its literally not natural to be sexually attracted to someone
Idk man 8 billion might disagree
Bandwagon fallacy
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@amesachi
its literally not natural to be sexually attracted to someone
Idk man 8 billion might disagree
Bandwagon fallacy

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FRIDAY.
HAVE AS NICE AS WEEKEND AS POSSIBLE PLEASE AND THANK YOU.
Divergent is a bad book, but its accidental brilliance is that it completely mauledΒ the YA dystopian genre by stripping it down to its barest bones for maximum marketability, utterly destroying the chances of YA dystopian literatureβs long-term survivalΒ
please elaborate
Sure. Imagine that you need to make a book, and this book needs to be successful. This book needs to be the perfect Marketable YA Dystopian.
So you build your protagonist. She has no personality traits beyond being decently strong-willed, so that her quirks and interesting traits absolutely canβtΒ get in the way of the audienceβs projection onto her. She is dainty, birdlike, beautiful despite her protestations that she is uglyβyet she can still hold her own against significantly taller and stronger combatants. She is the perfect mask for the bashful, insecure tweens you are marketing to to wear while they read.
You think, as you draft your novel, that you need to add something that appeals to the basest nature of teenagers, something this government does that will be perversely appealing to them. The Hunger Gamesβ titular games were the main draw of the books, despite the hatred its characters hold for the event. So the government forces everyone into Harry Potter houses.Β
So the government makes everyone choose their faction, their single personality trait. Teenagers and tweens are basicβthey likely identify by one distinct personality trait or career aspiration, and theyβll thus be enchanted by this system. For years, Tumblr and Twitter bios will include Erudite orΒ DauntlessΒ alongside Aquarius and RavenclawΒ and INTJ. Congratulations, you just madeΒ having more than one personality trait anathema to your worldbuilding.Β
Your readers and thus your protagonist are naturally drawn to the faction that you have made RIDICULOUSLY cooler and better than the others: Dauntless. The faction where they play dangerous games of Capture the Flag and donβt work and act remarkably like teenagers with a budget. You add an attractive, tall man to help and hinder the protagonist. He is brooding and handsome; he doesnβt need to be anything else.Β
The villains appear soon afterward. They are your tried and true dystopian government: polished, sleek, intelligent, headed by a woman for some reason. They fight the protagonists, they carry out their evil, Machiavellian, stupidΒ plan.Β You finish the novel with duct tape and fanservice, action sequences and skin and just enough glue and spit to seal the terrible, hollow world you have made shut just long enough to put it on the shelf.Β
And you have just destroyed YA dystopian literature. Because you have boiled it down to its bare essentials. A sleek, futuristic government borrowing its aesthetic from modern minimalism and wealth forces the population to participate in a perversely cool-to-read-aboutΒ system like the Hunger Games or the factions, and one brave, slender, pretty, hollow main character is the only one braveβno, specialΒ enough to stand against it.Β
And by making this bare-bones world, crafted for maximum marketability, you expose yourself and every other YA dystopian writer as a lazy worldbuilder driven too far by theΒ βrule of coolβ and the formulas of other, better dystopian books before yours. In the following five years, you watch in real time as the dystopian genre crumbles under your feet, as the movies made based on your successful (but later widely-panned and mocked) books slowly regress to video-only releases, as fewer and fewer releases try to do what you did. And maybe you realize what youβve done.
one quibble: hunger games was intense and sincere and the writer had worked for tv and knew exactly what she was talking about when she wrote how media machines create golden idols out of abused kids and then leave the actual people inside their glamorous shells to rot. hunger games had a genuine core of righteous anger that resonated with a lot of people. the hunger games was genuinely angry about shit that is genuinely wrong.Β
but divergent was clumsy make-believe the whole way through. it aped the forms and functions of dystopian lit but the writer didnβt actually have any real, passionate, sincere anger to put on the page. she didnβt know what it was talking about, so she didnβt have anything worth listening to.
thereβs a difference between anti-authoritarianism as a disaffected, cynical pose and anti-authoritarianism as a rallying cry by people who believe in fighting for a better world. and the former is something corporations and industries and publishing houses are so much more comfortable with. soΒ divergent and the flood of books published and marketed alongide and after it showed how the dystopian genre was no longer truly revolutionary, no longer a sincere condemnation of corporate oligarchies. the mass-market dystopian genre was now nothing more than an insincere playspace for people who were writing dystopia as a safely distant, abstract make-believe stage for their pretty girl heroes, rather than a direct allegory for everything that needs to be torn down in this world today.Β
shout-out to characters who let their childhood friend situationship dictate the course of their life to a degree that spits in the face of any and all reason. they're doing important work.
I really love when cats use their front legs to hold something in place while they use their back legs to kick the absolute shit out of it
Destruction. Annihilation, even

