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@anarlosse
the twins.

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Shoutout to my boy Wedge kriffing Antilles, the best starfighter pilot in the Rebellion and New Republic (discounting Skywalkerâs), whose accomplishments include:
Responding to a desert world bush pilotâs plan to fly full throttle down the Death Star trench with a non-chalant âright with ya, boss,â despite being an experienced enough pilot to know just how dangerous that was going to be.
Surviving getting blasted in flight by Darth Vader himself
One of the three to survive the Battle of Yavin
The only pilot at the battle of Hoff to successfully down AT-AT with the cable around the legs trick
Was one of two pilots to fly down the throat of the second Death Star and fired half the shots that destroyed it.
Reformed Rogue Squadron and successfully led it into the new Republic era as the most elite starfighter squadron in the galaxy, to the point where rogue squadron was still an active unit 130 years after the battle of Yavin
Led his pilots on a mission to liberate the capital from imperial rule as commandos rather than pilots, and actually pulled it off, despite having no commando training
Lead his squadron in defecting from the new republic to pursue an imperial warlord the new Republic refused to touch, and successfully led a private war with just his squadron and a handful of underworld allies to liberate an entire planet and capture a squadron of star destroyers, and one superstar destroyer
Formed another squadron unit that was supposed to double as a commando unit, and lead them to successfully neutralize another warlord and hamper the plans of a third
Did the previous while putting up with Wes Janson and his shenanigans
Helped to turn the tide at the battle of Bilbringi to wear, even before he was assassinated, Grand Admiral Thrawn himself was no longer completely confident that the empire could win that particular fight
Came out of retirement to help fight in the Yuuzhan Vong war and frequently reinterpreted orders to allow him to cooperate with the Jedi and in doing so, made significant strides against the political tide that ultimately defeated the new republic
Lead the defense of Borleias against one of the invaders, most prominent and skilled tacticians and successfully took out a large trunk of the enemy military, as well as one of their greatest heroes
Loved flying so much that he spent a solid seven years or so fighting against Admiral Ackbarâs endless campaign to promote him to general, and only accepted the rank when the admiral pointed out that his subordinates weâre hurting their careers by following in his footsteps and declining promotion (and after the admiral promised him he would be allowed to keep flying starfighters)ďżź
Stood up unflinchingly in defense of his best friend Tycho Celchu when he was under suspicion of being brainwashed by the empire and sent back as a mole, even standing up to his commanding officers to get them to allow Tycho to serve as a trainer with rogue squadron
These are just some that come to mind right now, but all in all, General Wedge Antilles is a freaking beast and one of my favorite characters in the franchise. ďżź
Athrabeth Finrod ah Andreth
Rings of Power meme dump part 14!

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Sauron took how long to make the one ring when it only took Ron Ulysses Swanson 20 minutes, a metal sconce, a blowtorch, a waffle maker, and some antifreeze to make two.
Wedge Antilles: Can I see you in my office? Tyria Sarkin, putting on a camo jacket: You can try
my favorite new jedi order covers done by tsuyoshi nagano
⌠Okay. Leaving aside the ritual for a second. Just looking at the play. At the intention of the play, before all the magic and Thjaziâs manipulations were added on top. Looking at Halâs intentions for the play.
Brennan: You see that Lash, as Vokjan, calls out: âYou will see! All of you will see! One day you will look to the top of the hill, and no longer will Azgra be there. No more will his visage tower over us! You cannot see it, but I can!â He calls, with his eyes cut out of his head. âLook, and tell me. Do your eyes not see a free world, breaking, just beyond the horizon? Look! Look!â
And he points out, and everyone seems to turn to look to see where heâs pointing, knowing that, at the top of the city of Dol Makjar, is where Azgra used to sit, and thereâs a moment where this is going to be kind of like an enjoyable moment of being, like, âoh yeah, Azgra doesnât sit there anymoreâ. And they turn and look up into the city, and see the lights of the Villa Aurora, so bright, and the Grey Tower, its lights dimmed, and bright lights celebrating the Photarchâs resurrection, meaning that, at the very top of Dol Makjar, the brightest thing they see are the flags of the Sundered Houses.
