Grafia Vuoden Huiput 2010. The best of the Finnish advertising and design. Integrated marketing communications.

Jar Jar Binks Fan Club

Product Placement
he wasn't even looking at me and he found me
One Nice Bug Per Day
Mike Driver
The Bowery Presents

Discoholic đȘ©

#extradirty

oozey mess
Today's Document
Misplaced Lens Cap

gracie abrams
KIROKAZE
ojovivo

Game of Thrones Daily
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romaâ

⣠Chile in a Photography âŁ
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@aikakierre
Grafia Vuoden Huiput 2010. The best of the Finnish advertising and design. Integrated marketing communications.

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n-closet 4
Summer-Autumn 2010
Grafia Vuoden Huiput 2010. The best of the Finnish advertising and design.
Vuoden Huiput -kilpailun tavoite on vahvistaa laadukkaan markkinointiviestinnÀn ja kommunikaatiomuotoilun merkitystÀ suomalaisessa kulttuurissa ja taloudessa. Tapahtuma tÀhtÀÀ suunnittelun tason nostamiseen, luovuuden ja omaperÀisyyden voimistamiseen ja suunnitelijoiden ammattitaidon kehittÀmiseen.
The goal of the Vuoden Huiput competition is to strengthen the importance of high-quality marketing communications and communication design in Finnish culture and economy. The event aims to raise the level of design, strengthen creativity and originality, and develop the professionalism of designers.
Nintendo Power #134, July 2000 - âKirby 64â cover.
Various editorials from i-D magazine May 1996

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Various ads from i-D magazine May 1996
Various ads from i-D magazine May 1996
Sony.com December 1996
i-D magazine May 1996
Arkkitehtiuutiset 8/2019
Töölönlahden aluetta on viime vuosina myllÀtty, viimeksi keskustakirjasto Oodin valmistumisen yhteydessÀ. Helsingin keskustan suunnittelullista problematiikkaa on yritetty ratkaista kautta aikojen. Alvar Aalto laati 1960-luvulla Helsingin keskustasuunnitelman eli Töölönlahden, Kampin ja Pasilan alueen kokonaisratkaisun. Lupaavan alun saanut suunnitelma törmÀsi 60-luvun kulttuuri-ilmapiirin, muuttuneisiin suunnitteluihanteisiin sekÀ Helsingin kuntapoliittiseen jÀrjestelmÀÀn. Suunnitelman keskeiset elementit olivat Töölönlahti ja sen vesipeili, julkisten rakennusten sarja ja Vapaudenkatu, joka rakennettaisiin maasiltana rautatien pÀÀlle. Keskustasuunnitelman perusajatukset ovat nÀhtÀvillÀ Helsingin nykyisessÀ kaupunkitilassa. Finlandia-talo, SÀhkötalo ja Ooppera kuuluivat Aallon visioon. Kampin matkakeskus sisÀltyi suunnitelmaan. Töölönlahden etelÀpÀÀty noudattaa Aallonkin vaalimaa avoimen kaupunkutilan periaatetta, ja keskustakirjasto Oodi tÀydentÀÀ julkisten kulttuurirakennusten sarjan. KÀyttÀjÀlÀhtöisenÀ suunnitelijana Aalto olisi tyytyvÀinen ainakin siihen, ettÀ kansalaiset ovat ottaneet TöölönlÀhden kulttuurirakennukset omakseen.
The Töölönlahti area has been the subject of much debate in recent years, most recently in connection with the completion of the Oodi Central Library. Attempts have been made to solve the planning problems of the Helsinki city centre throughout history. In the 1960s, Alvar Aalto drew up the Helsinki City Centre Plan, i.e. the comprehensive solution for the Töölönlahti, Kamppi and Pasila areas. The plan, which had a promising start, clashed with the cultural atmosphere of the 1960s, the changed planning ideals and the municipal political system of Helsinki. The key elements of the plan were Töölönlahti and its water mirror, a series of public buildings and Vapaudenkatu, which would be built as a viaduct over the railway. The basic ideas of the city centre plan can be seen in the current urban space of Helsinki. Finlandia Hall, the SÀhkötalo and the Opera House were part of Aalto's vision. The Kamppi Travel Centre was included in the plan. The southern end of Töölönlahti follows the principle of open urban space that Aalto also cherished, and the Oodi Central Library completes the series of public cultural buildings. As a user-oriented designer, Aalto would at least be satisfied that the citizens have embraced the cultural buildings of TöölönlÀhti.