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a concept: heavy rainfall when youβre tucked up in bed. like if u agree.
holy shit
i be like βnever againβ and guess what i did? agained
The Basics of Youth Liberation
'Child' and 'Adult' are social constructs, in the same way that race, gender, ect. are social constructs. These constructs are legally enforced by things like drinking age, schooling requirements, mature ratings, and of course, age of majority
Children are an oppressed group. While we are children, we are effectively the property of our parents, going so far as to be disputed in divorce hearings. Children's rights to bodily autonomy, free movement, as well as education, are restricted to the preferences of their parents. This oppression of children by adults as well as it's ideological backing, is calledΒ Adultism.
Adultism and the family structure facilitate the sexual, physical, and social abuse of children. Most child abuse is done by people within their family structure, or adults within other systems of childhood oppression (churches, schools). The pedophile does not exist - that is, both the term in the concept are constructed as to not be useful to youth liberation. It is a construction built to enforce the oppression of children, and prevent sympathetic adults from forming solidarity with children-not-their-own.
Childhood is a fundamentally intersectional oppression, because everyone is at some point a child. Some basic examples, which do not attempt to cover every form of oppression. Racialized children are oftenΒ adultifiedΒ - made to act 'mature', and treated as adults for the purposes of reporting and the law. In my home state of Louisiana, children who have committed a selection of violent crimes (and the policing of this is racialized) are tried as adults. The media mimics this - a black boy shot by the police is made into a man in the headlines. This phenomenon is brought to the extreme in the imperialist projects of the United States. The children of Gaza, a large part of it's population, are on one side made into terrorists, denied their personhood as well as their childhood, and are, on the other side, made into symbols of the atrocity, or sympathetic faces to plead for donations. They are dehumanized either way. Girls are faced with misogyny constantly in their childhood. They must contend with the same street sexual harassment as women, often compounded by sexual assualt from their parents in the form of speculation about their sex life and over-intimate policing of their bodies. Older girls are aldultified, made to be mothers to their younger siblings, and sometimes to their parents. Disabled children are ignored by doctors, assumed to be faking pain or incapable of reporting their own symptoms. Their access to medicine and treatment is restricted by their parents. Often, they are treated by their parents as a burden that must be suffered, or a punishment.
Because adultism is so naturalized - that is, the social construct of the child goes so unquestioned - the oppression of children is used to rhetorically support other systems of oppression. Women, Disabled People, Racialized People, Trans People, Fat People, and certainly other oppressed peoples my mind is blanking on, are all faced withΒ infantilizationΒ - made less mature, denied bodily autonomy, ect., in the same way as children. The most obvious version of this is with the guardianship of disabled people, where they are placed back in almost exactly the parent-child dynamic, but it also occurs on systemic levels, where large swaths of people are made to seem more emotional, less 'rational', or in racialized terms, more 'savage.' On the other side of this phenomenon, people in positions of societal power will often infantilize themselves to deny their culpability in oppression. A prominent example on this website is the oft-repeated refrain 'the american education system didn't teach me about X' - here the subject treats themselves as adults treat children, beings incapable of taking action to learn about something on their own.
To Adults: the first and easiest thing you can do against adultism is to listen to the children in your life - but that is a platitude. Beyond listening, you must take them seriously, and consider what they have to say. You must advocate for them to be heard. You must exist in solidarity with them
To Children: It is hard enough to survive as a child. Find what companionship with other children you can. Trust yourself to judge when an adult is safe, and when they mean you harm. If you can, organize with your peers. Read and learn what you can to make a better world.
=====
The war in Palestine is a war on children. Please donate what you can.
The Sameer Project
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when the oh hellos said "if the heavens can be both sacred and dust oh maybe so can the rest of us" and "all i hope for is to be a bit of warmth for you when there's not a lot of warmth left to go around" and "let be what is, let be what isn't" and "nothing is a waste if you learn from it" and "you and i we are matter and it matters" and "i think that you're worth keeping around, i think that you're worth holding on to" and "it's gonna hurt like hell, but we're gonna be well" andβ

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Seen today on walk peace and love on planet earth
ilovr my friendsπππππππYou guys are so nice tomeπππππππππππππYou guys are so Nice And Sweet ππππππππππππππππππππππI love you allππππππππππππππππππππππππππππππππππππππππππππππ
DID YOU KNOW that sometimes characters lie. out loud to others and internally to themselves, and it'll happen right there on the page. other times they are just flat out wrong and don't know it. oftentimes they don't ever find that out. a sizable portion of any story is decidedly not cold hard fact.
first contact
How to surreptitiously stretch within reach of kisses
oh i feel so low⦠if there was only a tutorial for a bunny like me to learn how to surreptitiously stretch within reach of kisses

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source
Little dude vorped right to chow town theres no othwr way to described that