The feeling that settles over the crowd in this moment is a deep, stomach-turning confusion, that settles into something more like rage. What is sitting at the top of this city?
As they turn, Lashâs last line. âYouâll see. One day.â
So, uh? So that was a bit âŚ
Iâm now shocked that Yanessa didnât try to get this play shut down a lot sooner. Even before Hal decides fuck subtlety at the end and openly puts not only the Falconâs Cry over the end, but also a direct verbal attack on the Creed. But. Even before that. Like, theyâve been monitoring the progress of this play. The only reason itâs not openly seditious is because the Sundered Houses do not technically rule the city, and thus itâs not technically sedition.
But. But I guess âŚ
See, the thing is? Without the specific context of the Hallowed Round, itâs physical position and symbolism within the city âŚ
The play on its own, while dangerous, can still be glossed as a historical work. The choice of what history to present is still dangerous, and still rather specifically pro-rungjani and anti-religious, but that also ⌠This is the birthing place of the Shapers War, barely 70 years out. The Candescent Creed canât really say not to do it. Itâs Rungjani history, and religion has been dramatically out of vogue for seven decades now. Owing to, you know. The global decision to kill the gods.
It's the Hallowed Round itself that makes the difference. That visual symbolism, set up by Azgra, that finally frames the Sundered Houses within Azgraâs seat for its audience. Itâs a very specific location and cultural context that allows that visual correlation. Itâs a very Rungjani context.
And Iâm wondering if Yanessa, Halovar, the Sundered Houses, just didnât have that context in time to realise the true danger?
Because they are, after all, a foreign power. A colonial invader. They went to the top of the city, because of course they went to the top. Theyâre nobles. Power rises. To an extent, thatâs the image they genuinely wanted to portray.
Itâs just. Viewed from the Hallowed Round. The Dithyramb of Azgra itself. That image takes on a different meaning in context. One that Iâm not sure the Sundered Houses actually understood.
Also, just. Sidenote. Look at Liamâs face during Lashâs speech as Vokjan:
Thereâs a man full of wild, giddy emotion at his work coming to life, and at the same time an underlying dead seriousness. This is a work that was done on purpose.
Look at his face.
Love how when Nott and Beau get competitive they instantly over-escalate.
Race to climb a tree -> whack Nott with her staff -> pull Beauâs hair -> bean Nott with a firecracker -> shoot Beau in the ass with a gun.

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yanessa to wick: the tachonis could stab us in the back at any moment and that's why we have to keep them close. they're dangerous.
primus the second he's alone with yanessa: đ why is otto yelling at me đ i can't bribe them yanessa you know i'm broke!!! did i do a good job?
Mighty nein shitpost 146/?
Actually, can we talk about the combat structure in Obrimus Manor? Three distinct scenarios happening simultaneously, on the same initiative. I've long wanted a way to see in actual play the kind of cutting between fights that you'd get in a cinematic context, where the tension is emphasized by pulling away from one scene at the height of action to cut to another, and this genuinely achieved it, particularly as all three influenced and informed each other without being too interdependent or even without significant if any metagaming. What a cool way to run a set of encounters simultaneously in nearby but not the same locations. Keeping them all in the same initiative even while in disparate corners of the house really allowed for the dramatic irony to compound as the dungeon combat went so poorly, as Julien wavered, as the team in the aviary escaped. It's such a simple way to handle simultaneous combat, but it feels really affecting because you see it so rarely and the combats themselves were so dire.
Kattigan arguing directly with the narrator is a great way to show mental instability. 10/10 no notes.
