The NYTimes taking a peek Inside Bontoniâs Basement of Cobblers.
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@turnoverchange
The NYTimes taking a peek Inside Bontoniâs Basement of Cobblers.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Restoring a pair of shoes, dating from the 1970s, at the Aubercy workshop in Paris.Â
Many, many more photos here.
Thom Browne at the Four Seasons.
Simon Crompton has a fun post up describing a âsliding scale of office formality,â wherein he changes one item at a time in his outfit, beginning as casual as can be (for Simon this means slumming it in $700 bespoke jeans), and morphing into something that wouldnât be out of place at Pitti.Â
Lucky for us, he photographed himself in the same pose after each change, resulting in the series of âspot the differenceâ images you see above.Â

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Berluti âAndy Warhol.â
Isaia.
40 Tumblr Pages You Should Follow in 2016
General & Classic:
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I made it onto a list!Â
Humbled to be included alongside so many bloggers that I admire.
Andreas at Manoloâs made-to-measure three-piece from Eidos Napoli.
Attolini/Brideshead Revisited for the spring.Â

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Nicola Ricci of Sciamat.
1940s vs. 2016.
A pleasing combination of not-too-loud (for Pitti, at least) colors and patterns. All this chap needs now is a haircut.
Mats Klingberg in Caruso for Trunk Clothiers, cut from Loro Piana cashmere.
Detail of a cotton talismanic shirt, with jaw-droppingly intricate embellishments of verses from the Quran, at the Islamic Arts Museum Malaysia.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Hu Bing in - youâll have to take my word for it - a bright pink bespoke number from Huntsman.
The New York Timesâ Guy Trebay has a nice insight into the role - or lack thereof - that sound plays in contemporary menâs dress habits:
âZola, among others, lavished sensual descriptions upon the sounds made by clothing â the swish of a silk skirt, the fallen-leaves rustle of a womanâs crinolines trailing across parquet. Somehow, in an age of stretch fabrics and sneakers, this aspect of dress got lost.
Stomping around in a pair of Mr. Browneâs heavy-soled wingtips brought it back for me. The trigger was Mr. Browneâs custom of adding metal taps to his shoes, on both toe and heel.
And while itâs true that Harrison â a friendâs poodle, with an Upper East Side blow-out â garnered most of the notice as we crossed Fifth Avenue, I was conscious of the way Mr. Browneâs shoes rendered it impossible for me to walk the pavement unheard or unobserved.â