriously guys.
Youād think Iād just denied the holocaust or something. Get a grip. All I said was that Iām going to write about my own cultural experience and anyone who thinks I should do otherwise for the sake of political correctness can bugger off.
This isnāt even about being PC this is just not being wrong about everything.
good lord.
To All Writers of Everything Ever
I need to rant about this:
Also known as the best writing program ever! Itās a full-screen writing program!
So you open it up, and it looks like this:
Youāre thinking, āOk, so what? Itās a screen with a picture. Whoopdie do.ā But it getās better! Itās customizable!
See that āappearanceā? Click it.
You can also use custom fonts that you have installed!
See that āmusicā? Click it.
If you drag your own music into the folder, like so:
You get this!:
But wait! It gets better!
See ātyping soundsā? You can change those too!
Perhaps the best is - YOU CAN USE ANY PICTURE FOR THE BACKGROUND. It will automatically fade it for you!
Seriously, guys, this tool is wonderful. You can use it for:
Research papers
Novel writing
Play writing
Short stories
Homework assignments
Ranting about your friends when they piss you off
Writing your shopping list
It auto-saves. It exports to .rtf. Hotkeys from Word for italicize, underlining, and bold work. You can print RIGHT FROM THERE.
And the seriously best thing ever?
It fits on a flash drive.Ā The entire thing with added music is maybe 131MBs.
The bestest thing ever.
Itās free.

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Sylvia Plath:Ā There certainly isnāt enough genuine talent for us to take notice.
Rudyard Kipling:Ā Iām sorry Mr. Kipling, but you just donāt know how to use the English language.
Emily Dickinson:Ā [Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.
Ernest HemingwayĀ (onĀ The Torrents of Spring):Ā It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.
Dr. Seuss:Ā Too different from other juveniles on the market to warrant its selling.
The Diary of Anne Frank:Ā The girl doesnāt, it seems to me, have a special perception or feeling which would lift that book above the ācuriosityā level.
Richard BachĀ (onĀ Jonathan Livingston Seagull):Ā will never make it as a paperback. (Over 7.25 million copies sold)
H.G. WellsĀ (onĀ The War of the Worlds):Ā An endless nightmare. I do not believe it would ātakeāā¦I think the verdict would be āOh donāt read that horrid bookā.Ā And (onĀ The Time Machine):Ā It is not interesting enough for the general reader and not thorough enough for the scientific reader.
Edgar Allan Poe:Ā Readers in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.
Herman MelvilleĀ (onĀ Moby Dick):Ā We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashionedā¦
Jack London:Ā [Your book is] forbidding and depressing.
William Faulkner:Ā If the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I donāt think this would be of any use. My chief objection is that you donāt have any story to tell.Ā And two years later:Ā Good God, I canāt publish this!
Stephen KingĀ (onĀ Carrie):Ā We are not interested in science fiction which deals with negative utopias. They do not sell.
Joseph HellerĀ (onĀ Catchā22):Ā I havenāt really the foggiest idea about what the man is trying to say⦠Apparently the author intends it to be funny ā possibly even satire ā but it is really not funny on any intellectual level ⦠From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.
George OrwellĀ (onĀ Animal Farm):Ā It is impossible to sell animal stories in the USA.
Oscar WildeĀ (onĀ Lady Windermereās Fan):Ā My dear sir, I have read your manuscript. Oh, my dear sir.
Vladimir Nabokov (on Lolita): ⦠overwhelmingly nauseating, even to an enlightened Freudian ⦠the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream ⦠I recommend that it be buried under a stone for a thousand years.
The Tale of Peter RabbitĀ was turned down so many times,Ā Beatrix PotterĀ initially self-published it.
Lust for LifeĀ byĀ Irving StoneĀ was rejected 16 times, but found a publisher and went on to sell about 25 million copies.
John Grishamās first novel was rejected 25 times.
Jack CanfieldĀ andĀ Mark Victor HansenĀ (Chicken Soup for the Soul) received 134 rejections.
Robert PirsigĀ (Zen and the Art of Motorcycle Maintenance) received 121 rejections.
Gertrude SteinĀ spent 22 years submitting before getting a single poem accepted.
Judy Blume, beloved by children everywhere, received rejections for two straight years.
