no idea what to call it

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

I reblogged a post a day or so ago, and the result (which made me sad) was mostly people saying that they feel they cannot flirt (and therefore cannot write it effectively). 

So I thought I’d share my own, admittedly limited, knowledge (under the guise of writing advice) so that you can all write kick-ass romance and show your feelings like the boss-ass-bitches you are! 

The Basics; Eye-Contact, Personal Space, Body Language

The thing about flirting is that most of it is non-verbal, and the world is split between those writers who find this part the easiest, and those who find it the most incomprehensible. 

The problem is that it’s all dependent on a fine, mostly unspoken, line which makes the interaction creepy if crossed. When writing a character who is trying to flirt with someone, or when trying to flirt with someone yourself, you need to keep three main things in mind; personal space, body language, and potential restriction. This is especially important for men. The problem is that this is mostly instinctual, and so it can be hard to write if you haven’t had time to develop the right skills yourself. 

Personal space

When trying to show that your character is flirting you need to make a note of them moving into the other person’s personal space but not too much. Consider this; someone leaning into your space just a little to speak to you versus someone being practically nose to nose with you. One catches your attention, the other is uncomfortable at best and intimidating at worst. The idea is to lean in enough to show interest and create a sense of intimacy, without becoming overbearing or threatening. As a rule, I find that I begin to feel uncomfortable if a man I’m not sure of gets closer than the distance it would take to perform a ballroom Waltz. 

To get an idea of how that looks, hold up your hand at arms length as if pushing someone away or pressing against a wall. Now slowly bend your elbow until the point sits just under your breast or pectoral muscle. 

That’s the maximum personal space invasion I allow from people I don’t know well. In my experience, this is common to many women, though others prefer more space. Likewise, in my experience, men I have met seemed perfectly comfortable with me being closer than even that, but I am small, relatively unthreatening, and we have to allow for the fact that we were in the position of viewing each other as romantic interests. Men may prefer more space from other men, or from individuals that they do not see in a romantic light already. This changes from person to person, and noting your characters preference is a good way to show what kind of person they are.

Eye-Contact 

Another fundamental which relies on instinct subtlety; conventional wisdom says that you should make eye-contact in order to show interest. Actual wisdom will also tell you that too much becomes intense and a little creepy. If your character holds someone’s eye for too long its becomes fixative rather than flirtatious; it becomes staring. Depending on your character and their interest this can either read as obsessive, creepy, or aggressive. 

Flirtatious eye contact can take a few forms; 

1 - the “getting caught” method where a person looks at someone and quickly looks away again. When caught have your character (or yourself) look away quickly and then back, hold eye contact for a few moments and then acknowledge the other person. A smile, wink, or nod will suffice for this. 

2 - the “lash” method where someone, usually a woman, catches their crushes eye, looks down, and then back up from under the lashes. Also very effective when done by men with big eyelashes. 

3 - the “full cheese” method by which someone winks, grins, or wiggles their eyebrows. This is effective when used sparingly. 

If your character also touches the person they are flirting with lightly, this will build tension. The touch should be gentle, but obviously deliberate. Avoid possessive gestures like gripping or pulling, however. 

Body Language

When flirting, the body language of both people is important; your character should watch their crush for signs of interest and/or discomfort. 

Positive signs; leaning in, touching, playing with hair, smiling, licking or biting lips, tilting their head slightly, mirroring. 

Negative signs; leaning away, crossing arms, pursing lips, refusing to make eye-contact, raising their shoulders, crossing their legs away from the other person, frowning, clenching jaw, balling fists. 

This body language can apply to both characters in the scene. 

Advanced Techniques; Verbal Cues, Suggestions, And Other Senses

This is the shit I thrive on, as a writer you will probably feel the same way; I notice the sounds, smells, and textures of another person as well as what they say (in fact, when you read my work you’ll notice that the smell of any romantic lead is noted upon more than once). 

Verbal Cues

This is the thing that most people focus upon when it comes to discussions or attempts at flirtation. The verbal sparring that comes with flirting is what really gets our stomachs churning and our hearts pulsing… but why are some people so naturally good at it, while others are… less so? 

