A Literary Princess

“We lay here for years or for hours,

So long we become the flowers.”

Finally, the misfortune can be brought about also by the mere attitude of the persons to one another through their relations. Thus there is no need either of a colossal error, or of an unheard-of accident, or even of a character reaching the bounds of human possibility in wickedness, but characters as they usually are in a moral regard in circumstances that frequently occur, are so situated with regard to one another that their position forces them, knowingly and with their eyes open, to do one another the greatest injury, without any of them being entirely in the wrong. This last kind of tragedy seems to me to be far preferable to the other two; for it shows us the greatest misfortune not as an exception, not as something brought about by rare circumstances or by monstrous characters, but as something that arises easily and spontaneously out of the actions and characters of men, as something almost essential to them, and in this way it is brought terribly near to us... We see the greatest suffering brought about by entanglements whose essence could be assumed even by our own fate, and by actions that perhaps even we might be capable of committing, and so we cannot complain of injustice. Then, shuddering, we feel ourselves already in the midst of hell. In this last kind of tragedy the working out is of the greatest difficulty; for the greatest effect has to be produced in it with the least use of means and occasions for movement, merely by their position and distribution.

carriage dress, c.1885 by Franziska Noll Gross

this dress is made of silk velvet, decorated with jet and celluloid beads

17.07.26 🥯 such a stressful week but it's over now. the interview for the phd position went just ok but i got another invitation from another uni and i hope to hand in my thesis the week after the next. things are moving so quickly I NEED A MINUTE

Otter chasing beaver. O-go the beaver. 1934. Illustrated by Kurt Wiese.

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