A Wrinkle in TimeĀ byĀ Madeline LāEngleĀ received 26 rejections.
Frank HerbertāsĀ DuneĀ was rejected 20 times.
CarrieĀ byĀ Stephen KingĀ receivedĀ 30 rejections.
TheĀ Diary of Anne FrankĀ received 16 rejections.
Harry Potter and The Philosopherās StoneĀ byĀ J.K. RollingĀ was rejected 12 times.
Dr. SeussĀ received 27 rejection letters
Write hard and clear about what hurts.
Ernest HemingwayĀ (via blua)
I find for myself in writing, there are times where itās very difficult not to be precious with wordsāto remember to convince yourself: āJust put it on paper.ā So much of writing is rewriting, and you can really hold yourself back before even putting your work out there.
Jon Stewart (via vpilot)
Never look at a reference book while doing a first draft. You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. You think you might have misspelled a word? O.K., so here is your choice: either look it up in the dictionary, thereby making sure you have it right - and breaking your train of thought and the writerās trance in the bargain - or just spell it phonetically and correct it later. Why not? Did you think it was going to go somewhere? And if you need to know the largest city in Brazil and you find you donāt have it in your head, why not write in Miami, or Cleveland? You can check it ⦠but later. When you sit down to write, write. Donāt do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.
Stephen KingĀ (via alexisawkward)
ā¦The hardest but straightest-arrow advice for all writers is: write your way through it. Write your way through writerās block, through plot problems, through everything. Write every day. Write unceasingly, without fear, without the need for certainty.
- Chuck Wendig (via lhayescomics)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Beta Profile: Hilde
Name/URL: Hilde (penguinswithguns)
Age: 17
Language(s): EnglishĀ
Original fic: Yes
Fanfiction: Yes
Fandoms:
Glee
Merlin
Teen Wolf
Refused Content: N/A
Beta Style: So far Iāve only worked through e-mail, but using Google Docs is perfectly fine with me. My strongest point is looking at the use of language (the whole deal: spelling, grammar, punctuation, etc.). If itās an AU, I love doing research and checking if everything is the way itās supposed to be. I usually notice when somethingās up with characterisation, but itās not something I consider myself particularly good at. I scan the document multiple times, and I must say that I am a bit of a nitpicker. Iām thorough.
I check my e-mail multiple times a day and Iām online every late afternoon and evening since Iāve got school first. Since Iām very thorough it will take me a bit longer (depending on the amount of words) to beta.Ā
Furthermore, since I mostly check language, you can contact me if you need a beta and itās not on the list of fandoms (Out of curiosity I will do research on the fandom anyway).
Language is my mother, my father, my husband, my brother, my sister, my whore, my mistress, my check-out girl. Language is a complimentary moist lemon-scented cleansing square, or a handy freshen-up wipette. Language is the breath of God. Language is the āDo you want a fresh apple?ā Itās the soft rain of dust that falls into a shaft of morning light as you pluck from an old bookshelf a half-forgotten book of erotic memoirs. Language is the creak on a stair; itās a spluttering match held to a frosted pane; itās a half-remembered childhood birthday party; itās the warm, wet, trusting touch of a leaking nappy; the hulk of a charred Panzer; the underside of a granite boulder; the first downy growth on the upper lip of a Mediterranean girl. Itās cobwebs long-since overrun by an old Wellington boot.
Stephen Fry (via adecentfellow)
Some Writing Prompt Generators
SerendipityĀ (names, places, mapbuilding, etc.) Quick Story Idea Full Story Idea Writing Challenges General Character Quick Character really just all of Seventh Sanctum RPGesque generators Writing Prompts Inspiration Finder Story Arc Fantasy Story Situaton Adventure Chaotic Shiny is just really good in general Random PlotĀ
Admit you have talent
No, seriously, do it. Say it right now, aloud, in front of your computer. āI am a good writer/artist/musician/singer/whatever.ā Just admit it to yourself. Because I swear when you do, your work will become better. Youād be amazed at what you can produce when you feel confident in your abilities.