And why does some of the most vapid and run-of-the-mill stuff seem to work between the right people? 

Well, the sad news for your unlovely characters is that physical attraction makes us more likely to respond to even the most poorly constructed of verbal flirtation. Then again, beauty is in the eye of the beholder so even the least pretty of characters could find themselves flirting up a storm with the right person. 

Verbal cues include; 

- Gentle teasing 

- Compliments

- Inside jokes

- Using someone’s name (yes, really)

- Asking questions and responding in a thoughtful way

- Sexual innuendo (when used tastefully and sparingly)

Suggestion

This is the easiest to miss or overshoot because it’s a combination of everything else we’ve already covered. For example, your character saying to a friend, 

“I’m just going to hop into the shower, talk soon.” 

Is not a suggestive statement. Now imagine your character flirting with someone on the phone before sighing and saying, 

“I’m going to take a shower… I’ll speak to you soon, ok?”

The difference is subtle but important; the second suggests that they don’t want to stop talking to the other person, that they definitely want to speak to them again as soon as possible, and subtly encourages the other person to consider them in the shower. You see? 

Easy to miss, easy to fudge. Suggestion is hard to pull off, and hard to write, but think of it this way - suggestion;

1) Encourages the other person to think of you/your character in an intimate way

2) Implies enjoyment in and desire for their presence

3) Is open-ended and encourages reciprocation

The Other Senses

This is not so much flirting, but the act of making your character/yourself as appealing as possible to another. Personal hygiene, a good fashion sense, and good manners are a part of this.

But - 

When writing about this you should not discuss it directly unless your character is making a conscious choice. Instead, focus on the character that yours is focussed upon. 

- How do they smell?

- What are the textures of their clothes?

- What manners do they affect?

- Does their voice have a texture?

- Do they touch your character a lot? 

- Do they note upon your characters smell or noticeably try to take in their smell? 

- Do they react noticeably to your character’s voice or mannerisms?

This is just a basic guide, of course, but if you get this down you’re in a good position to build romantic tension in every walk of life!

have fun

write whatever is interesting to you, even if it won’t be interesting to anyone else

appreciate kudos when they come, but don’t expect them

appreciate comments when they come, but don’t expect them

if you wish you could just write that one scene you have in your head, do that. you don’t need to create a 30K backstory for it first.

embrace one shots

embrace drabbles

embrace writing your story out of order

rough drafts are meant to be rough. if you can’t think of a word, put in a placeholder for it and keep going. 

try not to get stuck on the little things

it’s okay if your readers can’t see the picture inside of your head

some people work well when they have a posting schedule. some people work well when they don’t. it’s okay if you don’t know which kind of person you are, and it’s okay if the type of person you are changes over time.

if a rule you created for yourself isn’t working for you, get rid of that rule.

make fandom friends. even if they don’t read your fic, they’ll cheer you on while you write it.

cheer on other writers you know. you’ll be cheering yourself at the same time.

no trope or genre is better or worse than another one. they all just appeal to different audiences.

quality and popularity are not the same thing, although they do sometimes overlap

numbers and statistics will never tell you whether or not you’re a good writer. they will never tell you how valuable you are as a person. 

you belong in fandom if you want to be there

you’re a writer as soon as you start writing things

writing and posting are two different things. your story is still worth writing, even if you never plan to share it

you don’t need to apologize for what you write or what you post. 

don’t worry about taking up too much space. the internet doesn’t have a maximum size. 

keep your readers in mind when you’re tagging your content. how could they search for your fic? if you use a tag, will be a reader who loves that tag be satisfied with how much it appears in your story?

if you have a relationship in your fic that plays a minor role, tag it in the Additional Tags section instead of the Relationship section so that people who love that ship don’t get their hopes up

be cautious when looking at bookmarks on your fic. they aren’t “extra comments.” that’s a space where readers make notes for themselves and each other, not for authors. 

