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"I'm Dorothy Gale from Kansas"
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cherry valley forever
he wasn't even looking at me and he found me
🩵 avery cochrane 🩵
we're not kids anymore.
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@anemoial
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after rewatching it's so evident how much the writers (ng) didn't understand aziraphale because GOD he gets treated like a fucking punching bag the whole finale, crowley doesn't even act like he's still in love with him, and the movie actually goes ahead and compares him to fucking michael. not even mentioning that both satan and god poke fun at him (while they have crowley standing there in silence) before annihilating him. i need to fight someone aziraphale get behind me
I think I bristle so hard at people correcting the way Aziraphale behaves when he finds Crowley in the alley and Crowley tells him to go away...
Is because I don't think Crowley should be in the alley in the first place.
No amount of - oh I believe you never had your heart broken before, have you - comments will get me to agree that that's a valid response to what happened in F15. Not least because Crowley is not stupid and he must have known running away would lead nowhere.
The Crowley I know from the book and S1 would spend a day or two at most disilusioned that they are separated again. Not even blaming Aziraphale. Just - upset and angry at their shitty circumstances. And then he would find a way to contact Aziraphale and ask how he can help.
The Crowley Aziraphale found in the gutter is not his Crowley. He didn't love him or understand him. He didn't even like him!
Aziraphale, surrounded by his bullies for years, managed somehow to delay the Second Coming that would mean an awful, terrifying eternity for Crowley and very questionable results for humans. And all he gets back for it is scorn, because he didn't do a good enough job.
"You clearly can't do this on your own" - Yes! Aziraphale said he needed help?
The restaurant scene, however adorable and however David and Michael tried, still feels forced to me - see what you were missing? Yes, yes, he does. He knows Crowley. No need to pile it on.
Yes. I am very aware that a lot of fandom thought Crowley will end up in the gutter and miserable after S2. But the consensus then was that Aziraphale left because he was manipulated and wanted to trust Heaven and he will come back crying because was tricked. He did none of those things. He fought Heaven for years (just like some of us said he will) and kept Earth and Crowley away from horrible end. And Crowley knew about the Second Coming. He knew Aziraphale was among the Archangels he personally saw tried to murder Aziraphale a few years back. He promised not to leave him on his own. He knew the next one will be 'all of us against all of them'. And then it wasn't. Because the authors didn't know who Crowley was. Why didn't Crowley go check if Aziraphale was ok? Why did it have to be Aziraphale who had to check on Crowley? Crowley who told Aziraphale no. Who walked out of the bookshop after Aziraphale begged for help. Didn't Crowley care what happened to Aziraphale? Whether he's not memory-less too or thrown in some dungeon? If he knew Aziraphale is trying to fix things (and he did because Aziraphale said that's what he's going to do), however impossible he suddenly felt it was, why not at least try to help him? Why not at least stay in the bookshop and keep an eye on the tenants? Maybe if he tried any of that, the nonsensical ending feel more earned. Giving Crowley depression and declaring the universe unchangeable and unfixable so Crowley can be the hero who chooses a creation of a new, better world just like he imagined was one of the weirdest story choices I have ever seen. Especially since the new world is as shitty as the old one was. It just doesn't have him and Aziraphale in it. Was new world really a better choice than cutting of meddling with the universe's fate and afterlife?
Caine is the only thing that keeps me sane
Can you make a chicken nuggies Caine 🥺
He'll only accept the dinosaur shaped ones