Stop comparing yourself to other people
āIāll never be as good of a writer as Hemmingway/Bronte/Rawling!ā, āIāll never sing like Adele/Florence Welch/Joan Jett!ā, āIāll never paint like Picasso/van Goh/OāKeefe!ā, āIāll never draw like Davis/McCracken/MacFarlane!ā, āIāll never play like Hendrix/King/Cooder!ā
No. You wonāt. You will never, ever be as good as them. And they will never be as good as you. Every artist is unique. You have your own voice just like they had their own voice. Donāt try to be someone else; be you.
Be proud of your work
Wrote a shitty poem? Song? Manuscript? Paint something you didnāt like? Drew something wrong? Who. The hell. Cares? At least you DID something! Thatās more than most people can say! You finished a piece of work. Be proud of that accomplishment.
Realize that not everything you do will be great
This ties in with the previous tip. Youāre going to do shitty things. Itās part of being an artist. Stop putting so much pressure on yourself to create something great every time. Strive for it, sure, it SHOULD be your goal. But realize that sometimes youāre just going to do something that sucks, and then get over it and try to do better the next time.
Be proud of your talent and enjoy it
Iām a writer and my best friend is a singer. I canāt tell you how many times weāve told each other that we wished we had the othersā talent. This is a typical āgrass is always greenerā thing. Be proud of what youāre good at and enjoy it, because someone out there is wishing they were as good as you, I guarantee it.
āIf a writer falls in love with you, you can never die.ā
Unknown (via billowy)

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Free to watch ⢠No registration required ⢠HD streaming
āNo matter what people tell you, words and ideas can change the world.ā
Dead Poets Society (1989)
7 Signs That You're Not Ready to Publish
You haven't researched the (publishing) industry: This is pretty important. You need to understand your industry, what's going on and what changes are going to affect your book and publishing experience. How can you do that? Get to know the trades that report on publishing, read them, read blogs, know what is happening in the industry. Believe me, it's not only good to stay current but it could save you a lot of time and money. And who knows, you might even learn a thing or two about this often chaotic market!
You haven't researched your market or genre: This is another biggie and oddly enough, very often overlooked. Do you know what's selling in your industry? Who else is writing about your topic? Have you bought or read their books? It's important to know what's trending in your market, what's selling and what isn't. It's always good to read other people's work because you really want to know how others are addressing the topic that you're going to be writing about. Not only that, but these could be great people to network with.
You hope to get famous: Another hot button. First, who really wants to be famous in the age of Twitter and YouTube? Okay, well, maybe you really do. If that's the case, don't spend too much time dreaming about it in publishing because fame is always preceded by hard work, and a lot of it. The problem with best-selling authors such as Amanda Hocking and others who have started with nothing and become success stories is that everyone wants to emulate them. It's wonderful to have a goal but it's not always realistic. Most authors who have attained great success didn't just show up at the fame-party ready to sign autographs. Most of them probably spent months working tirelessly to get the word out about their book. Could fame happen? Maybe. But first focus on the work.
You believe that book sales are what it's all about: It's not the end-game, trust me. Book sales are often elusive and never, ever guaranteed. We recently had an author say that she was considering hiring a marketing firm who promised her X number of book sales. Unless they planned to buy the books themselves there's no way anyone can know how many copies of a book will sell. Create other goals or other mile markers. Yes, we all want to sell books and sure, at some point that will happen, but much like point No. 3, this is always preceded by a lot of hard work.
You haven't started marketing your book: So you're at the threshold of publishing and haven't done a single thing to market your book? That's bad news. Why? Because there were 300,000 books published in 2012, and if you want to break through that noise you'd better start early.
You're impatient: Book publishing and impatience are not a good mixture. A publishing study done by IBPA cited that it could take up to two years to show any returns on a book you've been working on. Now, two years might seem like a super long time, and yes, it is. But candidly, everything in book publishing and marketing takes a while. I hate to be the one to break it to you, but there's no place for impatience in this industry. This was a hard one for me, too. If you look up the word impatience you'll see my picture there. Take a deep breath and a step back. As long as you're doing everything you can, and you're doing the right stuff, you'll eventually see a return.
You have no marketing plan: It doesn't need to be formal, but you should have an idea of what you're going to do to market your book. Some kind of guideline, something that gives a structure to your plans, your goals, and your marketing efforts.
(Full article here)