weekends: lipstick the colour of liberation,
eyeliner dark as the moonless sky.
her skin is a canvas for disco lights,
her hands are flint against your heart.
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The first Panchali artwork felt a bit haphazard to me so I became pretty guilty that everyone liked it so much and that I could've refined it more, so here comes another one. I do not make any promises, so a couple of months down the lane you'll probably see me post yet another version of Panchali while putting the same caption.
fire melted stone
when justice smiled his smile
fire melted stone
and covered wind himself
fire melted stone
and beauty came running
fire melted stone
when wisdom gave in
and fire melted
when raindrops held her close.
also, apropos of nothing, my nonexistent kingdom for stories where Draupadi is into all of her husbands and they’re all extremely into her. please please please.
And yes, I do mean all of them. What is the point of Shiva giving Nalayini five men to fulfill her ache for the perfect husband if they’re not all appealing to different aspects of her? Like, fine, if you want her and Arjuna to be MFEO, that can be the Love At First Sight part of her life. But he’s… gone for twelve years, and then gone again for months. Arjuna might be the Love of Her Life, but his brothers are the ones with whom she’s setting up a household for years and years. Please please don’t exclude them from her romantic and sexual life. What an awful fate for Panchali, to live with men she doesn’t want for a full 80% of her marital life and adult existence.
Just. no. nope. boring. pass.
Instead
Draupadi and Yudhishtira seamlessly transitioning from debates to making out back to debates;
Bheema lavishing all the care of his too-tender heart on his Princess, his rib-crushing hands so careful on her body;
Arjuna and Krishnaa travelling to Dwaraka without an entourage, falling back in love after his long absence;
Nakula teaching Yajnaseni to be comfortable on a horse, stroking her ankles as he helps her mount and dismount;
Sahadeva holding Panchali as she comes apart in his arms, because he knows what it is, to be the younger twin, to be the youngest sibling, to feel burdened by love
Hell, gimme Draupadi/Subhadra while you’re at it, two of Krishna’s favourite girls using their mutual adoration of him to find their way into loving each other.
Just, fill her days and nights and skies with love.
Her eyes were black, and large as lotus-petals, her complexion was dark, and her locks were blue and curly. Her nails were beautifully convex, and bright as burnished copper; her eye-brows were fair, and bosom was deep.
Indeed, she resembled the veritable daughter of a celestial born among men.
KMG Mahabharat | Book 1: Adi Parva | Chaitraratha Parva | SECTION CLXIX
⤷ requested by @chaanv for my follower celebration
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विकर्ण was the third Kaurava, the son of Dhritarashtra and Gandhari, and the brother of Duryodhana. Vikarna is also referred to as the third-most reputable of the Kauravas.
He was the only Kaurava who opposed the humiliation of Draupadi, the wife of his cousins, the Pandavas, after Yudhisthira lost her liberty in a game of dice to Duryodhana.
❝ The sister-in-law's insult is an affront to the entire Kuru clan. If her questions are not answered, our line is doomed.❞
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Vaishyaputra Yuyutsu was a half-brother to the 100 Kuru brothers. When the trials of Gandhari were failing at producing a child, a fearful Dhritarashtra produced a child with a Vaishya daasi named Sugadha, and so was born Yuyutsu.
Possessing the ability to fight 60,000 warriors simultaneously, he was one of the Atirathis among the Kauravas. But, he chose to fight for the right, with the right, and hence, took part in the Kurukshetra war from the Pandavas’ side.
उदाहरण बन कर युयुत्सु ने, यह दिखला दिया है संसार को,
धर्म से बढ़कर कुछ भी नही, भले ही समक्ष परिवार हो ।
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