you don’t need to know everything about canon before you start writing fic

you don’t need to read fic in the same fandoms you write for

you don’t need to read fic at all in order to write it

love your work because sometimes you’re the only one who will - and that’s okay

if your hobby starts feeling like a job, you might need to take a break before you get burnt out

if you get stuck on a story, you can always start a new one

if you fall out of love with a story, you can always stop writing it. if you’re worried about your readers, you can always give them a bullet point summary of where you were planning to go with thing. for a lot of people, that’s satisfying and provides closure

if you get hate, report it

use the tools at your disposal to block hate before it can come in (limiting or turning off comments, limiting or turning off asks, blocking users, etc)

try replying to comments sometimes. it can be a lovely way to make fandom friends

don’t be afraid to reblog your own writing posts.

if you get stuck on your summary, just write 1) who the story is about 2) what they are doing and 3) what problem gets in their way

notice when your writing makes you smile. that moment is a gift. enjoy it.

notice when your writing makes you cry. that moment is a gift, too.

even if you’re disappointed in how your story turned out, there’s something in there that’s fantastic. find that thing and focus on it and feel proud.

some ideas are ones you want to write. some are ones you want to read. if you ever have too many ideas to deal with at once, give some of the latter ones away to someone else. 

sometimes the things you write will be really personal. be careful about putting them where other people can comment. they won’t know how personal it is for you, and you need to remember that comments aren’t about you, they’re about the story.

remember that you can write series as well as stories. if the story is done but you still have passion or ideas, start a new one in the same universe.

enjoy the satisfaction of finishing a story. savour it. bask in it a little while.

don’t feel guilty about abandoning a story. not every story gets finished, and that’s okay

you can have separate accounts for different fandoms. you can have one account with a million fandoms in it. do whatever works for you.

sometimes writing is more important than sleep - but only sometimes

it doesn’t matter if that story has been written before by someone else. it doesn’t matter if it was written by you. write it again.

This was meant to be a quick warm up, but it turned into a comic that I’ve wanted to draw for a while. This is something that is extremely important to me, and I appreciate it if you read it.

A while ago, I heard a story that broke my heart. A family went a cat shelter to adopt. The daughter fell in love with a 3-legged cat. The father straight up said “absolutely not”. Because he was missing a leg. That cat was that close to having a family that loved him, but the missing leg held him back. Why?!

Many people have the initial instinct of “nope” when they see an imperfect animal. I get it, but less-adoptable does NOT mean less loveable. 9 out of 10 people will choose a kitten over an adult cat. And those 10% that would get an adult cat often overlook “different” animals.

All I want people to do is be open to the idea of having a “different” pet in their lives. Choose the pet that you fall in love with, but at least give all of them a fair shot at winning your heart.

This is Lenore. I first saw her in a little cage at the Petco I frequent (I used to take my parents’ dog in for puppy play time), and she looked like the grouchiest, old, crotchety cat in the world, and I fell instantly in love. She was cranky, she was anti-social, hanging out at the back of her cage. Her fur was matted because she wouldn’t let the groomers near her.

She was perfect.

But I didn’t have a place for her. I wasn’t living in my own space yet, and where I was, I wasn’t allowed cats. So I pressed my face to the bars of her cage and I promised that if no one had adopted her by the time I’d bought a house, I would come back for her.

I visited her every week for over six months while I looked for a house. At one point, they had to just shave her entire rear-end because the mats or fur were so bad. They told me she clawed the heck outta the groomer that did it, screamed the entire time, and spent the next two days growling at anyone that came near the cage.

A couple of weeks later, I closed on my house. I went back and I got an employee, and I said: “That one. I need that cat.”

They got the paperwork and the lady who ran the rescue that was bringing the cats in told me that Lenore (at the time, Lila) was 8 years old, had been owned by an elderly lady who had died, and brought in to a different rescue, who’d had her for six months on top of the time I’d been seeing her at Petco.

This kitty had been living in a 3x3’ cube for over a YEAR because she was older and “less adoptable.”

I signed the paperwork, put her in a cat carrier, and drove her to my new home. I had pretty much nothing; a bed, an old couch, a couple of bookcases, and a tank of mice I called “Cat TV”. I let her out of the carrier and onto my bed, and I told her “I told you I would come back for you when I had a place. It’s not much, but it’s yours too now.”

