Alisa U Zemlji Chuda
almost home
KIROKAZE
trying on a metaphor

blake kathryn

祝日 / Permanent Vacation

JBB: An Artblog!
we're not kids anymore.
AnasAbdin
Cosmic Funnies
One Nice Bug Per Day
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dirt enthusiast
Jules of Nature
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NASA

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@ancientmayo

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PAUL MESCAL, JESSIE BUCKLEY and NOAH JUPE as WILLIAM SHAKESPEARE, AGNES SHAKESPEARE and "HAMLET" ↳ HAMNET (2025), dir. CHLOÉ ZHAO
Jessie Buckley as Agnes Hathaway Hamnet (2025) dir. Chloé Zhao
Hamnet (2025) dir. Chloé Zhao
Hamnet.

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"sex is real" is a very funny thing to say to a group of people who very famously change their sex on purpose
in abandoning discussion of the nuances of sex in trans discourse, we've ironically let bioessentialist, binaristic thinking fester and rot out our communities
we've stopped actually challenging the binary, we just slapped "amab" and "afab" over "male" and "female," and we treat transition itself like a mere act of dressup. we let blatant transphobia run rampant all the time as long as people call each other "amab" and "afab" instead of misgendering them directly
"afab bodies," "amab energy," "afab only housing," "amab behavior" THIS IS TRANSPHOBIA. YOU ARE MAKING ASSUMPTIONS ABOUT PEOPLE'S BEHAVIORS AND BODIES BASED ON THEIR ASSIGNED SEX. THE WORD FOR THAT IS TRANSPHOBIA
sex does not determine your behaviors. sex is not a binary. sex can be changed, and IS changed by medical transition, INCLUDING hrt
is it even a "trans" community if we don't hold these things to be true? how can a community of trans people who bind each other to their agabs like the rest of the world does be called a trans community? come the fuck on
inbeautmag
Ernest Bieler
René Magritte
The Dream of the Androgyne (1945)
A playful maximalist home in London | subscribe for weekly home tours

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whole lipstick on a pig is bogus to me because we put lipstick on a pig and this is what happened
Bebhinn Eilish (Irish, based Wicklow, Ireland) - Cailleach, 2024, Paintings: Watercolor, Ink
Phoebe Little (American, 1992) - Complicit Tomato (2021)
Praise the moment when our grief becomes a window, when we can see what we could not see before.
Andrea Gibson

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Faye Eleanor Woods (Scottish, 1998) - Time to Burn (2026)