A Literary Princess

🦋 Faeries, Sprites & Malevolent Spirits: An Anthology of Classic Poetry & Stories edited by Aurora Thorne

Rating: 🌟🌟🌟/5

This small anthology explores our fascination with the ethereal creatures across centuries and cultures that we call the Good Folk. In literature and folklore they have retained an edge of danger and embodied the mysterious and magical aspects of the natural world.

This was an okay collection of fairy poems and stories, though it didn’t jump out to me. I enjoyed how at the beginning of each section there was a short story, which I enjoyed more than the poetry aspect. There was nothing wrong with the poems chosen, but I’ve read better collections.

If you’re interested in poetry, the Everyman’s Library edition of “Fairy Poems” is where I’d go. Lots of really evocative writing in that one.

“Lost opportunities, lost possibilities, feelings we can never get back. That’s part of what it means to be alive. But inside our heads - at least that’s where I imagine it - there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you’ll live forever in your own private library.” 

book blurb post! my 10th read of the year AND first (potentially only tbh) nonfiction book of the year. purchased on indie bookstore day. :)

A Disability History of the United States by Kim E. Nielsen

hello piranesi nation!! here are my designs for the narrator!

drawing his different “selves” was a really fun challenge. even though the narrator is fundamentally the same person throughout the whole novel, his presentation obviously changes a lot.

The problem is when that's said, people think "Oh, characters can just do bad things no problem" and it's like not quite. You still have to put in a bit of effort to say it was a bad thing. Usually, that's bare minimum levels of effort by picking some tone-setting words (If it's meant to be evil, don't just say "he took a life," say "he murdered them") but some people don't even bother to do that.

Obviously a publisher is a business and a business needs to make money, but the idea used to be that you'd have a couple of very successful authors who bring in so much cash that they subsidise the new kid who is building a back catalogue of books that sell okay until they get name recognition and pay for themselves. I was told back then that a couple thousand pounds was very reasonable for a debut novel because you want to get royalties for the sales exceeding your advance and that way the publisher sees you as a profitable investment. The last couple of years I keep hearing about six figure book deals for debut (!) literary fiction (!) novels, what on earth?

My day job is as a freelance editor for nonfiction books, and I can safely say that if the publishing industry were operating as intended, I would either not have a job at all or be working for a specific press. Authors pay me directly to do the work that a press editor used to do as part of publication contracts. This is because so many presses have started outsourcing all their editorial work to either third-party contractors or, even worse, to genAI.

Anyway, I love editing. I think I love editing almost more than writing, and I'm pretty sure that I'm better at it. Last year I edited an academic article from 11k to 9k words for my supervisor and I felt like a god when I finished it, but when my supervisor asked if I'd thought about doing this professionally, I had to tell her that there's just not a viable career in editing anymore. Publishers used to employ! editors! Several different kinds of editors for different stages of the process! That used to be my dream job!

Editing is so essential to making a text good. It doesn't matter how talented or dedicated you are as a writer, you cannot achieve the level of quality by yourself that you could achieve by working with a skilled editor. That's normal! The lone genius who comes out of the cave with the perfect novel does not exist! The manuscript that gets sold to a publisher is supposed to be handed off to an editor who tells you to tighten up that plotline and reminds you that every day can't be Tuesday and sharpens your prose so your voice really shines. Skimping out on that part of the publication process takes money out of the hands of skilled professionals, leads to consumers (ew) receiving subpar products (ew!), and is such an injustice to the writers whose work can't reach its full potential (and the writers who won't get published because they can't afford to pay an editor out of pocket!).