Lenore spent the next three days straight purring non-stop. She followed me around the house purring. Sat next to me purring. Slept next to me purring. Leaning into every touch, purring, purring, always purring. She still purrs if you so much as think about petting her. She’s amazing, and I love her.

This is Cecil. Cecil is 4 year old orange tabby who I adopted back in January.

We took them all.

Pregnant cats, several with neurological issues, some with one eye or completely blind, others with no ears.

Dogs and cats.

Now we have 15 cats and 9 dogs (at one time we had more than 50 animals).

Each of them is neutered, attended by a trusted vet and has a place in our home.

seeing the outrage and shock and horror that oh my god you actually write in that?? you mean you don’t ___??? will never cease to make my day

what is it about a font that makes it appeal to someone and not to someone else? 

how does the tiny curl of that b send some writers into the deepest distress?

idk. idk. but it’s kinda amazing.

lawful good: garamond neutral good: changing the font for each wip and/or draft (to a font that doesn’t suck) chaotic good: georgia, some serif fonts

lawful neutral: times new roman, sitka display true neutral: not caring about the font chaotic neutral: comic sans

There is this a peculiar set of reasons and biases when it comes to NOT commenting on AO3.

They are all false, but here they are:

Do not comment on old fics

Do not comment on each chapter of a multichapter

Do not comment if the author left the fandom

Do not comment if the author doesn’t respond to comments

It can be summoned up as DO NOT ACT LIKE YOU ENJOYED THE WORK AND YOU LIKE THE AUTHOR.

It comes from the idea, that if you leave a comment on my old work, or leave too many comments, I will think you are strange, clingy, and gross.

Readers are imagining it as commenting on an old Facebook photo — only your granny and creepy strangers do that.

That is not the case with AO3.

Writers put their works there for long-term storage, and we expect, wish, and hope that you will like our works and tell us about it.

This all very interesting, not, but why should I care?

This has awful consequences.  Fanfic authors feel constant pressure to create more and crippling fear of being forgotten, useless, and being literally kicked away from fandom.

I’m online friends with a few great fandom authors, who wrote storied with thousands of kudos, but ALL of them at some point expressed this fear. Very talented people told me, “I’m not sure if I should have ‘writer’ in my bio. I didn’t post anything new in the last half of a year.”

Some young or entitled readers might say, “Hm, well, they are right. They should create MORE to be relevant. Isn’t that a good thing to push authors to write more?”

For better or worse, life doesn’t work like that. We are talking about real people, who go to real schools, have real jobs, families, and all the other important things outside the fandom. Some of them might push to create more from that fear, but most would only get more frustrated and depressed about the whole fanfic writing.

So, please, if you like the work comment on it.

Even if it’s old, even if it’s a multichapter, even if the author doesn’t have time and energy to interact. Especially in all those cases.

first law: write the fic you wish to see in the world aka goddammit do I have to do everything myself around here

second law: it’s going to be longer than you think. much longer. hahaha so long. why are you crying 

third law: the time spent writing is inversely proportional to the amount of smut present, dammit

fourth law: flesh out your secondary characters. make them real people. have them take over. oh god. put them back. somebody please help 

fifth law: the time spent researching canon is directly proportional to the amount of time you’ll spend altering your plot. that one person on the internet 

sixth law: the time spent researching in general will eclipse the time you spend writing. the nsa agent monitoring your internet search history is curled up in a corner. his boss wants to know if you’re a threat. “I don’t know,” the agent sobs. “I just really don’t know.” 

Source

Video of Tama

^Nitama majestic, and below with Yontama

Yontama.

The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.

There comes a time when fandom becomes less of an escape from anxiety to being the source of anxiety. Sometimes I need to remind myself what’s important to focus on, and I made this chart to help me with that. 

Request 5 - Nene Kinokuni (Shokugeki no Soma)

It surprised me in a very good way. It has been a long time since I saw such a well animated series.

I liked the premise, the characters (no matter how cliche some may be) even Tanjiro, the MC, which is not a common thing for me.

Now I'm up to date with the manga, enjoying the recent arc.