Dame Gaya Seremai, having apparently been exiled to the Barrowguard by her living family, being welcomed with honor and approval by her dead ancestors is making me feel some type of way. đâ¤ď¸

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Related to this post by @captainofthetidesbreath but it's so funny to me to imagine that once Primus gets around to noticing he's been sent an alert from the security system about unauthorized persons in the vassal crypts, he digs through the records logged in the system for the night and it's just a long string of:
Occtis Tachonis has granted a fairy access to the manor grounds Occtis Tachonis has opened the door to the vassal crypts Occtis Tachonis has granted the protection of the family to Thimble of the Golden Orchard Occtis Tachonis has opened the Undercroft door in the vassal crypts Occtis Tachonis has closed the Undercroft door in the vassal crypts
+whatever Occtis gets up to next episode making use of the fact that no one bothered to deactivate his keycard to the house
I'm almost inevitably going to fumble trying to articulate this, and I've tried to talk about it a little in tags with mixed success, but the play and Vokjan's awe at his people dressed in nice clothes with flowers all around has really made me want to come back to it.
Hal's choice not to fight in the Falconer's Rebellion was a personal choice about prioritizing his own family (and whether he could even leave his two older children with Elodie to go off and fight is not totally certain). But it was, of course, not a choice made in isolation. He argues that even their father decided to hang up his blade at some point, but our understanding of the lot of orcs before the Shaper's War is that that wasn't a choice their father could have made 60 years prior. That under Azgra, Hal would almost certainly have been forced to march to war, never mind his three young children at home. There were clearly orcs who weren't on the front lines, orcs who built the cities and smithed the weapons and provided whatever food the community had, but by and large orcs were made as weapons and used as such. Thjazi's letter referenced turning swords into plowshares. In some ways, Hal's whole life between the War of Axe and Vine and now has been a version of that. The Falconer's Rebellion was a just cause, and it's probable that if more people had been willing to join it, Araman wouldn't be in the mess it's currently in. But Hal's choice to abstain is a very different choice from Aranessa's choice to abstain. The politics of an orc saying "I will not fight" even when the cause is just are far more nuanced. Because isn't this part of the freedom Vokjan Murzat fought and died for? Orcs in nice clothes, with flowers all around, and time to go see beautiful art made by their own people? Orcs who raise children and start businesses and hang up their swords? A life free from war? Finally. We don't know whether Hal was thinking about those politics when he made his choice. I suspect he was "I choose the Rungjani" indicates that to me, but you can easily read the scene another way. Whatever your take on his thought process, the politics of the choice are undeniable. A healthy orc in his early 30s refusing a call to arms barely 50 years after Azgra's death means something for the Rungjani.
I like this aspect of Hal's background because I think it's fascinating and one of the many ways in which his character feels deeply nuanced. But also, I think Hal feeling like he has no choice but to step into the fray and take up his sword once again throws into sharp relief that one of the violences of injustice is that it requires action. In real life, even the most non-violent methods and most incremental approaches to upending oppressive systems require deep sacrifices of time and emotional well-being. The fight is relentless and draining. To have to fight injustice is in itself unjust, in large part because of the necessity of the work. Someone has to step up and make the sacrifices, often those already suffering under the weight of what needs to be fought off. And for Hal to be called to take up his sword again does contain a sort of innate hopelessness. In his words to Vokjan, Hal has made some version of peace with this. "[Freedom] is never a given. But now, we always have a chance." But also, his son is off fighting some unknown battle, unreachable to his parents, his older daughter is on stage risking the wrath of one of the most powerful people in the world, and his younger daughter took notes for a secret meeting planning treason. Things are better. They are all adults, not actual children being sent onto the battlefield. But still, the lament that started the Shaper's War, "why can't I keep my family safe?," has only gone half-answered despite the apparent completeness of the orcs' victory. And all those orcs in nice clothes, with flowers all around, and the free time to come see a show celebrating their history, will only remain free if Hal allows himself to once again be a weapon