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Celsing och den kÀnsligÀ brutalismen. Svensk dokumentÀr frÄn 2025 av Oskar Anesten.
Celsing och den kÀnsligÀ brutalismen
Kulturhuset vid Sergels torg i Stockholm, med sin storslagna betongfasad och oppe glasytor, Àr en av stadens mest igenkÀnnliga byggnader. NÀr Sveriges huvudstad ska moderniseras under efterkrigstiden spelar Peter Celsing en huvudroll. Kulturhuset vid Plattan kom att bli hans livsverk och han rÀknas idag till de allra största i den svenska arkitekturhistorien. HÀr fÄr vi berÀttelsen om den monumentala byggnadens tillkomst och mannen bakom. Vad var hans vision och hur gick det till nÀr huset byggdes? Förutom bebyggelsen i City kom han att ocksÄ göra stora avtryck i stadens utkant med tunnelbanestationer och kyrkor, allt med en uppenbar konstnÀrlighet och en fixerad kÀrlek till tidens material, betong. Svensk dokumentÀr frÄn 2025 av Oskar Anesten.
The Cultural Center at Sergels Torg in Stockholm, with its magnificent concrete facade and glass surfaces, is one of the city's most recognizable buildings. When Sweden's capital was to be modernized in the post-war period, Peter Celsing played a leading role. The Cultural Center at Plattan became his life's work and he is today considered one of the greatest in Swedish architectural history. Here we get the story of the monumental building's creation and the man behind it. What was his vision and how did it happen when the house was built? In addition to the buildings in the City, he also made a big impression on the outskirts of the city with subway stations and churches, all with an obvious artistry and a fixed love for the material of the time, concrete. Swedish documentary from 2025 by Oskar Anesten.
Nokia 3650 mobile phone print ad 2003 (x)
by Mauro Reggiani, 1967
Arkkitehtiuutiset 8/2019
Kaksivaiheisella kilpailulla etsittiin suunnitelmia ja toteuttajia kahteen pÀivÀkotiin Helsingin Kruunuvuoressa ja Kalasatamassa. Kruunuvuoressa voittajaksi valittiin ehdotus Puutarhassa ja Verkosaaressa ehdotus Taapelit. Suunnitelmat ovat tunnistettavasti sukua keskenÀÀn, mutta niille on löydetty kohdetontin erityispiirteisiin sopivat identiteetit. Ehdotusten leimallinen ominaisuus on puu: kummallekin tontille on muista ehdotuksista poiketen esitetty kokonaan CLT-runkoinen puurakennus. CLT-levyjen johdonmukainen kÀyttö rakenteellisena ratkaisuna luo yksiaineisen, akustikaltaan ja sisÀilmastoltaan miellyttÀvÀn ja terveellisen ympÀristön.
Kruunuvuorenrannan voittajatyö Puutarhassa on kaupunkikuvallisesti ja arkkitehtonisesti laadukas. Massoitelun taitteisuus synnyttÀÀ veistoksellista jÀsentelyÀ. Rakennuksen sijoitus tontille on erinomainen ja rajaa katutilaa hyvin. Katon muoto on mielenkiintoinen, ja viherkatto muodostaa vieresistÀ asuinkerrostaloista nÀhtynÀ laadukkaan nÀkymÀn. Julkisivumateriaaleissa (lehtikuusi, sinkkilevy, viherkatto) on huomioitu paikallinen historia. Ikkuna-aukotus on elÀvÀÀ ja onnistunutta.
A two-stage competition sought designs and implementers for two daycare centers in Kruunuvuori and Kalasatama, Helsinki. In Kruunuvuori, the winning proposal was Puutarhassa, and in Verkosaari, the winning proposal was Taapelit. The designs are recognizably related, but identities have been found that suit the specific characteristics of the target site. The distinctive feature of the proposals is wood: unlike the other proposals, a completely framed with Cross-Laminated Timber panels building has been proposed for both sites. The consistent use of CLT panels as a structural solution creates a single-material, pleasant and healthy environment in terms of acoustics and indoor climate.
Kruunuvuorenranta's winning entry, Puutarhassa, is of high quality in terms of urban and architectural design. The curvature of the massing creates a sculptural structure. The building's placement on the plot is excellent and delimits the street space well. The shape of the roof is interesting, and the green (vegetation) roof creates a high-quality view when seen from the neighboring apartment buildings. The facade materials (larch, zinc sheet, green roof) take into account local history. The window openings are lively and successful.

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FRUiTS 156
July 2010
by Max Bill, 1967