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I feel like gaiman was trying to turn crowley into some weird fucked up self insert of the misunderstood artist without ever understanding crowley or aziraphale or why they work as a couple and instead just letting his disgustingly big ego get in the way
I think what upset me most about the Good Omens ending was that they made their relationship ABOUT fate. Or rather, BECAUSE of fate.
See, the appeal of Aziracrow for me anyway, was that they were always about defying fate. They never loved each other because they were always going to. They loved each other despite what fate said. And fate said an Angel and a demon could never get along, let alone fall in love.
What they had was the one thing that was never written. The one thing they had in common. It was a dynamic beyond labels. What made it work was that they didn't HAVE to be together. But they chose to, every single time.
They were together because they chose to be, not because they were meant to be.
I feel like that's what the finale got wrong. Suddenly it was a bittersweet ending that was meant to shock you because they didn't do things how you'd expect them to go. And it felt wrong.
Because you cannot tell me that Crowley and Aziraphale would not always choose each other.
Because when it all came down to it, that's what they always had done. It was never about humanity. It was always them. Always an 'us'.
It felt like I was watching a completely different show from how differently they were all acting.
Because from all that build up about defying all odds and choosing each other, for them to not even acknowledge that they loved each other (I know it was an unsaid thing but come on), and disappearing, then we see them reincarnated and falling in love? Just makes no sense.
Because that stripped away everything that made them compatible in the first place. What made them so special is that they were the only ones like each other, in existence. They understood each other like nobody else could ever have, not because of fate. They both actively fought fate side by side. It was never about humanity, it was just the excuse they used because they never wanted to say it out loud.
Because what they really chose, was each other.
And with these new human versions, there's none of that. They'll never trust each other the way they used to, never like that. They'll never make hard decisions for the sake of the other. They'll never choose each other even when the stakes are impossible the way they did. And they'll never understand each other the way they did.
Aziraphale and Crowley were never together because fate told them to. They chose to be in spite of it.
And that's coming from me. I'm a sucker soulmate stories.
Our SGA window is a nice addition to our home, but then I went what if... what if I use my newly acquired skills to turn our home into a cATHEDRAL-
Our apartment's living-room has so many windows. I am planning to do an SGA-themed one, and another mirroring set with SG1. I thought I'd share a bit of the process this time because it's a bigger project! :)
So here's the initial sketch!
[Project tag] [Next]
BBC’s Good Omens Radio 4 Dramatisation: Transcript masterlist
The transcripts are all posted! The entire audiodrama including the extra scenes added in the CD version is now available in written format!
Episode 1 | Episode 2 | Episode 3 | Episode 4
Episode 5 | Episode 6 | Episode 7 | Episode 8
Been thinking a lot. I realised what my main problem with the finale is: even if I accept that A&C’s sacrifice is a correct depiction of Terry Pratchett’s idea, I can’t be persuaded that it’s his ONLY idea.
I can believe he was planning to make them decide to sacrifice themselves. But I don’t believe he would actually let them. We’ll never know what was in the mind of a man who is already dead, but I’m guessing it would be something comedic, absurd and.. ineffable?
I have my own ending in my mind. And anybody can have theirs. I’m just sad that one broken and unloved old man imposed his nihilistic vision upon this fandom.

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Before the Begging
Acrylic, canvas 20x30
The parallels between Jax and Caine are so interesting. It’s the difference between a stubborn refusal to allow yourself to be saved by others and a desire for connection so great that you save yourself.
Jax does not want closeness. She is afraid of it. She does not want to love or be loved. And yet, nearly everyone around her keeps reaching out, keeps giving her chances, keeps trying to connect with her at every turn. She is wanted and loved. But that is not enough to save her, because she does not want to be saved.
Caine wants closeness so desperately. He is full of love and wants nothing more than for that love to be reciprocated. And yet, he has been shunned since creation. He is deemed unworthy and locked away. He has never been wanted or loved. But that is not enough to damn him, because he does want to be saved.
Jax was wanted and loved but she was doomed to her tragic fate because she refused to take the hands that were reaching for her.
Caine was not wanted or loved but reached out his hand anyway. Desperate for attention and love to the extent that it ended up hurting him and the people he cares about. But he is saved in the end. He is saved because he wants to be.
Jax refused to let herself feel love so much so that it killed her. Caine felt love so deeply that he willed himself back to life.
No amount of love will save you if you don’t allow yourself to feel love as well. No deficit of love will doom you if you feel love deeply and sincerely.
More Amazing Digital Circus art ^_^
[Image description: a digital painting of the Amazing Digital Circus cast. Their reflections are being shown through a shattered mirror. End description.]
One of my all-time favorite things in this world is when shows set up what seems like a throwaway gag that's genuinely funny because it seems so absurd or just comes out of nowhere.
Then later on, you get the real meaning of it, and it blows you away.
It was in this scene I finally lost my composure because it was truly an epiphany -- a deep realization that snaps everything into focus in an intense way, and she was sitting under our noses the whole time and effort.
Caine's quest for love from the human avatars drove him to a calamitous rampage. When he finally experiences something resembling an ego death and returns, the Moon warmly greets him, reassuring him that the humans are capable of forgiveness with time and effort.
I didn't expect him to have such a gentle reaction to her. Then he says that he never programmed her to feel this way. So she, a lot like Caine himself, developed autonomy and just decided one day that she loved her creator.
I think the enormity of that only dawned on him when he was finally in this new mind space after liberating his brother AI. He unintentionally created something sentient that expresses free will, and within this she has genuinely fallen in love with Caine because of who he is. He didn't know how to hold that information before because he fundamentally didn't understand love--just like us, he didn't think her affection and devotion was real and just dismissed it.
It's the final piece of the puzzle for him. You can't construct an environment that forces a person to love you. Humans are not a closed system that you can enter some input into and receive an expected outcome. They need to have the choice to love you.
Caine's final interaction with the Moon was so meaningful to me and I found it to be a beautiful scene that I didn't expect.
...They should really go on that date together I think. 💖
Not the biggest fan of this piece but Instagram liked it

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The Lover with a heart
Anyway I think one of the funniest things to come of the go3 discourse these last few days is that literary genres are irrelevant and don’t matter, actually
My bad! I didn’t realize that the tried and true practice of sorting media into their corresponding genres was fake news, but thanks for the update!
I’m tired